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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
CORNEMUSE
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
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CLASSIQUE - BAROQUE …
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Non classifié
362
PIANO & CLAVIERS
Piano seul
192
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
26
Piano Facile
21
Instruments en Do
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
10
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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GUITARES
Guitare
29
Guitare notes et tablatures
13
2 Guitares (duo)
10
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Ensemble de guitares
1
Basse electrique
1
Ukulele
1
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
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VOIX
Chorale SATB
104
Chorale 3 parties
12
Chorale 2 parties
11
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
7
Voix Soprano, Piano
6
Voix seule
5
Voix duo
3
Voix duo, Piano
3
Voix moyenne, Piano
3
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Soprano, Orchestre
1
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VENTS
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Clarinette et Piano
23
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
17
Quintette de Saxophone: 5 saxophones
16
2 Clarinettes (duo)
16
2 Flûtes traversières (duo)
14
Clarinette, Trompette (duo)
14
Quatuor de Saxophones: 4 saxophones
13
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Ensemble de saxophones
12
Clarinette
11
Ensemble de Clarinettes
10
Saxophone Soprano et Piano
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Flûte traversière
8
Saxophone (partie séparée)
8
Ensemble de Flûtes
7
Saxophone Alto
7
Flûte, Violon, Piano
7
Cor anglais, Piano
7
Clarinette et Alto
7
Quatuor de Clarinettes: 4 clarinettes
7
3 Saxophones (trio)
7
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
6
2 Hautbois (duo)
6
Hautbois (partie séparée)
5
Flûte à bec Soprano
5
Quintette de Flûte : 5 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois, Clarinette (duo)
4
Clarinette (partie séparée)
2
Clarinette, Guitare (duo)
2
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Clarinette, Alto et Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Saxophone Tenor
1
Flûte à bec Alto, Basse continue
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
10
Euphonium, Piano (duo)
10
2 Trombones (duo)
10
2 Trompettes (duo)
9
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
4
Cor
4
Tuba et Piano
4
Quatuor de Cuivres
3
Ensemble de Trompettes
3
Trombone (partie séparée)
2
Cor (partie séparée)
1
2 Tubas (duo)
1
Tuba
1
Trompette (partie séparée)
1
Ensemble de Tubas
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
Tuba et Orgue
1
Trombone basse et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
54
Violon et Piano
43
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle, Piano
17
Trio à Cordes: 2 violons, violoncelle
15
2 Violons (duo)
14
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle
4
Alto seul
3
Violon (partie séparée)
2
Alto, Guitare (duo)
2
Violoncelle (partie séparée)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Ensemble d'Altos
1
Harpe, Trombone (duo)
1
Contrebasse, Piano (duo)
1
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Alto, Violoncelle (duo)
1
Ensemble de Violons
1
Autoharp
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Trio à cordes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
86
Orchestre
33
Orchestre à Cordes
26
Ensemble de cuivres
19
Orchestre de chambre
8
Ensemble Jazz
8
Jazz combo
7
Cloches
6
Percussion (partie séparée)
1
2 Marimbas
1
Percussion
1
Piano et Orchestre
1
Xylophone
1
Ensemble de Percussions
1
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AUTRES
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Ensemble de Clarinettes
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He's A Pirate
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1369874 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by James-Michael Sellers. Film/TV. 20 pages. JMS Composer #954244. Published by JMS Composer (A0.1369874). Crashing in is a new arrangement for Clarinet Choir of the ever-popular He's A Pirate, first heard in Disney's The Pirates of the Caribbean: The Curse of the Black Pearl. This arrangement will get the energy going, with lots of movement throughout. Alto and Bass Clarinets carry the beat while having their times to shine.A short but lively piece, He's A Pirate is poised to fit well with any performance!
$12.99
11.99 €
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Ensemble de Clarinettes
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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James-Michael Sellers
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He's A Pirate
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JMS Composer
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SheetMusicPlus
Willow Creek (An American Idyll) for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.841256 Composed by …
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.841256 Composed by Chris Gordon. 20th Century,Standards. 16 pages. Cool Wind Music Digital #3053829. Published by Cool Wind Music Digital (A0.841256). A truly beautiful tone poem evoking the magical mountains, redwood forests and snow-fed rivers of Northern California. Willow Creek is available in 2 versions: for Clarinet Choir and also for Saxophone Choir. It has been played numerous times by clarinet and saxophone choirs in the United Kingdom as well as in the United States of America.Score only:Please apply to the composer at the email address on the first page of music for a set of parts: cost $20.00.
$25.00
23.07 €
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Ensemble de Clarinettes
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Chris Gordon
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Willow Creek
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Cool Wind Music Digital
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SheetMusicPlus
I Was Made For Lovin' You
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1231350 By Kiss. By Desmond Child, Paul Stanley, and Vini Poncia. Arranged by Thomas Graf. Pop,Rock. 28 pages. Thomas Graf - the-hit-factory.com #827036. Published by Thomas Graf - the-hit-factory.com (A0.1231350). I Was Made for Lovin' You is a song by American hard rock band Kiss, originally released on their 1979 album, Dynasty. It was released as the A-side of their first single from the album, with Hard Times as the B-side.About this arrangement:Â Composed by: By Paul Stanley, Vini Poncia, Desmond ChildArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Flute (opt.)Clarinet 1 in BbClarinet 2 in BbClarinet 3 in BbAlto Clarinet 3 in EbClarinet 4 in BbAlto Clarinet 4 in EbBass Clarinet in BbDrum SetAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$25.00
23.07 €
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Ensemble de Clarinettes
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Kiss
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Thomas Graf
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I Was Made For Lovin' You
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Ten Minutes Ago
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Leve…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.720565 Composed by Richard Rodgers. Arranged by Ralph Raymond Hays. Contemporary. 36 pages. Ralph Raymond Hays #3636613. Published by Ralph Raymond Hays (A0.720565). Introduced in the 1957 live television production featuring Julie Andrews (to a record home audience), this endearing tune captures the beauty and magic of love at first sight. CINDERELLA -- one of the final collaborations of Rodgers and Hammerstein -- has been reimagined countless times: in the 1965 television remake starring Leslie Ann Warren and Stuart Damon, the lavish 1997 television production starring Brandy and Whitney Houston, in the recent Broadway production, and in Children's, High School, and Community Theater productions worldwide. Common to all versions is this soaring waltz imbued with the genius and warmth for which Richard Rodgers and Oscar Hammerstein II are famous.This lovingly crafted arrangement is perfect for a wedding as well as Valentine's Day, an an anniversary, or a concert tribute to Broadway, Rodgers and Hammerstein, Fairy Tales, or any occasion.
$15.99
14.76 €
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Ensemble de Clarinettes
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Richard Rodgers
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Ralph Raymond Hays
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Ten Minutes Ago
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Ralph Raymond Hays
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.25 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.25 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
46.1 €
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Ensemble de Clarinettes
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J
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James M
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Coronation March (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1083715 Composed by…
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1083715 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 15 pages. Regis Bookshar #687924. Published by Regis Bookshar (A0.1083715). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Clarinet Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Clarinet Quintet, consisting of 3 Bb Clarinets. In addition to this arrangement of Tchaikovsky's Coronation March for a Clarinet Quintet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$20.00
18.46 €
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Ensemble de Clarinettes
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Coronation March (Db) (Clarinet Octet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1084156 Composed by…
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.1084156 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 26 pages. Regis Bookshar #688356. Published by Regis Bookshar (A0.1084156). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Clarinet Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Clarinet Octet, consisting of 8 Bb Clarinets. In addition to this arrangement of Tchaikovsky's Coronation March for a Clarinet Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
24 €
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Ensemble de Clarinettes
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
Klarifications for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
21.18 €
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Ensemble de Clarinettes
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John Gibson
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Klarifications for Clarinet Choir
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JB Linear
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SheetMusicPlus
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