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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Composer Man
Non classifié
3 021
Piano & claviers
Piano seul
2 069
Piano Facile
490
Orgue
428
Piano, Voix
382
Piano, Voix et Guitare
138
1 Piano, 4 mains
64
Instruments en Do
59
Piano Trio: piano, violon, violoncelle
51
2 Pianos, 4 mains
48
Orgue, Piano (duo)
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Accompagnement Piano
8
Accordéon
8
Clavecin
6
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Accordéons
1
Orgue, Trompette (duo)
1
+ 14 instrumentations
Retracter
Guitares
Guitare
238
Guitare notes et tablatures
112
Ukulele
68
2 Guitares (duo)
58
Ligne De Mélodie, (Paroles) et Accords
26
Mandoline
19
Piano, Guitare (duo)
17
4 Guitares (Quatuor)
12
Basse electrique
8
Guitare, Violon, Violoncelle (trio)
8
3 Guitares (trio)
7
Mandoline, Guitare (duo)
5
Dulcimer
3
2 Ukuleles
1
Guitare, Quatuor à cordes
1
Banjo
1
Mandoline, Piano (duo)
1
2 Mandolines (duo)
1
Luth
1
Orchestre à Plectres
1
Ukulele Baryton
1
Ensemble de guitares
1
+ 17 instrumentations
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Voix
Chorale SATB
676
Chorale 3 parties
114
Chorale 2 parties
57
Voix Soprano, Piano
54
Chorale Unison
49
Voix Baryton, Piano
41
Voix Alto, Piano
41
Chorale TTBB
36
Voix Tenor, Piano
33
Voix moyenne, Piano
25
Chorale SSAA
25
Voix haute
25
Voix duo
19
Voix duo, Piano
12
Voix Mezzo-Soprano, Piano
9
Voix seule
7
Chorale SSAATTBB
7
Chorale SSATTB
5
Voix Soprano
4
Voix basse, Piano
4
Soli, choeur mixte et accompagnement
3
Chorale SSATB
3
Voix Tenor
3
Voix basse
2
Chorale SSAB a cappella
1
+ 20 instrumentations
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Vents
Flûte traversière et Piano
673
Clarinette et Piano
447
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
347
Hautbois, Piano (duo)
339
Saxophone Alto et Piano
279
Quatuor de Saxophones: 4 saxophones
235
Quatuor de Clarinettes: 4 clarinettes
158
Quintette de Saxophone: 5 saxophones
151
Saxophone Soprano et Piano
143
Flûte, Hautbois, Clarinette, Basson
141
2 Saxophones (duo)
129
2 Flûtes traversières (duo)
127
Saxophone Tenor et Piano
125
Quatuor de Flûtes : 4 flûtes
106
Clarinette
99
Ensemble de saxophones
95
Cor anglais, Piano
87
Ensemble de Clarinettes
85
2 Clarinettes (duo)
73
Flûte traversière
70
Saxophone Baryton, Piano
60
Quintette de Clarinettes: 5 clarinettes
60
Quintette de Flûte : 5 flûtes
53
3 Saxophones (trio)
50
Saxophone Alto
50
Ensemble de Flûtes
46
Hautbois (partie séparée)
33
3 Clarinettes (trio)
31
Saxophone, Clarinette (duo)
29
Clarinette Basse, Piano
29
Flûte et Guitare
27
Saxophone Tenor
26
Clarinette, Guitare (duo)
26
2 Flûte à bec (duo)
25
Clarinette, Violon (duo)
24
Flûte, Clarinette (duo)
24
Flûte à bec Soprano
24
Hautbois, Basson (duo)
22
2 Hautbois (duo)
21
Saxophone (partie séparée)
20
Clarinette, Basson (duo)
18
Clarinette, Trompette (duo)
15
Flûte, Violon
15
Quatuor de Flûtes à bec
14
Trio de Flûtes: 3 flûtes
14
Flûte à bec Alto
12
Flûte, Saxophone (duo)
12
Hautbois, Clarinette (duo)
12
Flute (partie séparée)
11
Piccolo, Piano
10
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Flûte
10
Clarinette et Alto
10
Hautbois
9
Flûte, Alto (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte, Trompette (duo)
8
2 Flûtes traversières, Piano
8
Cor Anglais
8
Flûte à bec, Guitare (duo)
8
Flûte, Violoncelle
7
5 Flûtes à bec
7
Saxophone Baryton
7
Ensemble De Flûte à bec
7
Flûte à Bec
7
2 Clarinettes, Piano
6
Flûte à bec Alto, Piano
6
3 Flûtes à bec (trio)
6
Flûte, Violoncelle, Piano (trio)
6
Flûte à bec Soprano, Piano
6
Flûte, Violon, Piano
6
Saxophone Soprano
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Piccolo
5
Harmonica
4
Flûte à bec Tenor
4
Flûte à Bec, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
2 Cors Anglais Et Pianoforte
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violon, Violoncelle et Piano
3
Saxophone
3
Flûte, Hautbois (duo)
3
Saxophone et Harpe
3
2 Clarinettes, Basson
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette, Piano (trio)
3
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Saxophone et Orgue
2
Ocarina
2
Hautbois, Harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Basse continue
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violon, Piano
1
Clarinette Basse
1
2 Saxophones, Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Guitare
1
2 Flûtes, Basse continue
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Orgue (duo)
1
+ 104 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
366
Quatuor de Cuivres : 2 trompettes, trombone, tuba
241
Trombone et Piano
217
Trompette, Piano
191
Cor et Piano
160
Trompette
122
Cor anglais, Piano
87
Euphonium, Piano (duo)
84
Ensemble de Trombones
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Tuba et Piano
62
Trombone
52
Quatuor de cuivres: 4 trombones
50
Quatuor de Cuivres
48
Ensemble de Trompettes
45
2 Cors (duo)
36
2 Trombones (duo)
34
Cor
34
2 Trompettes (duo)
33
Tuba
29
Trompette, Trombone (duo)
25
Quatuor de cuivres: 4 cors
24
Trompette, Saxophone (duo)
21
Quatuor de cuivres: 4 trompettes
16
Ensemble de Cors
13
2 Tubas (duo)
8
Trompette (partie séparée)
8
Cor Anglais
8
3 Trombones (trio)
8
Trio de Cuivres
7
Trompette, Cor (duo)
6
Euphonium, Tuba (duo)
5
Trombone basse et Piano
5
4 Tubas
5
2 Euphoniums (duo)
5
Trombone basse
5
Trombone, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
2 Cors Anglais Et Pianoforte
3
3 Cors (trio)
3
Trombone et orchestre
3
3 Tubas (trio)
3
Trompette, violon (duo)
3
3 Trompettes (trio)
3
Tuba et Orgue
3
Trombone (partie séparée)
2
Cor, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Trombone, Orgue
1
Cor et Basson (duo)
1
Cornet et orchestre
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Trombone, Tuba (duo)
1
Euphonium
1
+ 52 instrumentations
Retracter
Cordes
Violon et Piano
746
Quatuor à cordes: 2 violons, alto, violoncelle
633
Violoncelle, Piano
396
Alto, Piano
373
Violon
151
Trio à Cordes: violon, alto, violoncelle
96
Violoncelle
83
Violon, Violoncelle (duo)
83
2 Violons (duo)
73
Violon, Guitare (duo)
72
Harpe
66
2 Violoncelles (duo)
49
Contrebasse, Piano (duo)
48
Alto seul
43
2 Altos (duo)
39
Violon, Alto (duo)
39
4 Violoncelles
29
Alto, Guitare (duo)
28
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violoncelle , Guitare (duo)
22
Trio à cordes: 3 violins
20
Trio à Cordes: 2 violons, violoncelle
20
Contre Basse
17
Quatuor à cordes : 4 altos
14
Alto, Violoncelle (duo)
12
Alto (partie séparée)
12
Ensemble de Violons
11
Trio à Cordes: 3 violoncelles
10
Ensemble d'Altos
9
Quatuor à cordes: 4 violons
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Flûte (duo)
7
2 Harpes (duo)
7
Piano Trio: Violon, Alto, Piano
7
Harpe, Violon (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 altos
6
Violoncelle, Contrebasse (duo)
5
2 Contrebasses (duo)
4
Violon (partie séparée)
3
Harpe, Trombone (duo)
3
Ensemble de Violoncelles
3
Violon, Basson (duo)
2
Harpe, Violon, Violoncelle
2
Flûte, Contrebasse (duo)
2
Harpe et Piano
2
Alto et Basson
2
Violon, Clarinette, Piano (trio)
2
Harpe et mandoline
2
2 Violoncelles, Piano
1
Violoncelle, Orgue
1
Alto, Orgue
1
Violon, Orgue
1
Harpe, Violoncelle (duo)
1
Violoncelle, Basse continue
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Alto et Harpe
1
Violon, Basse continue
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
583
Orchestre à Cordes
266
Orchestre
263
Orchestre de chambre
146
Ensemble de cuivres
132
Ensemble Jazz
64
Cloches
46
Jazz combo
29
Fanfare
26
Ensemble de Percussions
22
Marimba
6
Vibraphone
5
Piano et Orchestre
3
Batterie
1
Orchestre, Violon
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Xylophone, Piano
1
Ensemble d'École
1
2 Marimbas
1
+ 15 instrumentations
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Autres
Formation musicale - Solfège
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
The Composer Man
Saxophone Soprano et Piano
Partitions à imprimer
143 partitions trouvées
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126
Luther: Out of the Depths for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Spanish Romance (Romanza - Romance D'Amor)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1456233 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,W...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1456233 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Glauco Fernandes #1034944. Published by Glauco Fernandes (A0.1456233). Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Romance D'Amor, and Jeux Interdits, tailored for easy intermediate musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece while being accessible to easy intermediate level musicians. Every note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise indications, you will be able to perform the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Buy Sheet MusicTags: Spanish Romance, Romanza, Romance D'Amor, Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet, Spanish Romance Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet Music PDF, Sheet, Spanish Guitar, Spanish, Spanish Romance Tutorial, Spanish Romance, Spanish Romance, Romance De Amor, Spanish Romance, Romance, Spanish Romance Lesson, , Spanish Romanza, Spanish Romance Sheet PDF, Romance, Romance De Amor, Romance De Amor Guitar Tutorial, Anonymous Romance, Romance De Amor Guitar, Romance D'Amour Guitar, Vol. 11 Romance D'Amour, Romance Of The Guitar, Romance D'Amour (Anonymous), Romance Anónimo, Romance Anonimo, Romance De España, Romance De Amor Lesson, Mariage D'Amour, Mariage D'Amour Piano, Romance D'Amour, Easy Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Spanish Romance.
$6.99
Spanish Romance (Romanza - Romance D'Amor)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Glauco Fernandes
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Spanish Romance
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Glauco Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1456232 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,W...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1456232 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Glauco Fernandes #1034943. Published by Glauco Fernandes (A0.1456232). Spanish Romance (Romanza - Romance D'Amor) - Easy Intermediate ArrangementAre you passionate about music? We have the perfect offer for you! Presenting the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Romance D'Amor, and Jeux Interdits, tailored for easy intermediate musicians.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece while being accessible to easy intermediate level musicians. Every note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers seeking quality educational material, and professionals performing at events, including weddings. With precise indications, you will be able to perform the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Buy Sheet MusicTags: Spanish Romance, Romanza, Romance D'Amor, Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet, Spanish Romance Sheet Music, Spanish Romance Sheet Music, Spanish Romance Sheet Music PDF, Sheet, Spanish Guitar, Spanish, Spanish Romance Tutorial, Spanish Romance, Spanish Romance, Romance De Amor, Spanish Romance, Romance, Spanish Romance Lesson, , Spanish Romanza, Spanish Romance Sheet PDF, Romance, Romance De Amor, Romance De Amor Guitar Tutorial, Anonymous Romance, Romance De Amor Guitar, Romance D'Amour Guitar, Vol. 11 Romance D'Amour, Romance Of The Guitar, Romance D'Amour (Anonymous), Romance Anónimo, Romance Anonimo, Romance De España, Romance De Amor Lesson, Mariage D'Amour, Mariage D'Amour Piano, Romance D'Amour, Easy Intermediate Arrangement, Sheet Music, Music Students, Music Teachers, Wedding Music, Classical Music, Spanish Romance.
$6.99
The Wedding Album, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo So
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Sc...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romanti...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539211. Published by jmsgu3 (A0.549801). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Tcahikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 13 pages. Jmsgu3 #3520287. Published by jmsgu3 (A0.549685). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Queen of the Night - From the Magic Flute - Soprano Sax and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Queen of the Night - From the
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Soprano Saxophone - Level 3 - SKU: A0.760283 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,...
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Chamber Orchestra Piano,Soprano Saxophone - Level 3 - SKU: A0.760283 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3547285. Published by Raymond Fenech (A0.760283). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb soprano saxophone, violoncello and pian
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362081. Published by Musik Fabrik Music Publishing (A0.534730). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Swan Lake Theme, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Sopr
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737761. Published by David McKeown (A0.587687). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
There Is a Flower
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Saxophone Soprano et Piano
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Contemporain
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Stanley M
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There Is a Flower
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stanleymhoffman.com
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SheetMusicPlus
Piano,Soprano Saxophone - SKU: A0.924819 Composed by Stanley M. Hoffman. Contemporary. Score and part. 1 pages. Stanleymhoffman.com #3911885. Published ...
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Piano,Soprano Saxophone - SKU: A0.924819 Composed by Stanley M. Hoffman. Contemporary. Score and part. 1 pages. Stanleymhoffman.com #3911885. Published by stanleymhoffman.com (A0.924819). This is the first successful piece of music written by the composer. It started its life as a song, but the composer never got the rights to the text, so the music remains. You will hear echoes of Clair de Lune by Debussy.
$2.00
Traumerei by Schumann - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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FACILE
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Robert Schumann
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César Madeira
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Traumerei by Schumann - Sopran
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1200118 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Contest,F...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1200118 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Contest,Festival,Romantic Period. Score and part. 6 pages. Sheet Music To Play Editions #798922. Published by Sheet Music To Play Editions (A0.1200118). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Jesu, Joy of Man's Desiring - Soprano Sax and Piano (Full Score)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring -
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1222329 Composed by Johann Sebastian Bach. Arranged by César Madeira. Children,Early Music,Praise & Worsh...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1222329 Composed by Johann Sebastian Bach. Arranged by César Madeira. Children,Early Music,Praise & Worship,Religious,Sacred. Score and part. 4 pages. Sheet Music To Play Editions #818594. Published by Sheet Music To Play Editions (A0.1222329). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Soprano Sax and Piano. Full Score with Chords. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Jesu, Joy of Man's Desiring - Soprano Sax and Piano (Individual Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring -
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1222328 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Multic...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1222328 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Multicultural,Wedding,World. Score and part. 5 pages. Sheet Music To Play Editions #818593. Published by Sheet Music To Play Editions (A0.1222328). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Soprano Sax and Piano. Individual Parts with Chords. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Jesu, Joy of Man's Desiring - Soprano Sax and Piano (Full Score and Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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César Madeira
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Jesu, Joy of Man's Desiring -
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1178091 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Early Music,Renaissance,Sac...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1178091 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Early Music,Renaissance,Sacred,Wedding. Score and part. 8 pages. Sheet Music To Play Editions #778052. Published by Sheet Music To Play Editions (A0.1178091). Jesu, Joy of Man's Desiring, music derived from a chorale setting of the cantata Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach. Arrangement for Soprano Sax and Piano. Full Score and Individual Parts with Chords. Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
The Swan (Le Cygne) by Saint-Saens - Soprano Sax and Piano (Individual Parts)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1222982 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,R...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1222982 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819184. Published by Sheet Music To Play Editions (A0.1222982). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Soprano Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
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