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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Take You Out
Non classifié
760
Piano & claviers
Piano seul
460
Piano, Voix
201
Piano, Voix et Guitare
114
Piano Facile
95
Instruments en Do
76
Piano grosses notes
34
Orgue
32
1 Piano, 4 mains
16
2 Pianos, 4 mains
13
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
29
Basse electrique
14
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
12
Paroles et Accords
5
3 Guitares (trio)
4
Dulcimer
3
4 Guitares (Quatuor)
3
2 Guitares (duo)
3
Guitare (partie séparée)
2
Mandoline
2
Piano, Guitare (duo)
2
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
208
Chorale 3 parties
47
Chorale 2 parties
34
Chorale TTBB
32
Chorale SSAA
21
Chorale Unison
15
Voix Soprano, Piano
8
Voix haute
6
Voix duo, Piano
6
Voix seule
3
Voix Baryton, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Chorale SAATB A Cappella
1
Voix Tenor
1
Chorale SSATTB
1
Voix Alto, Piano
1
Voix Mezzo-Soprano, Piano
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
92
2 Saxophones (duo)
87
Quintette de Saxophone: 5 saxophones
78
2 Clarinettes (duo)
53
Flûte traversière
51
Flûte traversière et Piano
47
Clarinette
46
Quatuor de Saxophones: 4 saxophones
44
2 Flûtes traversières (duo)
42
Saxophone, Clarinette (duo)
38
Hautbois, Piano (duo)
34
Clarinette et Piano
33
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Alto et Piano
28
Clarinette, Violon (duo)
27
Saxophone Alto
27
2 Flûtes traversières, Piano
26
Clarinette, Trompette (duo)
24
Hautbois (partie séparée)
24
Saxophone Tenor et Piano
22
Ensemble de Clarinettes
22
Saxophone Tenor
19
2 Hautbois (duo)
19
Saxophone Soprano et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Ensemble de saxophones
15
Flûte, Clarinette (duo)
15
Hautbois, Clarinette (duo)
15
Saxophone (partie séparée)
14
Clarinette et Alto
14
Quintette de Flûte : 5 flûtes
14
Ensemble de Flûtes
13
Hautbois, Basson (duo)
13
Flûte, Saxophone (duo)
13
Flûte, Violon
13
Flûte et Guitare
11
Flûte, Alto (duo)
11
3 Clarinettes (trio)
11
Flûte, Trompette (duo)
11
Hautbois, Flûte
10
3 Saxophones (trio)
10
Saxophone Baryton, Piano
9
Trio de Flûtes: 3 flûtes
8
Cor anglais, Piano
7
Clarinette (partie séparée)
6
Flute (partie séparée)
6
Flûte à Bec
6
Flûte, Hautbois (duo)
6
Clarinette, Guitare (duo)
5
Hautbois
4
Flûte, Clarinette et Basson
4
Flûte, Hautbois, Basson
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Soprano
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à bec Soprano
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone
3
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Flûte, Violoncelle
3
Saxophone Baryton
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Clarinettes, Piano
1
Flûte, Clarinette, Piano (trio)
1
Cor Anglais
1
2 Clarinettes, Basson
1
Flûte, trombone et piano
1
Harmonica
1
Hautbois, Guitare (duo)
1
Hautbois, Violoncelle
1
Piccolo
1
Cor anglais, Guitare (duo)
1
Clarinette, Basson (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Alto et Piano
1
Flûte traversière, Orgue (duo)
1
Flûte, Violon, Piano
1
Hautbois, violon (duo)
1
Flûte à bec Alto
1
5 Flûtes à bec
1
+ 79 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
53
Trompette
37
Trombone et Piano
34
Trompette, Piano
33
Trompette, Saxophone (duo)
25
Cor
24
2 Trombones (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
2 Trompettes (duo)
18
Tuba
17
Trombone
17
Trompette, Trombone (duo)
16
Cor et Piano
16
Trompette (partie séparée)
15
Ensemble de Trombones
13
Trombone (partie séparée)
12
Euphonium, Piano (duo)
11
Cor anglais, Piano
7
Tuba et Piano
7
Quatuor de Cuivres
6
Ensemble de Trompettes
6
2 Cors (duo)
5
Euphonium
4
Cor (partie séparée)
4
Trio de Cuivres
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Tuba (partie séparée)
2
Trombone basse
1
Cor Anglais
1
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
162
Violon et Piano
79
Violon
46
Alto, Piano
39
Violoncelle, Piano
35
Violon, Violoncelle (duo)
34
Violoncelle
31
2 Violons (duo)
31
Trio à Cordes: violon, alto, violoncelle
24
Harpe
24
Violon, Alto (duo)
23
2 Violoncelles (duo)
22
2 Altos (duo)
19
Alto seul
19
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Contre Basse
12
Contrebasse, Piano (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Alto (partie séparée)
9
Ensemble de Violons
7
Ensemble d'Altos
7
Violon (partie séparée)
5
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
Contrebasse (partie séparée)
3
2 Harpes (duo)
3
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle , Guitare (duo)
2
Violon, Basson (duo)
1
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Harpe, Voix
1
Violon, Orgue
1
Alto et Basson
1
4 Violoncelles
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
157
Orchestre
69
Ensemble Jazz
67
Orchestre à Cordes
45
Ensemble de cuivres
30
Batterie
28
Fanfare
22
Orchestre de chambre
13
Cloches
8
Jazz combo
7
Ensemble de Percussions
6
Xylophone, Piano
4
Percussion (partie séparée)
2
Marimba
1
Batterie (partie séparée)
1
Percussion
1
Xylophone
1
Marimba, Piano (duo)
1
+ 13 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
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BANJO
BASSE
BASSON
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CHARANGO
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CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Take You Out
Ensemble de Clarinettes
Partitions à imprimer
22 partitions trouvées
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1
Entrée Nuptiale (by Henry Smith, arr. for Clarinet Choir)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Henry Smith
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Andrew Lamb
#
Entrée Nuptiale
#
Andrew Lamb
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew La...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1235891 Composed by Henry Smith (1813-1879). Arranged by Andrew Lamb. Chamber,Praise & Worship,Wedding. 23 pages. Andrew Lamb #831396. Published by Andrew Lamb (A0.1235891). Introducing our clarinet arrangement of Entrée Nuptiale composed by the talented Henry Smith (1813-1879). This captivating transcription allows clarinetists to showcase their virtuosity and musicality while immersing themselves in the enchanting beauty of this cherished piece.Carefully crafted with precision and artistry, our clarinet arrangement of Entrée Nuptiale captures the essence of the original composition while highlighting the unique characteristics of the clarinet. From the delicate and expressive melodies to the lively and rhythmic passages, this arrangement allows the clarinet to take center stage and captivate audiences with its versatility and expressive capabilities.Entrée Nuptiale is a delightful and celebratory composition, perfect for wedding ceremonies, recitals, or any joyous occasion. With its uplifting melodies and jubilant harmonies, this arrangement creates an atmosphere of joy and festivity, capturing the essence of a grand entrance and celebration.Whether you are a professional clarinetist looking to expand your repertoire or a passionate musician seeking a captivating piece to perform, our clarinet arrangement of Entrée Nuptiale is a remarkable addition to your musical library. Its versatility allows for various performance settings, from solo performances to chamber ensembles and orchestras.The sheet music for our arrangement is expertly notated, providing clear and accurate scores for the clarinet. Detailed performance instructions and dynamic markings guide musicians to bring out the nuances and emotions within the music, enabling an authentic and captivating interpretation.Immerse yourself in the enchanting beauty of Henry Smith's Entrée Nuptiale with our clarinet arrangement. Let the clarinet's melodic lines soar and resonate, filling the air with elegance and celebration. This arrangement is a treasure for both performers and audiences, allowing them to experience the timeless allure of the clarinet and the joyous spirit of Smith's composition.
$10.00
'Four Moods'
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
#
Alexandre Tansman
Scored f
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Alexandre Tansman
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Stephen Davies
#
'Four Moods'
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Stephen Davies
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.1384219 Composed by Alexandre Tansman. Arranged by Stephen Davies. 20th Century,Chamber,Classica...
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Clarinet Ensemble,Woodwind Ensemble - Level 4 - SKU: A0.1384219 Composed by Alexandre Tansman. Arranged by Stephen Davies. 20th Century,Chamber,Classical. 33 pages. Stephen Davies #968565. Published by Stephen Davies (A0.1384219). 'Four Moods' By Alexandre TansmanScored for Clarinet Sextet by Stephen Davies.Here's another arrangement of music by Alexandre Tansman, again in 4 short movements, but as with all of Tansman's music, highly engaging and memorable.This link, https://youtu.be/gBMkz6SQRic?si=8yVoeJkzxZPHbosP, will take you to the original piano performance and more music by Alexandre Tansman.A brief biography of Tansman can be found here:https://youtu.be/ROLBDPJZzDI?si=87dZe45mkQIXANYd,
$15.99
O Christmas Tree (G) (Clarinet Quintet)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Noël
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German Folk Song
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Regis Bookshar
#
O Christmas Tree
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813941 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,Wo...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813941 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6631143. Published by Regis Bookshar (A0.813941). Clarinet Quintet - Intermediate - . This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Clarinet Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
The Monk's Turned Topsy-Turvy
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Conte...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
"March of the Musketeers" For Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"March of the Musketeers&
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1242175 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1242175 Composed by Grant Horsley. Classical,Contest,Festival,Film/TV,March. 32 pages. Grant Horsley #837533. Published by Grant Horsley (A0.1242175). Scored for E flat Clarinet, 3 B flat Clarinet, Alto and Bass Clarinet, March of the Musketeers is a bright heroic march based upon the characters in the story of The Three Musketeers Quite a simple piece, it is in ternary form starting in the concert key of F major with the middle section in B flat major, before returning to F major and on to a flourishing ending. The outer sections have strong melodic lines underpinned crisp staccato support providing a solid striding beat. The middle section (which should be played in exactly the same pulse) is more lyrical and legato featuring triplets, but still retains the underpinning crotchet beat, but with a more delicate approach for variation. After a short link passage which features a couple of time signature changes, the main theme returns with a short coda- like few bars to take the piece to a conclusion. The full score is 15 pages and the parts are 3 each. It is 4 mins 15 in length. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts.Versions for Flute Choir (4 C Flutes, Alto and Bass) Six C Flute Ensemble, and Brass Sextet are also available.
$13.50
March (from "The Nutcracker Suite") (F) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813852 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813852 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 24 pages. Regis Bookshar #6612461. Published by Regis Bookshar (A0.813852). Clarinet Quintet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Clarinet Quintet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
March (from "The Nutcracker Suite") (F) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813875 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813875 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 43 pages. Regis Bookshar #6612649. Published by Regis Bookshar (A0.813875). Clarinet Octet - Advanced/Intermediate - . This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Clarinet Octet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Russian Dance
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813899 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813899 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. 9 pages. Regis Bookshar #6612903. Published by Regis Bookshar (A0.813899). Clarinet Quintet - Advanced/Intermediate - . This marvelous arrangement of the Russian Dance (Trepak), from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the traditional Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance for a Clarinet Quintet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertai.
$10.00
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Clarinet Octet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Russian Dance
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813921 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Romantic Period,Standa...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813921 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Romantic Period,Standards. 15 pages. Regis Bookshar #6615137. Published by Regis Bookshar (A0.813921). Clarinet Octet - Advanced/Intermediate - . This marvelous arrangement of the Russian Dance from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance, for a Clarinet Octet, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences.
$16.00
I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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I Vow to Thee, My Country
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Stan...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813677 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Multicultural,Standards,Wedding,World. 9 pages. Regis Bookshar #6473853. Published by Regis Bookshar (A0.813677). I Vow to Thee, My Country (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of I Vow to Thee, My Country, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of I Vow to Thee, My Country based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entert.
$10.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Clarinet Qu
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding....
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474529. Published by Regis Bookshar (A0.813707). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gusta.
$12.00
O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813737 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6475071. Published by Regis Bookshar (A0.813737). O God, Beyond All Praising (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to ent.
$10.00
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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Thaxted
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813767 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476673. Published by Regis Bookshar (A0.813767). Thaxted (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gustav Holst
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Regis Bookshar
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O Spirit All-Embracing
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,W...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.813797 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6480789. Published by Regis Bookshar (A0.813797). O Spirit All-Embracing (Thaxted) (Bb) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continu.
$10.00
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
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Ensemble de Clarinettes
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Tito Abeleda
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Tears from My Eyes: Mourning i
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Visionary Quest Records
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SheetMusicPlus
Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #471...
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Bass Clarinet - SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99
"The Maypole Green" For Clarinet Choir-Intermediate
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"The Maypole Green"
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.785831 Composed by Grant Horsley. Classical,Folk,Multicultural,Weddin...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.785831 Composed by Grant Horsley. Classical,Folk,Multicultural,Wedding,World. 23 pages. Grant Horsley #6596469. Published by Grant Horsley (A0.785831). The Maypole Green is a short concert piece of around 2 mins 50. Arranged for 1 E flat Clarinet, 3 B flat Clarinets, Alto and Bass.It is in ternary form in concert C major with the middle section in FThe maypole by tradition is a tall wooden pole erected as a part of various European folk festivals, around which a maypole dance often takes place, generally early May but can be midsummer- it is a very merry dance!The youtube link has the full score for you to assess, I have placed it at Intermediate level.Great for concerts, festivals, events, weddings etc.Price is for the full score and parts.
$11.99
"Aria" for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Musique Sacrée
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Grant Horsley
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"Aria" for Clarinet
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1085640 Composed by Grant Horsley. Classical,Easter,Praise & Worship,...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1085640 Composed by Grant Horsley. Classical,Easter,Praise & Worship,Sacred,Wedding. 30 pages. Grant Horsley #689812. Published by Grant Horsley (A0.1085640). Aria is scored for Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet. It is a very restful melodic piece based on a single motif heard in bar 1. Written in concert B flat major the piece is very hymn -like in design- with long notes and chords but has some unusual harmonies. The searing theme is stated then repeated with variation in texture. The theme is then developed using the rhythmic motif in the beginning climaxing in C major briefly before calmly returning to B flat major to repeat again. On this repeat more variation takes place before a restful conclusion. The top note is top B flat (C5) and I've tried to keep all parts interesting. The full score is 11 pages and parts are 3 pages each- it is roughly 5 mins 30 in length. I have set it to intermediate level but an early intermediate should be ok with some of the parts. The whole score is on the youtube link for you to assess suitability. Price is for the full score and all parts. Suitable for a variety of purposes: Concerts, Recitals, Contests, Festivals, Easter, Church services, Weddings, Productions or an addition to the repertoire.
$13.50
"Weekend in Paris" Original Jazz Waltz for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Grant Horsley
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"Weekend in Paris" O
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Grant Horsley
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1272643 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Mult...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1272643 Composed by Grant Horsley. Contest,Festival,Holiday,Jazz,Multicultural,Wedding,World. 41 pages. Grant Horsley #864869. Published by Grant Horsley (A0.1272643). Scored for Clarinet in E flat, 3 B flat Clarinets, Alto and Bass Clarinet, Weekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris. The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in Concert D flat major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato. A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability. The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind. Full score 16 pages-parts 4 pages. 4 mins 30 in length. Price is for the Full Score and all parts.NB Other versions of Flute choirs are also available.
$14.50
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
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