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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fon-Fon
Non classifié
1 716
Piano & claviers
Piano seul
741
Piano Facile
307
Instruments en Do
244
Piano, Voix et Guitare
234
Piano, Voix
231
Orgue
65
1 Piano, 4 mains
53
Accordéon
37
2 Pianos, 4 mains
16
Piano grosses notes
12
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
9
1 Piano, 6 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
4
Clavecin
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
Ensemble d'Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
208
Guitare notes et tablatures
126
Ukulele
53
Basse electrique
33
Ligne De Mélodie, (Paroles) et Accords
30
Paroles et Accords
28
2 Guitares (duo)
14
Mandoline
10
4 Guitares (Quatuor)
10
3 Guitares (trio)
8
Banjo
5
Ensemble de guitares
5
Dulcimer
2
Piano, Guitare (duo)
2
Ukulele Baryton
1
Basse électrique (partie séparée)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
183
Chorale 3 parties
60
Chorale 2 parties
29
Chorale SSAA
24
Chorale TTBB
21
Voix duo, Piano
20
Voix seule
17
Pack Instrumental pour Chorale
13
Chorale
12
Voix haute
5
Chorale Unison
5
Voix Baryton, Piano
4
Voix basse, Piano
4
Voix duo
2
Voix Tenor, Piano
2
Chorale, Orgue
1
Voix Alto, Piano
1
Voix Soprano, Piano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
110
Saxophone
99
Flûte traversière
78
Clarinette
76
Saxophone (partie séparée)
57
Saxophone Alto
56
2 Saxophones (duo)
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Saxophone Tenor
49
Flûte traversière et Piano
46
3 Clarinettes (trio)
38
Flûte à Bec
32
Saxophone Alto et Piano
29
Quintette de Saxophone: 5 saxophones
27
Clarinette et Piano
27
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Tenor et Piano
25
2 Flûtes traversières (duo)
24
Hautbois, Piano (duo)
21
Hautbois (partie séparée)
20
Flûte, Hautbois, Clarinette, Basson
20
Hautbois, Clarinette, Basson (trio d'anches)
20
Saxophone Soprano et Piano
20
Clarinette (partie séparée)
19
2 Clarinettes (duo)
17
Ensemble de Clarinettes
16
Quatuor de Flûtes à bec
15
Flûte, Clarinette (duo)
10
3 Flûtes à bec (trio)
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Flûtes
8
3 Saxophones (trio)
8
Saxophone Baryton, Piano
8
Flûte à bec Soprano
8
2 Flûte à bec (duo)
7
Flute (partie séparée)
7
Ensemble de saxophones
7
Clarinette Basse, Piano
6
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Trio de Flûtes: 3 flûtes
6
Saxophone, Clarinette (duo)
6
Ocarina
6
Piccolo
5
Harmonica
5
Instruments en Mib
5
Flûte à bec Alto
5
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Flûte, Violon
4
Hautbois
4
Piccolo, Piano
4
Cor Anglais
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Ensemble De Flûte à bec
3
5 Flûtes à bec
3
Flûte, Violon, Piano
2
Flûte, Clarinette et Basson
2
Saxophone Soprano
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Tenor
2
Flûte, Hautbois (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte à Bec, Piano
1
Clarinette Basse
1
Hautbois, Basson (duo)
1
Flûte, Trompette (duo)
1
2 Clarinettes, Basson
1
Clarinette, Orgue
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
94
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Trompette
78
Trombone
50
Trompette (partie séparée)
26
Trombone (partie séparée)
25
Trompette, Piano
21
Cor
20
Trombone et Piano
20
Cor et Piano
14
2 Trompettes (duo)
13
Cor (partie séparée)
12
Euphonium, Piano (duo)
11
2 Trombones (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trompette, Trombone (duo)
7
Quatuor de Cuivres
7
Tuba et Piano
6
3 Trombones (trio)
6
Tuba
6
Instruments en Sib
5
Trio de Cuivres
5
Quatuor de cuivres: 4 cors
4
2 Cors (duo)
4
Ensemble de Cors
4
2 Euphoniums et 2 Tubas
4
Cor anglais, Piano
4
Cor Anglais
3
Bass Clef Instruments
3
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
2
2 Tubas (duo)
2
Euphonium
2
Tuba (partie séparée)
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
3 Euphoniums
2
Ensemble de Tubas
1
Ensemble de Trombones
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
Cor et Harpe
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon (partie séparée)
73
Violon
73
Violon et Piano
58
Trio à Cordes: violon, alto, violoncelle
45
Violon, Violoncelle (duo)
36
Violoncelle
32
Harpe
30
Alto, Piano
29
Alto seul
27
Violoncelle, Piano
25
Alto (partie séparée)
23
2 Violons (duo)
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
Contre Basse
11
Violon, Guitare (duo)
10
Violoncelle (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Altos (duo)
9
Trio à cordes
8
2 Harpes (duo)
7
Contrebasse (partie séparée)
7
Contrebasse, Piano (duo)
6
Trio à Cordes: 3 violoncelles
6
Piano Trio: Violon, Alto, Piano
4
Violoncelle, Orchestre
4
Ensemble de Violoncelles
4
Harpe, Violon (duo)
3
2 Contrebasses (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Flûte (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Harpe et Piano
1
2 Violons, Piano
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
232
Orchestre à Cordes
168
Orchestre
139
Xylophone
133
Ensemble Jazz
100
Orchestre de chambre
71
Batterie
45
Fanfare
38
Ensemble de cuivres
38
Marimba
13
Percussion (partie séparée)
12
Ensemble de Percussions
9
Vibraphone
7
Cloches
5
Jazz combo
3
Timbales (partie séparée)
3
Percussion
2
Instrumentation Flexible
2
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Big band
1
Batterie (partie séparée)
1
3 Percussions
1
Timbales
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Fon-Fon
Ensemble de Clarinettes
Partitions à imprimer
16 partitions trouvées
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1
Handel - Overture - Sinfonia from Messiah (for Clarinet Quartet)
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Ensemble de Clarinettes
#
AVANCÉ
#
Classique
#
George Frideric Handel
#
Kenneth Abeling
#
Handel - Overture - Sinfonia f
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.514447 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Sacred. 16 page...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.514447 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christmas,Sacred. 16 pages. LINCOLN MUSIC PUBLICATIONS #3216579. Published by LINCOLN MUSIC PUBLICATIONS (A0.514447). “Sinfonia†or “Sinfony†from George Fredrick Handel’s Messiah, transcribed here for Clarinet Quartet. This is an advanced transcription from Part I of Handel’s Messiah and appropriate for sacred Christmas events. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing time: 3:50. Â
$11.99
Sinfonia from Cantata, BWV.29
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Ensemble de Clarinettes
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AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Tony BC Huang
#
Sinfonia from Cantata, BWV.29
#
Tony BC Huang
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble A Clarinet,Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1381582 Composed by Johann...
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Clarinet Choir,Woodwind Ensemble A Clarinet,Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1381582 Composed by Johann Sebastian Bach. Arranged by Tony BC Huang. Baroque,Chamber. 48 pages. Tony BC Huang #966275. Published by Tony BC Huang (A0.1381582). The Sinfonia is an arrangement of the preludio from Bach's Partita No.3 for Unaccompanied Violin, BWV 1006 by himself, and is re-arranged to Clarinet Octet in original key (in D). It is recommended to play this work on D Clarinet, A Clarinet 1,2,3,4, Basset Horn, Bass Clarinet, and Contrabass Clarinet, however, alternative parts of E-Flat Clarinet, B-Flat Clarinets, Alto Clarinet, or A Bass Clarinet are included. That is, if you omitted the Contra parts, it could be played in E-Flat Major by using B-Flat Clarinets and B-Flat Bass Clarinet with A Clarinet 1,2,3,4,5,6 and A Bass Clarinet parts.Enjoy it.
$12.00
W.A. Mozart Le Nozze di Figaro (The Marriage of Figaro) SINFONIA for Clarinet Choir Set of Parts
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Ensemble de Clarinettes
#
Classique
#
Wolfgang Amadeus Mozart
#
Massimo Mazza
#
W.A. Mozart Le Nozze di Figaro
#
Jack Tiger
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.930669 Composed by Wolfgang Amadeus Mozart. Arranged by Massimo Mazza. Classical. 42 pages. Jack Tiger #2618735. Pu...
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Woodwind Ensemble Clarinet - SKU: A0.930669 Composed by Wolfgang Amadeus Mozart. Arranged by Massimo Mazza. Classical. 42 pages. Jack Tiger #2618735. Published by Jack Tiger (A0.930669). Arrangement for clarinet choir of the Sinfonia from Mozart's Marriage of Figaro. This is a complete set of parts including Clarinet in Bb 1A-1B, Clarinet in Bb 2A-2B, Clarinet in Bb 3A-3B, Clarinet in Bb 4A-4B, Alto Clarinet and Bass Clarinet.
$20.00
Sinfonia in Re
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Ensemble de Clarinettes
#
Classique
#
Federico di Prussia
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Marco Monitto
#
Sinfonia in Re
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Marco Monitto
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.876384 Composed by Federico di Prussia. Arranged by Marco Monitto. Baroque,Classical. 42 pages. Marco Monitto #3583...
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Woodwind Ensemble Clarinet - SKU: A0.876384 Composed by Federico di Prussia. Arranged by Marco Monitto. Baroque,Classical. 42 pages. Marco Monitto #3583141. Published by Marco Monitto (A0.876384). Very rare Ouverture, composed by the great Emperor Federico II di Prussia. You can play my music from a solo Bb Clarinet Choir, to a Full Clarinet Choir, from Eb Piccolo Clarinet to Double Bass!!!Now you can Listen all mp3 by my arrangements, played by the Clarinet Ensemble CÃ lamus, from the University of the Music of Catania.
$20.00
Bach, J.S. (arr. Reisteter): Sinfonia to Cantata #29 for Solo Clarinet and Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Steve Reisteter
#
Bach, J.S.
#
Steve Reisteter
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.925200 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. 32 pages. Steve Reisteter...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.925200 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. 32 pages. Steve Reisteter #4623545. Published by Steve Reisteter (A0.925200). Perhaps best known as the first track on the original Switched-On Bach recording, this piece is now arranged for solo B-flat clarinet and clarinet choir.
$25.00
Rossini L’Italiana in Algeri (The Italian Girl in Algiers) – Sinfonia (Ouverture) for Clarinet
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Gioachino Rossini
#
Massimo Mazza
#
Rossini L’Italiana in Al
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Jack Tiger
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.930671 Composed by Gioachino Rossini. Arranged by Massimo Mazza. Opera,World. 48 pages. Jack Tiger #50171...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.930671 Composed by Gioachino Rossini. Arranged by Massimo Mazza. Opera,World. 48 pages. Jack Tiger #5017177. Published by Jack Tiger (A0.930671). This transcription is conducted based on the latest published critical editions. In particular, it should be noted that the G that appears at bar 10 in the solo clarinet is not an error, but faithful to Rossini's original.
$25.00
Rossini L’Italiana in Algeri (The Italian Girl in Algiers) – Sinfonia (Ouverture) for Clarinet C
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Gioachino Rossini
#
Massimo Mazza
#
Rossini L’Italiana in Al
#
Jack Tiger
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.930670 Composed by Gioachino Rossini. Arranged by Massimo Mazza. Opera,Standards,World. 20 pages. Jack Ti...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.930670 Composed by Gioachino Rossini. Arranged by Massimo Mazza. Opera,Standards,World. 20 pages. Jack Tiger #5017173. Published by Jack Tiger (A0.930670). This transcription is conducted based on the latest published critical editions. In particular, it should be noted that the G that appears at bar 10 in the solo clarinet is not an error, but faithful to Rossini's original.
$20.00
L. G. da Viadana - Sinfonia 'La Padovana' arr. for Double Clarinet Quartet
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Classique
#
L
#
Xlomeg
#
L. G. da Viadana - Sinfonia 'L
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sheetmusicworks
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.981771 Composed by L. G. da Viadana. Arranged by Xlomeg. Baroque,Renaissance. 26 pages. Sheetmusicworks #...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.981771 Composed by L. G. da Viadana. Arranged by Xlomeg. Baroque,Renaissance. 26 pages. Sheetmusicworks #5732837. Published by sheetmusicworks (A0.981771). There are attached the parts of Piccolo Clarinets (for Clarinets 1.1 and 2.1) and Alto Clarinets (for Clarinets 2.1 and 2.3)
$4.99
Sonata a cinque in g minor, Op.2, No.6
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Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Tomaso Giovanni Albinoni
#
Tony BC Huang
#
Sonata a cinque in g minor, Op
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Tony BC Huang
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1379824 Composed by Tomaso Giovann...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1379824 Composed by Tomaso Giovanni Albinoni. Arranged by Tony BC Huang. Baroque,Chamber. 49 pages. Tony BC Huang #964530. Published by Tony BC Huang (A0.1379824). This sonata is selected from Albinoni's 6 Sinfonie and 6 Concerti a cinque, Op.2, originally for strings and basso continuo, and is arranged for Clarinet Sextet. The instrumentation is for E-flat Clarinet (or B-Clarinet 3), B-flat Clatinet 1,2, Alto Clarinet ( or B-flat Clarinet 4, or Basset Horn), Bass Clarinet, Contrabass Clarinet (or Contra-Alto Clarinet). The Contrabass Clarinet part can be omitted. That is, it can be also played with 4 B-flat clarinets and a Bass Clarinet only.Enjoy it.
$12.00
Monteverdi - The Fifth Book of Madrigals (1605) - 19. Questi vaghi
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767258 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 62 pages. Lyons Music...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767258 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 62 pages. Lyons Music Services #3121649. Published by Lyons Music Services (A0.767258). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The final song from book 5 shows quite an advance on the previously (relatively) simple writing. Here we have a full SATB ensemble plus a quite detailed continuo. Questi vaghi (These wandering little birds) also has a more complex structure, being, by itself a scena, split into sections by ritornelli which he calls Sinfonias. At this stage, they are by no means substantial enough to be considered preludes or interludes, but merely dances between the sections of the song. Because of this added complexity, I have had to arrange the piece for a 9-part brass choir. There is some overlap and crossover between the continuo and choral parts to accommodate the different groupings needed for each section. The ritornello sections need to be played more lightly and in a skipping style to add contrast between the 'vocal sections'.
$8.99
Arrival of the Queen of Sheba, from the oratorio Solomon
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Mark A
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Arrival of the Queen of Sheba,
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Mark A. Craig
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1473501 Composed by George Frideric Handel. Arra...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1473501 Composed by George Frideric Handel. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Chamber,Film/TV,Multicultural,World. 38 pages. Mark A. Craig #1051299. Published by Mark A. Craig (A0.1473501). This clarinet choir arrangement of the sinfonia Arrival of the Queen of Sheba from George F. Handel's oratorio Solomon is a great opener or closer for recitals and is perfect for graduations, weddings, background dinner music gigs, and educational outreach events. College groups and professional ensembles can play this arrangement. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I have also included a Contra Alto Clarinet part as an alternate or in addition to the Contrabass Clarinet part. I hope you enjoy this delightful setting of a Handel classic.If you like this arrangement, you might also like my lively and dynamic clarinet choir arrangement of Alexander Borodin's Polovtsian Dances Overture from his opera Prince Igor. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1568726/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/polovtsian-dances-overture-22795898.htmlFor more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$30.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Arrival of the Queen of Sheba for Clarinet Quintet +
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Keith Terrett
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Arrival of the Queen of Sheba
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terr...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
W.A. Mozart Le Nozze di Figaro (The Marriage of Figaro) SINFONIA for Clarinet Choir Conductor score
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Ensemble de Clarinettes
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Classique
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Wolfgang Amadeus Mozart
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Massimo Mazza
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W.A. Mozart Le Nozze di Figaro
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Jack Tiger
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Massimo Mazza. Classical Period. Score. 20 pages. Published by Jack Tiger (S0.144521). - Score - Cl...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Massimo Mazza. Classical Period. Score. 20 pages. Published by Jack Tiger (S0.144521). - Score - Classical Period - Jack Tiger
$16.00
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