English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
8
Librairie
Musicale
0
Matériel
de Musique
9
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
446
PIANO & CLAVIERS
Piano, Voix
212
Piano seul
150
Piano Facile
58
Piano, Voix et Guitare
41
Accompagnement Piano
21
Orgue
17
Instruments en Do
10
1 Piano, 4 mains
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
44
Ukulele
32
Guitare
18
Basse electrique
6
Ligne De Mélodie, (Paroles) et Accords
6
Paroles et Accords
3
Piano, Guitare (duo)
2
Guitare (partie séparée)
2
3 Guitares (trio)
1
2 Guitares (duo)
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
115
Chorale 3 parties
45
Chorale 2 parties
21
Chorale TTBB
13
Chorale SSAA
9
Chorale Unison
8
Voix seule
4
Voix Soprano, Piano
4
Voix haute
3
Voix duo
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
129
Saxophone, Clarinette (duo)
65
2 Clarinettes (duo)
57
2 Flûtes traversières (duo)
54
Flûte traversière et Piano
53
Clarinette, Violon (duo)
48
Hautbois, Piano (duo)
47
Clarinette et Piano
42
Quatuor de Saxophones: 4 saxophones
41
Clarinette, Trompette (duo)
35
Saxophone Alto et Piano
29
2 Hautbois (duo)
29
Clarinette
27
Clarinette et Alto
27
Flûte, Clarinette (duo)
25
Hautbois, Basson (duo)
25
Saxophone Tenor et Piano
23
Saxophone Soprano et Piano
22
Hautbois, Clarinette (duo)
21
Flûte traversière
21
Hautbois (partie séparée)
20
Flûte, Saxophone (duo)
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
Cor anglais, Piano
18
Saxophone Baryton, Piano
18
Flûte, Alto (duo)
18
Hautbois, Flûte
17
Flûte, Violon
17
Quintette de Saxophone: 5 saxophones
16
Hautbois
15
Flûte, Trompette (duo)
15
Flûte, Hautbois, Clarinette, Basson
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Alto
10
Clarinette Basse, Piano
9
Ensemble de Clarinettes
8
Saxophone Tenor
8
Ensemble de Flûtes
7
Flûte à bec Soprano, Piano
6
3 Saxophones (trio)
6
Quintette de Flûte : 5 flûtes
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de saxophones
4
3 Clarinettes (trio)
4
Trio de Flûtes: 3 flûtes
4
Flute (partie séparée)
3
Quatuor de Flûtes à bec
3
Flûte à bec Soprano
3
Flûte, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Cor Anglais
2
Flûte à bec Alto, Piano
2
Saxophone Soprano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, Alto et Piano
2
Clarinette Basse
2
Saxophone Baryton
2
Flûte, Trombone (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois, Basson
1
2 Flûtes traversières, Piano
1
Flûte, Basson et Piano
1
Flûte et Guitare
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, trombone et piano
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Piano
1
Piccolo, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Saxophone (duo)
46
Trompette, Piano
29
Trombone et Piano
28
Trompette, Trombone (duo)
26
2 Trombones (duo)
23
2 Trompettes (duo)
22
Trompette
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Cor anglais, Piano
18
Cor et Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Euphonium, Piano (duo)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trombone
8
Cor
8
Tuba et Piano
7
Tuba
7
Trombone (partie séparée)
5
2 Cors (duo)
5
Euphonium
3
2 Tubas (duo)
3
Trompette (partie séparée)
3
Ensemble de Trompettes
3
Ensemble de Trombones
3
Quatuor de Cuivres
3
Cor Anglais
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor (partie séparée)
1
Trio de Cuivres
1
Tuba et Orgue
1
Trompette, Basson (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon et Piano
41
2 Violoncelles (duo)
32
Violoncelle, Piano
30
Alto, Piano
30
Violon, Violoncelle (duo)
29
2 Violons (duo)
28
2 Altos (duo)
28
Violon, Alto (duo)
24
Violon
19
Harpe
19
Violoncelle
17
Alto seul
10
Trio à Cordes: 2 violons, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
5
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Alto (partie séparée)
3
Ensemble de Violons
3
Quatuor à cordes: 4 violons
3
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Violoncelle (partie séparée)
2
Alto, Violoncelle (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
166
Orchestre
31
Fanfare
26
Orchestre à Cordes
20
Cloches
9
Marimba
8
Ensemble de cuivres
8
Ensemble Jazz
7
Xylophone, Piano
5
Xylophone
4
Jazz combo
4
Orchestre de chambre
4
Ensemble de Percussions
1
Piano et Orchestre
1
Batterie (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Simply Red
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
<
1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
(+)
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.74 €
#
Ensemble de Clarinettes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
(+)
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.93 €
#
Ensemble de Clarinettes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
(+)
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.93 €
#
Ensemble de Clarinettes
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
#
jmsgu3
#
SheetMusicPlus
Dona Nobis Negative Harmony Pacem for Clarinet Choir
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
(+)
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.560044 Composed by Wolfgang Amadeus Mozart. Arranged by Lisa Ochoco. Classical,Instructional. 15 pages. Lisa L Ochoco #6381615. Published by Lisa L Ochoco (A0.560044). Dona Nobis Pacem is a very well-known canon that most musicians have played. This arrangement is a fun study in negative harmony - as the title indicates. Negative harmony is the brainchild of Swiss composer, Ernst Levy. The concept, very simply put, is an inversion of chords and notes centered around an axis. The result is often quite interesting. I am only a beginner at negative harmony, and this song was an experiment, but it turned out to be quite lovely.
$12.00
10.99 €
#
Ensemble de Clarinettes
#
Wolfgang Amadeus Mozart
#
Lisa Ochoco
#
Dona Nobis Negative Harmony Pacem for Clarinet Choir
#
Lisa L Ochoco
#
SheetMusicPlus
If
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782148 By Bread. By…
(+)
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782148 By Bread. By David Gates. Arranged by James Haynor. Rock. 10 pages. James Haynor #2157885. Published by James Haynor (A0.782148). If is a very lyric tune written by David Gates and performed by the group Bread. The song dates from 1969. This is a very playable arrangement of the piece scored for 4 Bb Clarinets and Bass Clarinet. All instruments get a chance to play the theme and be involved. Starting simply and ending with a natural full chordal resolution, this piece is a beautiful and nice change of pace for any concert or recital. ( Performance time runs 2:50.)
$15.00
13.74 €
#
Ensemble de Clarinettes
#
Bread
#
James Haynor
#
If
#
James Haynor
#
SheetMusicPlus
Be Thou My Vision (Clarinet Sextet)
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.764071 Compos…
(+)
Clarinet Choir,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.764071 Composed by Traditional, SLANE. Arranged by Wesley D. Peters. Celtic,Irish,Sacred,Traditional. 13 pages. Asbury Publishing #3879153. Published by Asbury Publishing (A0.764071). This well-beloved Christian hymn simply arranged for clarinet sextet. Perfect for the church or college clarinet ensemble. Appropriate for concert setting, but also works well as a call to worship, offertory, or postlude. Instrumentation is flexible to fit many ensembles. Includes a score and the following parts:Part 1 - 1st Bb ClarinetPart 2 - 2nd Bb ClarinetPart 3 - 3rd Bb ClarinetPart 4 - Alto Clarinet OR 4th Bb ClarinetPart 5 - Bass Clarinet OR 2nd Alto ClarinetPart 6 - Contra Alto Clarinet OR 2nd Bass Clarinet.
$14.99
13.73 €
#
Ensemble de Clarinettes
#
Traditional, SLANE
#
Wesley D
#
Be Thou My Vision
#
Asbury Publishing
#
SheetMusicPlus
"Midnight Carousel" for Clarinet Choir
Ensemble de Clarinettes
By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contempora…
(+)
By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical, Contemporary, Contest, Festival, Instructional, Multicultural, World. 43 pages. Grant Horsley #774791. Published by Grant Horsley
Midnight Carousel is scored Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet.<br> <br> Midnight Carousel is in the deep rich key of concert C minor to aid to the "After Dark" mood and mystery"<br> The piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a "halt" We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!<br> <br> The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.<br> It is around 3 mins 30 long and price is for full score and all parts.<br> <br> Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.Midnight Carousel is scored Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet.<br> <br> Midnight Carousel is in the deep rich key of concert C minor to aid to the "After Dark" mood and mystery"<br> The piece has two distinct ideas. After the introduction a Circus- type Waltz begins, when this is repeated it has a very haunting counter melody which is both lilting and lyrical. As the piece develops, an out of character playful Scherzo theme begins which adds some intensity and mystery surrounding the Midnight Carousel. Both Waltz and Scherzo themes exchange dialogue throughout this section as if wanting some sort of control, when suddenly two accents appear to signify a "halt" We then return to the opening theme once more to lead us to a finish. Before the conclusion however, the Scherzo theme re-instates it's ideas before the final bars!<br> <br> The whole score is on the youtube link for you to assess suitability- It has been set to intermediate level as the range is around 2 octaves with some parts less than this. Mainly Quarter and Eighth notes used throughout- therefore it would be appropriate for some early-intermediate players.<br> It is around 3 mins 30 long and price is for full score and all parts.<br> <br> Ideal for concerts, contests, productions, halloween, folklore/fantasy themes or simply something different to add to the repertoire.
$13.50
12.37 €
#
Ensemble de Clarinettes
#
Grant Horsley
#
Grant Horsley
#
"Midnight Carousel" for Clarinet Choir
#
Grant Horsley
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale