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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two-For-Two
Non classifié
8 800
Piano & claviers
Piano seul
4 145
Piano Facile
1 009
Piano, Voix et Guitare
770
Piano, Voix
694
Orgue
485
1 Piano, 4 mains
372
2 Pianos, 4 mains
342
Accompagnement Piano
264
Instruments en Do
249
Piano Trio: piano, violon, violoncelle
91
Orgue, Trompette (duo)
76
Piano grosses notes
47
Accordéon
45
2 Accordéons
31
Piano (partie séparée)
29
Piano Quatuor: piano, violon, alto, violoncelle
28
Orgue, Piano (duo)
27
Piano Quatuor: piano, 2 violons, violoncelle
27
Clavecin
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
7
2 Pianos, 8 mains
7
1 Piano, 6 mains
4
2 Orgues (duo)
2
Ligne De Mélodie, Piano
1
Fake Book
1
Instrument seul et Orgue
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
778
Guitare
364
2 Guitares (duo)
333
Ligne De Mélodie, (Paroles) et Accords
176
Piano, Guitare (duo)
153
Ukulele
139
Paroles et Accords
117
Dulcimer
75
Guitare (partie séparée)
59
Basse electrique
58
4 Guitares (Quatuor)
32
Mandoline
30
3 Guitares (trio)
19
2 Dulcimers (duo)
14
Banjo
13
2 Ukuleles
8
Ensemble de guitares
7
2 Mandolines (duo)
4
Ukulele Baryton
3
Mandoline, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Guitare Pedal Steel
2
Ensemble de Ukulélés
1
Guitare, Orchestre
1
Partitions De Groupes
1
Luth
1
+ 21 instrumentations
Retracter
Voix
Chorale 2 parties
1 772
Chorale SATB
1 610
Chorale 3 parties
622
Chorale Unison
615
Voix duo, Piano
234
Chorale TTBB
207
Voix duo
132
Chorale SSAA
106
Voix seule
79
Voix Soprano, Piano
59
Chorale
44
Voix haute
29
Voix Tenor, Piano
24
Voix moyenne, Piano
22
Voix Baryton, Piano
18
Voix Alto, Piano
14
Pack Instrumental pour Chorale
9
Voix Tenor
8
Voix Soprano
6
Voix basse, Piano
5
Chorale SSAATTBB
4
Voix basse
4
Voix, Guitare
4
Soli, choeur mixte et accompagnement
4
Chorale SSAB a cappella
2
Chorale SSATTB
2
Voix Soprano, Orchestre
1
Male Voice
1
Voix Mezzo-Soprano, Piano
1
+ 24 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
1 923
2 Saxophones (duo)
1 523
2 Clarinettes (duo)
1 406
Flûte traversière et Piano
805
Clarinette et Piano
532
Hautbois, Piano (duo)
468
Flûte traversière
418
Saxophone Alto et Piano
380
Saxophone Tenor et Piano
377
Quatuor de Saxophones: 4 saxophones
317
Saxophone (partie séparée)
298
2 Hautbois (duo)
285
3 Clarinettes (trio)
278
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
251
2 Flûte à bec (duo)
227
Flûte, Hautbois, Clarinette, Basson
218
Saxophone Soprano et Piano
209
Flûte, Clarinette (duo)
204
Quatuor de Clarinettes: 4 clarinettes
203
Clarinette
173
Quatuor de Flûtes : 4 flûtes
163
Saxophone, Clarinette (duo)
158
Clarinette, Violon (duo)
146
Clarinette (partie séparée)
138
2 Flûtes traversières, Piano
135
Flûte, Violon
134
3 Saxophones (trio)
121
Hautbois (partie séparée)
111
Hautbois, Basson (duo)
108
Quintette de Saxophone: 5 saxophones
105
Trio de Flûtes: 3 flûtes
104
Saxophone Alto
95
Ensemble de Clarinettes
90
Hautbois, Clarinette (duo)
88
Clarinette, Trompette (duo)
84
Ensemble de saxophones
84
Saxophone Tenor
77
Flûte, Violon, Piano
72
Ensemble de Flûtes
68
Hautbois, Flûte
66
Clarinette et Alto
66
Flute (partie séparée)
65
2 Clarinettes, Piano
57
Flûte et Guitare
52
Flûte, Clarinette, Piano (trio)
52
Flûte, Saxophone (duo)
51
Flûte, Alto (duo)
47
Saxophone Baryton, Piano
45
Cor anglais, Piano
45
Flûte, Trompette (duo)
45
Flûte, Violoncelle
40
Clarinette, Basson (duo)
39
Flûte, Violon et Violoncelle
37
Clarinette, Violoncelle (duo)
35
Quintette de Clarinettes: 5 clarinettes
34
Flûte, Clarinette et Basson
33
Quatuor de Flûtes à bec
32
Flûte, trombone et piano
32
2 Clarinettes, Basson
31
Clarinette, Violoncelle, Piano (trio)
30
Saxophone
28
Quintette de Flûte : 5 flûtes
27
Hautbois, Violoncelle
26
Flûte, Violoncelle, Piano (trio)
26
Flûte, Hautbois, Piano (trio)
25
Flûte, Hautbois, Clarinette (trio)
25
Clarinette Basse, Piano
23
Ensemble De Flûte à bec
23
Flûte à Bec
22
Flûte, Alto et Piano
21
Flûte à bec Soprano
20
3 Flûtes à bec (trio)
19
Flûte, Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Flûte, Hautbois, Basson
14
Clarinette, Guitare (duo)
14
Clarinette, trompette et piano
12
Flûte à bec Soprano, Piano
12
Saxophone Soprano
12
Flûte, Basson et Piano
12
5 Flûtes à bec
10
Hautbois
10
Hautbois, violon (duo)
9
Cor Anglais
9
2 Cors Anglais Et Pianoforte
9
Flûte, Violon, Violoncelle et Piano
9
Clarinette, Harpe (duo)
9
2 Saxophones, Piano
9
Hautbois et alto (duo)
9
Flûte à bec Tenor
8
Flûte à bec Alto, Piano
7
Saxophone et Harpe
6
Hautbois, Harpe
6
Clarinette, Trombone (duo)
6
2 Hautbois, Piano
5
Piccolo
5
Flûte à bec Alto
5
Flute, harpe et violon
5
Flûte, Violoncelle, Guitare
5
Flûte à Bec, Piano
5
Piccolo, Piano
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte irlandaise
4
Instruments en Mib
4
Ensemble à vent
4
Harmonica
3
Flûte, Hautbois, Violon
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Hautbois et Cor anglais
3
3 Hautbois
3
Clarinette, Alto et Piano (trio)
3
Flûte, Violon, Guitare
3
Clarinette, Contrebasse (duo)
3
Clarinette, Tuba
3
Flûte, Trombone (duo)
3
Hautbois, trombone (duo)
3
Flûte à bec Alto, Basse continue
3
Saxophone et Guitare
3
Saxophone et Orgue
3
Cornemuse
2
Flûte, Harpe et Violoncelle
2
Flûte, Clarinette, Violon (trio)
2
Saxophone, Basson (duo)
2
Flûte traversière, Orgue (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
2 Flûtes traversières, Harpe
2
2 Flûtes à bec, Piano
2
Saxophone et violoncelle
2
Flute, Cor (duo)
2
4 Hautbois
2
Cor anglais, Guitare (duo)
2
Hautbois, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, Basson et Piano
2
Clarinette, Basson, Piano (trio)
1
Flûte à bec Soprano, Basse continue
1
Flûte traversière, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Saxophone, Piano
1
2 Hautbois et Basson
1
Saxophone et Piano
1
Ensemble de Hautbois
1
Flûte, Tuba (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, Trompette (duo)
1
Melodica
1
Clarinette, Orgue
1
Ocarina
1
2 Flûtes, Basse continue
1
Cor anglais et Harpe (duo)
1
+ 146 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
843
2 Trompettes (duo)
807
2 Trombones (duo)
766
Trombone et Piano
473
Trompette, Piano
313
Trombone (partie séparée)
250
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trompette
238
Trompette (partie séparée)
197
Quatuor de Cuivres: 2 trompettes, Cor, trombone
156
Trompette, Trombone (duo)
140
2 Cors (duo)
130
Trompette, Saxophone (duo)
114
Cor et Piano
112
Trombone
84
Euphonium, Piano (duo)
69
Quatuor de Cuivres
69
Cor (partie séparée)
67
Ensemble de Trombones
61
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trombones
58
Cor
57
Tuba et Piano
54
2 Trompettes, Clavier (piano ou orgue)
51
2 Tubas (duo)
48
Cor anglais, Piano
45
Trompette, Cor (duo)
43
Ensemble de Trompettes
31
Quatuor de cuivres: 4 cors
31
Quatuor de cuivres: 2 trompettes, 2 trombones
30
Tuba
29
Quatuor de cuivres: 4 trompettes
28
Trompette, Violoncelle et Piano
24
2 Euphoniums (duo)
23
Trombone, Tuba (duo)
22
3 Trombones (trio)
20
2 Euphoniums et 2 Tubas
17
Trio de Cuivres
15
Cor, Violoncelle (duo)
13
Trompette, Basson (duo)
12
Euphonium
12
3 Trompettes (trio)
12
Trompette, Violoncelle (duo)
11
2 Trombones, Piano
10
4 Tubas
9
Cor Anglais
9
2 Cors Anglais Et Pianoforte
9
Euphonium, Tuba (duo)
9
Ensemble de Cors
9
Trombone basse
8
Cor et Harpe
8
3 Euphoniums
7
Trompette, Harpe
6
3 Cors (trio)
6
Trompette, Tuba (duo)
5
Bass Clef Instruments
5
2 Cors, Piano
5
Trompette et Guitare
5
Cor et Basson (duo)
5
Instruments en Sib
4
Trombone, Orgue
4
Tuba et Orgue
4
Trombone basse et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cornet A Pistons
3
Clarinette, Cor (duo)
3
Trompette, violon (duo)
3
Trompette, Trombone, Piano
3
3 Tubas (trio)
3
Instruments en Fa
3
Trombone, Cor (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor, Violoncelle et Piano
1
Cor et Orgue
1
Trombone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
+ 72 instrumentations
Retracter
Cordes
2 Violons (duo)
1 797
Harpe
1 167
Quatuor à cordes: 2 violons, alto, violoncelle
1 070
2 Violoncelles (duo)
1 018
Violon et Piano
805
Violon
665
2 Altos (duo)
583
Violon, Violoncelle (duo)
569
Alto, Piano
504
Trio à Cordes: violon, alto, violoncelle
478
Violoncelle, Piano
478
Trio à Cordes: 2 violons, violoncelle
424
Violon, Alto (duo)
235
Violoncelle
196
2 Harpes (duo)
178
Quintette à cordes: 2 violons, alto, violoncelle, basse
142
Trio à Cordes: 2 violons, alto
121
Alto seul
116
Violon (partie séparée)
111
Alto, Violoncelle (duo)
74
Contrebasse (partie séparée)
74
2 Violons, Piano
68
Harpe, Violon (duo)
62
Harpe, Flûte (duo)
50
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
49
4 Violoncelles
48
Alto (partie séparée)
47
2 Contrebasses (duo)
42
Piano Trio: Violon, Alto, Piano
40
Contrebasse, Piano (duo)
39
Quatuor à cordes: 4 violons
36
Contre Basse
29
Violoncelle (partie séparée)
27
Trio à cordes
22
2 Violoncelles, Piano
21
Violon, Basson (duo)
21
Trio à Cordes: 3 violoncelles
19
Violoncelle, Contrebasse (duo)
17
Harpe, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
14
Alto et Harpe
13
Violoncelle , Guitare (duo)
13
Alto et Basson
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Alto, Guitare (duo)
10
Harpe, Voix
8
Ensemble d'Altos
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
5
Trio à cordes: 3 altos
4
3 Harpes
3
Violoncelle, Basse continue
3
Flûte, Contrebasse (duo)
3
Violoncelle, Orgue
3
2 Altos, Piano
2
5 Harpes
2
Harpe, Trombone (duo)
2
Violon, Basse continue
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Harpe, Violon, Violoncelle
1
4 Contrebasses
1
Autoharp
1
Alto et orchestre
1
Violon, Trompette et Piano
1
3 Contrebasses
1
Violon, Tuba (duo)
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 478
Orchestre à Cordes
616
Cloches
461
Orchestre
407
Ensemble de cuivres
384
Ensemble Jazz
317
Orchestre de chambre
219
Ensemble de Percussions
86
Jazz combo
80
Batterie
69
Percussion (partie séparée)
66
Marimba
39
Batterie (partie séparée)
32
Percussion
27
Fanfare
24
Timbales (partie séparée)
22
Vibraphone
12
2 Xylophones
7
Xylophone, Piano
6
2 Marimbas
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
4
Quintette de Cuivres: autres combinaisons
3
2 Caisses Claires (duo)
3
Caisse Claire
3
Piano et Orchestre
2
2 Percussions
1
Vibraphone et Marimba
1
3 Percussions
1
Ensemble d'École
1
Conga
1
Quintette à Vent
1
Orchestre, Violon
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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MEDIEVAL - RENAISSAN…
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Two-For-Two
Saxophone Soprano et Piano
Partitions à imprimer
209 partitions trouvées
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201
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
G F Handel
#
David McKeown
#
How Beautiful are the Feet,
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658361. Published by David McKeown (A0.594423). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pomp and Circumstance March No. 1 for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Perio...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1041524 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #646278. Published by Diego Marani (A0.1041524). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for soprano sax with piano is suitable for classroom, repertoire and recital.
$9.99
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedd...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Für Elise, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Soprano Sa
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. Da...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037739. Published by David McKeown (A0.587894). 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Soprano Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Amazing Grace - Duet for two soprano saxophones with piano accompaniment
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Traditional
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Bragi Thor Valsson
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Amazing Grace - Duet for two s
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Bragi Thor Valsson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.511913 Composed by Traditional. Arranged by Bragi Thor Valsson. Pr...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.511913 Composed by Traditional. Arranged by Bragi Thor Valsson. Praise & Worship,Sacred,Spiritual. 2 pages. Bragi Thor Valsson #6463331. Published by Bragi Thor Valsson (A0.511913). An arrangement of the well-known hymn Amazing Grace for two Soprano Saxophones with Piano accompaniment. The piece is in D Major for the saxophones and in F Major for the piano. One saxophone plays the melody while the other plays a countermelody. The two performers exchange parts on the repeat.
$6.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Swan Lake Theme, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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Swan Lake Theme, for Solo Sopr
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587687 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. David McKeown #4737761. Published by David McKeown (A0.587687). Swan Lake, is the first ballet of three composed by Pyotr Tchaikovsky. Here, the famous main theme is arranged for Solo Soprano Saxophone and Piano, directly from the orchestral score. The first performance of the ballet in Moscow in 1877 was not well received. The production was fraught with disagreements between choreographer and composer; the Russian audience were suspicious of the story’s Germanic origins and the music was regarded as too complex for ballet. Tchaikovsky did not live to see a triumphant revival production in 1895 that confirmed Swan Lake as one of the greatest ballet scores of all. Included in the single download are six pages of piano score and a separate two-page part for the solo instrument. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts, with tremolos and rich chords. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around two and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
The Favorite for solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Favorite for solo Soprano
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1092670 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part....
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1092670 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696772. Published by David McKeown (A0.1092670). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Soprano Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Concertsteucke for Two Clarinets
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Felix Mendelssohn Barthody
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Gary Bricault
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Concertsteucke for Two Clarine
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Gary Bricault
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 5 - SKU: A0.825143 Composed by Felix Mendelssohn Barthody. Arra...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 5 - SKU: A0.825143 Composed by Felix Mendelssohn Barthody. Arranged by Gary Bricault. Classical. Score and parts. 24 pages. Gary Bricault #4569637. Published by Gary Bricault (A0.825143). Duet for Soprano and Alto Saxophones with Piano. P.T. 7'05.
$11.99
Trumpet Tune and Air, by Purcell; for solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587653 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587653 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728541. Published by David McKeown (A0.587653). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Soprano Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Trumpet Voluntary, (Prince of Denmark's March), for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Weddi...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367450. Published by David McKeown (A0.587595). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Soprano Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
BACH: Sonata in C Major BWV 1033 for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551573 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551573 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317595. Published by jmsgu3 (A0.551573). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044839. Published by David McKeown (A0.587926). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Scor...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042563. Published by David McKeown (A0.587901). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Italian Polka for Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Soprano Saxo
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278251. Published by Diego Marani (A0.669255). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
18 Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
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David McKeown
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18 Gospel Hymns Vol.2 for Solo
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. S...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 49 pages. David McKeown #6404413. Published by David McKeown (A0.592602). 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
Elegy for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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David E
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Elegy for Soprano Saxophone an
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LLB Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.986062 Composed by David E. Harris. Contemporary,Standards. Score and part. 9 pages. LLB Music Publishing (A...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.986062 Composed by David E. Harris. Contemporary,Standards. Score and part. 9 pages. LLB Music Publishing (ASCAP) #4404432. Published by LLB Music Publishing (ASCAP) (A0.986062). This is an original composition by David E. Harris for soprano sax and piano. A great piece for a high school or college player. Included is a separate part for Bb Soprano Saxophone. It hints at being in various tonalities without ever a remaining in a certain tonal center. Duration: 3:30 at 60 BPM. David E. Harris is a composer in the Nashville, Tennessee area who holds a Bachelor of Music degree in Trumpet Performance from Furman University. Further education at the University of Memphis, includes a Master of Music degree in Music Theory and a Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936
$7.99
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Pineapple Rag (Trio for Soprano Sax, Alto Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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John A
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Pineapple Rag
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - SKU: A0.524495 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,...
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Small Ensemble Alto Saxophone,Piano,Soprano Saxophone - Level 4 - SKU: A0.524495 Composed by Scott Joplin. Arranged by John A. Dempsey. Film/TV,Holiday,Patriotic,Ragtime,Standards. Score and parts. 19 pages. John A. Dempsey #5802243. Published by John A. Dempsey (A0.524495). Scott Joplin's effervescent, rollicking Pineapple Rag is arranged here as a trio for soprano sax, alto sax and piano. Â Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Â Featured in the movie THE STING and the TV series WESTWORLD. Â 15 pages of music (that includes separate two-page parts for each sax). Â Concert Key: Bb major / modulates to Eb major. Â .
$11.99
Quando Me'n Vo for Bb Soprano Saxophone & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Bb Soprano
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1046462 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1046462 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period. Score and part. 5 pages. Keith Terrett #650984. Published by Keith Terrett (A0.1046462). An arrangement of one of Puccini’s greatest arias for Bb Soprano Saxophone & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
The Wexford Carol (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Noël
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Traditional Irish Tune
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John A
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.523118 Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,I...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.523118 Composed by Traditional Irish Tune. Arranged by John A. Dempsey. Celtic,Christian,Christmas,Holiday,Irish,Sacred. Score and part. 13 pages. John A. Dempsey #3213307. Published by John A. Dempsey (A0.523118). Also known as Good People All, This Christmas Time and Carul Loch Garman, this traditional Irish Christmas carol a- duet for soprano sax and piano - has a hauntingly beautiful melody that dates back to the 12th century. Â Â A Celtic-flavored celebration of the Nativity, this arrangement is recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 9 pages of music (that includes a two-page soprano sax part). Â Concert Key (Piano): F major. Â Soprano Sax Key: G major. Â Soprano Sax Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
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