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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Composer\'s Own Press
Non classifié
414
Piano & claviers
Piano seul
312
Piano Facile
71
Piano, Voix
27
Piano, Voix et Guitare
26
Instruments en Do
19
Orgue
17
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
5
2 Pianos, 4 mains
4
Clavecin
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 7 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
Voix
Chorale SATB
179
Chorale 3 parties
26
Chorale Unison
20
Chorale SSAA
18
Chorale 2 parties
14
Voix Alto, Piano
10
Chorale TTBB
8
Voix haute
7
Voix Soprano
3
Chorale SSAATTBB
3
Voix basse, Piano
2
Voix Soprano, Piano
2
Voix duo
2
Voix Baryton, Piano
2
Voix moyenne, Piano
1
Chorale SATBB
1
Voix Tenor, Piano
1
Voix seule
1
+ 13 instrumentations
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Vents
2 Flûtes traversières (duo)
93
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière et Piano
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
Clarinette et Piano
33
2 Saxophones (duo)
23
Hautbois, Piano (duo)
19
Clarinette
17
Hautbois (partie séparée)
14
2 Clarinettes (duo)
13
Saxophone Alto et Piano
13
Flûte traversière
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Soprano et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Quintette de Saxophone: 5 saxophones
10
Saxophone Tenor et Piano
9
Ensemble de Clarinettes
9
Saxophone Baryton, Piano
8
Quatuor de Flûtes : 4 flûtes
7
Clarinette Basse, Piano
5
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
3 Saxophones (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Basson (duo)
3
Flûte, Violoncelle
3
2 Hautbois (duo)
2
Hautbois, Violoncelle
2
Clarinette, Trompette (duo)
2
Clarinette et Alto
2
Ensemble de saxophones
2
Clarinette, Violon (duo)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Flûte, Violon
2
Flûte, Clarinette (duo)
2
Cor anglais, Piano
2
Saxophone Alto
2
Clarinette, Violoncelle (duo)
2
Hautbois, Clarinette (duo)
1
Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
Saxophone et Piano
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
2 Cors Anglais Et Pianoforte
1
Saxophone, Clarinette (duo)
1
Saxophone Tenor
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Ensemble de Trompettes
25
Trombone et Piano
17
Cor et Piano
15
Trompette
14
2 Cors (duo)
6
Trompette, Piano
6
Euphonium, Piano (duo)
6
Quatuor de Cuivres
6
Tuba et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Ensemble de Cors
4
Ensemble de Trombones
3
Quatuor de cuivres: 4 trombones
3
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
2 Euphoniums (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
Cor
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
1
Trompette (partie séparée)
1
Trombone basse et Piano
1
Trombone et orchestre
1
Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
Clarinette, Cor (duo)
1
Tuba
1
Trompette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
157
Violon et Piano
48
Violoncelle, Piano
25
Trio à Cordes: violon, alto, violoncelle
23
Alto, Piano
17
2 Violons (duo)
12
Violon
11
Violon, Violoncelle (duo)
7
Violoncelle
7
4 Violoncelles
6
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Harpe
5
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Violon, Alto (duo)
2
2 Contrebasses (duo)
2
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Violon (partie séparée)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Alto seul
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
62
Ensemble de cuivres
39
Orchestre
37
Orchestre d'harmonie
26
Orchestre de chambre
22
Ensemble Jazz
8
Jazz combo
6
Ensemble de Percussions
4
Vibraphone
4
Cloches
4
Marimba
3
Batterie
2
Xylophone
1
Batterie (partie séparée)
1
Piano et Orchestre
1
2 Marimbas
1
+ 11 instrumentations
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Autres
Instruments
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AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Vous avez sélectionné:
The Composer\'s Own Press
Saxophone Soprano et Piano
Partitions à imprimer
10 partitions trouvées
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1
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Swan Lake Theme, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Sopr
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737761. Published by David McKeown (A0.587687). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Ali Ben Sou Alle: Souvenirs d'Angleterre for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533492 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 16 pages. Musik Fabrik Music Publishing #3000185. Published by Musik Fabrik Music Publishing (A0.533492). Souvenirs d’Angleterre is composed of an opening aria with a number of cadenzas followed by a Valse brillante with variations. Stylistically, the work seems to be more influenced by German Classical music (note especially the classical piano figurations in the opening aria, reminiscent of such composers as Beethoven and Weber). The Valse has an expressive variation in a minor key and the entire work ends, elegantly, pianissimo.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$11.95
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Cont...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984760. Published by jmsgu3 (A0.1401579). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Handel: Largo from Xerxes for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wed...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Debussy: Arabesque 1 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Sopra
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.551633 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New ...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.551633 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325875. Published by jmsgu3 (A0.551633). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement. Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Debussy: Arabesque 2 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Sopra
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.551648 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.551648 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330259. Published by jmsgu3 (A0.551648). Claude Debussy: Arabesque No. 2. Score: 12 pages, Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Ice
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Saxophone Soprano et Piano
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Sergio Roberto de Oliveira
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Ice
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Sergio Roberto de Oliveira
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - SKU: A0.962349 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Sc...
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - SKU: A0.962349 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 19 pages. Sergio Roberto de Oliveira #4809897. Published by Sergio Roberto de Oliveira (A0.962349). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$12.95
Sonatina (op. 100) for soprano saxophone (or Bb clarinet) and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Jeffrey Heisler
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Sonatina
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Jeffrey Heisler
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.1253199 Composed by Antonin Dvorak. Arranged by Jeffrey Heisler. 19th Century,Chamber,Classical,Instructiona...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.1253199 Composed by Antonin Dvorak. Arranged by Jeffrey Heisler. 19th Century,Chamber,Classical,Instructional,Multicultural,World. Score and part. 40 pages. Jeffrey Heisler #846950. Published by Jeffrey Heisler (A0.1253199). The Sonatina, Op. 100, (arranged by saxophonist Jeffrey Heisler for soprano saxophone [or Bb clarinet] and piano) was written during Dvořák's stay in the USA in 1893, and is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit.Inspired by the fascinating landscape of North America and by meetings with the native inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.  Designed as a recital or pedagogical piece with great musicial depth, perfect for students and professionals alike.
$9.99
Feast of Love - Soprano Saxophone/Piano
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Saxophone Soprano et Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Soprano Saxoph
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.844551 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.844551 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517847. Published by Phil Beaman (A0.844551). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
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