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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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LUTH
MANDOLINE
MARIMBA
OCARINA
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Wind of Change
Non classifié
226
Piano & claviers
Piano seul
57
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15
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8
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7
Orgue
2
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2
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1
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1
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1
+ 4 instrumentations
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Basse electrique
12
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11
Guitare
5
Piano, Guitare (duo)
3
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2
Ukulele
1
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Chorale SATB
17
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5
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3
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3
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1
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1
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1
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149
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108
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94
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58
Ensemble de Clarinettes
44
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34
3 Saxophones (trio)
30
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28
Saxophone
24
Ensemble de saxophones
19
Hautbois, Piano (duo)
17
3 Clarinettes (trio)
17
Trio de Flûtes: 3 flûtes
16
Clarinette
15
Ensemble de Flûtes
14
Flûte traversière
11
Quintette de Clarinettes: 5 clarinettes
11
Saxophone Alto et Piano
10
Hautbois, Clarinette, Basson (trio d'anches)
9
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8
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8
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7
Clarinette et Piano
6
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6
Saxophone Soprano et Piano
6
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6
Saxophone Tenor
5
Saxophone Alto
5
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4
Clarinette (partie séparée)
4
Hautbois (partie séparée)
3
Flute, harpe et violon
2
Saxophone (partie séparée)
2
2 Flûtes traversières (duo)
2
Quatuor de Flûtes à bec
1
Hautbois, Basson et Piano
1
2 Saxophones (duo)
1
Saxophone, Clarinette (duo)
1
5 Flûtes à bec
1
2 Clarinettes, Basson
1
Flûte, Harpe et Violoncelle
1
Flûte à Bec
1
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone
12
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
4
Trompette, Piano
4
Trombone et Piano
4
Cor (partie séparée)
2
Tuba (partie séparée)
2
Trompette (partie séparée)
2
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Cor
1
Ensemble de Trombones
1
Tuba et Piano
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Alto, Piano
9
Harpe
9
Violon et Piano
7
Violoncelle, Piano
7
Violon (partie séparée)
6
Violon
5
Violoncelle
5
Violon, Violoncelle (duo)
4
Alto (partie séparée)
3
Contrebasse (partie séparée)
2
Alto seul
2
Violoncelle , Guitare (duo)
1
2 Altos (duo)
1
+ 9 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
133
Orchestre
50
Ensemble Jazz
22
Batterie
16
Orchestre de chambre
10
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8
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6
Jazz combo
5
Fanfare
3
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3
Cloches
2
Vibraphone
1
Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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CLAIRON
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Vous avez sélectionné:
Wind of Change
Saxophone Soprano et Piano
Partitions à imprimer
6 partitions trouvées
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Wind Of Change
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Saxophone Soprano et Piano
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FACILE
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Rock
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The Scorpions
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Jireh J
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Wind Of Change
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Jireh J.
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1273025 By The Scorpions. By Klaus Meine. Arranged by Jireh J. Rock. Score and part. 12 pages. Jireh J. #865...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1273025 By The Scorpions. By Klaus Meine. Arranged by Jireh J. Rock. Score and part. 12 pages. Jireh J. #865214. Published by Jireh J. (A0.1273025). This arrangement was made like the original. Contains chords.
$5.99
Wind Of Change
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Saxophone Soprano et Piano
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FACILE
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Rock
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The Scorpions
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Jireh J
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Wind Of Change
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Jireh J.
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1273037 By The Scorpions. By Klaus Meine. Arranged by Jireh J. Rock. Score and part. 12 pages. Jireh J. #865...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1273037 By The Scorpions. By Klaus Meine. Arranged by Jireh J. Rock. Score and part. 12 pages. Jireh J. #865226. Published by Jireh J. (A0.1273037). This arrangement was made like the original. It doesn't contain chords.
$5.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabr...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
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Wind of Change
