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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
4 440
Piano & claviers
Piano seul
2 558
Piano, Voix
1 672
Piano, Voix et Guitare
1 108
Piano Facile
589
Orgue
314
Instruments en Do
219
Accompagnement Piano
105
Accordéon
89
Piano Trio: piano, violon, violoncelle
72
Piano grosses notes
68
1 Piano, 4 mains
59
2 Pianos, 4 mains
29
Piano Quatuor: piano, violon, alto, violoncelle
24
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Orgue, Piano (duo)
13
Piano (partie séparée)
12
Clavecin
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Trompette (duo)
8
2 Pianos, 8 mains
4
1 Piano, 6 mains
4
Ligne De Mélodie, Piano
3
Accordéon, Voix
1
Clavier
1
+ 19 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
338
Guitare
324
Guitare notes et tablatures
247
Ukulele
107
Paroles et Accords
95
2 Guitares (duo)
46
Basse electrique
24
Mandoline
14
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
13
Guitare (partie séparée)
9
Ensemble de guitares
7
Mandoline, Guitare (duo)
5
Banjo
5
3 Guitares (trio)
4
Dulcimer
4
Ensemble de Ukulélés
3
Guitare, Violon, Violoncelle (trio)
3
Ukulele Baryton
1
Basse électrique (partie séparée)
1
2 Dulcimers (duo)
1
Orchestre à Plectres
1
Partitions De Groupes
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 805
Chorale 3 parties
398
Pack Instrumental pour Chorale
249
Chorale 2 parties
231
Chorale TTBB
167
Chorale Unison
154
Voix duo, Piano
80
Chorale SSAA
77
Chorale
41
Voix duo
40
Voix seule
37
Voix Alto, Piano
28
Voix haute
28
Voix Soprano, Piano
26
Voix Baryton, Piano
22
Voix Tenor, Piano
20
Voix moyenne, Piano
13
Chorale SSAATTBB
8
Voix basse, Piano
7
Voix Tenor
7
Chorale SSATTB
7
Voix Soprano
5
Chorale, Orgue
2
Soli, choeur mixte et accompagnement
2
Voix d'Enfants
1
Chorale SSATB
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
485
Clarinette et Piano
404
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
320
Quatuor de Saxophones: 4 saxophones
291
Saxophone Alto et Piano
263
2 Saxophones (duo)
238
Flûte, Hautbois, Clarinette, Basson
227
Hautbois, Piano (duo)
227
Flûte traversière
225
Clarinette
180
Quatuor de Clarinettes: 4 clarinettes
180
Saxophone Tenor et Piano
164
Saxophone Soprano et Piano
162
2 Flûtes traversières (duo)
134
Quintette de Saxophone: 5 saxophones
125
2 Clarinettes (duo)
123
Ensemble de Clarinettes
114
Saxophone Alto
113
Quatuor de Flûtes : 4 flûtes
112
Saxophone (partie séparée)
94
Saxophone Tenor
86
Saxophone Baryton, Piano
83
Ensemble de Flûtes
83
Cor anglais, Piano
83
Ensemble de saxophones
79
Saxophone, Clarinette (duo)
63
3 Clarinettes (trio)
60
Flûte, Clarinette (duo)
57
3 Saxophones (trio)
52
Hautbois (partie séparée)
50
Clarinette, Violon (duo)
46
Clarinette Basse, Piano
45
Hautbois, Basson (duo)
42
Quintette de Clarinettes: 5 clarinettes
40
Flûte et Guitare
38
Flûte, Violon, Piano
38
2 Hautbois (duo)
35
Flute (partie séparée)
34
Clarinette, Guitare (duo)
34
Clarinette, Trompette (duo)
32
Flûte, Violon
32
Trio de Flûtes: 3 flûtes
31
Saxophone
25
2 Flûte à bec (duo)
25
Hautbois, Clarinette (duo)
23
Flûte, Trompette (duo)
22
Clarinette et Alto
21
Ensemble De Flûte à bec
20
Flûte, Saxophone (duo)
20
Hautbois, Flûte
20
Clarinette (partie séparée)
19
Quintette de Flûte : 5 flûtes
19
Hautbois
18
Clarinette, Basson (duo)
18
Quatuor de Flûtes à bec
15
Flûte à Bec
15
Flûte, Alto (duo)
15
Hautbois, Clarinette, Basson (trio d'anches)
14
Flûte, Hautbois, Basson
13
Flûte à bec Soprano
12
Saxophone Soprano
11
Flûte à bec Alto
10
2 Saxophones, Piano
10
Flûte, Violoncelle, Piano (trio)
10
5 Flûtes à bec
10
Flûte, Clarinette et Basson
10
Harmonica
10
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Clarinette, Piano (trio)
9
Flûte, Hautbois (duo)
8
Clarinette, Harpe (duo)
7
Flûte à bec Soprano, Piano
7
Piccolo, Piano
6
Saxophone et Harpe
6
Flûte, Violoncelle
6
Flûte, Alto et Piano
6
2 Clarinettes, Piano
6
Clarinette, Violoncelle (duo)
6
Hautbois, Harpe
6
Hautbois, Guitare (duo)
6
2 Flûtes traversières, Piano
5
3 Flûtes à bec (trio)
5
Flûte traversière, Orgue (duo)
5
Cor anglais, Guitare (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Violoncelle
4
Flûte à bec, Guitare (duo)
4
Flûte à bec Alto, Piano
4
Flûte, Violoncelle, Guitare
4
Ocarina
4
3 Hautbois
4
Hautbois, violon (duo)
3
Saxophone et Guitare
3
Cor Anglais
3
Flûte à bec Alto, Basse continue
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Trombone (duo)
3
Clarinette Basse
2
Saxophone et Piano
2
Hautbois, Trompette (duo)
2
Flûte traversière, Basse continue
2
2 Clarinettes, Basson
2
Hautbois et alto (duo)
2
Flûte irlandaise
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flute, harpe et violon
2
Flûte, Basson et Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Tenor
2
Flûte, Hautbois, Piano (trio)
1
Flûte, Tuba (duo)
1
Flûte à Bec, Piano
1
Saxophone et Orgue
1
Cor anglais et Harpe (duo)
1
Saxophone, Violon (duo)
1
Flûte, Hautbois, Violon
1
4 Hautbois
1
Clarinette, Tuba
1
Flûte à bec, Harpe
1
Clarinette, trompette et piano
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Clarinette, Trombone (duo)
1
Flûte, Violon et Violoncelle
1
Flûte et Trio à cordes
1
Piccolo
1
Instruments en Mib
1
Saxophone Baryton
1
Clarinette, Alto et Piano (trio)
1
+ 123 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
333
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trombone et Piano
227
Trompette, Piano
191
Trompette
175
Cor et Piano
137
Quatuor de Cuivres
119
Trombone
105
Cor anglais, Piano
83
Euphonium, Piano (duo)
81
Trompette (partie séparée)
81
Quatuor de Cuivres: 2 trompettes, Cor, trombone
70
Trombone (partie séparée)
67
Cor
61
Trompette, Trombone (duo)
59
2 Trombones (duo)
58
2 Trompettes (duo)
57
Tuba et Piano
54
Trompette, Saxophone (duo)
45
Tuba
43
Quatuor de cuivres: 4 trombones
38
Ensemble de Trombones
35
Ensemble de Trompettes
23
2 Cors (duo)
22
Quatuor de cuivres: 4 cors
21
Ensemble de Cors
11
Trio de Cuivres
10
Cor (partie séparée)
10
Trompette, Cor (duo)
8
Tuba et Orgue
8
3 Trombones (trio)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trompettes
7
4 Tubas
6
2 Euphoniums et 2 Tubas
6
Cor et Harpe
5
Trompette, Harpe
5
3 Trompettes (trio)
5
2 Tubas (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Euphonium
5
Cor anglais, Guitare (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Trompette, violon (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor Anglais
3
Bass Clef Instruments
3
Trombone basse et Piano
3
2 Euphoniums (duo)
3
Trombone, Tuba (duo)
3
Trombone basse
2
Trombone, Orgue
2
Trompette, Tuba (duo)
2
Trompette, Trombone, Piano
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Instruments en Fa
1
Instruments en Sib
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trombone, violoncelle (duo)
1
Clarinette, Cor (duo)
1
Trompette, Basson (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone, Cor (duo)
1
Trombone, Violon (duo)
1
Trombone et orchestre
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor et Orgue
1
+ 67 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
792
Violon et Piano
584
Violoncelle, Piano
392
Alto, Piano
329
Violon
248
Trio à Cordes: violon, alto, violoncelle
160
Violoncelle
150
Violon, Violoncelle (duo)
135
2 Violons (duo)
117
Harpe
112
2 Violoncelles (duo)
100
Alto seul
89
Violon, Alto (duo)
71
2 Altos (duo)
70
2 Harpes (duo)
67
Trio à Cordes: 2 violons, violoncelle
58
Violon, Guitare (duo)
57
Violon (partie séparée)
38
Contre Basse
36
Contrebasse, Piano (duo)
32
Alto (partie séparée)
30
Alto, Guitare (duo)
27
Alto, Violoncelle (duo)
26
4 Violoncelles
22
Violoncelle , Guitare (duo)
22
Contrebasse (partie séparée)
20
Piano Trio: Violon, Alto, Piano
19
Trio à cordes: 3 violins
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Violoncelle (partie séparée)
16
Trio à Cordes: 3 violoncelles
14
Harpe, Flûte (duo)
14
Ensemble de Violons
12
Ensemble d'Altos
11
Trio à Cordes: 2 violons, alto
9
Harpe, Violon (duo)
9
Trio à cordes: 3 altos
7
Quatuor à cordes: 4 violons
7
Quatuor à cordes : 4 altos
7
Flûte, Contrebasse (duo)
6
Alto et Harpe
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
5
Harpe, Voix
4
2 Contrebasses (duo)
4
Harpe, Violoncelle (duo)
3
Violon, Orgue
2
4 Contrebasses
2
Harpe, Violon, Violoncelle
2
Violon, Basse continue
2
Ensemble de Violoncelles
2
Violoncelle, Contrebasse (duo)
2
Violon, Basson (duo)
2
Violoncelle, Orchestre
2
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
Violon, Tuba (duo)
1
Harpe, Trombone (duo)
1
Trio à cordes
1
3 Harpes
1
Harpe (partie séparée)
1
Alto et Basson
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violoncelles, Piano
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
900
Orchestre à Cordes
335
Orchestre
327
Ensemble de cuivres
216
Ensemble Jazz
157
Orchestre de chambre
146
Cloches
132
Jazz combo
47
Batterie
41
Marimba
24
Ensemble de Percussions
16
Percussion
14
Fanfare
14
Percussion (partie séparée)
11
Vibraphone
9
Batterie (partie séparée)
6
Orchestre, Violon
5
Xylophone
5
2 Xylophones
5
Timbales
2
Piano et Orchestre
2
Timbales (partie séparée)
2
Xylophone, Piano
1
2 Marimbas
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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METHODE : ETUDES
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Ensemble de Clarinettes
Partitions à imprimer
114 partitions trouvées
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51
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101
He's A Pirate
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Film/TV
#
Geoffrey Zanelli, Hans Zimmer,
#
James-Michael Sellers
#
He's A Pirate
#
JMS Composer
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1369874 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1369874 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by James-Michael Sellers. Film/TV. 20 pages. JMS Composer #954244. Published by JMS Composer (A0.1369874). Crashing in is a new arrangement for Clarinet Choir of the ever-popular He's A Pirate, first heard in Disney's The Pirates of the Caribbean: The Curse of the Black Pearl. This arrangement will get the energy going, with lots of movement throughout. Alto and Bass Clarinets carry the beat while having their times to shine.A short but lively piece, He's A Pirate is poised to fit well with any performance!
$12.99
Il est bel et bon (He is good and handsome) for clarinet quartet (E flat, B flat, Alto, Bass)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Renaissance
#
Pierre Passereau
#
David Warin Solomons
#
Il est bel et bon
#
David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579046 Composed by Pierre Passereau. Arranged by David Warin Solomons. Renaissance. 6 pages. David Warin ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.579046 Composed by Pierre Passereau. Arranged by David Warin Solomons. Renaissance. 6 pages. David Warin Solomons #2154569. Published by David Warin Solomons (A0.579046). Instrumental arrangement of Pierre Passereau's fun madrigal about two women extolling the virtues of their husbands.
$6.00
He Shall Feed His Flock Like a Shepherd from The Messiah for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Lisa Ochoco
#
He Shall Feed His Flock Like a
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559595 Composed by George Frideric Handel. Arranged by Lisa Ochoco. B...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559595 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 16 pages. Lisa L Ochoco #3420421. Published by Lisa L Ochoco (A0.559595). This movement of Handel's Messiah is one of my favorites and lends itself well to a clarinet choir piece. The 1st clarinet gets to shine here, and the part can be done as a group or as a solo, as long as the melody can be heard well above the rest of the choir.
$12.00
And He Shall Purify from Messiah for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
George Frideric Handel
#
Lisa Ochoco
#
And He Shall Purify from Messi
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559592 Composed by George Frideric Handel. Arranged by Lisa Ochoco. B...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.559592 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas,Sacred. 22 pages. Lisa L Ochoco #3420119. Published by Lisa L Ochoco (A0.559592). This is an arrangement for clarinet choir from Handel's Messiah written a 4th down from the original score. A minimum of 8 players are needed for this piece, but the more the better!
$14.00
Who Is He In Yonder Stall?
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Ensemble de Clarinettes
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FACILE
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Musique Sacrée
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Benjamin R
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Gert Th
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Who Is He In Yonder Stall?
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Gert Th. Walter
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.682347 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,S...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.682347 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5776113. Published by Gert Th. Walter (A0.682347). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$4.99
Who Is He In Yonder Stall?
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Ensemble de Clarinettes
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FACILE
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Musique Sacrée
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Benjamin R
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Gert Th
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Who Is He In Yonder Stall?
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Gert Th. Walter
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.682348 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,S...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.682348 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Gert Th. Walter #5776115. Published by Gert Th. Walter (A0.682348). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$4.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Libera me, Domine for Clarinet Quintet
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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James Haynor
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Libera me, Domine for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual....
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 27 pages. James Haynor #3885545. Published by James Haynor (A0.782237). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for clarinet quintet. ( Duration 6:30 )
$10.00
Lay A Garland for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Robert Lucas de Pearsall
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Lisa Ochoco
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Lay A Garland for Clarinet Cho
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559916 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco....
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559916 Composed by Robert Lucas de Pearsall. Arranged by Lisa Ochoco. Romantic Period. 15 pages. Lisa L Ochoco #5711213. Published by Lisa L Ochoco (A0.559916). Robert Lucas de Pearsall is not a well-known composer, especially to instrumentalists, as he composed mainly for the voice. Pearsall lived in the Romantic period, but wrote music in the style of the Renaissance and Classical periods. He did not have any formal musical education, and appears to have just written music as a hobby. His father was an amateur musician, which is probably where he received his talent for music.
$12.00
Ave Maria for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Contemporain
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Gustav Holst
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Lisa Ochoco
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Ave Maria for Clarinet Choir
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559980 Composed by Gustav Holst. Arranged by Lisa Ochoco. 20th Centur...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559980 Composed by Gustav Holst. Arranged by Lisa Ochoco. 20th Century,Contemporary. 28 pages. Lisa L Ochoco #6089977. Published by Lisa L Ochoco (A0.559980). Gustav Holst was a British composer and trombonist. After graduating from the Royal College of Music, he made his living as a musician until he obtained teaching positions at St. Paul's Girls' School and Morley College, where he was quite a great teacher and composer.
$12.00
Zephyros in Our Garden for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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Zephyr Clarinet Choir Portland
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Zephyros in Our Garden for Cla
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1044859 By Zephyr Clarinet Choir Portland, Oregon. By John Gibs...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1044859 By Zephyr Clarinet Choir Portland, Oregon. By John Gibson. Arranged by World Premier June 30, 2022 at International Clarinet Fest. Contemporary. 76 pages. JB Linear #649457. Published by JB Linear (A0.1044859). When I was given the composing project of a piece especially for the Zephyr Clarinet Choir of Portland, Oregon I wanted it to be specifically identifiable as a piece for that organization. After research I discovered that an ancient Greek and Roman god was named Zephros and I decided to compose around the god's various aspects. “Zephyros in my Garden†presents aspects of the Greek and Roman god, Zephyros. He was mostly the god of the gentle west wind, but he could also be not-so-gentle and a danger to sailors. He could be a horse, too! As a musician Zephyros was known to hang out with an ensemble of swans and sing cheeky songs. movements: 1. Aspects of Zephyros 2. Gentle West Wind Bringing Spring 3.Sailors Beware, Zephyros can be stormy 4. Sometimes Zephyros is a horse 5. Zephyros taking a walk in my garden 6. Zephyros and the swans sing a cheeky song As a composition for clarinets the piece uses a few “extended techniquesâ€, some of which the players may not have done before: using ancient pentatonic scales, double tonguing for very fast sections, quarter tone trills, finger vibrato, fall offs and slides, and finally, playing in a cheeky or sassy manner! (John Gibson) The recording is of The Zephyr Clarinet Choir at the 2022 International Clarinet Fest, conducted by Barbara Heilmair. It is set for Eb clarinet, Bb clarinet 1-4, alto clarinet, bass clarinet, contrabass/contralto.
$32.00
Recordare (from "Requiem") (F) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1108227 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1108227 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710854. Published by Regis Bookshar (A0.1108227). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Quintet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Quintet, consisting of 5 Bb Clarinets and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
Recordare (from "Requiem") (F) (Clarinet Sextet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1110886 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1110886 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713181. Published by Regis Bookshar (A0.1110886). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Sextet, consisting of 5 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Clarinet Septet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1111646 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1111646 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 40 pages. Regis Bookshar #713940. Published by Regis Bookshar (A0.1111646). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Septet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Septet, consisting of 7 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (40 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Septet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$36.00
Recordare (from "Requiem") (F) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1112869 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Inst...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1112869 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 43 pages. Regis Bookshar #714825. Published by Regis Bookshar (A0.1112869). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Clarinet Octet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Clarinet Octet, consisting of 8 Bb Clarinets, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (43 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Clarinet Octet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Ave Maria for Clarinet Octet
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Gustav Holst
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James Gaynor
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Ave Maria for Clarinet Octet
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James Haynor
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1434536 Composed by Gustav Holst. Arranged by James Gaynor. Romantic Period. 24 pages. Jam...
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Clarinet Choir,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.1434536 Composed by Gustav Holst. Arranged by James Gaynor. Romantic Period. 24 pages. James Haynor #1014674. Published by James Haynor (A0.1434536). One of the few early works of Holst to survive his scrupulous self-criticism is an unassuming setting of the Ave Maria for eight-part female chorus. Completed in 1900, shortly after he abruptly left the Royal College of Music, the composition is dedicated to the memory of his mother, Clara Lediard Holst, who died when he was a child.Scored here for Clarinet Octet, “ Ave Maria “ is a lovely setting for a haunting rendition of a familiar theme. It adapts very well to this ensemble of instruments.Duration - 4:50.
$10.00
'Adagietto' from Symphony No.5
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gustav Mahler
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Gustav Mahler
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Stephen Davies
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(c,d,e, E
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'Adagietto' from Symphony No.5
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Stephen Davies
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.1381045 Composed by Gustav Mahler. Arranged by Stephen Davies. 20th Century,Chamber,Classical. 2...
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Clarinet Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.1381045 Composed by Gustav Mahler. Arranged by Stephen Davies. 20th Century,Chamber,Classical. 24 pages. Stephen Davies #965760. Published by Stephen Davies (A0.1381045). 'Adagietto' From Symphony No.5 By Gustav Mahler.Arranged for Clarinet Sextet by Stephen Davies. If a composer could say what he had to say in words, he would not bother trying to say it in music.So said Mahler about the Adagietto, originally written for the love of his life Alma Schindler as a present, but there hangs a tale available on most youtubes' and wikipedias' !! Indeed Mahler wrote a poem for Alma, the German text of which can easily match the main opening motiv; (c,d,e, E...F.. etc)Wie ich Dich liebe, Du meine Sonne        In which way I love you, my Sunbeamich kann mit Worten Dir's nicht sagen      I cannot tell you with wordsNur meine Sehnsucht kann ich Dir klagen   Only my longing, my love and my blissund meine Liebe, meine Wonne!           Can I with anguish declare!Anyhow, here it is arranged for Clarinet Sextet, best played delicately and soulfully or listened to on a decent pair of headphones!!
$21.99
Take Me Home
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Contemporain
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Pentatonix
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James Haynor
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Take Me Home
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.782253 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Conte...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.782253 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contemporary. 16 pages. James Haynor #4266109. Published by James Haynor (A0.782253). PTX vocal percussionist Kevin Olusola describes Take Me Home as a Boyz II Men-meets-Toto song: I was thinking, oh how do you write a song that kind of combines both of what they do? He brought the idea to Kirsten Maldonado, the group's soprano, and with the help of singer-songwriter Audra Mae. We just wanted it to be five-part harmony, really simple; just an easy melody that people could understand, he explains. Scored here for Clarinet Quintet, the hymn-like nature of the piece is revealed. Duration 3:05
$12.99
On the Plains Fairy Trains for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Renaissance
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Thomas Weelkes
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Lisa Ochoco
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On the Plains Fairy Trains for
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissan...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559727 Composed by Thomas Weelkes. Arranged by Lisa Ochoco. Renaissance. 16 pages. Lisa L Ochoco #4278367. Published by Lisa L Ochoco (A0.559727). Thomas Weelkes was a very little known English composer who lived in the late 1500's through the early 1600's. It is said that he composed over 100 pieces, but only a handful of choir music survived in its entirety today. He was probably friends with Thomas Morley, another English composer and organist of the Renaissance period.
$7.00
Ave Maria for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Francois Clement Theodore Dubo
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Lisa Ochoco
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Ave Maria for Clarinet Choir
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559779 Composed by Francois Clement Theodore Dubois. Arranged by Lisa...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.559779 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period,Sacred. 15 pages. Lisa L Ochoco #4776557. Published by Lisa L Ochoco (A0.559779). Théodore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as César Franck, Camille Saint-Saëns, or Maurice Ravel.
$12.00
Wedding Song (There Is Love)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Paul Stookey
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James Haynor
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Mary disbanded in 1971
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Wedding Song
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782311 By Paul Stookey. By Paul Stookey. Arranged by James Haynor. Children,Folk. 15 pages. James Haynor ...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782311 By Paul Stookey. By Paul Stookey. Arranged by James Haynor. Children,Folk. 15 pages. James Haynor #4886037. Published by James Haynor (A0.782311). This was featured on Noel Paul Stockey's first solo album, which he'd recorded after Peter Paul & Mary disbanded in 1971. He wrote it for ex Peter Paul & Mary bandmate, Peter Yarrow's marriage to Marybeth McCarthy, the niece of senator and one-time presidential candidate Eugene McCarthy. Arranged here for Clarinet Quintet. ( Duration 4:10 )
$12.99
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