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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sonata for Bass Clarinet
Non classifié
151
Piano & claviers
Piano Facile
1
Guitares
Voix
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
95
Flûte, Clarinette et Basson
54
Flûte, Hautbois, Clarinette, Basson
46
3 Clarinettes (trio)
35
2 Clarinettes (duo)
34
Clarinette Basse, Piano
28
Quatuor de Clarinettes: 4 clarinettes
27
2 Clarinettes, Basson
24
Hautbois, Clarinette, Basson (trio d'anches)
15
Ensemble de Clarinettes
12
Quintette de Clarinettes: 5 clarinettes
7
Clarinette et Piano
7
Flûte, Hautbois, Clarinette (trio)
5
Trio de Flûtes: 3 flûtes
4
Clarinette, Basson (duo)
4
2 Flûtes traversières (duo)
4
Quintette de Saxophone: 5 saxophones
3
Clarinette (partie séparée)
2
Flûte traversière et Piano
2
Clarinette
2
2 Hautbois (duo)
1
Ensemble à vent
1
Hautbois, Basson (duo)
1
2 Saxophones (duo)
1
3 Saxophones (trio)
1
2 Flûte à bec (duo)
1
Hautbois, Piano (duo)
1
Saxophone
1
+ 23 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
2 Trombones (duo)
1
3 Trombones (trio)
1
Cordes
Violon et Piano
7
Trio à Cordes: violon, alto, violoncelle
2
Harpe
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
15
Orchestre
14
Orchestre d'harmonie
5
Ensemble de Percussions
2
Ensemble de cuivres
1
Orchestre à Cordes
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Vous avez sélectionné:
Sonata for Bass Clarinet
Ensemble de Clarinettes
Partitions à imprimer
12 partitions trouvées
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Sonata a cinque in g minor, Op.2, No.6
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Giovanni Albinoni
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Tony BC Huang
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Sonata a cinque in g minor, Op
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Tony BC Huang
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1379824 Composed by Tomaso Giovann...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1379824 Composed by Tomaso Giovanni Albinoni. Arranged by Tony BC Huang. Baroque,Chamber. 49 pages. Tony BC Huang #964530. Published by Tony BC Huang (A0.1379824). This sonata is selected from Albinoni's 6 Sinfonie and 6 Concerti a cinque, Op.2, originally for strings and basso continuo, and is arranged for Clarinet Sextet. The instrumentation is for E-flat Clarinet (or B-Clarinet 3), B-flat Clatinet 1,2, Alto Clarinet ( or B-flat Clarinet 4, or Basset Horn), Bass Clarinet, Contrabass Clarinet (or Contra-Alto Clarinet). The Contrabass Clarinet part can be omitted. That is, it can be also played with 4 B-flat clarinets and a Bass Clarinet only.Enjoy it.
$12.00
Allegretto From Sonata Opus 14, #1
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Bill Schuetter
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Allegretto From Sonata Opus 14
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Imagine Music - Digital
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SheetMusicPlus
By Ludwig van Beethoven (1770-1827). Arranged by Bill Schuetter. For clarinet quintet (2 Bb clarinets, alto clarinet, bass clarinet). Level 3. Score and parts. ...
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By Ludwig van Beethoven (1770-1827). Arranged by Bill Schuetter. For clarinet quintet (2 Bb clarinets, alto clarinet, bass clarinet). Level 3. Score and parts. Duration 4 minutes 15 seconds. Published by Imagine Music - Digital
$12.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
"Allegro" from Eine Klein Nachtmusik (K. 525) - W. A. Mozart - Arranged by John M. Licari (Clarinet
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Wolfgang Amadeus Mozart
#
John M
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"Allegro" from Eine
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Music Preparation Services
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.908411 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Licari. Classical,Concert,Standards. 33 p...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.908411 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Licari. Classical,Concert,Standards. 33 pages. Music Preparation Services #5735847. Published by Music Preparation Services (A0.908411). Allegro from Eine Klein NachtmusikBy Wolfgang Amadeus MozartArranged for Clarinet Choir by John M. LicariMusic Preparation Serviceswww.musicprepservices.comEine kleine Nachtmusik (K. 525), is a 1787 composition by Wolfgang Amadeus Mozart. The German title means a little serenade, though it is often rendered more literally as a little night music. The work is written for an ensemble of two violins, viola, and cello with optional double bass but is often performed by string orchestras. The work was completed in Vienna on 10 August 1787,[2] around the time Mozart was working on the second act of his opera Don Giovanni. This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation.This arrangement has been adapted to accommodate a clarinet choir - 3 Bb Clarinets, and a Bass Clarinet.
$12.99
Sonata in Eb n.4 op. 7
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Nat Clarinet
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Sonata in Eb n.4 op. 7
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NatClarinet
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1304963 Composed by Ludwig van Beethoven. Arranged by Nat Clarinet. Classical. 149...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1304963 Composed by Ludwig van Beethoven. Arranged by Nat Clarinet. Classical. 149 pages. NatClarinet #894388. Published by NatClarinet (A0.1304963). Arrangement for Clarinet Ensemble of the Sonata n. 4 in Eb op. 7 taken from the 32 Piano Sonatas by Ludwig van Beethoven.
$25.50
Sonata in Re minore K. 1
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Ensemble de Clarinettes
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FACILE
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Classique
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Domenico Scarlatti
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Natale Emanuele Tomarchio
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Sonata in Re minore K. 1
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NatClarinet
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1253483 Composed by Domenico Scarlatti. Arranged by Natale Emanuele Tomarchio. Bar...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1253483 Composed by Domenico Scarlatti. Arranged by Natale Emanuele Tomarchio. Baroque,Classical. 13 pages. NatClarinet #847177. Published by NatClarinet (A0.1253483). The piece has been arranged for clarinet ensemble from the original version for harpsichord. It can be performed as an opening piece or as an encore after a concert.
$12.00
SONATA IN C, K 545 for Clarinet Quartet
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Kent S
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SONATA IN C, K 545 for Clarine
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WINDCREST
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.945059 Composed by Wolfgang Amadeus Mozart. Arranged by Kent S. Burchill. Classical,Contest,Festival,Holi...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.945059 Composed by Wolfgang Amadeus Mozart. Arranged by Kent S. Burchill. Classical,Contest,Festival,Holiday,Traditional,Wedding. 31 pages. WINDCREST #6052535. Published by WINDCREST (A0.945059). This arrangement of the popular Mozart Sonata in C Major, K 545, has been completed for a clarinet quartet comprised of three soprano Clarinets in Bb, and one Bass Clarinet in Bb. This new arrangement contains all three movements - C Major, G Major and C Major (concert). The Sonata also maintains the composer's original key of C Major which requires the clarinet performers to play in the key of D Major, thereby raising the difficulty level slightly, to a level 5 or 5.5. Total performance duration is 7 minutes, 42 seconds. A full score and individual parts are included. The mp3 Audio File contains excerpts from all three movements.
$15.00
Rondo Alla Turca by Mozart for Clarinet Ensemble
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Rondo Alla Turca by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1302530 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Cl...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1302530 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Classical,Folk,March,Traditional. 12 pages. Woods Only, Arrangements #892152. Published by Woods Only, Arrangements (A0.1302530). Introducing the sheet music for an arrangement of the third movement of Mozart’s Sonata 11, K. 331, the Rondo Alla Turca, for Clarinet Ensemble. This arrangement has been reduced to a duration of approximately 3 minutes and 15 seconds, maintaining the essence of the original theme and providing practicality in performance. It is intended for performance groups with musical experience but can also be used as teaching material for music students in academic recitals, concerts and ceremonies. The original work, composed by Wolfgang Amadeus Mozart, is a sonata in three movements, with the last movement, Alla Turca, popularly known as the Turkish March, being one of the composer’s best-known pieces.
$7.99
Scarlatti: Andante mosso for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for C
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 p...
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Woodwind Ensemble - Level 3 - SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626789. Published by jmsgu3 (A0.550386). Sonata 33 for Clarinet Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. Instrumentation: 4 Bb Clarinets, 2 Alto Clarinets, 1 Bass Clarinet.
$29.95
Marcia Funebra - Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Andrew Middleton
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Marcia Funebra - Clarinet Choi
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Andrew Middleton
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.735624 Composed by Ludwig van Beethoven. Arranged by Andrew Middleton. Contemporary,Romantic Period. 25 p...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.735624 Composed by Ludwig van Beethoven. Arranged by Andrew Middleton. Contemporary,Romantic Period. 25 pages. Andrew Middleton #5290109. Published by Andrew Middleton (A0.735624). Marcia funebre is the third movement from Beethoven's Piano Sonata in A flat Op. 26. This arrangement has been arranged for clarinet choir (6 clarinets in B flat and 1 bass clarinet in B flat). For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$9.99
Alla Turka (Turkish March) for Clarinet Quartet
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Rockey
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Alla Turka
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Stephen Rockey
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.761353 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Rockey. Classical,Concert,Graduation,Worl...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.761353 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Rockey. Classical,Concert,Graduation,World. 19 pages. Stephen Rockey #6051579. Published by Stephen Rockey (A0.761353). Alla Turka (Turkish March) from Sonata K.331 in A arranged for Clarinet Quartet; 3 B flat clarinets and Bass Clarinet in Treble Clef. Suitable for concerts, recitals etc. Enjoy!
$4.00
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