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PIANO & CLAVIERS
Piano seul
390
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Orgue
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98
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50
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3 Guitares (trio)
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4 Guitares (Quatuor)
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VOIX
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1
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Flûte traversière et Piano
74
Flûte et Guitare
71
3 Clarinettes (trio)
50
2 Flûtes traversières (duo)
44
3 Saxophones (trio)
38
Clarinette et Piano
37
Saxophone Alto et Piano
35
Flûte, Hautbois, Clarinette (trio)
34
Hautbois, Piano (duo)
34
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Trio de Flûtes: 3 flûtes
30
Saxophone Tenor et Piano
26
Flûte, Hautbois, Basson
23
Clarinette
22
Flûte, Hautbois, Clarinette, Basson
21
2 Saxophones (duo)
18
Quatuor de Saxophones: 4 saxophones
18
2 Clarinettes (duo)
18
Saxophone Baryton, Piano
16
Flûte, Violon et Violoncelle
16
Saxophone Soprano et Piano
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Clarinette et Basson
14
2 Clarinettes, Basson
11
Flûte traversière
9
Ensemble de Clarinettes
9
Clarinette Basse, Piano
9
Hautbois, Clarinette, Basson (trio d'anches)
9
Cor anglais, Piano
7
Quintette de Saxophone: 5 saxophones
7
Flûte, Violoncelle
6
Flûte, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
2 Hautbois (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Ensemble de Flûtes
4
2 Flûte à bec (duo)
4
Quatuor de Flûtes à bec
4
Saxophone, Clarinette (duo)
3
Flûte, Violon
3
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3
3 Flûtes à bec (trio)
3
Clarinette, Guitare (duo)
2
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Hautbois (partie séparée)
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Piccolo, Piano
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Saxophone Alto
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Clarinette, Trompette (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Saxophone (duo)
2
5 Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois
1
Flûte traversière, Basse continue
1
Flûte, Trompette (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
2 Hautbois et Basson
1
Saxophone et Orgue
1
Hautbois, Clarinette (duo)
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CUIVRES
Trombone et Piano
27
Cor et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Euphonium, Piano (duo)
16
Trompette
12
2 Trompettes (duo)
7
Cor anglais, Piano
7
Cor
6
2 Trombones (duo)
6
Quatuor de cuivres: 4 cors
5
2 Cors (duo)
5
Tuba et Piano
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
4
Ensemble de Cors
3
2 Tubas (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
4 Tubas
2
3 Euphoniums
2
3 Cors (trio)
2
3 Trompettes (trio)
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
1
Trompette, Cor (duo)
1
2 Euphoniums (duo)
1
2 Cors Anglais Et Pianoforte
1
Tuba
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
Trio de Cuivres
1
3 Tubas (trio)
1
Trombone
1
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CORDES
Violon et Piano
109
Quatuor à cordes: 2 violons, alto, violoncelle
68
Alto, Piano
43
Violoncelle, Piano
37
Violon
34
Trio à Cordes: violon, alto, violoncelle
32
2 Violons (duo)
26
Trio à cordes: 3 violins
21
Violon, Violoncelle (duo)
14
Violon, Alto (duo)
14
Alto seul
12
Harpe
11
Violoncelle (partie séparée)
9
2 Altos (duo)
9
2 Violoncelles (duo)
9
Violoncelle, Contrebasse (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Violoncelle
6
Contrebasse, Piano (duo)
6
Trio à Cordes: 3 violoncelles
6
Contre Basse
5
Flûte, Contrebasse (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle, Basse continue
3
Alto (partie séparée)
3
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
4 Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violon, Basse continue
2
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Violon (partie séparée)
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
34
Orchestre de chambre
20
Orchestre
16
Orchestre d'harmonie
16
Ensemble Jazz
4
Ensemble de cuivres
3
Ensemble de Percussions
2
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AUTRES
Vous avez sélectionné:
Sonata a 3
Ensemble de Clarinettes
Partitions à imprimer
9 partitions trouvées
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1
Sonata No.3 Op.3
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1173953 By Spence B…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1173953 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy #774110. Published by Spencer Bundy (A0.1173953). This lovely piece is from Corelli's third set of twelve sonatas and was originally published in 1689. It would be ideal for any concert but equally, could be enjoyed by a group of friends playing for fun.
$4.50
4.14 €
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Ensemble de Clarinettes
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Spence Bundy
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Spence Bundy
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Sonata No.3 Op.3
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Spencer Bundy
#
SheetMusicPlus
Sonata a cinque in g minor, Op.2, No.6
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat C…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1379824 Composed by Tomaso Giovanni Albinoni. Arranged by Tony BC Huang. Baroque,Chamber. 49 pages. Tony BC Huang #964530. Published by Tony BC Huang (A0.1379824). This sonata is selected from Albinoni's 6 Sinfonie and 6 Concerti a cinque, Op.2, originally for strings and basso continuo, and is arranged for Clarinet Sextet. The instrumentation is for E-flat Clarinet (or B-Clarinet 3), B-flat Clatinet 1,2, Alto Clarinet ( or B-flat Clarinet 4, or Basset Horn), Bass Clarinet, Contrabass Clarinet (or Contra-Alto Clarinet). The Contrabass Clarinet part can be omitted. That is, it can be also played with 4 B-flat clarinets and a Bass Clarinet only.Enjoy it.
$12.00
11.05 €
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Ensemble de Clarinettes
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Tomaso Giovanni Albinoni
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Tony BC Huang
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Sonata a cinque in g minor, Op.2, No.6
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Tony BC Huang
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.15 €
#
Ensemble de Clarinettes
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Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
"Allegro" from Eine Klein Nachtmusik (K. 525) - W. A. Mozart - Arranged by John M. Licari (Clarinet
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.908411 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.908411 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Licari. Classical,Concert,Standards. 33 pages. Music Preparation Services #5735847. Published by Music Preparation Services (A0.908411). Allegro from Eine Klein NachtmusikBy Wolfgang Amadeus MozartArranged for Clarinet Choir by John M. LicariMusic Preparation Serviceswww.musicprepservices.comEine kleine Nachtmusik (K. 525), is a 1787 composition by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally as a little night music. The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras. The work was completed in Vienna on 10 August 1787,[2] around the time Mozart was working on the second act of his opera Don Giovanni. This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation.This arrangement has been adapted to accommodate a clarinet choir - 3 Bb Clarinets, and a Bass Clarinet.
$12.99
11.96 €
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Ensemble de Clarinettes
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Wolfgang Amadeus Mozart
Arranged for Clarinet Choir by John M
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Wolfgang Amadeus Mozart
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John M
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"Allegro" from Eine Klein Nachtmusik
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Music Preparation Services
#
SheetMusicPlus
Six Sonatas No.1 for three Clarinets, Op.7-1
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1169917 Composed by…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1169917 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, Mikio. Baroque. 24 pages. ACORDO Sheet Music #770282. Published by ACORDO Sheet Music (A0.1169917). Joseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six sonatas Op.7 originally written for three flutes. It consists of five movements, 1. Gravement, 2. Allemande/Gayment, 3. Lentement, 4. Gavotte en Rondeau, and 5. Gayment. Simple and tightly-contained interaction between three parts. Enjoyable to play with not so high skill in technique.The part notes include both for A and Bâ™ clarinets.
$10.00
9.21 €
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Ensemble de Clarinettes
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Six Sonatas No.1 for three Clarinets, Op.7-1
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ACORDO Sheet Music
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SheetMusicPlus
Rondo Alla Turca by Mozart for Clarinet Ensemble
Ensemble de Clarinettes
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Down…
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1302530 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Classical,Folk,March,Traditional. 12 pages. Woods Only, Arrangements #892152. Published by Woods Only, Arrangements (A0.1302530). Introducing the sheet music for an arrangement of the third movement of Mozart’s Sonata 11, K. 331, the Rondo Alla Turca, for Clarinet Ensemble. This arrangement has been reduced to a duration of approximately 3 minutes and 15 seconds, maintaining the essence of the original theme and providing practicality in performance. It is intended for performance groups with musical experience but can also be used as teaching material for music students in academic recitals, concerts and ceremonies. The original work, composed by Wolfgang Amadeus Mozart, is a sonata in three movements, with the last movement, Alla Turca, popularly known as the Turkish March, being one of the composer’s best-known pieces.
$7.99
7.36 €
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Ensemble de Clarinettes
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Wolfgang Amadeus Mozart
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Ander
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Rondo Alla Turca by Mozart for Clarinet Ensemble
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Woods Only, Arrangements
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
(+)
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.15 €
#
Ensemble de Clarinettes
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
Marcia Funebra - Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.735624 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.735624 Composed by Ludwig van Beethoven. Arranged by Andrew Middleton. Contemporary,Romantic Period. 25 pages. Andrew Middleton #5290109. Published by Andrew Middleton (A0.735624). Marcia funebre is the third movement from Beethoven's Piano Sonata in A flat Op. 26. This arrangement has been arranged for clarinet choir (6 clarinets in B flat and 1 bass clarinet in B flat). For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$9.99
9.2 €
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Ensemble de Clarinettes
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Ludwig van Beethoven
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Andrew Middleton
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Marcia Funebra - Clarinet Choir
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Andrew Middleton
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SheetMusicPlus
Alla Turka (Turkish March) for Clarinet Quartet
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.761353 Composed by …
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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.761353 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Rockey. Classical,Concert,Graduation,World. 19 pages. Stephen Rockey #6051579. Published by Stephen Rockey (A0.761353). Alla Turka (Turkish March) from Sonata K.331 in A arranged for Clarinet Quartet; 3 B flat clarinets and Bass Clarinet in Treble Clef. Suitable for concerts, recitals etc. Enjoy!
$4.00
3.68 €
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Ensemble de Clarinettes
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Wolfgang Amadeus Mozart
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Stephen Rockey
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Alla Turka
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Stephen Rockey
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SheetMusicPlus
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