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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
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XYLOPHONE
JOY TO THE WORLD with ODE TO JOY
Non classifié
196
Piano & claviers
Piano seul
51
Accompagnement Piano
34
Piano Facile
25
Piano, Voix
14
2 Pianos, 4 mains
8
Orgue
5
Piano, Voix et Guitare
5
Piano Trio: piano, violon, violoncelle
2
Instruments en Do
2
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
16
Guitare
12
Ukulele
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
1
Basse electrique
1
Mandoline
1
+ 2 instrumentations
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Voix
Chorale SATB
13
Chorale 3 parties
6
Voix Soprano, Piano
6
Chorale Unison
2
Chorale 2 parties
2
Chorale TTBB
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 3 instrumentations
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Vents
Hautbois, Piano (duo)
21
2 Saxophones (duo)
17
Quintette de Saxophone: 5 saxophones
14
Clarinette et Piano
11
Flûte traversière et Piano
11
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9
Saxophone, Clarinette (duo)
9
2 Clarinettes (duo)
8
Saxophone Alto et Piano
6
Flûte traversière
6
Clarinette, Trompette (duo)
5
2 Flûtes traversières (duo)
5
Ocarina
5
Quatuor de Saxophones: 4 saxophones
5
Ensemble de saxophones
5
Ensemble de Clarinettes
4
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4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
4
Flûte, Clarinette (duo)
4
Clarinette, Violon (duo)
4
Saxophone Tenor et Piano
3
Hautbois, Flûte
3
Clarinette et Alto
3
Hautbois, Basson (duo)
3
Flûte, Trompette (duo)
3
Harmonica
3
Flûte, Saxophone (duo)
3
Flûte à bec Soprano
3
Flûte, Violon
3
Saxophone Soprano et Piano
3
Hautbois, Clarinette (duo)
3
Ensemble de Flûtes
2
Cor anglais, Piano
2
Clarinette
2
Hautbois (partie séparée)
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte à bec Soprano, Piano
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Baryton, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
Flûte, Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Flûte, Alto et Piano
1
Hautbois, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte et Guitare
1
Flûte, Violon, Piano
1
Saxophone Tenor
1
5 Flûtes à bec
1
+ 52 instrumentations
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Cuivres
Trompette, Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trompette, Saxophone (duo)
6
2 Trombones (duo)
6
2 Trompettes (duo)
6
Trombone et Piano
6
Cor et Piano
4
Ensemble de Trombones
4
Trompette, Trombone (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trompettes
3
Ensemble de Cors
2
Cor anglais, Piano
2
Trompette, Cor (duo)
1
Trompette, Violoncelle (duo)
1
2 Cors (duo)
1
Tuba et Piano
1
Trompette, Basson (duo)
1
Euphonium, Piano (duo)
1
2 Euphoniums (duo)
1
+ 17 instrumentations
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Cordes
Violon
19
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon, Violoncelle (duo)
11
Alto seul
11
Violon et Piano
11
Violon, Alto (duo)
9
Alto, Piano
8
2 Violons (duo)
8
Violoncelle, Piano
7
2 Violoncelles (duo)
7
Violoncelle, Contrebasse (duo)
6
Alto (partie séparée)
6
Harpe
5
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
3
Violoncelle
2
Alto, Guitare (duo)
1
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Ensemble d'Altos
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contre Basse
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
20
Orchestre à Cordes
8
Ensemble Jazz
6
Orchestre
4
Cloches
3
Jazz combo
2
Marimba
2
Orchestre de chambre
1
Ensemble de Percussions
1
Xylophone, Piano
1
Percussion
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
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COR ANGLAIS
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CORNET
DEEJAY
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JOY TO THE WORLD with ODE TO JOY
Ensemble de Clarinettes
Partitions à imprimer
4 partitions trouvées
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Classique
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Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Silent Night (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
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JOY TO THE WORLD with ODE TO JOY
