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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thou Art the Way
Non classifié
825
Piano & claviers
Piano seul
398
Piano, Voix
198
Orgue
148
Piano Facile
73
Piano, Voix et Guitare
54
Instruments en Do
23
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
8
1 Piano, 4 mains
7
Accompagnement Piano
6
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
2
1 Piano, 6 mains
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
114
Guitare
59
Guitare notes et tablatures
26
2 Guitares (duo)
15
Ukulele
10
Ligne De Mélodie, (Paroles) et Accords
8
Mandoline
3
Paroles et Accords
2
Basse electrique
2
4 Guitares (Quatuor)
1
Banjo
1
Ensemble de guitares
1
Cithare
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
207
Chorale 3 parties
74
Chorale 2 parties
30
Chorale TTBB
28
Chorale Unison
17
Chorale SSAA
15
Voix Alto, Piano
11
Voix Soprano, Piano
6
Voix seule
5
Chorale SSAB a cappella
5
Voix basse, Piano
3
Voix haute
3
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix Tenor
2
Voix duo
2
Voix duo, Piano
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
260
Clarinette et Piano
223
Flûte traversière et Piano
212
Saxophone Alto et Piano
169
Saxophone Tenor et Piano
147
2 Saxophones (duo)
101
Quatuor de Saxophones: 4 saxophones
53
Clarinette
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Flûte traversière
43
2 Flûtes traversières (duo)
33
Saxophone, Clarinette (duo)
30
Saxophone Alto
29
Flûte, Hautbois, Clarinette, Basson
26
2 Clarinettes (duo)
25
Quintette de Saxophone: 5 saxophones
24
Clarinette, Violon (duo)
23
Saxophone Soprano et Piano
22
Hautbois (partie séparée)
22
Saxophone Baryton, Piano
20
Quatuor de Clarinettes: 4 clarinettes
18
Clarinette, Trompette (duo)
16
Saxophone Tenor
16
Saxophone (partie séparée)
13
Ensemble de Clarinettes
13
Hautbois, Basson (duo)
12
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
11
2 Hautbois (duo)
11
Clarinette et Alto
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois, Clarinette (duo)
10
Flûte à bec Soprano
10
Cor anglais, Piano
10
Flûte, Saxophone (duo)
9
Flûte, Trompette (duo)
8
Flûte, Violon
8
Ensemble de Flûtes
8
Hautbois, Flûte
8
Flûte irlandaise
8
Flûte, Alto (duo)
7
Flûte, Clarinette et Basson
7
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
5
5 Flûtes à bec
5
Quatuor de Flûtes à bec
5
Hautbois
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Ensemble de saxophones
4
Flute (partie séparée)
3
Flûte, Clarinette, Piano (trio)
3
Clarinette (partie séparée)
3
Trio de Flûtes: 3 flûtes
3
Flûte à bec Alto, Piano
3
2 Clarinettes, Piano
3
Cor Anglais
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Alto et Piano
2
2 Saxophones, Piano
2
Ocarina
2
Flûte, Hautbois (duo)
2
Clarinette, Guitare (duo)
2
Saxophone
2
Cor anglais, Guitare (duo)
2
Flûte à bec Alto
2
Flûte, Violon, Piano
1
Clarinette Basse
1
Hautbois, violon (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Hautbois, Guitare (duo)
1
Harmonica
1
Flûte à bec Tenor
1
Clarinette, Basson (duo)
1
Flûte à Bec
1
Saxophone Baryton
1
Piccolo
1
3 Flûtes à bec (trio)
1
Flûte, trombone et piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à Bec, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Piccolo, Piano
1
+ 84 instrumentations
Retracter
Cuivres
Trombone et Piano
175
Trompette, Piano
118
Trompette
107
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
70
Cor et Piano
62
Trombone
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Saxophone (duo)
22
Tuba et Piano
18
Trompette (partie séparée)
17
Cor
16
2 Trompettes (duo)
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres
13
2 Trombones (duo)
13
Cor anglais, Piano
10
2 Tubas (duo)
8
Euphonium, Piano (duo)
8
2 Cors (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trombone (partie séparée)
7
Tuba
7
Tuba et Orgue
4
Cor (partie séparée)
3
Quatuor de cuivres: 4 trombones
3
Cor Anglais
3
Ensemble de Cors
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Tubas
1
Ensemble de Trombones
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
2 Cors, Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
289
Violon et Piano
241
Alto, Piano
231
Violoncelle, Piano
185
Violon, Violoncelle (duo)
174
Violon
165
Trio à Cordes: violon, alto, violoncelle
141
Violoncelle
51
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Violon, Alto (duo)
28
Alto seul
28
2 Violons (duo)
23
2 Violoncelles (duo)
18
2 Altos (duo)
15
Contrebasse, Piano (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Harpe
13
Alto (partie séparée)
13
Contre Basse
8
Harpe, Voix
6
Violoncelle , Guitare (duo)
5
4 Violoncelles
5
2 Contrebasses (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Contrebasse (partie séparée)
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
170
Orchestre à Cordes
140
Orchestre
79
Ensemble Jazz
38
Ensemble de cuivres
35
Orchestre de chambre
33
Cloches
18
Ensemble de Percussions
10
Batterie
8
Jazz combo
5
Percussion (partie séparée)
2
Fanfare
2
Marimba
2
Percussion
1
Ensemble d'École
1
Vibraphone
1
Piano et Orchestre
1
2 Marimbas
1
Xylophone, Piano
1
+ 14 instrumentations
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Autres
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLONCELLE
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Vous avez sélectionné:
Thou Art the Way
Saxophone Soprano et Piano
Partitions à imprimer
22 partitions trouvées
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1
Luther: Out of the Depths for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Bridal March, "Here Comes The Bride", for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587574 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standard...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587574 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365470. Published by David McKeown (A0.587574). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Soprano Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach: Wachet auf for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
16 Favourite Hymns Vol.1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
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David McKeown
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16 Favourite Hymns Vol.1 for S
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.590312 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and p...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.590312 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #6203827. Published by David McKeown (A0.590312). 16 Favourite Hymns Vol.1 for solo Soprano Saxophone is a collection of popular traditional hymns. They are simply arranged in easy keys for Soprano Saxophone with separate piano accompaniment and chord symbols provided in the same file. The hymns are in alphabetical order and are as follows· Abide with Me, (Eventide)· All People that on Earth do Dwell, (Old 100th)· All Things Bright and Beautiful, (Bright and Beautiful)· Amazing Grace, (Old Britain)· Be Thou MY Vision, (Slane)· Christ the Lord is Risen Today, (Crosby)· The Church’s One Foundation, (Aurelia)· City of God, (Richmond)· Crown Him with Many Crowns, (Diademata)· The Day Thou Gavest, (St Clement)· Dear Lord and Father of Mankind, (Repton)· Eternal Father Strong to Save, (Melita)· The God of Love My Shepherd Is, (University)· Oh God, Our Help in Ages Past, (St Anne)· Guide Me O Thou Great Jehovah, (Cwm Rhondda)· Praise My Soul the King of Heaven (Laude Anima)Volume 2 contains another 16 hymns arranged in the same way and is available via my home page at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Enemy
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Saxophone Soprano et Piano
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FACILE
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Film/TV
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Rock
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Imagine Dragons X Jid
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Henrique F Mangoni
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Enemy
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1079101 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1079101 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Henrique F Mangoni. Film/TV,Pop,Rock. Score and part. 5 pages. Henrique Franke Mangoni #683303. Published by Henrique Franke Mangoni (A0.1079101). Enemy by Imagine Dragons (G minor). Radio edit (without Jid). The Arcane opening song arranged for soprano sax and piano in the key of G minor. This edition includes the chords of the song and the piano fingering. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! enemy imagine dragons, imagine dragons enemy on piano, imagine dragons enemy piano sheet music, imagine dragons enemy piano easy, imagine dragons enemy chords, enemy imagine dragons arcane version, league of legends, imagine dragons enemy sheet music, enemy imagine dragons radio version, enemy imagine dragons radio edit, enemy imagine dragons solo version, imagine dragons enemy soprano sax, imagine dragons enemy soprano sax sheet music, enemy imagine dragons soprano sax, enemy imagine dragons soprano sax sheet music.
$5.49
Enemy
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Saxophone Soprano et Piano
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FACILE
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Film/TV
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Rock
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Imagine Dragons X Jid
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Henrique F Mangoni
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Enemy
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1076914 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1076914 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Henrique F Mangoni. Film/TV,Pop,Rock. Score and part. 5 pages. Henrique Franke Mangoni #681037. Published by Henrique Franke Mangoni (A0.1076914). Enemy by Imagine Dragons (G minor). Radio edit (without Jid). The Arcane opening song arranged for soprano sax and piano in the key of G minor. This edition includes the chords of the song. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! enemy imagine dragons, imagine dragons enemy on piano, imagine dragons enemy piano sheet music, imagine dragons enemy piano easy, imagine dragons enemy chords, enemy imagine dragons arcane version, league of legends, imagine dragons enemy sheet music, enemy imagine dragons radio version, enemy imagine dragons radio edit, enemy imagine dragons solo version, imagine dragons enemy soprano sax, imagine dragons enemy soprano sax sheet music, enemy imagine dragons soprano sax, enemy imagine dragons soprano sax sheet music.
$5.49
Enemy
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Saxophone Soprano et Piano
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FACILE
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Film/TV
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Rock
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Imagine Dragons X Jid
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Henrique F Mangoni
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Enemy
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1079102 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1079102 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Henrique F Mangoni. Film/TV,Pop,Rock. Score and part. 5 pages. Henrique Franke Mangoni #683304. Published by Henrique Franke Mangoni (A0.1079102). Enemy by Imagine Dragons (G minor). Radio edit (without Jid). The Arcane opening song arranged for soprano sax and piano in the key of G minor. This edition includes the piano fingering. Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! enemy imagine dragons, imagine dragons enemy on piano, imagine dragons enemy piano sheet music, imagine dragons enemy piano easy, imagine dragons enemy chords, enemy imagine dragons arcane version, league of legends, imagine dragons enemy sheet music, enemy imagine dragons radio version, enemy imagine dragons radio edit, enemy imagine dragons solo version, imagine dragons enemy soprano sax, imagine dragons enemy soprano sax sheet music, enemy imagine dragons soprano sax, enemy imagine dragons soprano sax sheet music.
$5.49
Enemy
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Saxophone Soprano et Piano
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FACILE
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Film/TV
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Rock
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Imagine Dragons X Jid
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Henrique F Mangoni
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Enemy
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Henrique Franke Mangoni
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1079104 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, ...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1079104 By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Henrique F Mangoni. Film/TV,Pop,Rock. Score and part. 5 pages. Henrique Franke Mangoni #683307. Published by Henrique Franke Mangoni (A0.1079104). Enemy by Imagine Dragons (G minor). Radio edit (without Jid). The Arcane opening song arranged for soprano sax and piano in the key of G minor. Clean sheet music edition (no chord or fingering). Subscribe to my YouTube channel (Henrique F Mangoni) to know more about my work! enemy imagine dragons, imagine dragons enemy on piano, imagine dragons enemy piano sheet music, imagine dragons enemy piano easy, imagine dragons enemy chords, enemy imagine dragons arcane version, league of legends, imagine dragons enemy sheet music, enemy imagine dragons radio version, enemy imagine dragons radio edit, enemy imagine dragons solo version, imagine dragons enemy soprano sax, imagine dragons enemy soprano sax sheet music, enemy imagine dragons soprano sax, enemy imagine dragons soprano sax sheet music.
$5.49
Waltz in A Minor (Chopin) -Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.760532 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4621893. Published by Raymond Fenech (A0.760532). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
It Is Well With My Soul (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Horatio Spafford and Philip P
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John A
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It Is Well With My Soul
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1043960 Composed by Horatio Spafford and Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Prai...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1043960 Composed by Horatio Spafford and Philip P. Bliss. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #648663. Published by John A. Dempsey (A0.1043960). An unforgettable hymn of comfort and assurance, this peaceful duet for soprano sax and piano is recommended for traditional church services and other worship events (including funerals), as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Concert Key (Piano): C major. Soprano Sax Key: D major. 9 pages of music (that includes a separate two-page soprano sax part).      When peace like a river attendeth my way   When sorrows like sea billows roll;   Whatever my lot, Thou hast taught me to say   It is well, it is well with my soul.
$6.99
Maple Leaf Rag, by Scott Joplin, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.587782 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.587782 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967655. Published by David McKeown (A0.587782). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Soprano Saxophone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810591. Published by David McKeown (A0.587704). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Soprano Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
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