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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
So Into You
Sheetmusicplus
Non classifié
328
Piano & claviers
Piano seul
196
Piano, Voix
169
Piano Facile
50
Piano, Voix et Guitare
31
Orgue
14
1 Piano, 4 mains
8
Instruments en Do
7
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Orgue, Trompette (duo)
1
Orgue, Piano (duo)
1
Accompagnement Piano
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
12
Ukulele
5
2 Guitares (duo)
4
Mandoline
3
4 Guitares (Quatuor)
3
Basse electrique
2
Paroles et Accords
1
Banjo
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale 3 parties
23
Chorale SSAA
16
Chorale 2 parties
10
Chorale TTBB
9
Chorale Unison
5
Voix haute
2
Voix Tenor
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Chorale SSATTB
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 10 instrumentations
Retracter
Vents
Clarinette
89
Flûte traversière et Piano
32
Clarinette et Piano
24
Hautbois, Piano (duo)
23
Flûte traversière
19
Flûte, Hautbois, Clarinette, Basson
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quintette de Saxophone: 5 saxophones
11
Hautbois
11
Saxophone Alto
10
Saxophone Alto et Piano
10
2 Clarinettes (duo)
9
Saxophone Tenor
9
Saxophone Soprano et Piano
8
Quatuor de Saxophones: 4 saxophones
8
2 Flûtes traversières (duo)
8
2 Saxophones (duo)
7
Hautbois (partie séparée)
7
Saxophone Tenor et Piano
7
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
5
Clarinette, Basson (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
Ensemble de Flûtes
3
Hautbois, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Saxophone, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Ocarina
2
Hautbois, Basson et Piano
2
Clarinette, Violon (duo)
2
Flûte, Hautbois (duo)
2
3 Hautbois
2
Saxophone Baryton
2
Flûte, Hautbois, Piano (trio)
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
5 Flûtes à bec
2
Flûte et Guitare
1
3 Saxophones (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Hautbois, Piano
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Clarinette Basse
1
Hautbois, Guitare (duo)
1
2 Clarinettes, Basson
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
2 Clarinettes, Piano
1
Hautbois, Flûte
1
Harmonica
1
Ensemble de saxophones
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Trompette (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Trompette
25
Trompette, Piano
22
Trombone et Piano
20
Trombone
20
Cor et Piano
19
Tuba et Piano
18
Cor
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba
15
2 Trombones (duo)
8
Trompette, Trombone (duo)
6
Ensemble de Trompettes
5
2 Trompettes (duo)
4
2 Cors (duo)
3
3 Trombones (trio)
3
2 Tubas (duo)
3
Cor, Tuba (duo)
2
Euphonium, Piano (duo)
2
Ensemble de Trombones
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
2
Trombone, Cor (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Piano
2
Ensemble de Cors
2
Trombone basse et Piano
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
Euphonium
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon
42
Violon et Piano
31
Violoncelle
26
Alto, Piano
25
Violoncelle, Piano
21
Alto seul
20
Harpe
15
Violon, Violoncelle (duo)
15
Contrebasse, Piano (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
6
2 Violons (duo)
6
2 Violoncelles (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à cordes: 3 violins
3
2 Altos (duo)
3
Trio à cordes: 3 altos
3
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
2 Contrebasses (duo)
2
3 Contrebasses
2
Trio à Cordes: 3 violoncelles
2
Alto (partie séparée)
2
Violoncelle, Contrebasse (duo)
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
4 Contrebasses
1
2 Altos, Piano
1
3 Harpes
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
4 Harpes
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
72
Orchestre à Cordes
23
Orchestre
22
Ensemble de cuivres
18
Ensemble Jazz
16
Batterie
5
Orchestre de chambre
3
Cloches
2
Ensemble de Percussions
2
Marimba
1
Ensemble d'École
1
+ 6 instrumentations
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Autres
Formation musicale - Solfège
6
Partitions Gratuites
Instruments
ACCORDEON
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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POP ROCK - POP MUSIC
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Vous avez sélectionné:
So Into You
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Never Gonna Give You Up
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
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Pop musique
#
Rick Astley
#
David Boyd
#
Never Gonna Give You Up
#
David Boyd
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1500810 By Rick Astley. By Matthew Ai...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1500810 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by David Boyd. Pop. 30 pages. David Boyd #1076879. Published by David Boyd (A0.1500810). IntroductionNever Gonna Give You Up, a classic pop anthem by Rick Astley, has been reimagined for clarinet choir, bringing its infectious melody and driving rhythm into a new, sonorous setting. This arrangement captures the essence of the original while exploring the rich timbral possibilities of the clarinet family. It aims to provide a fun and engaging performance experience for players and an entertaining piece for audiences.Instrumentation:E-flat ClarinetB-flat Clarinet 1B-flat Clarinet 2B-flat Clarinet 3B-flat Clarinet 4B-flat Clarinet 5B-flat Clarinet 6 (Alternate E-flat Clarinet)B-flat Clarinet 7 (Alternate E-flat Alto Clarinet)Basset Horn in F (Alternate E-flat Alto Clarinet)E-flat Alto ClarinetB-flat Bass Clarinet 1B-flat Bass Clarinet 2B-flat Bass Clarinet 3E-flat Contra Alto ClarinetB-flatContrabass ClarinetDrum Kit (optional)I encourage you to adapt this instrumentation to your ensemble as needed. Alternate B-flat parts are provided. The alto clarinet solo is cued in both the Basset Horn and Clarinet 7 part. The Clarinet 1 solo is cued an octave lower in Clarinet 2.Structure and FormThe arrangement retains much of the original song's form in a condensed format, including the iconic intro, verse, and chorus. It omits the bridge entirely. Careful attention has been given to the balance and texture, ensuring each section of the clarinet choir contributes to the overall sound.Performance ConsiderationsDynamics and Articulation: Players should pay close attention to the dynamic contrasts throughout the arrangement. The verses should be lighter and more articulate, while the chorus demands a fuller, more resonant sound. Articulations are marked to mimic the vocal phrasing of the original song, so accents and staccatos should be crisp and well-defined.Balance and Blend: Given the diverse range of voices in the clarinet choir, balance is crucial. The melody must always be prominent, particularly in the chorus where it may be in unison across several voices. Ensure that the supporting lines do not overpower the melody, especially in the lower clarinets.Technical Challenges: While the arrangement is accessible to intermediate players, some sections, particularly in the Eb Clarinet and 1st Bb Clarinet parts, may require attention to finger dexterity and breath control. Encourage players to practise these passages slowly, focusing on evenness of tone and clarity.
$19.99
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
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Ensemble de Clarinettes
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Tito Abeleda
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Tears from My Eyes: Mourning i
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Visionary Quest Records
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SheetMusicPlus
Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #471...
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Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99
The Court Jester. Original for Clarinet Choir.
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Grant Horsley
#
The Court Jester. Original for
#
Grant Horsley
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1363830 Composed by Grant Horsley. Classical,Comedy,Contest,Festiv...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1363830 Composed by Grant Horsley. Classical,Comedy,Contest,Festival. 42 pages. Grant Horsley #948228. Published by Grant Horsley (A0.1363830). The Court Jester is intended as a descriptive piece. The Jester was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.This piece is in ternary form. The outer sections are to represent the general clowning around and playing pranks as a mischievous Jester does. The middle section by contrast is more lyrical to demonstrate a softer side to the personality, however this quickly transcends back to the final section where jokes, pranks and laughs have their way! It should be performed very briskly and lightly to capture the overall feel of the piece. The range in total is two and a half octaves and it is 4.00 minutes in length- Set at Intermediate level, but lots of areas are less so. The whole score is on the youtube link for you to assess suitability.Price is for the full score and all parts.A great addition to the repertoire.
$14.50
Monteverdi - The Fifth Book of Madrigals (1605) - Complete
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of
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Lyons Music Services
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767257 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 359 pages. Lyons Musi...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.767257 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 359 pages. Lyons Music Services #3121653. Published by Lyons Music Services (A0.767257). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.This file contains the complete 5th book, including the final song which is for 9 parts.Becuse the mp3 is so large and each individual song has its own, please see each song's page if you would like to hear it.
$95.84
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
#
Largo
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
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