English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
48
Librairie
Musicale
4
Matériel
de Musique
1 025
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6210
PIANO & CLAVIERS
Piano grosses notes
3036
Piano seul
2831
Orgue
1547
Piano Facile
1164
Piano, Voix
602
Piano, Voix et Guitare
273
Instruments en Do
242
Accompagnement Piano
128
1 Piano, 4 mains
109
Piano (partie séparée)
87
Clavier
52
2 Pianos, 4 mains
25
Piano Trio: piano, violon, violoncelle
25
Piano Quatuor: piano, violon, alto, violoncelle
25
Accordéon
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
1 Piano, 6 mains
6
Clavecin
4
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Tous Les Instruments
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
615
Guitare
449
Guitare (partie séparée)
135
Ligne De Mélodie, (Paroles) et Accords
105
Basse electrique
55
Dulcimer
42
Ukulele
33
2 Guitares (duo)
18
Paroles et Accords
17
Mandoline
16
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
14
Banjo
11
Ensemble de guitares
10
Basse électrique (partie séparée)
5
3 Guitares (trio)
4
2 Dulcimers (duo)
3
2 Mandolines (duo)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
Dobro
1
Ukulele Baryton
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
1558
Chorale 3 parties
538
Chorale Unison
284
Chorale 2 parties
278
Chorale TTBB
208
Chorale SSAA
164
Voix Soprano, Piano
27
Voix duo, Piano
16
Chorale
13
Voix Tenor, Piano
12
Voix duo
11
Voix seule
10
Voix Alto, Piano
9
Chorale SSATB
8
Voix haute
6
Voix moyenne, Piano
5
Chorale SSAATTBB
5
Voix Tenor
4
Chorale SSAB, Piano
4
Voix Soprano
2
Chorale SSATTB
2
Chorale SSAB a cappella
1
Voix basse, Piano
1
Male Voice
1
Chorale SSAATB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
559
Saxophone (partie séparée)
502
2 Clarinettes (duo)
279
Quatuor de Saxophones: 4 saxophones
261
Saxophone, Clarinette (duo)
257
2 Flûtes traversières (duo)
248
Flûte à bec Soprano
239
Clarinette, Violon (duo)
202
Flûte traversière et Piano
199
Flûte à bec Alto
187
Clarinette, Trompette (duo)
172
Flûte, Hautbois, Clarinette, Basson
166
Clarinette
165
Flûte traversière
156
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
155
Quatuor de Clarinettes: 4 clarinettes
151
Saxophone Alto
126
Flûte, Clarinette (duo)
122
Hautbois, Piano (duo)
121
Clarinette et Piano
116
Saxophone Alto et Piano
115
Hautbois (partie séparée)
108
2 Hautbois (duo)
107
Clarinette et Alto
102
Hautbois, Clarinette (duo)
102
Flûte, Violon
101
Hautbois, Basson (duo)
97
Flûte, Saxophone (duo)
94
Clarinette (partie séparée)
90
Flûte, Alto (duo)
84
Quatuor de Flûtes : 4 flûtes
83
Saxophone Tenor et Piano
78
Flûte, Trompette (duo)
78
Hautbois, Flûte
77
Quintette de Saxophone: 5 saxophones
74
Flute (partie séparée)
68
3 Saxophones (trio)
52
2 Flûte à bec (duo)
50
Saxophone Soprano et Piano
48
Trio de Flûtes: 3 flûtes
43
Quintette de Clarinettes: 5 clarinettes
42
3 Clarinettes (trio)
41
Ensemble de saxophones
39
Ensemble de Clarinettes
39
Ensemble de Flûtes
39
Flûte à bec Alto, Piano
32
Saxophone Baryton, Piano
27
Flûte, Hautbois (duo)
27
Flûte et Guitare
20
Hautbois, violon (duo)
20
Cor anglais, Piano
19
Quintette de Flûte : 5 flûtes
16
Clarinette Basse, Piano
16
Clarinette, Basson (duo)
15
Clarinette, Trombone (duo)
13
Clarinette, Violoncelle (duo)
13
Hautbois
13
Flûte, Clarinette et Basson
12
Saxophone
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Cor Anglais
10
Flûte, Violoncelle
9
Quatuor de Flûtes à bec
9
Hautbois, Violoncelle
8
Saxophone Tenor
8
3 Flûtes à bec (trio)
8
Flûte, Violon, Piano
7
Flûte, Clarinette, Piano (trio)
6
Saxophone Soprano
6
Flûte, Hautbois, Basson
6
Flûte à Bec
6
Ocarina
5
Clarinette, Guitare (duo)
5
Saxophone Baryton
5
Clarinette, Harpe (duo)
5
Hautbois et alto (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
2 Flûtes traversières, Piano
4
Flûte, Basson et Piano
4
Flûte traversière, Orgue (duo)
4
Ensemble De Flûte à bec
4
Flute, harpe et violon
4
5 Flûtes à bec
4
Flûte, Alto et Piano
3
Flûte, Violon et Violoncelle
3
2 Saxophones, Piano
3
Flûte à bec Soprano, Piano
3
Piccolo
3
Hautbois, Harpe
3
Ensemble à vent
3
3 Hautbois
2
Flûte, trombone et piano
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Violon, Piano
2
Harmonica
2
2 Clarinettes, Basson
2
Flûte, Harpe et Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Piccolo, Piano
2
2 Clarinettes, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, trompette et piano
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse
1
Clarinette, Alto et Piano (trio)
1
Flûte irlandaise
1
Clarinette, Tuba
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Violon
1
Saxophone et Orgue
1
Flûte, alto et harpe
1
Flûte à bec Tenor
1
4 Hautbois
1
Flûte, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Hautbois, trombone (duo)
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Instruments en Mib
1
Harmonica, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
320
Trompette (partie séparée)
260
Trompette, Saxophone (duo)
186
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
177
Trompette
136
2 Trombones (duo)
135
2 Trompettes (duo)
132
Trombone et Piano
113
Quatuor de Cuivres : 2 trompettes, trombone, tuba
112
Trombone
112
Trompette, Trombone (duo)
106
Trompette, Piano
91
Cor
82
Cor (partie séparée)
79
Cor et Piano
69
Tuba (partie séparée)
63
Quatuor de Cuivres
38
Tuba et Piano
37
Tuba
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Euphonium, Piano (duo)
33
Quatuor de cuivres: 4 trombones
23
Cor anglais, Piano
19
Ensemble de Trombones
16
Ensemble de Trompettes
13
2 Cors (duo)
11
2 Euphoniums (duo)
11
Quatuor de cuivres: 4 cors
10
2 Tubas (duo)
10
Cor Anglais
10
Trombone, Orgue
7
3 Trompettes (trio)
6
Quatuor de cuivres: 4 trompettes
6
Euphonium, Tuba (duo)
6
3 Trombones (trio)
5
Ensemble de Cors
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Euphonium
4
Cornet A Pistons
3
4 Tubas
3
Trompette et Guitare
3
Trio de Cuivres
3
Trombone, Cor (duo)
3
Instruments en Sib
3
Trombone basse
2
2 Euphoniums et 2 Tubas
2
Cor, Tuba (duo)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Bass Clef Instruments
1
Trompette, Harpe
1
Trombone basse et Piano
1
Cor et Harpe
1
Tuba et Orgue
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
Cor, Violoncelle (duo)
1
Trombone, Tuba (duo)
1
Clarinette, Cor (duo)
1
3 Euphoniums
1
Trompette, Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
718
Violon et Piano
346
Violon
286
Violon, Violoncelle (duo)
251
2 Violons (duo)
170
Contrebasse (partie séparée)
154
Harpe
145
Violoncelle (partie séparée)
145
2 Violoncelles (duo)
139
Violon, Alto (duo)
135
2 Altos (duo)
134
Violoncelle, Piano
133
Violon (partie séparée)
124
Alto, Piano
118
Trio à Cordes: violon, alto, violoncelle
106
Alto seul
86
Trio à Cordes: 2 violons, violoncelle
81
Alto (partie séparée)
60
Violoncelle
43
Contrebasse, Piano (duo)
43
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Contre Basse
33
Alto, Violoncelle (duo)
20
4 Violoncelles
18
2 Harpes (duo)
15
Trio à cordes: 3 violins
13
Violon, Guitare (duo)
13
Violoncelle, Contrebasse (duo)
12
Trio à Cordes: 2 violons, alto
12
Quatuor à cordes: 4 violons
11
2 Contrebasses (duo)
9
Harpe, Flûte (duo)
8
Piano Trio: Violon, Alto, Piano
7
Harpe, Violon (duo)
7
Trio à Cordes: 3 violoncelles
7
Violon, Basson (duo)
7
Harpe, Violoncelle (duo)
5
Autoharp
4
Alto et Harpe
4
Quatuor à cordes : 4 altos
4
Harpe, Violon, Violoncelle
3
Trio à cordes: 3 altos
3
Ensemble de Violons
3
Ensemble de Violoncelles
3
3 Harpes
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Contrebasses
2
Alto et Basson
2
5 Harpes
2
Violoncelle, Orgue
1
2 Violons, Piano
1
Violon, Orgue
1
Violoncelle , Guitare (duo)
1
Alto, Guitare (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Voix
1
Harpe et Piano
1
4 Harpes
1
Harpe et mandoline
1
Violon, Trompette et Piano
1
Violon, Clarinette, Piano (trio)
1
Alto et orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3072
Orchestre à Cordes
701
Ensemble Jazz
650
Orchestre
575
Cloches
353
Jazz combo
198
Ensemble de cuivres
167
Batterie
130
Batterie (partie séparée)
96
Ensemble de Percussions
88
Orchestre de chambre
83
Fanfare
79
Percussion (partie séparée)
66
Marimba
22
Percussion
9
2 Xylophones
7
Xylophone
5
Ensemble d'École
5
Piano et Orchestre
5
Vibraphone
4
Xylophone, Piano
4
Bongos
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
2
Vibraphone et Marimba
2
Conga
2
Big band
2
Cajon
2
Bodhran
2
2 Marimbas
1
3 Marimbas
1
Marimba ou Xylophone et Piano
1
Marimba, Piano (duo)
1
2 Caisses Claires (duo)
1
Instrumentation Flexible
1
Timbales (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
6
Théorie de la musique
2
Vous avez sélectionné:
the rhythm
Saxophone Soprano et Piano
Partitions à imprimer
48 partitions trouvées
<
1
26
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nik…
(+)
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.44 €
#
Saxophone Soprano et Piano
#
Nikolay Andreyevich Rimsky-Korsakov
#
James M
#
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Ant…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.44 €
#
Saxophone Soprano et Piano
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bridal March, "Here Comes The Bride", for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587574 Composed by Ric…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587574 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365470. Published by David McKeown (A0.587574). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Soprano Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
#
Saxophone Soprano et Piano
#
Richard Wagner
#
David McKeown
#
Bridal March, "Here Comes The Bride", for Solo Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
We Have Heard the Joyful Sound (Jesus Saves): Soprano Sax and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.524663 Composed by Wil…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.524663 Composed by William J. Kirkpatrick. Arranged by John A. Dempsey. Celtic,Christian,Irish,Sacred,Spiritual,Traditional. Score and part. 16 pages. John A. Dempsey #6140217. Published by John A. Dempsey (A0.524663). With its jazzy rhythm, upbeat tempo and flavorful melody, this lively hymn arrangement is designed to inject energy and enthusiasm into your worship service. Â This is an enduring hymn with eternal truth as its message. Â Musically influenced by both Cajun and Celtic styles, this duet for soprano sax and piano is recommended for traditional church services, praise gatherings, youth rallies and other worship events, as a prelude, postlude, an offertory, interlude and special music. Â 12 pages of music (that includes a separate three-page soprano sax part). Â Concert Key (Piano): Bb major. Â Soprano Sax Key: C major.
$6.99
6.46 €
#
Saxophone Soprano et Piano
#
William J
#
John A
#
We Have Heard the Joyful Sound
#
John A. Dempsey
#
SheetMusicPlus
Jingle Bells for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by Jam…
(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.05 €
#
Saxophone Soprano et Piano
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
The Elite Syncopations for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1090789 Composed by Sc…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1090789 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694919. Published by David McKeown (A0.1090789). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Soprano Saxophone with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Scott Joplin
#
David McKeown
#
The Elite Syncopations for Solo Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
The Entertainer, by Scott Joplin, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1113235 Composed by Sc…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1113235 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715184. Published by David McKeown (A0.1113235). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Soprano Saxophone with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Scott Joplin
#
David McKeown
#
The Entertainer, by Scott Joplin, for Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
The Easy Winners, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1106202 Composed by Sc…
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1106202 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709317. Published by David McKeown (A0.1106202). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Soprano Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Scott Joplin
#
David McKeown
#
The Easy Winners, for Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
The Favorite for solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1092670 Composed by Sc…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1092670 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696772. Published by David McKeown (A0.1092670). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Soprano Saxophone with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Scott Joplin
#
David McKeown
#
The Favorite for solo Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
Head in the Clouds
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1094540 Composed by Ky…
(+)
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1094540 Composed by Kyle Vanderburg. 20th Century,Classical,Contemporary. Score and part. 13 pages. NoteForge #698593. Published by NoteForge (A0.1094540). I’ve written pieces about daydreaming before—nostalgic, yearning reveries. This isn’t that kind of daydream. This is the sort of overstimulated thinking process with too many ideas and not enough time, jumping from thought to thought, sometimes speeding through motives just to get to the next one, and occasionally taking a breath and restating the theme. It’s a musical distraction, and it has rhythms only a saxophonist could live (my apologies to the accompanist).
$15.00
13.86 €
#
Saxophone Soprano et Piano
#
Kyle Vanderburg
#
Head in the Clouds
#
NoteForge
#
SheetMusicPlus
Don't Let The Sun Go Down On Me
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.547811 By Elton John. …
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.547811 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053421. Published by jmsgu3 (A0.547811). Elton John: Don't Let The Sun Go Down On Me arranged for Soprano Sax & Piano. Duration: 5'27 Â Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage. Â
$53.95
49.84 €
#
Saxophone Soprano et Piano
#
Elton John
#
James M
#
Piano
#
Don't Let The Sun Go Down On Me
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. …
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
#
Saxophone Soprano et Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
I Love You Truly-Soprano saxophone/piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844634 Composed by Phi…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413831. Published by Phil Beaman (A0.844634). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.53 €
#
Saxophone Soprano et Piano
#
Phil Beaman
#
I Love You Truly-Soprano saxophone/piano
#
Phil Beaman
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Joh…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.44 €
#
Saxophone Soprano et Piano
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Joh…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.05 €
#
Saxophone Soprano et Piano
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bac…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.44 €
#
Saxophone Soprano et Piano
#
Bach-Gounod
#
James M
#
Piano - S0
#
Bach-Gounod: Ave Maria for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Fur Elise (for beginners - solo soprano sax with piano accompaniment)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1428776 Composed by Lu…
(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1428776 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008884. Published by Rodrigo Faleiros (A0.1428776). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo soprano sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Soprano Saxophone Beginner Level Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Ludwig van Beethoven
#
Rodrigo Faleiros
#
Fur Elise
#
Rodrigo Faleiros
#
SheetMusicPlus
Fur Elise (for beginners - solo soprano sax with piano accompaniment)
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1428777 Composed by Lu…
(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1428777 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008885. Published by Rodrigo Faleiros (A0.1428777). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo soprano sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Soprano Saxophone Beginner Level Chord Symbols Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
3.69 €
#
Saxophone Soprano et Piano
#
Ludwig van Beethoven
#
Rodrigo Faleiros
#
Fur Elise
#
Rodrigo Faleiros
#
SheetMusicPlus
Three Songs
Saxophone Soprano et Piano
Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. …
(+)
Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
9.19 €
#
Saxophone Soprano et Piano
#
David Osbon
#
Three Songs
#
Forton Music - Digital
#
SheetMusicPlus
PRN
Saxophone Soprano et Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
(+)
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.912904 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 13 pages. Brandon Nelson #1954831. Published by Brandon Nelson (A0.912904). PRN, in this case, has numerous meanings. P, R, and N refer to types of harmonic progression within Hugo Riemann’s theoretical system. Starting from a given triad, P moves to the parallel major/minor triad, R goes to the relative major/minor triad, and N, if the previous chord was major goes to the minor subdominant and, if minor, goes to the major dominant. These relationships are exploited as the fundamental harmonic and melodic building blocks of the piece. Rhythmically, the PRN is regarded alphabetically. P is the 16th letter of the alphabet, R the 18th, and N the 14th letter. The distance from P to R is two letters and the distance from R to N is five letters. Taken with the difference between the two relationships (three), these are used to determine rhythm metric and proportional fashions. PRN also refers to the medical term pro re nata, or take as needed. As a nurse, PRN medications are a common encounter and serves in this case as a nod to my other professional vocation and my passion for healing. Learn more about me at: bnelsonmusic.wordpress.com.
$9.99
9.23 €
#
Saxophone Soprano et Piano
#
Brandon Nelson
#
PRN
#
Brandon Nelson
#
SheetMusicPlus
Für Elise, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Lud…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.25 €
#
Saxophone Soprano et Piano
#
Ludwig van Beethoven
#
David McKeown
#
Für Elise, for Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587704 Composed by Gab…
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810591. Published by David McKeown (A0.587704). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Soprano Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.25 €
#
Saxophone Soprano et Piano
#
Gabriel Faure
#
David McKeown
#
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
Five Ragtime Solos by Scott Joplin for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1118292 Composed by Sc…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1118292 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719810. Published by David McKeown (A0.1118292). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Soprano Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.23 €
#
Saxophone Soprano et Piano
#
Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Joplin for Soprano Saxophone and Piano
#
David McKeown
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
