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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ever Ever After - Drums
Non classifié
624
Piano & claviers
Piano seul
364
Piano, Voix
104
Piano, Voix et Guitare
99
Piano Facile
89
Instruments en Do
39
Orgue
29
1 Piano, 4 mains
15
Piano grosses notes
5
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
32
Guitare
30
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
4
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
Banjo
1
Dulcimer
1
4 Guitares (Quatuor)
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
134
Chorale 3 parties
44
Chorale TTBB
22
Chorale Unison
13
Voix Soprano, Piano
12
Chorale SSAA
11
Chorale 2 parties
7
Voix seule
5
Voix duo
5
Voix Alto, Piano
4
Voix Baryton, Piano
3
Voix Soprano
3
Voix moyenne, Piano
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Voix duo, Piano
1
Voix haute
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Flûte traversière et Piano
65
Quintette de Saxophone: 5 saxophones
57
Quatuor de Saxophones: 4 saxophones
49
Clarinette et Piano
43
Saxophone Alto et Piano
33
Hautbois, Piano (duo)
32
2 Saxophones (duo)
31
Saxophone Alto
25
Quatuor de Clarinettes: 4 clarinettes
22
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Soprano et Piano
20
Clarinette
20
Flûte traversière
19
2 Clarinettes (duo)
17
Quatuor de Flûtes : 4 flûtes
17
3 Saxophones (trio)
16
2 Flûtes traversières (duo)
16
Saxophone Tenor et Piano
15
Ensemble de Flûtes
14
Ensemble de Clarinettes
14
Flûte, Clarinette (duo)
13
Saxophone (partie séparée)
12
Saxophone Baryton, Piano
12
Saxophone, Clarinette (duo)
11
Ensemble de saxophones
11
Hautbois
11
Clarinette Basse, Piano
10
3 Clarinettes (trio)
9
Clarinette, Violon (duo)
9
Quintette de Flûte : 5 flûtes
8
Harmonica
8
2 Hautbois (duo)
8
Saxophone Tenor
7
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
Clarinette et Alto
5
Hautbois (partie séparée)
5
Flûte, Saxophone (duo)
4
Clarinette, Basson (duo)
4
Hautbois, Flûte
4
Flûte, Violon
4
Trio de Flûtes: 3 flûtes
4
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Hautbois, Clarinette (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte et Guitare
2
Ocarina
2
Clarinette, Guitare (duo)
2
Flûte à Bec
2
Flûte, Clarinette, Piano (trio)
2
Ensemble De Flûte à bec
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
5 Flûtes à bec
1
Piccolo, Piano
1
Piccolo
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte, Violon, Piano
1
Flûte à bec Soprano
1
Saxophone Soprano
1
2 Flûtes à bec, Guitare
1
Saxophone
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto
1
Flûte traversière, Basse continue
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violoncelle
1
Clarinette Basse
1
2 Saxophones, Piano
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
84
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
29
Cor et Piano
24
Trompette, Piano
24
Trombone et Piano
21
Tuba et Piano
16
Euphonium, Piano (duo)
14
Trombone
13
Quatuor de Cuivres
12
Tuba
12
Cor
10
Trompette (partie séparée)
9
2 Trombones (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
7
Trompette, Trombone (duo)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
6
Cor anglais, Piano
6
Ensemble de Trompettes
5
Trombone (partie séparée)
5
2 Cors (duo)
4
4 Tubas
3
Cor (partie séparée)
3
Tuba et Orgue
2
Trompette, Cor (duo)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 cors
2
Tuba (partie séparée)
2
3 Trombones (trio)
2
Ensemble de Cors
2
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Ensemble de Tubas
1
3 Cors (trio)
1
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Harpe
70
Violon et Piano
65
Alto, Piano
42
Violoncelle, Piano
39
Violon
28
Violoncelle
24
Violon, Violoncelle (duo)
18
2 Harpes (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
2 Violons (duo)
14
Contrebasse, Piano (duo)
13
2 Altos (duo)
13
Trio à Cordes: 2 violons, violoncelle
12
Alto seul
12
Contre Basse
10
2 Violoncelles (duo)
9
Violon, Alto (duo)
9
Ensemble d'Altos
5
Ensemble de Violons
5
Violon (partie séparée)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Alto (partie séparée)
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Violoncelle, Orchestre
1
4 Contrebasses
1
2 Altos, Piano
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
218
Orchestre
83
Fanfare
69
Orchestre à Cordes
41
Ensemble de cuivres
28
Orchestre de chambre
24
Ensemble Jazz
19
Cloches
8
Ensemble de Percussions
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Vibraphone
4
Jazz combo
3
Marimba
2
Piano et Orchestre
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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expert
avec audio
avec vidéo
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Crtitères actifs :
Ever Ever After - Drums
Ensemble de Clarinettes
Partitions à imprimer
14 partitions trouvées
<
1
Fairytale Life (the Wish)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Film Walt Disney
#
Alan Menken and Stephen Schwar
#
Lisa Ochoco
#
Fairytale Life
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1162534 Composed by Alan Menken and Stephen Schwartz. Arranged by Lis...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1162534 Composed by Alan Menken and Stephen Schwartz. Arranged by Lisa Ochoco. Broadway,Film/TV,Musical/Show. 16 pages. Lisa L Ochoco #762903. Published by Lisa L Ochoco (A0.1162534). Walt Disney’s movie, Disenchanted, is the long-awaited sequel to Enchanted.  Alan Menken, one of my favorite composers, wrote the music for it, and it certainly did not disappoint the audience.Fairytale Life (The Wish) is the first part of the two-part song, sung by Giselle (Amy Adams).  Things aren’t quite fairytale-ish, and living happily ever after seemed to have been just temporary.  At the end of the song, Giselle realizes that if she wants happiness, she is responsible for making it happen.This piece is scored for 4 Bb, alto, bass, and contrabass clarinets.  It is suited for musicians with intermediate skill.Duration: 3.5 minutes.
$16.00
Ave Maria Op23 No2 for Clarinet Choir
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Felix Bartholdy Mendelssohn
#
Lisa Ochoco
#
Ave Maria Op23 No2 for Clarine
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.560082 Composed by Felix Bartholdy Mendelssohn. Arranged by Lisa Ocho...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.560082 Composed by Felix Bartholdy Mendelssohn. Arranged by Lisa Ochoco. Romantic Period,Sacred. 42 pages. Lisa L Ochoco #6430115. Published by Lisa L Ochoco (A0.560082). Felix Mendelssohn was a German composer of the Romantic period. He was brought up as a Protestant, but you would never know after hearing this piece. This is the second movement of his Ave Maria, which is quite beautiful.
$17.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Silent Night (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Monkeys Spinning Monkeys
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Kevin MacLeod
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Lisa Ochoco
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Monkeys Spinning Monkeys
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1167904 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1167904 By Kevin MacLeod. By Kevin MacLeod. Arranged by Lisa Ochoco. Comedy,Contemporary. 29 pages. Lisa L Ochoco #768261. Published by Lisa L Ochoco (A0.1167904). If you’ve ever seen a funny video on YouTube, Facebook, TikTok, etc., chances are that you’ve heard this tune before…many many times.  It makes cute and funny videos, well, cuter and funnier.Kevin Macleod wrote this cute and funny tune, and it’s written to loop until the video ends.  The longer the video, the higher it goes (I think, although having a cute video last more than 5 minutes may wear you out.)  While I could have modulated it 5 times, I didn’t.  There is one key change, and after that key change, this cute and funny tune goes Radio City Rockette-ish before definitely coming to an end at around the 2 minute mark.Scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  This would be a great recital opener, closer, or filler.  Or, you could have a few members of your group act out a cute and funny scene to it.  The possibilities are endless!Duration: 2 minutes.
$15.00
Do-Re-Mi
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Richard Rodgers
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Ralph Raymond Hays
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Do-Re-Mi
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Ralph Raymond Hays
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.720552 Composed by Richard Rodgers. Arranged by ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.720552 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Musical/Show. 25 pages. Ralph Raymond Hays #3591135. Published by Ralph Raymond Hays (A0.720552). This clever and unique arrangement of the well known Do-Re-Mi distinguishes itself from others in numerous ways, and is certain to captivate performers and audience members alike. Not merely a transcription from the score, the arranger strove to make the work idiomatic to the clarinet choir, and included the do-mi-mi -- mi-sol-sol... strain absent from most other instrumental arrangements. Each voice is featured, and the accompaniment varies from the mundane barrage of downbeats and afterbeats so often mechanically transcribed in other arrangements. The arranger has above all striven to encapsulate the joy and elation he felt many years ago when he was responsible for la while portraying Friedrich Von Trapp in a theatrical production. This arrangement can be combined with Professor Hays' other arrangements to create a SOUND OF MUSIC suite:https://www.sheetmusicplus.com/publishers/ralph-raymond-hays-sheet-music/3002340?narrow_by=the+sound...
$12.99
Elegy for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Steve Winstead
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no substitution is acceptable
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Elegy for Clarinet Choir
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Sigma Squared Music
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.723517 Composed by Steve Winstead. Contemporary,Folk,Patriotic. 33 pages. Sigma Squa...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.723517 Composed by Steve Winstead. Contemporary,Folk,Patriotic. 33 pages. Sigma Squared Music #2928381. Published by Sigma Squared Music (A0.723517). Elegy is a sad and beautifully lyrical piece that was written in the aftermath of the terrorist attacks on the United States on September 11th 2001. It is dedicated to the victims of the attacks their families and everyone worldwide who experienced suffering and loss that day.Notes about instrumentation:All ten parts are required. Larger ensembles can double up, but no parts can be omitted. Instrumentation is scored as follows:(1) E-flat sopranino clarinet(6) B-flat clarinet(1) E-flat alto clarinet(1) B-flat bass clarinet(1) B-flat contrabass clarinet​An alternate B-flat clarinet is provided as a substitute for the E-flat sopranino, and an alternate bass clarinet part is provided as a substitute for the alto.The contrabass part is mandatory; no substitution is acceptable.
$29.99
I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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I Vow to Thee, My Country
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Stan...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6473853. Published by Regis Bookshar (A0.813677). I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entert.
$10.00
O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6475071. Published by Regis Bookshar (A0.813737). O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to ent.
$10.00
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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Thaxted
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476673. Published by Regis Bookshar (A0.813767). Thaxted (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O Spirit All-Embracing
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6480789. Published by Regis Bookshar (A0.813797). O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continu.
$10.00
"Midnight Carousel" for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Contemporain
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Grant Horsley
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Grant Horsley
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"Midnight Carousel" for Clarin
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Grant Horsley
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SheetMusicPlus
By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contemporary, Contest, Festival, Instructional, Multicultural, World. 43 p...
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By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contemporary, Contest, Festival, Instructional, Multicultural, World. 43 pages. Grant Horsley #774791. Published by Grant Horsley
Midnight Carousel is scored Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet.
Midnight Carousel is in the deep rich key of concert C minor to aid to the "After Dark" mood and mystery"
The piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a "halt" We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!
The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.
It is around 3 mins 30 long and price is for full score and all parts.
Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.
$13.50
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Ever Ever After - Drums
