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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music To Hear
Non classifié
4 781
Piano & claviers
Piano seul
2 411
Piano, Voix et Guitare
1 337
Piano, Voix
1 253
Piano Facile
496
Instruments en Do
221
Orgue
168
Accompagnement Piano
123
Piano grosses notes
87
1 Piano, 4 mains
61
Piano Trio: piano, violon, violoncelle
43
Accordéon
41
Piano (partie séparée)
32
2 Pianos, 4 mains
12
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
5
Clavier
4
Clavecin
3
Orgue, Trompette (duo)
3
Orgue, Piano (duo)
2
1 Piano, 6 mains
2
Instrument seul et Orgue
1
+ 17 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
382
Guitare notes et tablatures
345
Guitare
240
Ukulele
136
Paroles et Accords
135
Basse electrique
74
Guitare (partie séparée)
60
Piano, Guitare (duo)
20
Ensemble de guitares
19
Banjo
16
Dulcimer
9
2 Guitares (duo)
8
Mandoline
8
4 Guitares (Quatuor)
6
Mandoline, Guitare (duo)
5
Ensemble de Ukulélés
3
Ukulele Baryton
3
Guitare, Violon, Violoncelle (trio)
1
Guitare, Orchestre
1
Guitare Tab, Voix, Basse, Batterie
1
Dobro
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 429
Chorale 3 parties
533
Chorale 2 parties
350
Chorale TTBB
203
Chorale Unison
155
Chorale SSAA
110
Voix seule
96
Voix duo, Piano
89
Chorale
88
Voix Alto, Piano
70
Voix Soprano, Piano
61
Voix Baryton, Piano
57
Voix Tenor, Piano
51
Voix duo
31
Voix Tenor
30
Voix haute
30
Voix Soprano
26
Voix moyenne, Piano
6
Voix Mezzo-Soprano, Piano
4
Chorale SSATB
3
Chorale SSATTB
3
Voix basse
3
Voix basse, Piano
2
Chorale SSAATTBB
2
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
+ 22 instrumentations
Retracter
Vents
2 Saxophones (duo)
378
Quatuor de Saxophones: 4 saxophones
321
Flûte traversière et Piano
285
Flûte traversière
284
Clarinette et Piano
263
Flûte, Hautbois, Clarinette, Basson
262
Clarinette
260
Hautbois, Piano (duo)
250
Saxophone (partie séparée)
227
Saxophone
220
2 Flûtes traversières (duo)
216
Saxophone Alto
200
Saxophone Alto et Piano
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
183
2 Clarinettes (duo)
182
Saxophone Tenor
168
Quatuor de Clarinettes: 4 clarinettes
157
Saxophone Tenor et Piano
141
Saxophone, Clarinette (duo)
105
Saxophone Soprano et Piano
98
Clarinette, Violon (duo)
97
Hautbois (partie séparée)
92
Quintette de Saxophone: 5 saxophones
92
2 Hautbois (duo)
90
Clarinette, Trompette (duo)
76
Flûte, Clarinette (duo)
72
2 Flûte à bec (duo)
65
Hautbois, Clarinette (duo)
60
Saxophone Baryton, Piano
59
Hautbois, Basson (duo)
58
Hautbois
55
Quatuor de Flûtes : 4 flûtes
54
Flûte, Violon
51
Flûte, Violon, Piano
47
Clarinette et Alto
46
Flûte, Alto (duo)
45
Flûte, Saxophone (duo)
43
Flute (partie séparée)
41
3 Saxophones (trio)
39
Flûte à Bec
38
Flûte, Trompette (duo)
36
Clarinette (partie séparée)
36
Ensemble de saxophones
36
Ensemble de Flûtes
32
Ensemble de Clarinettes
31
Hautbois, Flûte
29
3 Clarinettes (trio)
29
Cor anglais, Piano
28
Flûte, Hautbois (duo)
25
Saxophone Soprano
24
Clarinette, Basson (duo)
23
Trio de Flûtes: 3 flûtes
21
Clarinette Basse, Piano
21
Quintette de Clarinettes: 5 clarinettes
19
Hautbois, violon (duo)
19
Flûte, Hautbois, Clarinette (trio)
19
Flûte, Violoncelle
18
Clarinette, Violoncelle (duo)
16
Hautbois, Violoncelle
14
2 Flûtes traversières, Piano
13
Clarinette, Trombone (duo)
13
Flûte à bec Soprano
12
Quintette de Flûte : 5 flûtes
12
Saxophone Baryton
11
Ocarina
11
Harmonica
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Quatuor de Flûtes à bec
9
Cor Anglais
8
Flûte et Guitare
7
Flûte, Clarinette et Basson
7
2 Clarinettes, Piano
6
Flûte, Violoncelle, Piano (trio)
6
Hautbois et alto (duo)
6
Flûte, Clarinette, Piano (trio)
6
2 Saxophones, Piano
6
Flûte, Hautbois, Basson
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Trombone (duo)
5
Hautbois, Violoncelle et Piano
4
Flûte, Basson et Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Violon et Violoncelle
4
Flûte à bec Alto, Piano
4
Flûte à bec Alto
4
Flûte, Hautbois, Piano (trio)
4
Piccolo, Piano
3
Ensemble De Flûte à bec
3
Flûte à bec Tenor
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Basson, Piano (trio)
3
Flûte à bec Soprano, Piano
3
Saxophone et Harpe
3
Flûte, Tuba (duo)
3
Clarinette, Guitare (duo)
3
2 Hautbois, Piano
3
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Harpe (duo)
3
3 Flûtes à bec (trio)
2
Flûte irlandaise
2
Flûte, Alto et Piano
2
Instruments en Mib
2
Hautbois, Harpe
2
Clarinette, Contrebasse (duo)
2
5 Flûtes à bec
2
Hautbois, Basson et Piano
2
Ensemble à vent
2
Clarinette Basse
2
Clarinette, trompette et piano
1
Flûte, trombone et piano
1
Hautbois, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Trompette (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle, Guitare
1
Clarinette, Tuba
1
4 Hautbois
1
Piccolo
1
Hautbois, trombone (duo)
1
Saxophone et Orgue
1
+ 116 instrumentations
Retracter
Cuivres
Trompette
265
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
225
Trombone
207
Trompette, Piano
188
Trombone et Piano
174
Cor et Piano
149
Trombone (partie séparée)
145
Cor
132
2 Trompettes (duo)
129
2 Trombones (duo)
117
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Trompette (partie séparée)
96
Tuba et Piano
93
Tuba
89
Trompette, Saxophone (duo)
77
Trompette, Trombone (duo)
71
2 Cors (duo)
58
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Euphonium, Piano (duo)
40
Quatuor de Cuivres
38
Cor (partie séparée)
34
Tuba (partie séparée)
31
Quatuor de cuivres: 4 trombones
31
2 Tubas (duo)
29
Cor anglais, Piano
28
Ensemble de Trombones
22
3 Trompettes (trio)
17
Quatuor de cuivres: 4 cors
15
2 Euphoniums (duo)
13
Trompette, Cor (duo)
12
Ensemble de Trompettes
11
3 Trombones (trio)
10
Cor Anglais
8
Euphonium
8
Trio de Cuivres
6
2 Euphoniums et 2 Tubas
6
Quatuor de cuivres: 4 trompettes
6
Cor, Violoncelle (duo)
6
Trompette, Tuba (duo)
6
Ensemble de Cors
6
4 Tubas
4
Trombone, Tuba (duo)
4
Bass Clef Instruments
4
Trompette, violon (duo)
4
2 Cors, Piano
4
Trompette, Trombone, Piano
3
Instruments en Sib
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Orgue
2
Tuba et Orgue
2
Trombone, Violon (duo)
2
Instruments en Fa
2
Trompette, Harpe
2
Cor et Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium, Tuba (duo)
2
Trompette, Basson (duo)
2
Trombone et orchestre
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Trompette, Violoncelle et Piano
1
4 Euphoniums
1
Trombone, Cor (duo)
1
+ 59 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
834
Violon et Piano
420
Violon
398
Violon, Violoncelle (duo)
322
Violoncelle, Piano
258
Trio à Cordes: violon, alto, violoncelle
221
Alto, Piano
221
Violoncelle
215
2 Violons (duo)
165
Alto seul
159
Harpe
128
2 Violoncelles (duo)
124
Violon, Alto (duo)
112
2 Altos (duo)
111
Quintette à cordes: 2 violons, alto, violoncelle, basse
107
Contrebasse, Piano (duo)
72
Contre Basse
72
Contrebasse (partie séparée)
61
Violon (partie séparée)
59
Trio à Cordes: 2 violons, violoncelle
55
Alto (partie séparée)
40
2 Contrebasses (duo)
22
Trio à cordes: 3 violins
22
Alto, Violoncelle (duo)
21
4 Violoncelles
18
2 Harpes (duo)
16
Violon, Basson (duo)
15
Violoncelle (partie séparée)
13
Violoncelle, Contrebasse (duo)
12
Piano Trio: Violon, Alto, Piano
11
Harpe, Flûte (duo)
9
Harpe, Voix
8
Alto et Basson
8
Trio à Cordes: 3 violoncelles
8
Violon, Guitare (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Ensemble de Violons
5
Harpe, Violoncelle (duo)
5
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
4
Violon, Clarinette, Piano (trio)
4
4 Harpes
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 altos
3
Ensemble d'Altos
3
Harpe, Violon (duo)
3
2 Altos, Piano
2
Flûte, Contrebasse (duo)
2
Harpe, Trombone (duo)
2
Violoncelle , Guitare (duo)
2
2 Violoncelles, Piano
2
Trio à cordes
2
Violon, Tuba (duo)
2
4 Contrebasses
2
Alto et orchestre
1
Autoharp
1
Quatuor à cordes : 4 altos
1
Violon, Trompette et Piano
1
Alto et Harpe
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 242
Orchestre
417
Orchestre à Cordes
401
Ensemble Jazz
365
Cloches
144
Ensemble de cuivres
126
Batterie
119
Orchestre de chambre
71
Fanfare
54
Ensemble de Percussions
44
Jazz combo
38
Batterie (partie séparée)
29
Percussion (partie séparée)
24
Marimba
11
Xylophone, Piano
10
Xylophone
10
Instrumentation Flexible
5
3 Marimbas
4
Vibraphone
3
Orchestre, Violon
2
Percussion
1
2 Marimbas
1
Piano et Orchestre
1
+ 18 instrumentations
Retracter
Autres
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PARTITIONS …
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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BLUEGRASS
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Music To Hear
Ensemble de Clarinettes
Partitions à imprimer
31 partitions trouvées
<
1
26
Do You Hear What I Hear
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Carrie Underwood
#
Phyllis Avidan Louke
#
Do You Hear What I Hear
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas,Holiday,Pop. 23 pages. Louke Publishing #3884835. Published by Louke Publishing (A0.736285). For Clarinet Choir Do You Hear What I Hear? Program Notes Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. Regney and Baker, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. It has become a Christmas classic, selling tens of millions of copies and has being covered by hundreds of artists. The song was originally recorded by the Harry Simeone Chorale, the group that had also popularized The Little Drummer Boy. This clarinet choir arrangement is scored for 5 Clarinets and Bass Clarinet. Optional Alto Clarinet part included for Clarinet 5. Performance Time: 3:30 minutes ChristmasHoliday ConcertChurch Service Peace Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/  Â
$14.00
FAREWELL to our NATIVE LAND
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Edgar
#
FAREWELL to our NATIVE LAND
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1372457 Composed by Alan Edgar. Classical,Folk. 22 pages. Alan Edg...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1372457 Composed by Alan Edgar. Classical,Folk. 22 pages. Alan Edgar Ted Moon #956764. Published by Alan Edgar Ted Moon (A0.1372457). FAREWELL TO OUR NATIVE LAND  7 clarinets: Eb clarinet, 5 Bb Clarinets,  Bass Clarinet .  A group lament having left their homeland.  We hear the loneliness, enjoyment of new musical friendships, the agitation of being in strange circumstances.  They also play a lively folk tune Kolomeike, кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by a clarinet with soft reed and many smears.  Your audience could be challenged to identify the native land revealed by this tune. 7 minutes.
$21.00
FAREWELL TO OUR NATIVE LAND for CLARINET CHOIR
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Alan Edgar
#
FAREWELL TO OUR NATIVE LAND fo
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble - Level 4 - SKU: A0.1374355 Composed by Alan Edgar. Classical,Folk. 30 pages. Alan Edgar Ted Moon #958958. Published by...
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Clarinet Choir,Woodwind Ensemble - Level 4 - SKU: A0.1374355 Composed by Alan Edgar. Classical,Folk. 30 pages. Alan Edgar Ted Moon #958958. Published by Alan Edgar Ted Moon (A0.1374355). A group lament having left their homeland. We hear the loneliness, enjoyment of new musical friendships, the agitation of being in strange circumstances. They also play a lively folk tune Kolomeike,кoлoмийкa, a very quick duple-time dance tune, with a variable scale, popular in Ukraine for weddings and other festive occasions, often led by a clarinet with soft reed and many smears. Your audience could be challenged to identify the native land revealed by this tune.DURATION: 7 minutes.INSTRUMENTATION: Eb clarinet, 5 Bb Clarinets, Alto, Bass, Contra-Alto, Contrabass. Necessary: Eb, Bb 1-4, Bass and either Alto or Bb 5.I try to make all parts suitable for printing on both sides (easy turns).
$30.00
I Left My Heart In San Francisco
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Tony Bennett
#
Tetsuya Watanabe
#
I Left My Heart In San Francis
#
N MusicPress
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1389162 By Tony Bennett. By Douglass Cross and G...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1389162 By Tony Bennett. By Douglass Cross and George Cory. Arranged by Tetsuya Watanabe. 20th Century,Chamber,Jazz. 16 pages. N MusicPress #972694. Published by N MusicPress (A0.1389162). I Left My Heart in San Francisco is a widely known song by American singer Tony Bennett, written in 1953, and is one of the anthems officially recognized by the city of San Francisco. Since then, it has been covered by many artists including Frank Sinatra, and is loved all over the world, transcending national and ethnic boundaries. This version is arranged for clarinet octet or choir. The jazz atmosphere is brought to the fore by incorporating tension chords. Please note that some instruments include optional parts, so please use them as appropriate for your performing group. I also think it would be a good idea to add optional parts and play in Choir formation''.○Instrumentation  *...Optional Part Clarinet in Eb Clarinet in Bb (Optional : Clarinet in Eb)* 1st Clarinet in Bb 2nd Clarinet in Bb 3rd Clarinet in Bb 4th Clarinet in Bb Alto Clarinet in Eb Bass Clarinet in Bb (Optional : Alto Clarinet in Eb) * Bass Clarinet in Bb ContraAlto Clarinet in Eb ContraBass Clarinet in Bb (Optional : ContraAlto Clarinet in Eb)* String Bass (Optional : ContraAlto Clarinet in Eb)*.
$19.99
"That Impossible Staccato Etude" based on music by Ludvig Schytte for Clarinet Sextet.
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Ensemble de Clarinettes
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AVANCÉ
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Ludvig Schytte
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Stephen Davies
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"That Impossible Staccato
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891972 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Steph...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.891972 Composed by Ludvig Schytte. Arranged by Stephen Davies. Romantic Period,Standards. 56 pages. Stephen Davies #6320677. Published by Stephen Davies (A0.891972). THAT IMPOSSIBLE STACCATO ETUDE based on music by LUDVIG SCHYTTE (pron. 'Shooter') The ability of the Clarinettist to practice and keep on top of their game with staccato passages in particular, is paramount during any rehearsal session. Here I've focussed in on this technique! PROGRAMME NOTE In 1884 SCHYTTE travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. Originally trained as a pharmacist, Schytte composed a Piano Concerto in C-sharp minor, Op. 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students.
$21.99
Canon (Pachelbel) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813417 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813417 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6259463. Published by Regis Bookshar (A0.813417). Canon (Pachelbel) (Bb) (Clarinet Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Quintet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other two Clarinets. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon (Pachelbel) (Bb) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813438 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813438 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 36 pages. Regis Bookshar #6260467. Published by Regis Bookshar (A0.813438). Canon (Pachelbel) (Bb) (Clarinet Octet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Octet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other five instruments. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (36 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$28.00
Canon in D (Pachelbel) (D) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813463 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813463 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6264781. Published by Regis Bookshar (A0.813463). Canon in D (Pachelbel) (D) (Clarinet Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Quintet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other two Clarinets. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of D Major, as is the original version, but another version is also available, if you prefer, written in the key of Bb Major, to make it a little easier for some younger performers. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon in D (Pachelbel) (D) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshat
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813483 Composed by Johann Pachelbel. Arranged by Regis Bookshat. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813483 Composed by Johann Pachelbel. Arranged by Regis Bookshat. Baroque,Multicultural,Standards,Wedding,World. 36 pages. Regis Bookshar #6265565. Published by Regis Bookshar (A0.813483). Canon in D (Pachelbel) (Bb) (Clarinet Octet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Octet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other five instruments. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (36 pages). This version is written in the key of D Major, as is the original version, but, if you prefer, another version, written in the key of Bb Major, to make it a little easier for some younger performers, is also available Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$28.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Chant d’Adieu (Romance sans Paroles), Op. 77 [by Charles Neudtedt, arr for Clarinet Choir]
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Charles Neustedt
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Andrew Lamb
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Chant d’Adieu
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Andrew Lamb
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged ...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1228439 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824516. Published by Andrew Lamb (A0.1228439). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambExperience the poignant beauty of Chant d'Adieu by Charles Neustedt (1834-1908) with our captivating clarinet choir arrangement. This meticulously crafted adaptation allows clarinet ensembles of all levels to immerse themselves in the evocative melodies and harmonies of this timeless piece.Our clarinet choir arrangement of Chant d'Adieu showcases the unique timbres and expressive qualities of the clarinet family. From the enchanting soprano clarinet to the resonant bass clarinet, each instrument contributes its distinctive voice, creating a mesmerizing blend of sound that brings Neustedt's composition to life.Chant d'Adieu is a profoundly moving work that touches the heart and stirs the soul. With its haunting melodies and rich harmonic textures, this arrangement captures the depth of emotion and musical sensitivity embedded within the original composition.Whether you are a seasoned clarinet ensemble seeking new repertoire or a group of passionate musicians eager to explore the power of collective performance, our clarinet choir arrangement of Chant d'Adieu is a captivating addition to your music library. It is suitable for a variety of performance settings, from intimate chamber concerts to larger ensemble showcases.The sheet music for our arrangement is expertly notated, providing clear and comprehensive scores for each member of the clarinet choir. Detailed performance instructions and dynamic markings guide musicians to bring out the subtle nuances and expressive phrasing, allowing for a truly captivating interpretation.Immerse yourself in the timeless beauty of Charles Neustedt's Chant d'Adieu with our clarinet choir arrangement. Let the harmonious voices of the clarinet ensemble transport you and your audience to a world of deep emotions and musical artistry. This arrangement is a treasure trove of evocative melodies, inviting you to experience the power and unity of a clarinet choir performance.
$9.00
Monteverdi - The Fifth Book of Madrigals (1605) - Complete
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767257 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 359 pages. Lyons Musi...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767257 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 359 pages. Lyons Music Services #3121653. Published by Lyons Music Services (A0.767257). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.This file contains the complete 5th book, including the final song which is for 9 parts.Becuse the mp3 is so large and each individual song has its own, please see each song's page if you would like to hear it.
$95.84
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
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Ensemble de Clarinettes
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Tito Abeleda
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Tears from My Eyes: Mourning i
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Visionary Quest Records
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SheetMusicPlus
Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #471...
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Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99
The Songcord
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Simon Franglen
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Lisa Ochoco
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contempo...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #764005. Published by Lisa L Ochoco (A0.1163661). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for clarinet choir – Eb, 4 Bb, alto, bass, and contrabass. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.Be creative with this percussive part!  You can use a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
Law And Order
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Mike Post
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Dennis Ruello
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Order show
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Law And Order
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Chicory Music
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1273904 Composed by Mike Post. Arranged by Dennis Ruello. 21st Centur...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1273904 Composed by Mike Post. Arranged by Dennis Ruello. 21st Century,Contemporary,Film/TV,Jazz. 12 pages. Chicory Music #866037. Published by Chicory Music (A0.1273904). Practically everyone has heard the iconic theme song music to an episode of any Law & Order show. It has a way of getting stuck in your head and before you know it, you’re humming that song all day. This Clarinet Choir (Sextet) arrangement remains faithful to the sound and feel of the original.  The use of 1 - Eb Clarinet, 3 - Bb Clarinets, Alto Clarinet and Bass Clarinet gives the performers and listeners a feel of the original tune. The Solo Eb Clarinet has an opportunity to shine with a short jazz solo (performer may use the written solo or chord symbols). This tune will definitely help make your next recital or concert a memorable event. Performance Time Approx. 1 minute. 50 seconds
$12.99
Sunrise, Sunset
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Jerry Bock
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Phyllis Avidan Louke
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Sunrise, Sunset
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736276 Composed by Jerry Bock. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Wedding. 2...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.736276 Composed by Jerry Bock. Arranged by Phyllis Avidan Louke. Broadway,Film/TV,Musical/Show,Wedding. 23 pages. Louke Publishing #3567097. Published by Louke Publishing (A0.736276). For Clarinet Choir Sunrise, Sunset from FIDDLER ON THE ROOF Program NotesSunrise, Sunset is one of the most famous songs to come from the musical Fiddler on the Roof. This poignant song is haunting and emotional. It is sung during the wedding of the oldest daughter of the main characters, Tevye and Golde, as they reminisce about how fast their children have grown. Now a standard, Sunrise, Sunset is often heard at weddings. As a matter of fact, Sunrise, Sunset was played at my wedding as I walked down the aisle. It’s always held a special place in my heart. This arrangement for clarinet choir can be performed with as few as 6 players or with multiple players on a part. It is scored for Eb Clarinet (Bb part included), 4 Bb Clarinets, and Bass Clarinet. MusicalsWeddingWedding ProcessionalStandard BalladAnniversaryLove Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$14.00
Adagio from Serenade No.10 for Winds K361 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Adagio from Serenade No.10 for
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SheetMusicPlus
Clarinet Choir - Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. ...
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Clarinet Choir - Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Lisa Ochoco. Classical Period, Recital. Score, Set of Parts. 26 pages. Published by Lisa Ochoco
Mozart wrote this Serenade for wind ensemble. Adagio is the 3rd movement, which features the oboe, clarinet, and basset horn as alternating soloists throughout the movement.
The beginning of this movement was played in the movie, Amadeus, which is where I heard it for the first time. After years of having this on my "to arrange" list, I can finally tick it off.
This arrangement for clarinet choir has the melody parts in Clarinets 1, 2 and 3. These can be played as solos, or not. The contrabass part is optional.
This would be a great piece for any occasion.
$17.00
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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J
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James M
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Bach: Jesu, Joy of Man's Desir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
I Feel My Savior's Love ~ How Firm a Foundation
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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BYU-I Clarinet Studio
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Ryan Terry
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I Feel My Savior's Love ~ How
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Ryan Terry
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1424243 By BYU-I Clarinet Studio. By K. Newell Dayley, J. Ellis. Arranged by Ryan Ter...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1424243 By BYU-I Clarinet Studio. By K. Newell Dayley, J. Ellis. Arranged by Ryan Terry. Chamber,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Ryan Terry #1005432. Published by Ryan Terry (A0.1424243). An arrangement of two well-known hymns from The Church of Jesus Christ of Latter-Day Saints, arranged by composer and clarinetist Ryan Terry for 4 Bb Clarinets and 2 Bass Clarinets. This arrangement playfully showcases each hymn in various styles and textures. At rehearsal letter I, the listener will hear a section of self-discovery, referencing other hymns all beginning with phrases such as: I feel..., I am..., I know..., I have..., and so forth. This piece was originally written for the Brigham Young University-Idaho Clarinet Studio back in the Spring of 2022. It has since been revised and polished, and awaits a new premiere performance.Estimated duration of piece: 5 min, 30 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece! ryansterry2000@gmail.com.
$49.99
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Silent Night (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Clarinet Montuno for clarinet choir
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Ensemble de Clarinettes
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AVANCÉ
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Latin/Musique du monde
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John Gibson
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John Gibson of JB Linear Music
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Clarinet Montuno for clarinet
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1086812 By John Gibson. By John Gibson. Latin. 33 pages. JB Lin...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1086812 By John Gibson. By John Gibson. Latin. 33 pages. JB Linear #690998. Published by JB Linear (A0.1086812). A montuno is a type of vamp found in Latin music, particularly Cuban music. A vamp is a repeating figure, often an accompaniment. It is same musical type as a riff in rock music or a loop. This montuno for clarinets is a deep dive into the rhythm, the simple chord sequence, and sometimes complex combinations all within a series of 4 bar phrases. The rhythm is the 2/3 clave pattern heard in the percussion part. In case someone in the group is so inclined to provide a solo melody, chords are provided. As delightful as that would be, the variety already written in the montuno is sufficient. (C Dm G F) Composed by John Gibson of JB Linear Music and dedicated to the Zephyr Clarinet Choir For Eb clarinet, Bb clarinet 1-3, alto clarinet, bass clarinet, and contrabass clarinet (with an alternate part for Eb contralto clarinet). Also claves, maracas, and cabasa.
$32.00
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