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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
some were not
Non classifié
305
Piano & claviers
Piano, Voix et Guitare
347
Piano seul
189
Piano, Voix
75
Piano Facile
27
Instruments en Do
9
2 Pianos, 4 mains
5
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
3
Orgue
2
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Clavecin
1
Piano grosses notes
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble d'Accordéons
1
+ 11 instrumentations
Retracter
Guitares
Guitare
30
Guitare notes et tablatures
28
Ukulele
4
Basse electrique
3
Dulcimer
2
2 Guitares (duo)
2
Piano, Guitare (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Paroles et Accords
1
Mandoline
1
3 Guitares (trio)
1
Banjo
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
49
Chorale 3 parties
10
Voix Alto, Piano
10
Chorale 2 parties
5
Chorale TTBB
5
Chorale Unison
4
Chorale SSAA
4
Voix Tenor
4
Voix Soprano, Piano
3
Voix duo, Piano
2
Voix Baryton, Piano
2
Voix Soprano
1
Voix moyenne, Piano
1
Voix duo
1
Chorale SSATTB
1
+ 10 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Quatuor de Saxophones: 4 saxophones
26
2 Flûtes traversières, Piano
25
Ensemble de saxophones
22
Quintette de Saxophone: 5 saxophones
16
Flûte traversière
8
Saxophone Alto et Piano
7
Clarinette
7
Flûte traversière et Piano
7
Ensemble de Clarinettes
7
Saxophone Soprano et Piano
6
Flûte, Hautbois, Clarinette, Basson
5
Ensemble de Flûtes
5
Hautbois, Piano (duo)
5
3 Clarinettes (trio)
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Quintette de Flûte : 5 flûtes
3
Clarinette et Piano
3
Trio de Flûtes: 3 flûtes
3
Flute, harpe et violon
2
Flûte, Alto et Piano
2
2 Flûtes traversières (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone Baryton, Piano
2
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette et Basson
1
Saxophone Soprano
1
2 Clarinettes, Piano
1
Flûte, Clarinette (duo)
1
Saxophone Tenor et Piano
1
Flûte à bec Alto, Piano
1
Clarinette, Harpe (duo)
1
Cor anglais, Piano
1
2 Saxophones (duo)
1
Piccolo
1
Saxophone et Orgue
1
Flûte à bec Soprano
1
Clarinette Basse, Piano
1
Clarinette Basse
1
Hautbois, Harpe
1
+ 37 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Ensemble de Trombones
6
Cor et Piano
5
Ensemble de Trompettes
4
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trombones
2
Trompette, Piano
2
Trompette
2
Trombone et Piano
2
Trombone
2
2 Cors (duo)
2
2 Trompettes (duo)
1
Tuba (partie séparée)
1
4 Tubas
1
Cor anglais, Piano
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Tuba et Piano
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Trio à Cordes: violon, alto, violoncelle
24
Harpe
19
Violon
13
Violon et Piano
9
Alto, Piano
9
2 Violons (duo)
6
Violoncelle, Piano
6
Violon, Violoncelle (duo)
5
Ensemble de Violons
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Ensemble d'Altos
3
Violoncelle
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Harpe et Piano
1
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
44
Orchestre à Cordes
26
Ensemble de cuivres
13
Orchestre
11
Orchestre de chambre
11
Ensemble Jazz
7
Jazz combo
5
Cloches
4
Ensemble de Percussions
2
Vibraphone
1
2 Marimbas
1
Marimba
1
Piano et Orchestre
1
Batterie
1
+ 9 instrumentations
Retracter
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ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Saxophone Soprano et Piano
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Saint-Saens: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.38 €
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Saxophone Soprano et Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Ca…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.38 €
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Saxophone Soprano et Piano
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Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Soprano Sax & Piano
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jmsgu3
#
SheetMusicPlus
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
Saxophone Soprano et Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
11.02 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Musik Fabrik Music Publishing
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SheetMusicPlus
Luther: Out of the Depths for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Mar…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Saxophone Soprano et Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Three Songs
Saxophone Soprano et Piano
Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. …
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Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
9.17 €
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Saxophone Soprano et Piano
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David Osbon
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Three Songs
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Forton Music - Digital
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SheetMusicPlus
Agnus Dei for Soprano Saxophone Duet and Piano
Saxophone Soprano et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 3 - Digital Down…
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1285744 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 15 pages. Lisa L Ochoco #876837. Published by Lisa L Ochoco (A0.1285744). Théodore Dubois was a French composer and organist who was well-known in the Paris music scene, due to his position as a professor of harmony at the Paris Conservatoire.  Most of his works were religious ones.  He had hoped for a successful opera career, but that unfortunately did not happen.Agnus Dei was originally a vocal duet with piano, which translates well as an instrumental duet.  I extended the piece to include some key changes to add interest.  Otherwise, the piece remains mostly as the composer wrote it.This arrangement is suitable for musicians with intermediate music skills.Scored for 2 soprano saxophones and piano.Duration: 4.25 minutes.
$12.00
11.06 €
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Saxophone Soprano et Piano
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Francois Clement Theodore Dubois
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Lisa Ochoco
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Agnus Dei for Soprano Saxophone Duet and Piano
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Lisa L Ochoco
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