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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mark King
Sheetmusicplus
Non classifié
1 840
Piano & claviers
Piano seul
504
Piano, Voix
424
Piano Facile
361
Orgue
335
Instruments en Do
269
Piano, Voix et Guitare
174
1 Piano, 4 mains
12
Accompagnement Piano
8
Clavecin
7
Piano Trio: piano, violon, violoncelle
4
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Fake Book
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
2 Pianos, 8 mains
1
Clavier
1
+ 15 instrumentations
Retracter
Guitares
Guitare
50
Guitare notes et tablatures
49
Basse electrique
19
Ukulele
17
Ligne De Mélodie, (Paroles) et Accords
9
3 Guitares (trio)
5
2 Guitares (duo)
4
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Dulcimer
2
Paroles et Accords
2
Ensemble de guitares
1
Mandoline
1
Piano, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
251
Pack Instrumental pour Chorale
81
Chorale 3 parties
67
Chorale TTBB
28
Chorale 2 parties
24
Chorale Unison
16
Chorale SSAA
9
Voix moyenne, Piano
8
Voix Soprano, Piano
7
Voix haute
6
Voix basse, Piano
6
Chorale
5
Voix duo
4
Soli, choeur mixte et accompagnement
3
Voix seule
3
Voix Soprano
3
Voix Alto, Piano
3
Voix Baryton, Piano
3
Voix Tenor
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
88
2 Saxophones (duo)
80
Quintette de Saxophone: 5 saxophones
61
Quatuor de Saxophones: 4 saxophones
48
Flûte, Hautbois, Clarinette, Basson
46
Flûte traversière et Piano
46
Saxophone (partie séparée)
39
Saxophone Alto
38
2 Flûtes traversières (duo)
31
Flûte traversière
31
Saxophone Alto et Piano
27
Clarinette et Piano
27
2 Clarinettes (duo)
26
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette
22
Hautbois, Piano (duo)
21
Saxophone Soprano et Piano
19
Ensemble de Clarinettes
17
Hautbois (partie séparée)
17
Saxophone Tenor
17
Saxophone Tenor et Piano
15
2 Hautbois (duo)
13
Saxophone Baryton, Piano
12
Ensemble de Flûtes
10
Clarinette (partie séparée)
9
Quatuor de Flûtes à bec
9
Quatuor de Flûtes : 4 flûtes
7
3 Saxophones (trio)
7
Hautbois
7
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
Flûte à bec Soprano
6
Flûte, Hautbois, Clarinette (trio)
6
3 Clarinettes (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
5
Trio de Flûtes: 3 flûtes
5
5 Flûtes à bec
4
Flute (partie séparée)
4
Cor anglais, Piano
4
2 Flûte à bec (duo)
4
Flûte, Clarinette (duo)
4
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Clarinette, Harpe (duo)
3
Saxophone Soprano
2
Saxophone et Orgue
2
Clarinette, Basson (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Orgue
2
Flûte à bec Soprano, Piano
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
Flûte, Violon
2
Flûte, Clarinette et Basson
2
Clarinette et Alto
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Trompette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Saxophone Baryton
1
Flute, harpe et violon
1
Flûte à bec Alto, Piano
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flûte à Bec
1
Ensemble De Flûte à bec
1
2 Cors Anglais Et Pianoforte
1
Flûte, Saxophone (duo)
1
Hautbois, Violon, Piano
1
+ 77 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Quatuor de Cuivres : 2 trompettes, trombone, tuba
45
Trombone et Piano
33
Trombone
29
Trompette
29
Trompette, Piano
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Trompette (partie séparée)
19
2 Trompettes (duo)
18
Trombone (partie séparée)
17
2 Trombones (duo)
17
Cor et Piano
16
Cor
15
Tuba et Piano
12
Tuba
12
2 Cors (duo)
8
Trompette, Trombone (duo)
7
Quatuor de Cuivres
7
Cor (partie séparée)
6
Ensemble de Trombones
6
Trio de Cuivres
5
Euphonium, Piano (duo)
4
Cor et Harpe
4
Cor anglais, Piano
4
Ensemble de Trompettes
4
Euphonium
4
2 Tubas (duo)
4
Trompette, Saxophone (duo)
3
Tuba (partie séparée)
3
Trompette, violon (duo)
3
Trompette, Harpe
2
Quatuor de cuivres: 4 trombones
2
Instruments en Sib
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Trompette, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Trombone basse et Piano
1
Trombone, Orgue
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
179
Harpe
95
Violon et Piano
72
Violon
59
2 Harpes (duo)
57
Violoncelle, Piano
47
Violoncelle
43
Alto, Piano
30
2 Violons (duo)
26
Trio à Cordes: violon, alto, violoncelle
22
Alto seul
19
2 Violoncelles (duo)
18
Violon, Alto (duo)
18
Violon, Violoncelle (duo)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Contrebasse, Piano (duo)
15
Contre Basse
14
2 Altos (duo)
10
Alto (partie séparée)
8
Ensemble d'Altos
6
Violon (partie séparée)
6
2 Contrebasses (duo)
5
Harpe, Flûte (duo)
5
Ensemble de Violons
5
Violon, Guitare (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon (duo)
3
Alto et Harpe
3
Violoncelle (partie séparée)
3
Harpe, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Alto et Basson
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Orgue
1
Violoncelle, Basse continue
1
Quatuor à cordes : 4 altos
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Violoncelle, Orgue
1
Harpe, Quatuor à cordes
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Harpe, Violon, Violoncelle
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
164
Ensemble Jazz
112
Orchestre à Cordes
95
Orchestre
53
Cloches
41
Ensemble de cuivres
22
Batterie
18
Ensemble de Percussions
16
Jazz combo
13
Orchestre de chambre
10
Percussion (partie séparée)
5
2 Xylophones
4
Piano et Orchestre
2
Batterie (partie séparée)
2
Xylophone
2
Xylophone, Piano
2
Timbales (partie séparée)
2
Vibraphone (partie séparée)
1
Fanfare
1
Caisse Claire
1
Vibraphone et Marimba
1
Marimba
1
Percussion
1
2 Marimbas
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Mark King
SheetMusicPlus
Partitions à imprimer
17 partitions trouvées
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1
In the Hall of the Mountain King - Bb Clarinet Quartet
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Halloween
#
Edvard Grieg
#
Mark R Lewis
#
In the Hall of the Mountain Ki
#
Mark R Lewis
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1045422 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 11 pages. Mark R Lewis #...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1045422 Composed by Edvard Grieg. Arranged by Mark R Lewis. Classical,Standards. 11 pages. Mark R Lewis #649987. Published by Mark R Lewis (A0.1045422). In the Hall of the Mountain King was originally written by Edvard Grieg as incidental music (basically background music) for a scene in Henrik Ibsen's play Peer Gynt. The truly distinctive sound has ensured that the piece has continued to be played and arranged for all sorts of groups in the almost century-and-a-half since the play was first performed. This particular arrangement by Mark R Lewis is for a Bb clarinet quartet. The melody jumps between all four parts and players will need to be able to play most of the range of the instrument regardless of which part they are playing. That said, most intermediate players should be able to play this piece given they have the range and it will be a challenge for less experienced players. This arrangement also available for Mixed Clarinet Quartet Range: A minor Clarinet 1 - 3+ octaves (B3 to D6) Clarinet 2 - 2 1/2 octaves (F#3 to B5) Clarinet 3 -
$11.99
Allegro (from "Concerto for Four Claviers") (A min) (Clarinet Quintet)
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Ensemble de Clarinettes
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.813368 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.813368 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 41 pages. Regis Bookshar #6209733. Published by Regis Bookshar (A0.813368). Clarinet Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Clarinet Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Clarinets, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (G min) (Clarinet Quintet)
#
Ensemble de Clarinettes
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.813394 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.813394 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 41 pages. Regis Bookshar #6209797. Published by Regis Bookshar (A0.813394). Clarinet Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Clarinet Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for 5 Clarinets, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Entrée Nuptiale (by Henry Smith, arr. for Clarinet Choir)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Henry Smith
#
Andrew Lamb
#
Entrée Nuptiale
#
Andrew Lamb
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew La...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew Lamb. Chamber,Praise & Worship,Wedding. 23 pages. Andrew Lamb #831396. Published by Andrew Lamb (A0.1235891). Introducing our clarinet arrangement of Entrée Nuptiale composed by the talented Henry Smith (1813-1879). This captivating transcription allows clarinetists to showcase their virtuosity and musicality while immersing themselves in the enchanting beauty of this cherished piece.Carefully crafted with precision and artistry, our clarinet arrangement of Entrée Nuptiale captures the essence of the original composition while highlighting the unique characteristics of the clarinet. From the delicate and expressive melodies to the lively and rhythmic passages, this arrangement allows the clarinet to take center stage and captivate audiences with its versatility and expressive capabilities.Entrée Nuptiale is a delightful and celebratory composition, perfect for wedding ceremonies, recitals, or any joyous occasion. With its uplifting melodies and jubilant harmonies, this arrangement creates an atmosphere of joy and festivity, capturing the essence of a grand entrance and celebration.Whether you are a professional clarinetist looking to expand your repertoire or a passionate musician seeking a captivating piece to perform, our clarinet arrangement of Entrée Nuptiale is a remarkable addition to your musical library. Its versatility allows for various performance settings, from solo performances to chamber ensembles and orchestras.The sheet music for our arrangement is expertly notated, providing clear and accurate scores for the clarinet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling an authentic and captivating interpretation.Immerse yourself in the enchanting beauty of Henry Smith's Entrée Nuptiale with our clarinet arrangement. Let the clarinet's melodic lines soar and resonate, filling the air with elegance and celebration. This arrangement is a treasure for both performers and audiences, allowing them to experience the timeless allure of the clarinet and the joyous spirit of Smith's composition.
$10.00
Arrival of the Queen of Sheba for Clarinet Quintet +
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Classique
#
George Frideric Handel
#
Keith Terrett
#
Arrival of the Queen of Sheba
#
Keith Terrett
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terr...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
Softly And Tenderly
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Ensemble de Clarinettes
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DÉBUTANT
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Eugene L Clark and Will Lee Th
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John Ivor Holland
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Softly And Tenderly
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John Ivor Holland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1290442 Composed by Eugene L Clark and Will Lee Thompson. Arranged by...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 1 - SKU: A0.1290442 Composed by Eugene L Clark and Will Lee Thompson. Arranged by John Ivor Holland. 19th Century,20th Century,Chamber,Christian,Religious. 15 pages. John Ivor Holland #881154. Published by John Ivor Holland (A0.1290442). Softly and Tenderly is a Christian hymn, composed by Will L. Thompson in 1880 and based on the Bible verse Mark 10:49. Thompson was a member of the Churches of Christ, where several of his hymns and gospel songs continue in use. The hymn is the most widely known of his compositions and has circulated far beyond its origins in the American Restoration Movement. It is among the most prolifically translated gospel songs and is used throughout many denominations of Christianity. It was sung at the funeral of Martin Luther King Junior, as well as being featured in the films Urban Cowboy and Junebug, with countless recordings by artists such as Rosemary Clooney, Amy Grant and Carrie Underwood.
$29.99
Dance The Night
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Dua Lipa
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Ralph Raymond Hays
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Dance The Night
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Ralph Raymond Hays
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1411750 By Dua Lipa. By Andrew Wyatt Blakemore, ...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1411750 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Ralph Raymond Hays. Broadway,Film/TV,Halloween,Musical/Show,Pop,Wedding. 25 pages. Ralph Raymond Hays #994023. Published by Ralph Raymond Hays (A0.1411750). The charming and rapturous dance hit from the wildly successful, Oscar nominated BARBIE is here brilliantly orchestrated and arranged by Pullitzer Prize nominated composer/arranger, Ralph Raymond Hays. Taking full advantage of the tonal pallete of the clarinet choir, this arrangement distinguishes itself both in derence to the original and in keping idiomatic to the ensemble. Including an optional drum set part, this arrangement is assured to delight audieneces and performers alike.
$14.99
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Clarinet Choir]
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Charles Neustedt
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Andrew Lamb
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged ...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824516. Published by Andrew Lamb (A0.1228439). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambExperience the poignant beauty of Chant d'Adieu by Charles Neustedt (1834-1908) with our captivating clarinet choir arrangement. This meticulously crafted adaptation allows clarinet ensembles of all levels to immerse themselves in the evocative melodies and harmonies of this timeless piece.Our clarinet choir arrangement of Chant d'Adieu showcases the unique timbres and expressive qualities of the clarinet family. From the enchanting soprano clarinet to the resonant bass clarinet, each instrument contributes its distinctive voice, creating a mesmerizing blend of sound that brings Neustedt's composition to life.Chant d'Adieu is a profoundly moving work that touches the heart and stirs the soul. With its haunting melodies and rich harmonic textures, this arrangement captures the depth of emotion and musical sensitivity embedded within the original composition.Whether you are a seasoned clarinet ensemble seeking new repertoire or a group of passionate musicians eager to explore the power of collective performance, our clarinet choir arrangement of Chant d'Adieu is a captivating addition to your music library. It is suitable for a variety of performance settings, from intimate chamber concerts to larger ensemble showcases.The sheet music for our arrangement is expertly notated, providing clear and comprehensive scores for each member of the clarinet choir. Detailed performance instructions and dynamic markings guide musicians to bring out the subtle nuances and expressive phrasing, allowing for a truly captivating interpretation.Immerse yourself in the timeless beauty of Charles Neustedt's Chant d'Adieu with our clarinet choir arrangement. Let the harmonious voices of the clarinet ensemble transport you and your audience to a world of deep emotions and musical artistry. This arrangement is a treasure trove of evocative melodies, inviting you to experience the power and unity of a clarinet choir performance.
$9.00
I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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I Vow to Thee, My Country
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Stan...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6473853. Published by Regis Bookshar (A0.813677). I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entert.
$10.00
O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6475071. Published by Regis Bookshar (A0.813737). O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to ent.
$10.00
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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Thaxted
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476673. Published by Regis Bookshar (A0.813767). Thaxted (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O Spirit All-Embracing
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6480789. Published by Regis Bookshar (A0.813797). O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continu.
$10.00
DRAW ON, SWEET NIGHT for Clarinet Choir
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Ensemble de Clarinettes
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DÉBUTANT
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John Wilbye
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Alan Edgar
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DRAW ON, SWEET NIGHT for Clari
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Alan Edgar Ted Moon
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble - Level 1 - SKU: A0.1375438 Composed by John Wilbye. Arranged by Alan Edgar. Early Music,Renaissance. 40 pages. Alan Ed...
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Clarinet Choir,Woodwind Ensemble - Level 1 - SKU: A0.1375438 Composed by John Wilbye. Arranged by Alan Edgar. Early Music,Renaissance. 40 pages. Alan Edgar Ted Moon #960011. Published by Alan Edgar Ted Moon (A0.1375438). John Wilbye (c 1574 – 1638) was an English madrigal composer. He was employed for decades at Hengrave Hall, near Bury St Edmunds. His style is characterized by the use of false relations between the major and minor modes. ‘Draw on Sweet Night’ comes from John Wilbye’s Second Set of Madrigals of 1609, published when the composer was 35. It has become one of Wilbye’s most cherished works and has been recorded by the likes of I Fagiolini, The Tallis Scholars and The Consort of Musicke. Wilbye labelled his score apt both for viols and voices so I feel justified in making this instrumental arrangement. When adding expressive markings, I had in mind the lyrics and their emotions. INSTRUMENTATION: Essential: Eb, Bb 1-4, Bass and either Bb5 or Alto. Optional: Contra-alto and Contrabass 6 minutes.
$28.00
Childrens's Intermezzo (Mvt 2 from Samuel Coleridge-Taylor's Othello Suite)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Samuel Coleridge Taylor
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George Lin
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Childrens's Intermezzo
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George Lin
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1355195 Composed by Samuel Coleridge Taylor. Arr...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1355195 Composed by Samuel Coleridge Taylor. Arranged by George Lin. Classical. 40 pages. George Lin #939911. Published by George Lin (A0.1355195). Arranged for clarinet choir. Score and parts included. This is an arrangement of Samuel Coleridge-Taylor's Movement 2 from his Othello Suite titled 'Children's Intermezzo'. Music is in the public domain. Parts are: Eb soprano clarinet, Solo Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, 4th Bb Clarinet (doubles the alto clarinet), Eb Alto Clarinet, Bb Bass Clarinet, Eb Contra Alto Clarinet, and Bb Contra Bass Clarinet (doubles the Eb Contra Alto Clarinet). Note: tempo markings are just a suggestion. Take liberty to change tempi. Note that the recording doesn' take into consideration gradual tempo changes and rubato and is just a computer MIDI translation from the score (no real instruments were used for recording).
$9.99
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Mark King
