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PIANO & CLAVIERS
Piano seul
561
Piano, Voix
235
Piano, Voix et Guitare
168
Piano Facile
126
Orgue
67
Accompagnement Piano
64
Instruments en Do
55
Accordéon
36
1 Piano, 4 mains
19
Piano grosses notes
14
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
5
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5
Orgue, Trompette (duo)
4
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2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
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GUITARES
Guitare
69
Guitare notes et tablatures
66
Ligne De Mélodie, (Paroles) et Accords
59
Ukulele
16
2 Guitares (duo)
12
Paroles et Accords
10
Piano, Guitare (duo)
8
Basse electrique
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
Mandoline, Guitare (duo)
1
Mandoline
1
Banjo
1
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VOIX
Chorale SATB
269
Chorale 3 parties
69
Chorale TTBB
47
Chorale 2 parties
38
Chorale SSAA
35
Voix Tenor, Piano
19
Chorale Unison
18
Voix Soprano, Piano
10
Voix Tenor
6
Voix duo
6
Voix Alto, Piano
5
Voix duo, Piano
5
Voix moyenne, Piano
5
Voix basse, Piano
3
Voix haute
3
Chorale
3
Voix Soprano
2
Voix seule
1
Chorale SSATB
1
Voix basse
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
127
2 Saxophones (duo)
124
Quatuor de Saxophones: 4 saxophones
106
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
102
Clarinette et Piano
102
Hautbois, Piano (duo)
82
Saxophone Alto et Piano
81
Saxophone (partie séparée)
76
Quatuor de Clarinettes: 4 clarinettes
74
Flûte, Hautbois, Clarinette, Basson
61
2 Clarinettes (duo)
59
Saxophone Tenor et Piano
56
Saxophone Soprano et Piano
54
Clarinette
54
Saxophone, Clarinette (duo)
50
Flûte traversière
44
Saxophone Alto
43
2 Flûtes traversières (duo)
43
Saxophone Baryton, Piano
42
Cor anglais, Piano
37
Clarinette, Violon (duo)
34
Quintette de Saxophone: 5 saxophones
31
Clarinette, Trompette (duo)
28
Flûte, Clarinette (duo)
26
2 Hautbois (duo)
22
3 Saxophones (trio)
20
Hautbois, Basson (duo)
20
Flûte, Saxophone (duo)
19
Quatuor de Flûtes : 4 flûtes
19
Clarinette et Alto
18
Hautbois, Clarinette (duo)
18
Flûte, Violon
18
Ensemble de Clarinettes
16
Flûte, Trompette (duo)
14
Clarinette Basse, Piano
14
Hautbois, Flûte
14
Hautbois (partie séparée)
12
Ensemble de Flûtes
12
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
11
Flûte, Alto (duo)
11
Ensemble de saxophones
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette, Basson (duo)
8
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
7
Saxophone Tenor
6
Clarinette (partie séparée)
5
Flûte à bec Soprano
5
Flûte à bec Soprano, Piano
5
Clarinette, Guitare (duo)
4
Cor Anglais
4
3 Flûtes à bec (trio)
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto, Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Piccolo, Piano
3
Clarinette, Orgue
3
Quatuor de Flûtes à bec
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violon et Violoncelle
3
Flûte, Hautbois (duo)
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Flûte à bec Alto
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Tenor
2
Flûte traversière, Orgue (duo)
2
Saxophone et Orgue
2
Flûte à Bec
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Ensemble De Flûte à bec
2
Flûte, Basson et Piano
2
Clarinette, Trombone (duo)
2
Flûte et Guitare
1
Flûte et Trio à cordes
1
Clarinette Basse
1
Harmonica
1
2 Clarinettes, Piano
1
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte à Bec, Piano
1
4 Hautbois
1
Hautbois, Harpe
1
Ensemble de Hautbois
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violoncelle
1
2 Flûtes traversières, Piano
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
Hautbois, Violoncelle
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
117
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trombone et Piano
72
Trompette
54
Trompette, Piano
50
Cor et Piano
49
Euphonium, Piano (duo)
42
Cor anglais, Piano
37
Trompette, Saxophone (duo)
34
2 Trombones (duo)
27
Trombone
26
Trompette, Trombone (duo)
25
2 Trompettes (duo)
23
Trombone (partie séparée)
17
Tuba et Piano
17
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trompette (partie séparée)
15
Cor
14
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
8
Ensemble de Trombones
8
Cor (partie séparée)
7
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
4
Cor Anglais
4
Ensemble de Cors
4
Ensemble de Trompettes
4
Euphonium
3
3 Tubas (trio)
3
Trompette, Cor (duo)
3
Trombone, Cor (duo)
3
2 Euphoniums (duo)
3
Tuba et Orgue
2
Tuba
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
Quatuor de cuivres: 4 trompettes
2
3 Trombones (trio)
2
2 Euphoniums et 2 Tubas
2
Trombone basse et Piano
1
Trio de Cuivres
1
3 Trompettes (trio)
1
Trombone, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Tuba (partie séparée)
1
Cor, Tuba (duo)
1
4 Tubas
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
211
Violon et Piano
160
Alto, Piano
96
Violoncelle, Piano
88
Violon
57
Violon, Violoncelle (duo)
53
2 Violons (duo)
38
Trio à Cordes: violon, alto, violoncelle
31
Violon, Alto (duo)
27
Violoncelle (partie séparée)
26
Harpe
24
2 Altos (duo)
21
Alto seul
21
2 Violoncelles (duo)
20
Violoncelle
20
Trio à Cordes: 2 violons, violoncelle
19
2 Harpes (duo)
13
Alto, Violoncelle (duo)
7
4 Violoncelles
5
Violon, Guitare (duo)
5
Alto (partie séparée)
5
Trio à cordes: 3 violins
4
Contrebasse (partie séparée)
4
Alto, Guitare (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
3
Contre Basse
3
Ensemble de Violons
3
Trio à cordes: 3 altos
3
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon (partie séparée)
2
Quatuor à cordes : 4 altos
2
Harpe, Violon (duo)
2
Harpe et Piano
1
Violoncelle, Orchestre
1
4 Contrebasses
1
Harpe, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
332
Orchestre
101
Orchestre à Cordes
90
Ensemble de cuivres
67
Ensemble Jazz
43
Orchestre de chambre
30
Cloches
22
Jazz combo
13
Fanfare
9
Marimba
5
Batterie
5
Ensemble de Percussions
4
Percussion (partie séparée)
3
Batterie (partie séparée)
2
Vibraphone
2
Piano et Orchestre
1
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Ensemble de Clarinettes
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Golliwog's Cakewalk for Clarinet Sextet
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1430401 By Keith Terrett. By Claude Debussy. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. 19 pages. Keith Terrett #1011008. Published by Keith Terrett (A0.1430401). A transcription of Debussy’s Golliwog’s Cakewalk for Clarinet Sextet.At the time of its composition, Golliwog's were in fashion, due partly to the popularity at that time of the novels of Florence Kate Upton (golliwog is a later usage). They were stuffed black dolls with red pants, red bow ties and wild hair, somewhat reminiscent of the black-face minstrels of the time. This is a ragtime piece with its syncopations and banjo-like effects. The dynamic range is quite large and very effective. The B section of this dance is interrupted on several occasions by the love-death leitmotif of Richard Wagner’s opera Tristan und Isolde, marked avec une grande émotion (with great feeling). Each quotation is followed with banjo imitations. The cakewalk was a dance or a strut and the dancer with the most elaborate steps won a cake (took the cake). Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.97 €
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Ensemble de Clarinettes
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Keith Terrett
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Keith Terrett
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Golliwog's Cakewalk for Clarinet Sextet
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Keith Terrett
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SheetMusicPlus
Also Sprach Zarathustra - Fanfare for Clarinet Choir
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1422211 Composed by Richard Strauss. Arranged by Craig Slegel. Classical,Film/TV. 16 pages. Craig Slegel #1003559. Published by Craig Slegel (A0.1422211). Richard Strauss' Also Sprach Zarathustra is one of the most well known pieces in the world. Made famous by Stanley Kubrick's 1968 film 2001: A Space Odyssey, this arrangement for Clarinet Choir attempts to replicate the emotionally power that the orchestral version brings to the listener.The Bass and Contrabass Clarinets in the beginning are playing the low rumbling pedal tones of the organ and low basses. Later on, the Bass Clarinet fills in for the role of the Timpani, with alternating pitches. At the very end of the piece, one player each from B-flat Clarinets 1-4 is tasked with holding the final chord longer than the rest of the ensemble, covering the Organ part in the full orchestral score.Instrumental parts include: Clarinet in Eb Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet Bass Clarinet Contrabass Clarinet Published by: CMS Sheet Music Publishing.
$9.99
9.21 €
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Ensemble de Clarinettes
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Richard Strauss
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Craig Slegel
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Also Sprach Zarathustra - Fanfare for Clarinet Choir
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Craig Slegel
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SheetMusicPlus
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.619961 By Colbie Ca…
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.619961 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Stephen DeCesare. Jazz. 21 pages. Exultet Music #3080389. Published by Exultet Music (A0.619961). The song that was introduced by Judy Garland in the 1944 MGM musical Meet Me in St. Louis and later recorded by Frank Sinatra which has also been ranked as the third most performed Christmas song, has now been freshly arranged in this well-crafted arrangement for Clarinet Choir which is accessible for any level of playing from schools through professional. Scored for Bb-Clarinet (3), Bass Clarinet, Violin Solo, and Piano.
$12.99
11.97 €
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Ensemble de Clarinettes
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Colbie Caillat
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Stephen DeCesare
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Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Exultet Music
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.19 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.19 €
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Ensemble de Clarinettes
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Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
Carol Of The Drum
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736278 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736278 Composed by Katherine K. Davis. Arranged by Phyllis Avidan Louke. Christmas,Holiday,Pop. 31 pages. Louke Publishing #3578281. Published by Louke Publishing (A0.736278). For Clarinet Choir Carol of the DrumWords and Music by Katherine K. Davis Program NotesOriginally titled Carol of the Drum, this song later became known as The Little Drummer Boy. A Christmas staple since the late 1950’s, it continues to be a holiday favorite. HolidayChristmasPopTraditional It is scored for Clarinet Choir: Eb Clarinet (or Bb Clarinet), 5 Bb Clarinets, and optional Bass or Alto Clarinet. There is some flexibility in number of parts, since the Bass and Alto Clarinet parts double Clarinet 5. Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$16.00
14.75 €
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Ensemble de Clarinettes
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Katherine K
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Phyllis Avidan Louke
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Carol Of The Drum
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Louke Publishing
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SheetMusicPlus
Libera me, Domine for Clarinet Quintet
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782237 Composed by …
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 27 pages. James Haynor #3885545. Published by James Haynor (A0.782237). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for clarinet quintet. ( Duration 6:30 )
$10.00
9.22 €
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Ensemble de Clarinettes
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William Byrd
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James Haynor
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Libera me, Domine for Clarinet Quintet
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James Haynor
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SheetMusicPlus
And So It Goes
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782240 By Billy Joe…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782240 By Billy Joel. By Billy Joel. Arranged by James Haynor. Pop,Rock. 11 pages. James Haynor #3895605. Published by James Haynor (A0.782240). And So It Goes is a lyric poem written by Billy Joel in 1983, though it was not released until six years later. The song is unique for Joel as it is written in iambic tetrameter. Joel wrote the song about a doomed relationship with model Elle Macpherson. Scored here for Clarinet Quintet, the hymn-like nature of the piece is revealed.
$12.99
11.97 €
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Ensemble de Clarinettes
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Billy Joel
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James Haynor
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And So It Goes
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James Haynor
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SheetMusicPlus
Nimrod (from The Enigma Variations) - Clarinet Choir (Septet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.750994 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.750994 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. 16 pages. BJE Music #6021545. Published by BJE Music (A0.750994). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the key of Eb for a Clarinet Choir (Septet) including parts for Eb Clarinet, Alto Clarinet in Eb, and Bb Bass ClarinetThe MP3 was recorded with NotePerformer.Grade = 3.5 Duration = 3:15 mins
$9.00
8.29 €
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Ensemble de Clarinettes
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Sir Edward Elgar
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Brendan Elliget MAGA 537
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Co
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Nimrod
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BJE Music
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SheetMusicPlus
Hodie Christus Natus Est for Clarinet Choir
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559992 Composed by Giovanni Gabrieli. Arranged by Lisa Ochoco. Christmas,Renaissance,Sacred. 20 pages. Lisa L Ochoco #6097101. Published by Lisa L Ochoco (A0.559992). Giovanni Gabrieli was an Italian composer who lived in the second half of the 16th century who wrote prolifically for the voice. Over 400 years later, his songs are still sung, and many of his compositions were transcribed into instrumental pieces, like this one.
$15.00
13.82 €
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Ensemble de Clarinettes
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Giovanni Gabrieli
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Lisa Ochoco
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Hodie Christus Natus Est for Clarinet Choir
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Lisa L Ochoco
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (A min) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.813368 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.813368 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 41 pages. Regis Bookshar #6209733. Published by Regis Bookshar (A0.813368). Clarinet Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Clarinet Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Clarinets, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.26 €
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Ensemble de Clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Allegro (from "Concerto for Four Claviers") (G min) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.813394 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.813394 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 41 pages. Regis Bookshar #6209797. Published by Regis Bookshar (A0.813394). Clarinet Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Clarinet Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Clarinets, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
32.26 €
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Ensemble de Clarinettes
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.82 €
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Ensemble de Clarinettes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Ave Maria WAB6 for Clarinet Choir
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1254830 Composed by Anton Bruckner. Arranged by Lisa Ochoco. 19th Century,Romantic Period. 16 pages. Lisa L Ochoco #848413. Published by Lisa L Ochoco (A0.1254830). Josef Anton Bruckner was a deeply religious man.  Born in Austria, his father was his first music teacher who taught him to play the organ.  It was noted that he was so dedicated to music that he often practiced up to 12 hours a day.This Ave Maria was performed during his debut as a composer and conductor in 1861.  It was later published in Vienna in 1867.Although this is a sacred motet, as an instrumental piece, it can be performed in any setting.  Scored for clarinet choir - 5 Bb, alto, and bass.  Optional parts are:  *Eb - in addition to, or in lieu of, the 1st Bb part  *Contrabass - in addition to the bass part  This is not a difficult piece, but it requires good breath support to sustain long tones in tune at a slow tempo.Duration: 2.5 minutes.
$10.00
9.22 €
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Ensemble de Clarinettes
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Anton Bruckner
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Lisa Ochoco
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Ave Maria WAB6 for Clarinet Choir
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Lisa L Ochoco
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SheetMusicPlus
A Royal Command
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.560078 Composed by John Lawrence Lunn. Arranged by Lisa Ochoco. Contemporary,Film/TV,New Age. 33 pages. Lisa L Ochoco #6429991. Published by Lisa L Ochoco (A0.560078). After a very successful TV series run on PBS, Downton Abbey brought their cast back a few years later to make a feature film. John Lunn, who wrote the the music for the TV series was also brought back to compose the music.
$16.00
14.75 €
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Ensemble de Clarinettes
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John Lawrence Lunn
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Lisa Ochoco
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A Royal Command
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Lisa L Ochoco
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SheetMusicPlus
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