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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
299
Piano & claviers
Piano seul
174
Piano, Voix
86
Piano Facile
39
Piano, Voix et Guitare
26
Instruments en Do
15
Piano Trio: piano, violon, violoncelle
7
Orgue
5
2 Pianos, 4 mains
3
Accompagnement Piano
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 5 instrumentations
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Guitares
Guitare
17
Guitare notes et tablatures
12
Ukulele
5
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
4
2 Guitares (duo)
2
Banjo
1
3 Guitares (trio)
1
2 Ukuleles
1
Piano, Guitare (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
86
Chorale 3 parties
26
Chorale 2 parties
14
Voix duo, Piano
14
Chorale TTBB
13
Voix Alto, Piano
10
Chorale SSAA
7
Voix duo
4
Chorale Unison
2
Voix haute
2
Voix Tenor, Piano
2
Voix Baryton, Piano
1
Voix Soprano, Piano
1
Voix seule
1
+ 9 instrumentations
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Vents
2 Saxophones (duo)
59
Hautbois, Piano (duo)
31
Saxophone Alto
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
Quatuor de Saxophones: 4 saxophones
26
Flûte traversière et Piano
20
2 Flûtes traversières (duo)
19
Saxophone Alto et Piano
18
Flûte traversière
18
Clarinette et Piano
18
Clarinette
17
2 Clarinettes (duo)
17
2 Hautbois (duo)
16
Saxophone Soprano et Piano
16
Saxophone Baryton, Piano
16
Saxophone Tenor et Piano
16
Saxophone Tenor
15
Quintette de Saxophone: 5 saxophones
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Baryton
11
Saxophone Soprano
11
Saxophone (partie séparée)
7
Hautbois
7
Hautbois (partie séparée)
7
3 Clarinettes (trio)
6
Flûte, Violon, Piano
6
Flûte, Basson et Piano
6
Quatuor de Flûtes : 4 flûtes
6
Quatuor de Clarinettes: 4 clarinettes
5
Ensemble de Flûtes
5
3 Saxophones (trio)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Clarinette (duo)
3
Saxophone, Clarinette (duo)
3
2 Saxophones, Piano
3
Ensemble de Clarinettes
2
Saxophone et Orgue
2
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Flûte
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte et Trio à cordes
1
Hautbois, Basson (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Violon (duo)
1
Flûte et Guitare
1
Hautbois, Violoncelle
1
Flûte, Alto (duo)
1
Cor Anglais
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de saxophones
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Flûte, Clarinette, Piano (trio)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Basson
1
+ 54 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Tuba et Piano
21
Trombone et Piano
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
2 Trombones (duo)
17
Trompette
16
Trompette, Piano
16
2 Trompettes (duo)
16
2 Cors (duo)
14
Tuba
13
Cor et Piano
12
Cor
12
Trombone
11
2 Tubas (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Trombone (duo)
5
Euphonium, Piano (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
+ 17 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violoncelle, Piano
29
Alto, Piano
29
Violon et Piano
28
Violon
27
Violoncelle
23
2 Violoncelles (duo)
18
Alto seul
17
2 Violons (duo)
15
2 Altos (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contre Basse
11
Violon, Violoncelle (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse, Piano (duo)
9
2 Contrebasses (duo)
7
Piano Trio: Violon, Alto, Piano
4
Violon, Alto (duo)
4
Violon, Guitare (duo)
3
Harpe
3
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Clarinette, Piano (trio)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 violins
1
2 Violoncelles, Piano
1
4 Violoncelles
1
+ 23 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
56
Orchestre
26
Orchestre à Cordes
19
Ensemble Jazz
13
Orchestre de chambre
8
Ensemble de cuivres
5
Marimba
2
Ensemble de Percussions
2
Fanfare
2
Vibraphone
1
Piano et Orchestre
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Ensemble de Clarinettes
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.21 €
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Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
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SheetMusicPlus
Communion (by A.R Gaul, arr for Clarinet Ensemble)
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1243860 Composed by Alfred Robert Gaul (1837-1913). Arranged by Andrew Lamb. 19th Century,Chamber,Praise & Worship. 20 pages. Andrew Lamb #838832. Published by Andrew Lamb (A0.1243860). This arrangement showcases the beauty of Alfred Robert Gaul's mesmerizing composition, Communion, through the harmonious blend of five clarinets. Immerse yourself in the enchanting melodies and intricate harmonies as each clarinet contributes its unique voice, creating a captivating ensemble performance that is both expressive and emotive. With meticulous attention to detail, this arrangement allows the intricate nuances of Gaul's original piece to shine through, making it a perfect choice for clarinetists seeking a memorable and harmonically rich performance experience. Elevate your clarinet ensemble repertoire with the sublime beauty of Communion brought to life by this masterfully crafted arrangement.
$8.00
7.38 €
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Ensemble de Clarinettes
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Alfred Robert Gaul
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
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