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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ASCAP.
Non classifié
1 832
Piano & claviers
Piano seul
5 325
Orgue
743
Piano, Voix et Guitare
442
Piano, Voix
317
Piano Facile
172
1 Piano, 4 mains
69
Orgue, Piano (duo)
60
Piano Trio: piano, violon, violoncelle
39
Accompagnement Piano
29
Piano Quatuor: piano, violon, alto, violoncelle
27
Instruments en Do
22
2 Pianos, 4 mains
17
2 Pianos, 8 mains
4
1 Piano, 6 mains
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
2
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
173
Guitare
64
2 Guitares (duo)
15
Ligne De Mélodie, (Paroles) et Accords
14
Piano, Guitare (duo)
10
Basse electrique
3
Ukulele
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
1 393
Chorale Unison
145
Chorale 3 parties
108
Chorale TTBB
49
Voix duo
45
Chorale 2 parties
45
Chorale SSAA
23
Voix haute
23
Voix Alto, Piano
16
Voix Soprano, Piano
15
Voix seule
14
Voix duo, Piano
13
Voix basse, Piano
9
Voix Baryton, Piano
8
Voix basse
4
Voix Tenor, Piano
4
Voix Tenor
2
Voix moyenne, Piano
2
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 021
Hautbois, Piano (duo)
584
Clarinette et Piano
336
Saxophone Alto et Piano
243
Cor anglais, Piano
161
Saxophone Tenor et Piano
140
Saxophone Soprano et Piano
126
Saxophone Baryton, Piano
112
Clarinette Basse, Piano
87
2 Flûtes traversières (duo)
71
Clarinette
71
2 Saxophones (duo)
69
2 Clarinettes (duo)
64
Flûte et Guitare
59
Quatuor de Saxophones: 4 saxophones
56
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière
40
Quatuor de Clarinettes: 4 clarinettes
35
Ensemble de Flûtes
27
Flûte, Hautbois, Clarinette, Basson
24
3 Clarinettes (trio)
21
2 Hautbois (duo)
18
3 Saxophones (trio)
17
Ensemble de Clarinettes
16
Flûte, Violoncelle
14
Quatuor de Flûtes : 4 flûtes
13
Clarinette, Violoncelle (duo)
12
Flûte, Clarinette (duo)
11
Hautbois, Basson (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Trio de Flûtes: 3 flûtes
10
Clarinette, Guitare (duo)
9
Piccolo, Piano
9
Quintette de Saxophone: 5 saxophones
9
2 Cors Anglais Et Pianoforte
8
Saxophone Tenor
8
Flûte, Clarinette, Piano (trio)
8
Flûte, Guitare, Piano
7
Saxophone Alto
7
Hautbois (partie séparée)
6
Saxophone
6
Hautbois, Violoncelle
5
Clarinette, Basson (duo)
5
Flûte, Violon, Piano
5
Flûte, Violoncelle, Piano (trio)
4
Flûte, Alto (duo)
3
Clarinette et Alto
3
Saxophone Baryton
3
Flûte, Violon
3
Saxophone (partie séparée)
3
Flûte et Quatuor à Cordes
3
Saxophone et violoncelle
3
Flûte, Violon et Violoncelle
3
Flûte traversière, Orgue (duo)
2
Saxophone et Guitare
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Flûtes traversières, Piano
2
Saxophone, Basson (duo)
2
Flute (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette et Basson
2
Flûte à Bec, Piano
2
Saxophone Soprano
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Harpe et Violoncelle
1
Hautbois
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
4 Hautbois
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flute, harpe et violon
1
Flûte, alto et harpe
1
Clarinette, Orgue
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
Clarinette, Violon (duo)
1
Ensemble De Flûte à bec
1
Hautbois, Clarinette (duo)
1
Saxophone, Clarinette (duo)
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
166
Cor anglais, Piano
161
Cor et Piano
150
Trompette, Piano
137
Euphonium, Piano (duo)
106
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trompette
57
Tuba et Piano
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
2 Trompettes (duo)
20
3 Trombones (trio)
17
2 Cors (duo)
16
2 Trombones (duo)
16
Trombone
12
2 Euphoniums (duo)
11
Cor
10
Ensemble de Trombones
9
2 Cors Anglais Et Pianoforte
8
Tuba
6
Trompette, Trombone (duo)
6
Quatuor de Cuivres
5
Cor, Violoncelle (duo)
5
Trompette (partie séparée)
5
Euphonium, Tuba (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba et Orgue
3
Euphonium
3
Trombone (partie séparée)
3
Trio de Cuivres
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trombone basse
2
2 Euphoniums et 2 Tubas
1
Trompette, Trombone, Piano
1
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor et Orgue
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
1 074
Quatuor à cordes: 2 violons, alto, violoncelle
299
Violoncelle, Piano
267
Alto, Piano
243
Trio à Cordes: violon, alto, violoncelle
113
Violon, Violoncelle (duo)
62
2 Violons (duo)
42
Harpe
41
Violoncelle , Guitare (duo)
32
Violon
32
2 Violoncelles (duo)
29
Violon, Alto (duo)
28
Violoncelle
28
2 Altos (duo)
18
4 Violoncelles
16
Alto, Violoncelle (duo)
13
Violon, Guitare (duo)
10
Alto, Guitare (duo)
8
Alto seul
8
Piano Trio: Violon, Alto, Piano
7
Trio à cordes
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, alto
3
Contre Basse
2
Alto, Orgue
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orgue
2
Contrebasse, Piano (duo)
2
Violon, Orgue
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
2 Harpes (duo)
1
4 Harpes
1
Ensemble de Violoncelles
1
Harpe, Violon, Violoncelle
1
Alto et Basson
1
Alto (partie séparée)
1
Flûte, Contrebasse (duo)
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
147
Ensemble de cuivres
143
Orchestre
137
Orchestre d'harmonie
101
Ensemble Jazz
94
Cloches
50
Orchestre de chambre
40
Jazz combo
38
Fanfare
12
Batterie
6
Marimba
4
Ensemble de Percussions
4
Marimba et Orgue
3
Quintette à Vent
2
Vibraphone et Marimba
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
ASCAP.
Ensemble de Clarinettes
Partitions à imprimer
16 partitions trouvées
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1
Summertime FOR CLARINET CHOIR
#
Ensemble de Clarinettes
#
George Gershwin
#
Phyllis Avidan Louke, ASCAP
#
Summertime FOR CLARINET CHOIR
#
Louke Publishing
#
SheetMusicPlus
By George Gershwin. Arranged by Phyllis Avidan Louke, ASCAP. Score, Set of Parts. 15 pages. Published by Louke Publishing (H0.222981-794010). - Score,Set of Par...
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By George Gershwin. Arranged by Phyllis Avidan Louke, ASCAP. Score, Set of Parts. 15 pages. Published by Louke Publishing (H0.222981-794010). - Score,Set of Parts - - Louke Publishing
$14.00
The Addams Family Theme for Clarinet Choir
#
Ensemble de Clarinettes
#
Film/TV
#
Halloween
#
Vic Mizzy
#
Phyllis Avidan Louke, ASCAP
#
The Addams Family Theme for Cl
#
Louke Publishing
#
SheetMusicPlus
By Vic Mizzy. Arranged by Phyllis Avidan Louke, ASCAP. Score, Set of Parts. 13 pages. Published by Louke Publishing (H0.222787-4800). - Score,Set of Parts - - ...
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By Vic Mizzy. Arranged by Phyllis Avidan Louke, ASCAP. Score, Set of Parts. 13 pages. Published by Louke Publishing (H0.222787-4800). - Score,Set of Parts - - Louke Publishing
$15.00
Italian in Algiers Overture
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Gioachino Rossini
#
Mark A
#
Italian in Algiers Overture
#
Mark A. Craig
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1471959 Composed by Gioachino Rossini. Arranged ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1471959 Composed by Gioachino Rossini. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). 19th Century,Film/TV,Multicultural,Opera,World. 145 pages. Mark A. Craig #1048910. Published by Mark A. Craig (A0.1471959). This new high-spirited clarinet choir arrangement of Gioacchino Rossini's Italian in Algiers Overture from his opera L'Italiani in Algieri is a perennial favorite for wind players. It is perfect for recitals, graduations, special events, and educational outreach performances. The arrangement can be played by college groups and professional ensembles. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I have also included a Contra Alto Clarinet part as an alternate or in addition to the Contrabass Clarinet part. I hope you enjoy this delightful setting of this Rossini classic.If you like this arrangement, you might also like my lively and dynamic clarinet choir arrangement of Alexander Borodin's Polovtsian Dances Overture from his opera Prince Igor. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1568726/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/polovtsian-dances-overture-22795898.htmlFor more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$30.00
Arrival of the Queen of Sheba, from the oratorio Solomon
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
#
Mark A
#
Arrival of the Queen of Sheba,
#
Mark A. Craig
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1473501 Composed by George Frideric Handel. Arra...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1473501 Composed by George Frideric Handel. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Chamber,Film/TV,Multicultural,World. 38 pages. Mark A. Craig #1051299. Published by Mark A. Craig (A0.1473501). This clarinet choir arrangement of the sinfonia Arrival of the Queen of Sheba from George F. Handel's oratorio Solomon is a great opener or closer for recitals and is perfect for graduations, weddings, background dinner music gigs, and educational outreach events. College groups and professional ensembles can play this arrangement. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I have also included a Contra Alto Clarinet part as an alternate or in addition to the Contrabass Clarinet part. I hope you enjoy this delightful setting of a Handel classic.If you like this arrangement, you might also like my lively and dynamic clarinet choir arrangement of Alexander Borodin's Polovtsian Dances Overture from his opera Prince Igor. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1568726/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/polovtsian-dances-overture-22795898.htmlFor more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$30.00
Polovtsian Dances Overture
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Alexander Borodin
#
Mark A
#
Polovtsian Dances Overture
#
Mark A. Craig
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1466270 Composed by Alexander Borodin. Arranged by Mark A. Craig / Cr...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1466270 Composed by Alexander Borodin. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). 19th Century,Chamber,Multicultural,Opera,Romantic Period,World. 53 pages. Mark A. Craig #1044875. Published by Mark A. Craig (A0.1466270). This lively and dynamic clarinet choir arrangement of Alexander Borodin's Polovtsian Dances Overture from his opera Prince Igor is a perennial favorite for wind players. It is perfect for recitals, weddings, graduations, special events, background dinner music gigs, and educational outreach performances. The arrangement can be played by college groups and professional ensembles. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I hope you enjoy this delightful setting of Borodin's masterwork of orchestration.If you like this arrangement, you might also like my clarinet quintet arrangement of the Rondo (Finale) from Mozart's classic Serenade No. 13 KV 361 Gran Partita. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/911725/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/rondo-from-gran-partita-serenade-kv361-cq5-22001867.htmlHere are some links if you'd like to check out my social media pages. Please like and follow me, and feel free to leave comments. Thanks! Facebook: https://www.facebook.com/craigmusicpublishers/Instagram: https://www.instagram.com/craigmusicpublishers/LinkIn.Bio: https://linkin.bio/craigmusicpublishers/YouTube: www.youtube.com/@CraigMusicPublishers.
$15.00
"Habañera" from the opera Carmen
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Georges Bizet
#
Mark A
#
"Habañera" fr
#
Mark A. Craig
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1467726 Composed by Georges Bizet. Arranged by Mark A. Craig / Craig ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1467726 Composed by Georges Bizet. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). 19th Century,Film/TV,Latin,Multicultural,Opera,World. 20 pages. Mark A. Craig #1046020. Published by Mark A. Craig (A0.1467726). This clarinet choir arrangement of Georges Bizet's dramatic aria, Habañera, from his opera Carmen, is a classic. It is perfect for recitals, weddings, graduations, special events, background dinner music gigs, and educational outreach performances. The arrangement can be played by advanced high school, college, and professional ensembles. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I have also included a Contra Alto Clarinet part as an alternate or in addition to the Contrabass Clarinet part. I hope you enjoy this delightful setting of Bizet's operatic favorite. If you like this arrangement, you might also like my clarinet choir arrangement of the lively and dynamic Polovtsian Dances Overture from Alexander Borodin's opera Prince Igor. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1568726/Product.aspxSheet Music Plus: (link coming soon)Here are some links if you'd like to check out my social media pages. Please like and follow me, and feel free to leave questions or comments. Thanks! Facebook: https://www.facebook.com/craigmusicpublishers/Instagram: https://www.instagram.com/craigmusicpublishers/LinkIn.Bio: https://linkin.bio/craigmusicpublishers/YouTube: www.youtube.com/@CraigMusicPublishers.
$15.00
Golliwog's Cakewalk for Clarinet Sextet
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Keith Terrett
#
Keith Terrett
#
Golliwog's Cakewalk for Clarin
#
Keith Terrett
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1430401 By Keith Terrett. By Claude Debussy. Arranged by Keith Ter...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1430401 By Keith Terrett. By Claude Debussy. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. 19 pages. Keith Terrett #1011008. Published by Keith Terrett (A0.1430401). A transcription of Debussy’s Golliwog’s Cakewalk for Clarinet Sextet.At the time of its composition, Golliwog's were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton (golliwog is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the black-face minstrels of the time. This is a ragtime piece with its syncopations and banjo-like effects. The dynamic range is quite large and very effective. The B section of this dance is interrupted on several occasions by the love-death leitmotif of Richard Wagner’s opera Tristan und Isolde, marked avec une grande émotion (with great feeling). Each quotation is followed with banjo imitations. The cakewalk was a dance or a strut and the dancer with the most elaborate steps won a cake (took the cake). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Gabrieli: Jubilate Deo Ch. 136 for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457489. Published by jmsgu3 (A0.549193). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 1 Eb Clarinet, 5 Bb Clarinets, 1 alto clarinet, 2 bass clarinets
$29.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Can't Stop The Feeling from TROLLS
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Justin Timberlake
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Gary D
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Can't Stop The Feeling from TR
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.796738 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.796738 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Gary D. Belshaw (ASCAP). Dance,Pop. 45 pages. DR GARY D BELSHAW #4302777. Published by DR GARY D BELSHAW (A0.796738). For Advanced Intermediate Clarinet Choir. 40 pages, including one sample part page for display here. Duration: 3 minutes.This uptempo, disco- and soul-pop number with punk influences debuted as Justin Timberlake's fifth U. S. No. 1 single and is one of the top 20 longest running No. 1 singles on the Adult Contemporary chart. This arrangement spreads the almost uncontrollable joy among all the players in your ensemble, and its appeal will be to young and old alike. Its Advanced Intermediate difficulty will be sufficient enough to wow and yet accessible enough for an audience filled with pop-music lovers and arts aficionados alike. An optional cut from Rehearsals C to I makes this an ideal encore on a recruiting or publicity tour: short, but...wow!Thank you for considering this work; your reviews of my work are really important to me. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus). A like on this Sheet Music Plus page will be deeply appreciated.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white papers: look for beige, tan, or natural paper. 3. Always use a smooth-finish paper stock. 4. One final thought: if you have access to a printer or copier that will take 9 x 12 stock, your pages will be more like traditional printed music in size. Obtaining paper stock with the other elements listed above will result in music sheets that would look startling similar to products from long-established publishing houses.
$12.99
Arrival of the Queen of Sheba for Clarinet Quintet +
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Keith Terrett
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Arrival of the Queen of Sheba
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terr...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
When the Saints Go Marching in for Clarinet Quintet +
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Traditional
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Keith Terrett
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When the Saints Go Marching in
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746889 Composed by Traditional. Arranged by Keith Terrett. 20th Century,Folk,Jazz. 6 pages. Keith Terrett...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746889 Composed by Traditional. Arranged by Keith Terrett. 20th Century,Folk,Jazz. 6 pages. Keith Terrett #4854323. Published by Keith Terrett (A0.746889). An arrangement for Clarinet Quintet + of When the Saints Go Marching In.A showstopper for your next concert.The chart works for 5 players, but extra parts are supplied if you have more players! Try my Fur Elise Boogie Woogie for Clarinet Choir, with a live recording by Clarinet Fusion!For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Beethoven: Three Equali WoO 30 for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Classique
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Co...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 19 pages. Jmsgu3 #5722107. Published by jmsgu3 (A0.551800). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
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