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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
And He Died
Sheetmusicplus
Non classifié
433
Piano & claviers
Piano seul
126
Piano, Voix
48
Piano, Voix et Guitare
14
Orgue
13
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
4
Piano Facile
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
1 Piano, 4 mains
2
Clavecin
1
+ 7 instrumentations
Retracter
Guitares
Guitare
63
Guitare notes et tablatures
35
4 Guitares (Quatuor)
6
Ukulele
3
2 Guitares (duo)
2
Basse electrique
1
Orchestre à Plectres
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
94
Chorale 3 parties
15
Chorale 2 parties
14
Voix duo
8
Voix Baryton, Piano
6
Chorale TTBB
5
Voix duo, Piano
3
Chorale Unison
3
Voix basse, Piano
3
Voix Tenor, Piano
3
Chorale SSAA
2
Voix Tenor
1
Chorale SSAATTBB
1
Voix haute
1
Voix moyenne, Piano
1
Voix basse
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
56
Clarinette et Piano
40
Saxophone Alto et Piano
38
Hautbois, Piano (duo)
33
Saxophone Tenor et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Ensemble de saxophones
24
Saxophone Soprano et Piano
21
Cor anglais, Piano
16
Saxophone Baryton, Piano
16
Quintette de Saxophone: 5 saxophones
15
Clarinette
13
Ensemble de Clarinettes
12
Clarinette Basse, Piano
12
2 Saxophones (duo)
10
2 Flûtes traversières (duo)
10
Quatuor de Clarinettes: 4 clarinettes
10
Quatuor de Saxophones: 4 saxophones
9
2 Flûte à bec (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
3 Saxophones (trio)
6
Flûte traversière
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Flûtes
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Alto et Piano
3
3 Clarinettes (trio)
3
Flûte, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte à bec Alto, Basse continue
2
Flûte et Guitare
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois (partie séparée)
2
Clarinette, Basson (duo)
2
Piccolo, Piano
2
Saxophone (partie séparée)
1
2 Flûtes traversières, Piano
1
Saxophone et Guitare
1
Flûte traversière, Orgue (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Violoncelle et Piano
1
2 Saxophones, Piano
1
Clarinette Basse
1
Flûte, Violon
1
Hautbois, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
2 Hautbois (duo)
1
Saxophone Alto
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
2 Clarinettes, Basson
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trombone et Piano
18
Euphonium, Piano (duo)
17
Cor anglais, Piano
16
Cor et Piano
14
Quatuor de Cuivres
10
Trompette
9
Trompette, Piano
8
Quatuor de cuivres: 4 trombones
5
Ensemble de Trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Ensemble de Cors
5
Ensemble de Trompettes
5
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Trombone (duo)
3
Cor
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Tuba et Piano
2
Trombone
2
Trompette, Cor (duo)
1
2 Cors (duo)
1
Ensemble de Tubas
1
2 Tubas (duo)
1
Bass Clef Instruments
1
2 Euphoniums (duo)
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon et Piano
66
Violoncelle, Piano
40
Trio à Cordes: violon, alto, violoncelle
31
Alto, Piano
28
2 Violons (duo)
18
Violon
18
Harpe
11
Violon, Violoncelle (duo)
10
2 Violoncelles (duo)
8
Violon, Alto (duo)
8
Alto seul
7
Violon, Guitare (duo)
6
Violoncelle
5
2 Altos (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Harpe, Flûte (duo)
1
Violon, Orgue
1
Ensemble de Violons
1
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse, Piano (duo)
1
Violon, Basse continue
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes : 4 altos
1
Ensemble d'Altos
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
58
Orchestre de chambre
39
Marimba
17
Ensemble de cuivres
14
Orchestre
14
Ensemble Jazz
5
Vibraphone
2
Ensemble de Percussions
1
Fanfare
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
And He Died
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Let us wander (Purcell) for Clarinet Quartet
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Opera
#
Classique
#
Henry Purcell
#
Robert Newth
#
Let us wander
#
Robert Newth
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.845752 Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. 7 pages. Robert Newth #6214275...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.845752 Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. 7 pages. Robert Newth #6214275. Published by Robert Newth (A0.845752). Let us wander was originally written for the opera The Indian Queen. Unfortunately Purcell died before the opera could be completed but he did manage to finish several arias and instrumental sections of the work, including this song.This arrangement is for standard clarinet quartet of 3 Bb Clarinets and 1 Bass Clarinet. The PDF download contains a full score and all four parts.If you have enjoyed this arrangement, please leave a review!
$8.99
Bach Goes To Town
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Jazz
#
Benny Goodman
#
Lisa Ochoco
#
Bach Goes To Town
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560007 By Benny Goodman. By Alex Templeton. Arranged by Lisa Ochoco. ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560007 By Benny Goodman. By Alex Templeton. Arranged by Lisa Ochoco. Jazz. 29 pages. Lisa L Ochoco #6211199. Published by Lisa L Ochoco (A0.560007). Alec Templeton was a Welsh musician who was born blind. He studied music at the Royal Academy of Music in England and moved to the United States in his early 30's to make his mark.
$17.00
Springtime Mantleth Every Bough for Clarinet Choir
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Renaissance
#
Thomas Morley
#
Lisa Ochoco
#
Springtime Mantleth Every Boug
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560153 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissanc...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560153 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 14 pages. Lisa L Ochoco #6535119. Published by Lisa L Ochoco (A0.560153). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Recordare (from "Requiem") (F) (Clarinet Quintet)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1108227 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1108227 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710854. Published by Regis Bookshar (A0.1108227). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Quintet, consisting of 5 Bb Clarinets and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Clarinet Sextet)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1110886 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1110886 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713181. Published by Regis Bookshar (A0.1110886). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Sextet, consisting of 5 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Clarinet Septet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1111646 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1111646 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 40 pages. Regis Bookshar #713940. Published by Regis Bookshar (A0.1111646). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Septet, consisting of 7 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (40 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1112869 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1112869 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 43 pages. Regis Bookshar #714825. Published by Regis Bookshar (A0.1112869). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Octet, consisting of 8 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (43 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
'Romance' by Ludvig Schytte for Clarinet Sextet.
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Ensemble de Clarinettes
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Ludvig Schytte
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Stephen Davies
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'Romance' by Ludvig Schytte fo
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.891973 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 36 pages. Stephen Davies ...
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Woodwind Ensemble Clarinet - SKU: A0.891973 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 36 pages. Stephen Davies #6264723. Published by Stephen Davies (A0.891973). Clarinet Sextet, loosely based on ROMANCE by LUDVIG SCHYTTE. Ludvig Schytte (28 April 1848 in Aarhus – 10 November 1909 in Berlin) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte studied with Niels Gade and Edmund Neupert, and Liszt. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students. Incidentally I am reliably informed that his name is pronounced in Danish as Luthfig Shooter, just in case of any confusion!!!
$15.99
'Sonata' based on music by Ludvig Schytte for Clarinet Sextet.
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Ensemble de Clarinettes
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AVANCÉ
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Ludvig Schytte
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Stephen Davies
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'Sonata' based on music by Lud
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Steph...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891971 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Stephen Davies #6294323. Published by Stephen Davies (A0.891971). Clarinet Sextet, very loosely based on SONATA by LUDVIG SCHYTTE. In this arrangement I have taken the liberty of fusing Victorian harmonies with a much more jazz based chordal approach, this behemoth of 306 bars has only one semi-quaver hidden away! Ludvig Schytte (28 April 1848 in Aarhus – 10 November 1909 in Berlin) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte studied with Niels Gade and Edmund Neupert, and Liszt. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students. Incidentally I am reliably informed that his name is pronounced in Danish as Lullfig Shooter, just in case of any confusion!!!
$21.99
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And He Died
