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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Choral
Non classifié
1 329
Piano & claviers
Orgue
219
Piano seul
154
Piano, Voix
86
Piano, Voix et Guitare
38
Instruments en Do
9
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
1 Piano, 4 mains
1
Orgue, Piano (duo)
1
Piano Facile
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
2
4 Guitares (Quatuor)
2
Voix
Chorale SATB
11 453
Chorale 3 parties
3 721
Chorale TTBB
3 198
Chorale SSAA
2 315
Chorale
1 094
Chorale 2 parties
1 092
Chorale Unison
310
Chorale SSAB a cappella
35
Chorale SSATB
31
Chorale SSAATTBB
15
Voix duo, Piano
14
Chorale SSAB, Piano
12
Chorale SSATTB
7
Voix duo
6
Voix Baryton, Piano
3
Chorale SATBB
3
Chorale SSAATB A Cappella
2
Soli, choeur mixte et accompagnement
2
Voix moyenne, Piano
2
Voix Alto, Piano
1
Voix Soprano, Orchestre
1
+ 16 instrumentations
Retracter
Vents
Flûte, Hautbois, Clarinette, Basson
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Flûte et Guitare
35
Flûte traversière et Piano
33
Quatuor de Saxophones: 4 saxophones
30
Clarinette et Piano
29
Ensemble de Flûtes
19
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
15
Quatuor de Flûtes : 4 flûtes
12
Quatuor de Clarinettes: 4 clarinettes
12
Ensemble de Clarinettes
11
Saxophone Soprano et Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Quintette de Saxophone: 5 saxophones
7
Clarinette
6
Quatuor de Flûtes à bec
5
Cor anglais, Piano
5
Saxophone Tenor et Piano
5
Ensemble de saxophones
4
Flûte à bec Soprano
3
2 Flûtes traversières (duo)
3
Flûte, Clarinette (duo)
2
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Flûte traversière
2
Trio de Flûtes: 3 flûtes
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Quintette de Flûte : 5 flûtes
2
2 Saxophones (duo)
2
Clarinette Basse, Piano
2
Clarinette (partie séparée)
1
Ensemble De Flûte à bec
1
Hautbois (partie séparée)
1
Flûte à bec, Guitare (duo)
1
2 Hautbois (duo)
1
Flûte à bec Soprano, Piano
1
Saxophone Tenor
1
Flûte à bec Tenor
1
Ensemble à vent
1
Cor Anglais
1
Saxophone Alto
1
Clarinette, Guitare (duo)
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette, Piano
12
Trombone et Piano
8
Quatuor de Cuivres
8
Cor et Piano
7
Quatuor de cuivres: 4 trombones
7
Cor anglais, Piano
5
Trompette
5
Quatuor de cuivres: 4 cors
5
2 Trompettes (duo)
4
Tuba et Piano
4
Trombone
3
Ensemble de Trombones
3
Trompette (partie séparée)
2
Euphonium, Piano (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Cors
2
Cor
2
4 Tubas
1
3 Cors (trio)
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
Cor Anglais
1
Tuba
1
Trio de Cuivres
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon et Piano
35
Alto, Piano
31
Violoncelle, Piano
29
Trio à Cordes: violon, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe
6
Violoncelle
5
Violon
5
Contrebasse, Piano (duo)
4
Trio à Cordes: 3 violoncelles
3
Violon, Violoncelle (duo)
3
Violon, Orgue
3
2 Violons (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto, Guitare (duo)
2
Alto (partie séparée)
2
Alto seul
2
Contrebasse (partie séparée)
2
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 violins
2
Harpe et Piano
1
Violon, Alto (duo)
1
Contre Basse
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violon (duo)
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
89
Orchestre
75
Orchestre à Cordes
66
Orchestre de chambre
34
Ensemble de cuivres
28
Cloches
27
Fanfare
25
Ensemble Jazz
23
Jazz combo
7
Marimba
2
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Formation musicale - Solfège
85
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Numériques
Librairie Musicale
Matériel de musique
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
A Choral
intermédiaire
Ensemble de Clarinettes
Partitions à imprimer
11 partitions trouvées
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1
Salga el torillo hosquillo (Let the little wild bull out) - wind and brass ensemble
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Diego José de Salazar
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David Warin Solomons
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Salga el torillo hosquillo
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David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.580457 Composed by Diego José de Salazar. Arranged by David Warin Solomons. 20th Century,Baroque,Chris...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.580457 Composed by Diego José de Salazar. Arranged by David Warin Solomons. 20th Century,Baroque,Christian,Renaissance. 26 pages. David Warin Solomons #4763263. Published by David Warin Solomons (A0.580457). Instrumental arrangement of a Choral song by Diego Salazar,
$10.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Abendlied, Clarinet Choir, Op.69, No.3
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Josef Rheinberg
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Stephen Rockey
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Abendlied, Clarinet Choir, Op.
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Stephen Rockey
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.760948 Composed by Josef Rheinberg (1839-1901). Arranged by Stephen Rockey. Concert,Graduation,Romantic P...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.760948 Composed by Josef Rheinberg (1839-1901). Arranged by Stephen Rockey. Concert,Graduation,Romantic Period,Spiritual. 14 pages. Stephen Rockey #3124767. Published by Stephen Rockey (A0.760948). Josef Rheinberger's Abendlied'. One of his most famous choral motets, arranged for Clarinet Choir, 1 Eb Clt, 3 Bb Clts, 2 Eb Alto Clts, Bb Bass Clt and Contrabass Clt. A reflective piece, easy to play and would make a good background piece in a concert or in a church service. This arrangement is easy to play. Enjoy.
$5.00
Still Still Still
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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Derric Johnson
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Lisa Ochoco
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Still Still Still
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1135943 Composed by Derric Johnson. Arranged by Lisa Ochoco. Christma...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1135943 Composed by Derric Johnson. Arranged by Lisa Ochoco. Christmas,Holiday,Traditional. 15 pages. Lisa L Ochoco #735967. Published by Lisa L Ochoco (A0.1135943). Still Still Still is one of the most beautiful Christmas carols that I know of. Derric Johnson's choral arrangement of this piece is simple and quite effective. This arrangement for clarinet choir is a transcription of Derric Johnson's arrangement with an added key change and extra running eighths by me to create a fuller harmony that I felt was better suited for instrumental music. It is a combination of Still Still Still with a hint of Hark the Herald Angels Sing. This arrangement is great for groups that have intermediate musical skill. Scored for 4 Bb, alto, bass, and Bb contrabass clarinets. Duration: 3.5 minutes.
$14.00
How Lovely Is Thy Dwelling Place, for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Bud Caputo
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How Lovely Is Thy Dwelling Pla
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Bud Caputo
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.826673 Composed by Johannes Brahms. Arranged by Bud Caputo. Christmas,Contemporary,Easter,Romantic Period...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.826673 Composed by Johannes Brahms. Arranged by Bud Caputo. Christmas,Contemporary,Easter,Romantic Period,Spiritual. 24 pages. Bud Caputo #4299819. Published by Bud Caputo (A0.826673). How Lovely Is thy Dwelling Place is a transcription of this classical vocal setting from the Brahms Requiem. This choral masterpiece will delight your audiences and provide students with an understanding of the wondrous harmonies from one of the all-time favorite classical geniuses. ,The woodwind registers are practical for advanced middle school to high school students. The independent lines and rhythmic elements will challenge all medium to advanced players.
$18.00
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Mercy
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Clar ensemble - Intermediate - SKU: F2.FM457 Composed by Juan Maria Solare. Clarinet Ensemble. Score and parts. 8 pages. Forton Music - Digital #FM457. ...
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Clar ensemble - Intermediate - SKU: F2.FM457 Composed by Juan Maria Solare. Clarinet Ensemble. Score and parts. 8 pages. Forton Music - Digital #FM457. Published by Forton Music - Digital (F2.FM457). ISBN 9790570483563.For 3 Bb Clarinets and 1 Bass Clarinet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
Meditation (4 Bb clarinets)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Drake Mabry
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Meditation
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.799369 Composed by Drake Mabry. 20th Century,Jazz,Pop,Standards. 7 pages. Drake Mabry #2021399. Published...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.799369 Composed by Drake Mabry. 20th Century,Jazz,Pop,Standards. 7 pages. Drake Mabry #2021399. Published by Drake Mabry (A0.799369). Meditation was written in 1978 during a summer vacation in Vermont. The chord progression is based on a Spanish jazz style but the work also recalls some elements of Bach's four-part chorale writing. It can be played separately or as part of a suite featuring: C.S. Chaconne, Meditation, Tango and Caught between a Music Box and a Calliope, a humorous encore piece. The different moods of each of the movements provide the audience with a voyage in various instrumental colors and expressions. The duration is 3'00.
$5.99
Do You Hear What I Hear
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Carrie Underwood
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Phyllis Avidan Louke
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Do You Hear What I Hear
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas,Holiday,Pop. 23 pages. Louke Publishing #3884835. Published by Louke Publishing (A0.736285). For Clarinet Choir Do You Hear What I Hear? Program Notes Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. Regney and Baker, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. It has become a Christmas classic, selling tens of millions of copies and has being covered by hundreds of artists. The song was originally recorded by the Harry Simeone Chorale, the group that had also popularized The Little Drummer Boy. This clarinet choir arrangement is scored for 5 Clarinets and Bass Clarinet. Optional Alto Clarinet part included for Clarinet 5. Performance Time: 3:30 minutes ChristmasHoliday ConcertChurch Service Peace Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/  Â
$14.00
Blackbird
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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The Beatles
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Scott Russell
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Blackbird
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Scott Russell
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1434029 By The Beatles. By John Lennon and Paul ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1434029 By The Beatles. By John Lennon and Paul McCartney. Arranged by Scott Russell. Chamber,Pop,Rock. 24 pages. Scott Russell #1014277. Published by Scott Russell (A0.1434029). This arrangement of Blackbird, by John Lennon and Paul Mccartney, is for intermediate clarinet choir. Featuring an expressive chorale in the beginning for a rich and warm sound. This is a great selection to focus on meter changes and arpeggiated passages, along with letting your 2nd and 3rd clarinetists shine with the melody. Instrumentation: Eb Clarinet (or solo Bb)1st Clarinets in Bb2nd Clarinets in Bb3rd Clarinets in BbAlto Clarinet in Eb1st Bass Clarinet in Bb2nd Bass Clarinet in BbContra-Alto Clarinet in EbContraBass Clarinet in Bb
$19.99
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