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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the end
Non classifié
4 155
Piano & claviers
Piano seul
2 359
Piano, Voix
759
Piano Facile
655
Piano, Voix et Guitare
479
Instruments en Do
340
Orgue
220
Accompagnement Piano
78
1 Piano, 4 mains
75
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
16
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
202
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
24
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
11
Paroles et Accords
11
Banjo
6
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 2 parties
415
Chorale 3 parties
352
Chorale TTBB
200
Chorale Unison
159
Voix duo, Piano
157
Chorale SSAA
146
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
22
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse
4
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATB
1
Chorale
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
300
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
272
Flûte traversière et Piano
250
Clarinette et Piano
222
2 Saxophones (duo)
210
Flûte, Hautbois, Clarinette, Basson
205
Harmonica
205
Flûte à bec Alto
196
Saxophone Alto et Piano
180
Hautbois, Piano (duo)
178
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
150
Clarinette
142
Saxophone Tenor et Piano
124
2 Flûtes traversières (duo)
120
Saxophone (partie séparée)
116
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto
107
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
100
Saxophone Tenor
85
Hautbois (partie séparée)
80
Saxophone
71
Flûte, Clarinette (duo)
65
Quatuor de Flûtes : 4 flûtes
64
Saxophone Baryton, Piano
60
Saxophone, Clarinette (duo)
57
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
45
2 Hautbois (duo)
40
Flûte à bec Alto, Piano
37
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
35
Cor anglais, Piano
33
Ensemble de saxophones
32
Clarinette Basse, Piano
30
Hautbois, Clarinette (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
29
Trio de Flûtes: 3 flûtes
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
24
Flûte et Guitare
24
Hautbois, Flûte
22
Flûte, Violon
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
2 Flûte à bec (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
17
Flûte, Violon, Piano
16
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
5 Flûtes à bec
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
2 Clarinettes, Piano
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Tenor
5
3 Flûtes à bec (trio)
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte, Alto et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flute, harpe et violon
3
Hautbois, Harpe
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Instruments en Mib
2
Cor Anglais
2
Saxophone et Guitare
2
Hautbois, Violon, Piano
2
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
4 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Trompette
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone et Piano
161
Trompette, Piano
152
Cor et Piano
122
Trombone
93
Trombone (partie séparée)
81
Cor
76
Trompette (partie séparée)
74
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
Euphonium, Piano (duo)
45
2 Trombones (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
21
2 Cors (duo)
20
Tuba (partie séparée)
13
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Euphonium
6
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Cor (duo)
6
Trompette, Basson (duo)
5
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trombone, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Cors
3
Trompette, Harpe
3
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Cors, Piano
2
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
Trompette, Violoncelle et Piano
1
Trompette, Orchestre
1
Cor et Orgue
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
323
Violon
225
Violon, Violoncelle (duo)
224
Violoncelle, Piano
202
Trio à Cordes: violon, alto, violoncelle
195
Violoncelle
191
Alto, Piano
182
Alto seul
110
Harpe
109
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
105
Violon, Alto (duo)
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Violoncelles (duo)
67
Contre Basse
55
Contrebasse, Piano (duo)
46
2 Altos (duo)
43
Violon (partie séparée)
29
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
19
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
9
Ensemble d'Altos
8
Trio à cordes: 3 violins
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Violon, Guitare (duo)
5
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos, Piano
3
2 Contrebasses (duo)
3
Alto et Harpe
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 038
Orchestre
388
Orchestre à Cordes
239
Ensemble de cuivres
221
Ensemble Jazz
210
Fanfare
163
Cloches
119
Orchestre de chambre
102
Jazz combo
60
Ensemble de Percussions
51
Percussion (partie séparée)
21
Batterie
20
Xylophone, Piano
14
Xylophone
14
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
6
Orchestre, Violon
2
Timbales (partie séparée)
2
2 Marimbas
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Percussion
1
2 Xylophones
1
Conga
1
Big band
1
3 Marimbas
1
Ensemble d'École
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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Saxophone Soprano et Piano
Partitions à imprimer
105 partitions trouvées
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101
Grieg: Hall of the Mountain King from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
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Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549576 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509365. Published by jmsgu3 (A0.549576). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
The Wedding Album, for Solo Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Various
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David McKeown
#
The Wedding Album, for Solo So
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David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Sc...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Luther: Out of the Depths for Soprano Sax & Piano
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Saxophone Soprano et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score...
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Piano,Soprano Saxophone - Level 1 - SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flut
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romanti...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549801 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3539211. Published by jmsgu3 (A0.549801). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Tcahikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Stan...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549685 Composed by Tcahikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 13 pages. Jmsgu3 #3520287. Published by jmsgu3 (A0.549685). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Ali Ben Sou Alle: Souvenirs du Cap Bonne Espérence Largo, Variations sur “The Irish Emigrant" et Pol
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs du
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and p...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.
$19.95
The Parting Glass (for Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Stephen DeCesare
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The Parting Glass
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.626584 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Instructional,Irish,Multicultural,...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.626584 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Instructional,Irish,Multicultural,Standards,World. Score and part. 8 pages. Exultet Music #5741553. Published by Exultet Music (A0.626584). The traditional parting song that is sung at the end of a gathering of friends has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert venue. An accompaniment track is also available.
$4.99
The Parting Glass (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Traditional
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Stephen DeCesare
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The Parting Glass
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.621335 Composed by Traditional. Arranged by Stephen...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.621335 Composed by Traditional. Arranged by Stephen DeCesare. Celtic,Folk,Instructional,Irish,Multicultural,Traditional,World. Score and parts. 12 pages. Exultet Music #3540715. Published by Exultet Music (A0.621335). The traditional parting song that is sung at the end of a gathering of friends has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any school or concert venue. .
$4.99
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
The Conforter Has Come (Sopano Sax & Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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William James Kirkpatrick
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Albertino Fernandes
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The Conforter Has Come
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Albertino Fernandes
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.1115408 Composed by William James Kirkpatrick. Arranged by Albertino Fernandes. Contemporary,Praise & Worshi...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.1115408 Composed by William James Kirkpatrick. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. Score and part. 4 pages. Albertino Fernandes #717199. Published by Albertino Fernandes (A0.1115408). Sheet music with 2 instruments and Soprano Sax at the end.
$2.00
There's Something About That Name
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622314 Composed by Bill Gaither. Arranged by Stephe...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.622314 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and parts. 9 pages. Exultet Music #3620889. Published by Exultet Music (A0.622314). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
There's Something About That Name
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Saxophone Soprano et Piano
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FACILE
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Contemporain
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Bill Gaither
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Stephen DeCesare
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There's Something About That N
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.630738 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exulte...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.630738 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473917. Published by Exultet Music (A0.630738). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FOR
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Whole Tone Press
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Ton...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
Grieg: Ase's Death from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549535 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505869. Published by jmsgu3 (A0.549535). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549556 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507669. Published by jmsgu3 (A0.549556). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Shall We Gather at the River (Soprano Sax and Piano)
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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John A
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Shall We Gather at the River
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John A. Dempsey
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.523883 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Tr...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.523883 Composed by Robert Lowry. Arranged by John A. Dempsey. Christian,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 14 pages. John A. Dempsey #4293621. Published by John A. Dempsey (A0.523883). Arranged as a duet for soprano sax and piano, this ageless hymn of love, comfort and assurance, is recommended for recitals and concerts as well as traditional church services and other worship events, including baptisms and funerals. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music. 10 pages of music (that includes a separate two-page soprano sax part). Concert Key (Piano): F major. Soprano Sax Key: G major .
$6.99
Grieg: Peer Gynt Suite Complete for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic ...
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Piano,Soprano Saxophone - Level 4 - SKU: A0.551507 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306345. Published by jmsgu3 (A0.551507). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
I Surrender All (Duet for Soprano and Alto Saxophone)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Winfield Scott Weeden
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Stephen DeCesare
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I Surrender All
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623446 Composed by Winfield Scott Weeden. Arranged ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623446 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 10 pages. Exultet Music #4350051. Published by Exultet Music (A0.623446). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
I Surrender All (Soprano Saxophone and Piano)
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Saxophone Soprano et Piano
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FACILE
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Musique Sacrée
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Winfield Scott Weeden
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Stephen DeCesare
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I Surrender All
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.626777 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,St...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.626777 Composed by Winfield Scott Weeden. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Score and part. 10 pages. Exultet Music #5778503. Published by Exultet Music (A0.626777). The tender Gospel hymn that has scripture references to Luke 14:33 Any of you who does not give up everything he has cannot be My disciple. has been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
Forest of the Birdsong for Soprano Sax
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Saxophone Soprano et Piano
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AVANCÉ
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John Michael Pekowski
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Forest of the Birdsong for Sop
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John Michael Pekowski
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 33 pages. John Mi...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 33 pages. John Michael Pekowski #906477. Published by John Michael Pekowski (A0.1317790). Forest of the Birdsong is based upon the Symphonic Suite Sketches (2020), and is intended to pay tribute to the wisdom of the Native American people. The harmonic background was sketched from January 30-31, 2020, and the middle ground was sketched from June 6-19, 2020. Orchestration for violin and piano commenced from May 6-22, 2021. Arrangement for soprano saxophone and piano commenced from August 15-17, 2021.The world premiere of Forest of the Birdsong took place on November 14, 2021, at the Crickets Theater of Buddy Holly Hall in Lubbock Texas with David Dees on soprano sax and Nataliya Sukhina on piano.
$47.00
A Love Until The End Of Time
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Saxophone Soprano et Piano
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FACILE
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Lee Holdridge
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Stephen DeCesare
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A Love Until The End Of Time
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623755 Composed by Lee Holdridge. Arranged by Steph...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - SKU: A0.623755 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 9 pages. Exultet Music #4408734. Published by Exultet Music (A0.623755). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99
Mendelssohn: Wedding March for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,S...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.549513 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502547. Published by jmsgu3 (A0.549513). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
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