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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James M
Non classifié
1 393
Piano & claviers
Piano seul
4 009
Orgue
716
Piano Facile
71
Piano, Voix et Guitare
58
Piano, Voix
56
Piano Quatuor: piano, violon, alto, violoncelle
54
Piano Trio: piano, violon, violoncelle
35
Orgue, Piano (duo)
23
Accompagnement Piano
22
Instruments en Do
12
1 Piano, 4 mains
8
Piano Quintette: piano, 2 violons, alto, violoncelle
6
2 Pianos, 4 mains
3
Piano (partie séparée)
3
Accordéon
1
Piano grosses notes
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
342
Guitare
36
Guitare notes et tablatures
35
Paroles et Accords
10
Basse electrique
9
Piano, Guitare (duo)
9
Ukulele
6
Guitare (partie séparée)
5
3 Guitares (trio)
2
2 Guitares (duo)
2
Banjo
1
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
78
Chorale 3 parties
25
Chorale TTBB
14
Chorale SSAA
13
Chorale 2 parties
9
Voix seule
3
Chorale
3
Chorale Unison
3
Pack Instrumental pour Chorale
1
Voix Tenor
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
985
Hautbois, Piano (duo)
583
Clarinette et Piano
326
Saxophone Alto et Piano
234
2 Saxophones (duo)
197
Cor anglais, Piano
178
2 Flûtes traversières (duo)
146
Saxophone Soprano et Piano
129
Saxophone Baryton, Piano
126
Saxophone Tenor et Piano
125
2 Clarinettes (duo)
115
Clarinette Basse, Piano
105
Clarinette
66
Quatuor de Saxophones: 4 saxophones
60
2 Hautbois (duo)
58
Saxophone (partie séparée)
34
3 Saxophones (trio)
30
3 Clarinettes (trio)
28
Quatuor de Clarinettes: 4 clarinettes
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto
17
Flûte traversière
16
Ensemble de Flûtes
15
Trio de Flûtes: 3 flûtes
15
2 Cors Anglais Et Pianoforte
14
Hautbois, Basson (duo)
14
Saxophone Tenor
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Piccolo, Piano
12
Hautbois (partie séparée)
9
Clarinette, Harpe (duo)
8
Quintette de Saxophone: 5 saxophones
8
Hautbois, Harpe
8
Flûte, Hautbois, Clarinette, Basson
8
Ensemble de Clarinettes
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Guitare, Piano
7
Flûte, Violon
7
Hautbois, Violoncelle
6
Ensemble de saxophones
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte, Violon et Violoncelle
4
Flûte, Hautbois (duo)
4
Clarinette, Violon (duo)
4
Flûte, Alto (duo)
4
Flûte à Bec, Piano
3
Saxophone et violoncelle
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Alto, Piano
3
Saxophone, Basson (duo)
2
2 Flûte à bec (duo)
2
Saxophone et Harpe
2
Hautbois, Flûte
2
Clarinette Basse
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Clarinette (partie séparée)
2
Saxophone Baryton
2
Flûte traversière, Orgue (duo)
2
Cor anglais et Harpe (duo)
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Flûte à bec Soprano
1
Saxophone Soprano
1
Hautbois
1
2 Hautbois, Piano
1
Ocarina
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Orgue
1
Harmonica
1
Saxophone et Piano
1
Flûte, Basson et Piano
1
2 Hautbois et Basson
1
Hautbois et alto (duo)
1
3 Flûtes à bec (trio)
1
Clarinette et Alto
1
5 Flûtes à bec
1
Flûte et Guitare
1
Flûte, Clarinette, Piano (trio)
1
+ 83 instrumentations
Retracter
Cuivres
Cor anglais, Piano
178
Cor et Piano
148
Trombone et Piano
140
Trompette, Piano
137
Euphonium, Piano (duo)
121
Trompette
62
2 Cors (duo)
60
Tuba et Piano
58
2 Trombones (duo)
44
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
2 Trompettes (duo)
37
2 Euphoniums (duo)
36
Trompette (partie séparée)
16
2 Tubas (duo)
15
Trombone (partie séparée)
15
2 Cors Anglais Et Pianoforte
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor
10
Trombone
8
Tuba
7
Trompette, Trombone (duo)
6
Cor, Violoncelle (duo)
6
3 Trombones (trio)
5
Trio de Cuivres
5
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Euphonium
4
Trompette, Saxophone (duo)
4
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, Tuba (duo)
2
Trombone, violoncelle (duo)
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Cor anglais et Harpe (duo)
2
Ensemble de Trompettes
2
2 Trompettes, Clavier (piano ou orgue)
1
3 Cors (trio)
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Cor, Tuba (duo)
1
+ 42 instrumentations
Retracter
Cordes
Violon et Piano
1 039
Quatuor à cordes: 2 violons, alto, violoncelle
351
Violoncelle, Piano
273
Alto, Piano
246
Trio à Cordes: violon, alto, violoncelle
95
2 Violoncelles (duo)
70
2 Violons (duo)
63
2 Altos (duo)
60
Violoncelle
41
Violon
38
Violon, Violoncelle (duo)
34
Harpe
19
2 Contrebasses (duo)
16
Violon, Alto (duo)
15
Harpe, Flûte (duo)
14
Alto, Violoncelle (duo)
14
Alto seul
13
Harpe, Violon (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
5
Trio à Cordes: 3 violoncelles
5
Alto (partie séparée)
5
Trio à cordes
5
Violoncelle, Contrebasse (duo)
4
Piano Trio: Violon, Alto, Piano
4
Contrebasse (partie séparée)
4
Harpe, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Ensemble de Violoncelles
2
Alto et Harpe
2
Quatuor à cordes : 4 altos
2
Ensemble d'Altos
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Ensemble de Violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
121
Ensemble de cuivres
44
Orchestre d'harmonie
35
Ensemble Jazz
27
Orchestre
12
Batterie
12
Jazz combo
11
Fanfare
9
Cloches
8
Orchestre de chambre
8
Batterie (partie séparée)
4
Marimba et Orgue
3
Vibraphone
3
Ensemble de Percussions
2
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COMEDIES MUSICALES -…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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James M
Ensemble de Clarinettes
Partitions à imprimer
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
Gabrieli: Jubilate Deo Ch. 136 for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.549193 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457489. Published by jmsgu3 (A0.549193). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 1 Eb Clarinet, 5 Bb Clarinets, 1 alto clarinet, 2 bass clarinets
$29.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Mouton: Christmas Motet for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Noël
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Jean Mouton
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James M
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Mouton: Christmas Motet for Cl
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standa...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616085. Published by jmsgu3 (A0.550373). Nesciens mater virgo virum. A quadruple canon at the fifth. Duration: ca. 3:00. Score: 7 pages, parts 2 pagegs each. Instrumentation: 6 Bb clarinets, 1 alto clarinet, 1 bass clarinet, 1 contrabass clarinet (optional).
$49.95
Scarlatti: Andante mosso for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for C
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 p...
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Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626789. Published by jmsgu3 (A0.550386). Sonata 33 for Clarinet Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. Instrumentation: 4 Bb Clarinets, 2 Alto Clarinets, 1 Bass Clarinet.
$29.95
Away in a Manger (G) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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James R
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Regis Bookshar
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Away in a Manger
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.814006 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pag...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.814006 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pages. Regis Bookshar #6658467. Published by Regis Bookshar (A0.814006). Clarinet Quintet - Intermediate - . This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Clarinet Quintet. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Clarinet Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
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