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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
E Renaissance
Non classifié
211
Piano & claviers
Piano, Voix
104
Piano seul
102
Piano Facile
10
Orgue
7
Accompagnement Piano
3
1 Piano, 4 mains
2
Instruments en Do
2
Tous Les Instruments
1
Piano (partie séparée)
1
Orgue, Trompette (duo)
1
+ 5 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
14
Mandoline
11
Ukulele
7
Ensemble de guitares
3
2 Guitares (duo)
2
Paroles et Accords
1
Banjo
1
Ukulele Baryton
1
4 Guitares (Quatuor)
1
Luth
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
59
Chorale 3 parties
14
Chorale 2 parties
7
Chorale TTBB
5
Chorale SATTB
1
Chorale SSATB
1
Chorale
1
Voix, Guitare
1
+ 3 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone (partie séparée)
26
Clarinette (partie séparée)
24
Ensemble de Clarinettes
20
Quintette de Clarinettes: 5 clarinettes
12
Flute (partie séparée)
11
Hautbois (partie séparée)
11
Flûte, Hautbois, Clarinette, Basson
7
Clarinette
6
Quatuor de Flûtes à bec
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Saxophones: 4 saxophones
4
Flûte et Guitare
3
Saxophone Tenor et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Trio de Flûtes: 3 flûtes
3
Ensemble de Flûtes
3
Flûte traversière et Piano
2
Flûte, Violon et Violoncelle
2
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes (duo)
2
Clarinette et Piano
2
Flûte à bec Soprano
2
Hautbois, Piano (duo)
2
3 Clarinettes (trio)
2
Flute, harpe et violon
1
Saxophone Soprano et Piano
1
3 Flûtes à bec (trio)
1
2 Flûtes traversières (duo)
1
Flûte traversière
1
Clarinette, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
2 Saxophones (duo)
1
Flûte, Clarinette et Basson
1
Saxophone Alto et Piano
1
Clarinette, Tuba
1
Flûte à bec Alto
1
Flûte, Trombone (duo)
1
Ensemble De Flûte à bec
1
Ocarina
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 36 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette (partie séparée)
17
Trombone (partie séparée)
15
Cor (partie séparée)
8
Tuba (partie séparée)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trompettes
4
Trompette, Trombone (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
2
Cor
2
2 Trombones (duo)
2
Trombone et Piano
2
2 Trompettes (duo)
2
Cor et Piano
2
Euphonium, Tuba (duo)
2
Ensemble de Cors
1
Trombone
1
Euphonium
1
Trompette, Piano
1
Trio de Cuivres
1
Trombone basse et Piano
1
2 Tubas (duo)
1
Tuba
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
+ 22 instrumentations
Retracter
Cordes
Violon (partie séparée)
16
Harpe
10
Contrebasse (partie séparée)
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
4
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Violon et Piano
4
2 Harpes (duo)
3
Violoncelle, Piano
3
Violon
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe, Voix
2
Contre Basse
2
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle
1
Alto, Piano
1
Flûte, Contrebasse (duo)
1
Violon, Alto (duo)
1
Contrebasse, Piano (duo)
1
Alto seul
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
25
Ensemble de cuivres
22
Percussion (partie séparée)
15
Orchestre à Cordes
10
Orchestre
8
Fanfare
5
Timbales (partie séparée)
4
Ensemble Jazz
2
Quintette à Vent
1
Orchestre de chambre
1
Cloches
1
+ 6 instrumentations
Retracter
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
E Renaissance
Ensemble de Clarinettes
Partitions à imprimer
20 partitions trouvées
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Il est bel et bon (He is good and handsome) for clarinet quartet (E flat, B flat, Alto, Bass)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Renaissance
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Pierre Passereau
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David Warin Solomons
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Il est bel et bon
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David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579046 Composed by Pierre Passereau. Arranged by David Warin Solomons. Renaissance. 6 pages. David Warin ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579046 Composed by Pierre Passereau. Arranged by David Warin Solomons. Renaissance. 6 pages. David Warin Solomons #2154569. Published by David Warin Solomons (A0.579046). Instrumental arrangement of Pierre Passereau's fun madrigal about two women extolling the virtues of their husbands.
$6.00
Fair Phyllis I saw sitting all alone for clarinet quartet (E flat, B flat, Alto and Bass)
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Ensemble de Clarinettes
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FACILE
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Renaissance
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John Farmer
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David Warin Solomons
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Fair Phyllis I saw sitting all
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579041 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. 7 pages. David Warin Solom...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579041 Composed by John Farmer. Arranged by David Warin Solomons. Renaissance. 7 pages. David Warin Solomons #2153591. Published by David Warin Solomons (A0.579041). Instrumental arrangement of John Farmer's famous madrigal.
$7.00
O Sacrum Convivium for clarinet quintet E flat, 2 B flats, alto and bass and optional Basset horn
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Ensemble de Clarinettes
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FACILE
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Thomas Tallis
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David Warin Solomons
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O Sacrum Convivium for clarine
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579655 Composed by Thomas Tallis. Arranged by David Warin Solomons. Easter,Renaissance,Sacred. 21 pages. ...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.579655 Composed by Thomas Tallis. Arranged by David Warin Solomons. Easter,Renaissance,Sacred. 21 pages. David Warin Solomons #3142235. Published by David Warin Solomons (A0.579655). Instrumental Transcription of the Communion motet as composed by Thomas Tallis
$7.00
Vagi amorosi e fortunati allori (Giovanni Gabrieli) Clarinet Choir arr. Adrian Wagner
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Ensemble de Clarinettes
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Renaissance
#
Giovanni Gabrieli
#
Adrian Wagner
#
Vagi amorosi e fortunati allor
#
Adrian Wagner
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.594793 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431533. Pub...
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Woodwind Ensemble Clarinet - SKU: A0.594793 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431533. Published by Adrian Wagner (A0.594793). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$7.50
Thule, The period of Cosmography and The Andalusian Merchant for clarinet sextet (E flat, 3 B flats, alto and bass) or clarinet choir
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Ensemble de Clarinettes
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Renaissance
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Thomas Weelkes
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David Warin Solomons
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Thule, The period of Cosmograp
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David Warin Solomons
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SheetMusicPlus
Composed by Thomas Weelkes (1576-1623). Arranged by David Warin Solomons. Renaissance, Early Music. Score, Set of Parts. 30 pages. Published by David Warin Solo...
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Composed by Thomas Weelkes (1576-1623). Arranged by David Warin Solomons. Renaissance, Early Music. Score, Set of Parts. 30 pages. Published by David Warin Solomons (S0.165253). - Score,Set of Parts - Renaissance,Early Music - David Warin Solomons
$10.00
Springtime Mantleth Every Bough for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Thomas Morley
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Lisa Ochoco
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Springtime Mantleth Every Boug
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560153 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissanc...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560153 Composed by Thomas Morley. Arranged by Lisa Ochoco. Renaissance. 14 pages. Lisa L Ochoco #6535119. Published by Lisa L Ochoco (A0.560153). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
On the Plains Fairy Trains for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissan...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #4278367. Published by Lisa L Ochoco (A0.559727). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
Angelus ad Pastores Ait for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Hieronymus Praetorius
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Lisa Ochoco
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Angelus ad Pastores Ait for Cl
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559905 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. Ch...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559905 Composed by Hieronymus Praetorius. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 29 pages. Lisa L Ochoco #5374737. Published by Lisa L Ochoco (A0.559905). Not to be mixed up with Michael Praetorius or a type of ancient writing system, Hieronymus Praetorius was a German composer and organist who lived in the Renaissance / Baroque periods. He wrote mainly for the voice, and his music is not widely known outside of the church.
$14.00
Regina Caeli Laetare for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Tomas Luis de Victoria
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Lisa Ochoco
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Regina Caeli Laetare for Clari
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559907 Composed by Tomas Luis de Victoria. Arranged by Lisa Ochoco. E...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559907 Composed by Tomas Luis de Victoria. Arranged by Lisa Ochoco. Easter,Renaissance,Sacred. 30 pages. Lisa L Ochoco #5375397. Published by Lisa L Ochoco (A0.559907). Tomás Luis de Victoria is a well-known name in Renaissance music. His compositions are still widely sung all over the world today for a good reason - they are beautiful masterpieces.
$14.00
Swan Lake Suite, Op. 20a for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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P
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Hyeonjong SONG
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Swan Lake Suite, Op. 20a for C
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Hyeonjong SONG
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1374433 By P.I.Tchaikovsky. By P.I.Tcahikovsky. Arranged by Hyeonjong...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1374433 By P.I.Tchaikovsky. By P.I.Tcahikovsky. Arranged by Hyeonjong SONG. 19th Century,Classical,Contest,Festival,Renaissance,Traditional. 118 pages. Hyeonjong SONG #959040. Published by Hyeonjong SONG (A0.1374433). It composed by P.I.Tchaikovsky (118 pages) Arranged for Clarinet Ensemble Eb Clarinet, Bb Clarinet 1st,2nd,3rd,4th, Eb Alto Clarinet, Bb Bass Clarinet(If you have Low C Bass Clarinet , It'll be great performance), Percussion, Timpani.
$60.00
Hodie Christus Natus Est for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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Lisa Ochoco
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Hodie Christus Natus Est for C
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559465 Composed by Jan Pieterszoon Sweelinck. Arranged by Lisa Ochoco...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559465 Composed by Jan Pieterszoon Sweelinck. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 31 pages. Lisa L Ochoco #2897271. Published by Lisa L Ochoco (A0.559465). Hodie Christus Natus Est translates to Today, Christ is born. Of all the Hodie's that I know of, this one is my absolute favorite. The original motet was written for 5 voices. This transcription for clarinet choir has 9 voices. Optional Clarinet 4 and 5 parts were created to give the piece fullness, as they are exactly the same as Clarinet in Eb and Clarinet 1 parts, but an octave lower. The alto and bass parts share a lot the same notes also, to help give the piece a solid bottom. The contrabass shares the same music as the bass. That said, this piece can be played with only 5 parts, but it sounds great with 9.
$15.00
Crucifixus a 8 for clarinet choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Antonio Lotti
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David Warin Solomons
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Crucifixus a 8 for clarinet ch
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579268 Composed by Antonio Lotti. Arranged by David Warin Solomons. Baroque,Christian,Easter,Renaissance,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579268 Composed by Antonio Lotti. Arranged by David Warin Solomons. Baroque,Christian,Easter,Renaissance,Sacred. 11 pages. David Warin Solomons #2911933. Published by David Warin Solomons (A0.579268). Arrangement for 1 E flat, 3 B flats, 2 Altos and 2 Bass clarinets of Antonio Lotti's Crucifixus
$8.00
Haec Dies for clarinet sextet (3 B flat clarinets, 2 Alto clarinets and 1 Bass clarinet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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William Byrd
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David Warin Solomons
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Haec Dies for clarinet sextet
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.579766 Composed by William Byrd. Arranged by David Warin Solomons. Christian,Christmas,...
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Small Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.579766 Composed by William Byrd. Arranged by David Warin Solomons. Christian,Christmas,Easter,Renaissance. Score and parts. 17 pages. David Warin Solomons #3382115. Published by David Warin Solomons (A0.579766). Joyful anthem by William Byrd
$8.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
O Filii et Filiae
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Ensemble de Clarinettes
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FACILE
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Volckmar Leisring
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Lori Archer Sutherland
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O Filii et Filiae
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.764929 Composed by Volckmar Leisring. Arranged b...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.764929 Composed by Volckmar Leisring. Arranged by Lori Archer Sutherland. Easter,Renaissance,Sacred. 18 pages. Lori Archer Sutherland #3878027. Published by Lori Archer Sutherland (A0.764929). Scored for 6 clarinets, alto, and bass. Optional parts supplied for Eb (doubles Cl 1), alto (doubles Cl 4), and both Eb and Bb contra clarinets (supplemental). You may print multiple parts as needed for your ensemble. Originally composed by Volckmar Leisring (1588-1637) for choir, the Latin lyrics announce (roughly translated), O sons and daughters, Christ the heavenly king is risen today. Great for showcasing your clarinet section at concerts, recitals, and more.
$15.00
Three Weelkes Madrigals for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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3 Bb), alto, and bass.
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Three Weelkes Madrigals for Cl
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559709 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissan...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559709 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 28 pages. Lisa L Ochoco #4265355. Published by Lisa L Ochoco (A0.559709). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today, 3 of which I arranged for clarinet choir here. This would be a great addition to your repertoire for any occasion. This arrangement is for 4 Bb (or Eb & 3 Bb), alto, and bass.
$6.00
Lay A Garland for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Robert Lucas de Pearsall
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Lisa Ochoco
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Lay A Garland for Clarinet Cho
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559916 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco....
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559916 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco. Romantic Period. 15 pages. Lisa L Ochoco #5711213. Published by Lisa L Ochoco (A0.559916). Robert Lucas de Pearsall is not a well-known composer, especially to instrumentalists, as he composed mainly for the voice. Pearsall lived in the Romantic period, but wrote music in the style of the Renaissance and Classical periods. He did not have any formal musical education, and appears to have just written music as a hobby. His father was an amateur musician, which is probably where he received his talent for music.
$12.00
Hodie Christus Natus Est for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Giovanni Gabrieli
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Lisa Ochoco
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Hodie Christus Natus Est for C
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559992 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559992 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 20 pages. Lisa L Ochoco #6097101. Published by Lisa L Ochoco (A0.559992). Giovanni Gabrieli was an Italian composer who lived in the second half of the 16th century who wrote prolifically for the voice. Over 400 years later, his songs are still sung, and many of his compositions were transcribed into instrumental pieces, like this one.
$15.00
Versa est in luctum for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Alonso Lobo
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Lisa Ochoco
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Versa est in luctum for Clarin
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560023 Composed by Alonso Lobo. Arranged by Lisa Ochoco. Renaissance,...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.560023 Composed by Alonso Lobo. Arranged by Lisa Ochoco. Renaissance,Sacred. 16 pages. Lisa L Ochoco #6341957. Published by Lisa L Ochoco (A0.560023). Alonso Lobo was a Spanish composer born in 1555. Only his sacred compositions are known today and Versa est in luctum is his most well-known motet. This song of mourning was written after the death of Phillip II of Spain.
$10.00
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