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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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Note4Piano
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Non classifié
6955
PIANO & CLAVIERS
Orgue
10905
Piano grosses notes
3038
Piano seul
967
Piano, Voix et Guitare
743
Piano, Voix
476
Piano Facile
388
Orgue, Trompette (duo)
342
Orgue, Piano (duo)
223
Instruments en Do
74
Clavier
55
2 Pianos, 4 mains
35
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
23
Accompagnement Piano
22
Orgue, Voix
16
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
12
2 Orgues (duo)
8
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue et Orchestre
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
3
Piano (partie séparée)
2
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
88
Ligne De Mélodie, (Paroles) et Accords
75
Guitare
68
Ukulele
30
Paroles et Accords
19
Banjo
17
Ukulele Baryton
17
Basse electrique
13
4 Guitares (Quatuor)
11
Mandoline
11
2 Guitares (duo)
10
Piano, Guitare (duo)
7
Guitare (partie séparée)
4
3 Guitares (trio)
3
Dulcimer
2
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1
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1
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1
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VOIX
Chorale SATB
3479
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529
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379
Chorale Unison
342
Chorale TTBB
139
Voix duo
83
Voix duo, Piano
73
Chorale, Orgue
59
Chorale SSAA
51
Voix moyenne, Piano
26
Voix Soprano, Piano
26
Chorale
25
Voix seule
13
Chorale SSATB
12
Soli, choeur mixte et accompagnement
12
Voix haute
12
Chorale SSAATTBB
9
Voix basse, Piano
8
Voix duo, Orgue
7
Chorale SSATTB
5
Voix Tenor
3
Voix Alto, Piano
2
Voix Soprano
2
Chorale SSAB, Piano
1
Chorale SATBB
1
Voix Mezzo-Soprano, Piano
1
Voix, Guitare
1
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VENTS
Flûte traversière et Piano
133
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
125
Quatuor de Saxophones: 4 saxophones
122
Flûte traversière
110
Clarinette et Piano
104
Flûte, Hautbois, Clarinette, Basson
103
Saxophone (partie séparée)
101
Saxophone Alto et Piano
95
Clarinette
92
Quatuor de Clarinettes: 4 clarinettes
90
Quatuor de Flûtes à bec
86
2 Saxophones (duo)
78
Hautbois, Piano (duo)
72
Flûte traversière, Orgue (duo)
69
Saxophone et Orgue
61
Quintette de Saxophone: 5 saxophones
60
Saxophone Tenor et Piano
54
Saxophone Soprano et Piano
47
Ensemble de Clarinettes
46
3 Saxophones (trio)
39
2 Clarinettes (duo)
37
3 Clarinettes (trio)
36
Quatuor de Flûtes : 4 flûtes
36
Saxophone Alto
35
2 Flûtes traversières (duo)
34
Piccolo
33
Flûte à Bec
32
Flûte, Clarinette (duo)
30
3 Flûtes à bec (trio)
30
Ensemble de Flûtes
28
Saxophone Baryton, Piano
25
Ensemble de saxophones
22
Clarinette, Orgue
21
Hautbois (partie séparée)
21
Quintette de Flûte : 5 flûtes
19
Quintette de Clarinettes: 5 clarinettes
17
Trio de Flûtes: 3 flûtes
16
Cor anglais, Piano
15
Harmonica
14
Flûte à bec Soprano
13
Flûte à bec Alto
12
Saxophone
12
Saxophone, Clarinette (duo)
11
Saxophone Tenor
11
2 Flûte à bec (duo)
9
Flûte, Violon
9
Clarinette Basse, Piano
9
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Basson (duo)
7
Clarinette, Violon (duo)
7
Hautbois, Orgue
7
Flûte, Hautbois, Basson
6
Clarinette, Trompette (duo)
6
Flûte et Guitare
6
2 Hautbois (duo)
6
5 Flûtes à bec
6
Flute (partie séparée)
6
Clarinette, Guitare (duo)
6
Flûte, Saxophone (duo)
5
Flûte, Violoncelle
5
Cor Anglais
5
Clarinette (partie séparée)
4
Hautbois, Harpe
4
Clarinette, Basson (duo)
4
Clarinette, Violoncelle (duo)
4
Saxophone et Harpe
4
Clarinette et Alto
4
Clarinette, Harpe (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Hautbois, Flûte
4
Flûte, Alto (duo)
4
2 Clarinettes, Piano
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano, Piano
2
Hautbois, Violoncelle
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Flûte irlandaise
1
Hautbois et alto (duo)
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Saxophones, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette Basse
1
Instruments en Mib
1
Ensemble de Hautbois
1
Flûte, Hautbois (duo)
1
Piccolo, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flute, harpe et violon
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano
1
Saxophone et Piano
1
Clarinette, Orchestre
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
239
Quatuor de Cuivres : 2 trompettes, trombone, tuba
170
Trompette, Piano
114
2 Trompettes, Clavier (piano ou orgue)
113
Tuba et Orgue
92
Trompette
86
Trombone et Piano
73
Trombone
73
Cor et Piano
60
Trombone, Orgue
57
2 Trompettes (duo)
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
2 Trombones (duo)
38
Ensemble de Trombones
34
Quatuor de Cuivres
28
Cor
26
Euphonium, Piano (duo)
22
Trompette, Cor (duo)
22
Tuba et Piano
22
Cor et Orgue
22
Tuba
20
Quatuor de cuivres: 4 trombones
18
Trompette (partie séparée)
17
Cor anglais, Piano
15
2 Cors (duo)
15
Trompette, Trombone (duo)
14
Quatuor de cuivres: 4 cors
14
Ensemble de Trompettes
13
Trombone (partie séparée)
13
3 Trombones (trio)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Trompette, Saxophone (duo)
7
3 Trompettes (trio)
6
Cor Anglais
5
Cor (partie séparée)
4
Trombone, Tuba (duo)
4
2 Tubas (duo)
4
Ensemble de Cors
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 trompettes
3
Cor et Harpe
3
Euphonium
3
Trio de Cuivres
2
4 Tubas
2
Trompette, Harpe
2
Bass Clef Instruments
1
Trompette, Tuba (duo)
1
Cor anglais et Harpe (duo)
1
3 Tubas (trio)
1
Clarinette, Cor (duo)
1
Tuba (partie séparée)
1
Trombone basse
1
2 Cors Anglais Et Pianoforte
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Instruments en Sib
1
Trombone basse et Piano
1
Trombone, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
280
Violon et Piano
205
Violoncelle, Piano
106
Violon
106
Alto, Piano
90
Violon, Orgue
61
Violon, Violoncelle (duo)
56
Trio à Cordes: violon, alto, violoncelle
52
Violoncelle, Orgue
49
Harpe
46
Violoncelle (partie séparée)
39
2 Violons (duo)
36
Violon, Alto (duo)
33
Alto seul
30
2 Violoncelles (duo)
28
Alto (partie séparée)
18
Violoncelle
14
2 Altos (duo)
14
Alto, Orgue
13
Trio à Cordes: 2 violons, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Ensemble d'Altos
11
Contrebasse, Piano (duo)
11
Ensemble de Violons
10
2 Harpes (duo)
10
4 Violoncelles
8
Harpe, Flûte (duo)
8
Contre Basse
8
Piano Trio: Violon, Alto, Piano
8
Alto, Violoncelle (duo)
8
Harpe et Orgue
7
Violon, Guitare (duo)
7
Contrebasse (partie séparée)
6
Violon (partie séparée)
6
Harpe, Violon (duo)
5
Alto, Guitare (duo)
5
Violoncelle , Guitare (duo)
4
Trio à Cordes: 2 violons, alto
4
Harpe, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 violins
3
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Harpe, Voix
2
Harpe (partie séparée)
2
2 Contrebasses (duo)
2
Harpe, Trombone (duo)
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Cloches
301
Orchestre d'harmonie
286
Orchestre
197
Orchestre à Cordes
179
Ensemble de cuivres
166
Orchestre de chambre
135
Ensemble Jazz
68
Jazz combo
19
Batterie
18
Fanfare
7
Marimba et Orgue
6
Vibraphone
5
Ensemble de Percussions
5
Xylophone
3
Marimba
3
Piano et Orchestre
2
Batterie (partie séparée)
2
Big band
1
2 Marimbas
1
Percussion (partie séparée)
1
Timbales
1
Instrumentations suivantes
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Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.07 €
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Saxophone Soprano et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.47 €
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Saxophone Soprano et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.47 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; for solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587653 Composed by Hen…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587653 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728541. Published by David McKeown (A0.587653). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Soprano Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
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Saxophone Soprano et Piano
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; for solo Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587595 Composed by Jer…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587595 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367450. Published by David McKeown (A0.587595). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Soprano Saxophone and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$4.60
4.25 €
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Saxophone Soprano et Piano
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Handel: Largo from Xerxes for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by Geo…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
30.47 €
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Saxophone Soprano et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Fel…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
30.47 €
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Saxophone Soprano et Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Ada…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Saxophone Soprano et Piano
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Adam
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James M
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O Holy Night for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.47 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.47 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.47 €
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Saxophone Soprano et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Ant…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.774080 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657905. Published by Whole Tone Press (A0.774080). Expertly arranged for soprano sax and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the sax above the drone in the piano. Then the melody is transferred to the piano (bass clef), transposing it to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the sax. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.85 €
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Saxophone Soprano et Piano
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Anthony Giamanco
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LORD, WHO THROUGHOUT THESE FORTY DAYS - soprano sax and piano
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Whole Tone Press
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SheetMusicPlus
The Wedding Album, for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Var…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587622 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594677. Published by David McKeown (A0.587622). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Soprano Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.24 €
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Saxophone Soprano et Piano
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Various
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David McKeown
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The Wedding Album, for Solo Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Mosaic for Sopranino Sax and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1043445 Composed by Sy…
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1043445 Composed by Sy Brandon. 20th Century,Classical,Contemporary,Contest,Festival. Score and part. 28 pages. Sy Brandon #648123. Published by Sy Brandon (A0.1043445). The American Heritage Dictionary defines mosaic as a picture or decorative design made by setting small colored pieces, such as tile, in mortar. The musical ideas in this composition are treated in a similar fashion. The small colored pieces can be compared to the musical motifs of the composition. Sometimes these fragments form a larger unit and become a recognizable melody. At other times, the fragments are combined differently therefore creating a variation to the original idea. Throughout the three-movement composition, this technique has been employed to create loose formal structures that still have unity and variety through the use of contrasting sections. The three movements themselves create contrast by being organized in a fast-slow-fast arrangement. The musical language is tonal with frequent shifts in the tonal center and with harmony in thirds and fourths.
$9.99
9.24 €
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Saxophone Soprano et Piano
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Sy Brandon
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Mosaic for Sopranino Sax and Piano
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Sy Brandon
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SheetMusicPlus
BACH: Sonata in C Major BWV 1033 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551573 Composed by Joh…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.551573 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317595. Published by jmsgu3 (A0.551573). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
30.47 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 1033 for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by Jam…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Saxophone Soprano et Piano
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James Pierpont
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James M
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piano
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Jingle Bells for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Song and Prayer (from Hansel and Gretel) for Soprano Sax and Organ
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1368956 By David Brown…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1368956 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score and part. 5 pages. David P. Brown #953297. Published by David P. Brown (A0.1368956). This is the beautiful Evening Blessing melody from Humperdinck's Opera Hansel and Gretel, arranged here for Soprano Sax and Organ. This would be perfect for any event where a contemplative song is needed  - religious ceremony, wedding, or prelude music for any service.
$3.00
2.77 €
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Saxophone Soprano et Piano
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David Brown
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David Brown
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Song and Prayer
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David P. Brown
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SheetMusicPlus
Elsa's Procession to the Cathedral (from Lohengrin) for Soprano Sax and Organ
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1365421 By David Brown…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1365421 By David Brown. By Richard Wagner. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score and part. 3 pages. David P. Brown #949745. Published by David P. Brown (A0.1365421). This is the beautiful wedding processional from Wagner's Lohengrin arranged here for soprano sax and organ. Perfect for any occasion where a stately processional is needed.
$3.00
2.77 €
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Saxophone Soprano et Piano
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David Brown
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David Brown
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Elsa's Procession to the Cathedral
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David P. Brown
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SheetMusicPlus
How Great Thou Art (for Soprano Saxophone Solo - Organ accompaniment)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.626145 Composed by Tra…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.626145 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred. Score and part. 14 pages. Exultet Music #5360227. Published by Exultet Music (A0.626145). One of the most favorite and requested hymns of all time has now been freshly arranged for a Soprano Saxophone Solo and Organ accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.61 €
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Saxophone Soprano et Piano
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Traditional
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Stephen DeCesare
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How Great Thou Art
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Exultet Music
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SheetMusicPlus
Hail To The Lord's Anointed (Duet for Soprano and Alto Saxophone) - Organ accompaniment)
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.628834 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 15 pages. Exultet Music #6232613. Published by Exultet Music (A0.628834). One of the most widely used hymns in the Christian hymnal has now been freshly arranged and scored as a duet for Soprano and Alto Saxophone with Organ accompaniment. Accessible and appropriate for any church setting. Can be used at various times throughout the liturgical year but especially during Lent. An accompaniment track is also available.
$4.99
4.61 €
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Saxophone Soprano et Piano
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Rest In Peace (For Soprano Saxophone and Organ)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1132685 By Denis Gagno…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1132685 By Denis Gagnon. By Denis Gagnon. Arranged by D. Gagnon. Religious,Sacred,Spiritual. Score and part. 4 pages. D. Gagnon #732883. Published by D. Gagnon (A0.1132685). Piece for soprano saxophone and organ or electric piano.
$20.00
18.49 €
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Saxophone Soprano et Piano
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Denis Gagnon
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D
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Rest In Peace
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D. Gagnon
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SheetMusicPlus
On Jordan's Bank (Soprano Saxophone and Organ)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.812560 By Stephen DeCe…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.812560 By Stephen DeCesare. By Georg Wittwe. Arranged by Stephen DeCesare. Advent,Praise & Worship,Sacred,Standards,Traditional. Score and part. 11 pages. Exultet Music #418954. Published by Exultet Music (A0.812560). The traditional Advent hymn has been freshly arranged for a Soprano Saxophone solo with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
4.61 €
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Saxophone Soprano et Piano
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Stephen DeCesare
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Stephen DeCesare
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On Jordan's Bank
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Exultet Music
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SheetMusicPlus
Luther: Out of the Depths for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.07 €
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Saxophone Soprano et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Albinoni's Adagio for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1175603 Composed by To…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1175603 Composed by Tomaso Giovanni Albinoni. Arranged by Diego Marani. Baroque,Classical,Film/TV,Instructional,Wedding. Score and part. 5 pages. Diego Marani #775725. Published by Diego Marani (A0.1175603). Adagio in G minor for strings and organ is a Baroque composition commonly attributed to the 18th-century Venetian master Tomaso Albinoni. It is considered the most famous and most played slow movement in the history of music. The Adagio has been used in many films, television programmes, advertisements, recordings, and books.This easy arrangement for Bb soprano sax (or also tenor sax) with piano accompaniment is suitable for any occasion: from concerts to weddings.
$8.99
8.31 €
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Saxophone Soprano et Piano
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Tomaso Giovanni Albinoni
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Diego Marani
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Albinoni's Adagio for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
On Jordan's Bank (Duet for Soprano and Alto Saxophone)
Saxophone Soprano et Piano
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2…
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.808000 By Stephen DeCesare. By Georg Wittwe. Arranged by Stephen DeCesare. Advent,Praise & Worship,Sacred,Standards,Traditional. 15 pages. Exultet Music #414993. Published by Exultet Music (A0.808000). The traditional Advent hymn has been freshly arranged as a duet for Soprano and Alto Saxophone with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
4.61 €
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Saxophone Soprano et Piano
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Stephen DeCesare
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Stephen DeCesare
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On Jordan's Bank
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Exultet Music
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SheetMusicPlus
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