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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Baroque
Non classifié
839
Piano & claviers
Piano seul
316
2 Pianos, 4 mains
35
Piano Facile
33
Orgue, Trompette (duo)
32
Orgue
32
Piano, Voix
16
1 Piano, 4 mains
10
Clavecin
7
Orgue, Piano (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano, Voix et Guitare
3
2 Accordéons
3
Accordéon
2
Fake Book
1
+ 12 instrumentations
Retracter
Guitares
2 Guitares (duo)
39
Guitare
36
Guitare notes et tablatures
30
Ukulele
14
Mandoline
5
4 Guitares (Quatuor)
3
Basse electrique
1
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
2 Dulcimers (duo)
1
Ensemble de guitares
1
2 Ukuleles
1
Dulcimer
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
26
Voix duo, Piano
12
Chorale 2 parties
12
Chorale 3 parties
11
Voix duo
9
Chorale Unison
6
Voix haute
5
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix seule
4
Chorale TTBB
3
Chorale SSAA
2
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
151
2 Clarinettes (duo)
118
2 Saxophones (duo)
74
Flûte traversière et Piano
51
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Flûte, Hautbois, Clarinette, Basson
34
Quatuor de Saxophones: 4 saxophones
34
Clarinette et Piano
33
3 Clarinettes (trio)
29
2 Hautbois (duo)
29
Hautbois, Piano (duo)
29
Quintette de Saxophone: 5 saxophones
27
2 Flûte à bec (duo)
20
Quatuor de Flûtes : 4 flûtes
20
3 Saxophones (trio)
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Saxophone Alto et Piano
16
Quatuor de Clarinettes: 4 clarinettes
16
Trio de Flûtes: 3 flûtes
15
Flûte, Clarinette (duo)
12
Saxophone Tenor et Piano
12
Flûte, Hautbois, Clarinette (trio)
11
Clarinette
11
Flûte traversière
11
Saxophone Soprano et Piano
11
Ensemble de Clarinettes
10
Quatuor de Flûtes à bec
9
Clarinette, Violon (duo)
9
Flûte, Violoncelle
9
Flûte, Violon
9
Hautbois, Violoncelle
9
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
Saxophone, Clarinette (duo)
7
Ensemble De Flûte à bec
7
Clarinette, Violoncelle (duo)
7
Ensemble de Flûtes
7
Flûte, Clarinette et Basson
7
Clarinette, Basson (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Alto (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette, Piano (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Saxophone (duo)
4
Ensemble de saxophones
4
Saxophone Alto
4
Hautbois (partie séparée)
4
Flûte, Hautbois, Basson
4
Flûte à bec Tenor
4
Flûte et Guitare
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Saxophone Tenor
3
Flûte à bec Soprano, Piano
3
3 Flûtes à bec (trio)
3
Flûte, Violon et Violoncelle
3
Clarinette et Alto
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
2 Clarinettes, Basson
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette, Harpe (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, trompette et piano
1
2 Hautbois et Cor anglais
1
Flûte et Trio à cordes
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte, Basson et Piano
1
Flûte, Hautbois (duo)
1
Piccolo
1
2 Flûtes traversières, Harpe
1
Flûte, Violon, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Hautbois et Basson
1
Melodica
1
Saxophone et violoncelle
1
Flûte, Alto et Piano
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
4 Hautbois
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette
18
Trombone et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Ensemble de Trombones
15
Quatuor de cuivres: 4 trombones
12
2 Cors (duo)
12
2 Trompettes, Clavier (piano ou orgue)
9
Ensemble de Trompettes
9
Trompette, Trombone (duo)
9
Cor et Piano
8
2 Tubas (duo)
8
Cor anglais, Piano
8
2 Cors Anglais Et Pianoforte
7
3 Trombones (trio)
7
Trombone
7
Trompette, Basson (duo)
6
2 Euphoniums (duo)
6
Trompette, Saxophone (duo)
5
Euphonium, Piano (duo)
5
Tuba
4
Trompette, Violoncelle (duo)
4
Cor
4
Quatuor de cuivres: 4 cors
4
Cor, Violoncelle (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
3
Euphonium
2
3 Cors (trio)
2
Tuba et Orgue
2
3 Tubas (trio)
2
Cor et Harpe
2
Cor et Basson (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Trompette (partie séparée)
2
Tuba et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse
1
3 Euphoniums
1
Trompette, Trombone, Piano
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Trio de Cuivres
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
Quatuor de Cuivres
1
4 Tubas
1
+ 49 instrumentations
Retracter
Cordes
2 Violons (duo)
149
Quatuor à cordes: 2 violons, alto, violoncelle
112
Violon, Violoncelle (duo)
106
2 Violoncelles (duo)
78
Trio à Cordes: violon, alto, violoncelle
55
Trio à Cordes: 2 violons, violoncelle
52
2 Altos (duo)
50
Violon et Piano
48
Violon
46
Violon, Alto (duo)
42
Harpe
30
Alto, Piano
29
Violoncelle, Piano
26
Trio à Cordes: 2 violons, alto
18
Violoncelle
17
2 Violons, Piano
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
2 Harpes (duo)
14
Alto, Violoncelle (duo)
10
Harpe, Flûte (duo)
7
4 Violoncelles
7
Alto seul
6
Harpe, Violon (duo)
6
Alto (partie séparée)
6
Violon (partie séparée)
6
Trio à cordes: 3 violins
6
Violon, Basson (duo)
5
Quatuor à cordes: 4 violons
5
Alto et Basson
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Trio à cordes
4
Ensemble de Violons
3
Ensemble d'Altos
3
Harpe et Piano
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Contre Basse
2
Violoncelle (partie séparée)
1
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Violon, Violoncelle
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
85
Orchestre de chambre
65
Ensemble de cuivres
51
Orchestre
16
2 Marimbas
14
Orchestre d'harmonie
14
Cloches
4
Xylophone
2
Marimba
2
2 Xylophones
1
Ensemble Jazz
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 8 instrumentations
Retracter
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Two Baroque
Ensemble de Clarinettes
Partitions à imprimer
10 partitions trouvées
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1
"Wehe, Windgen, Wehe" (Blow Winds, Blow)
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Classique
#
Sam
#
Derrick Th
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"Wehe, Windgen, Wehe"
#
Derrick Thom. Lewis
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.975913 Composed by Sam. Scheidt. Arranged by Derrick Th. Lewis. Baroque,Instructional. 20 pages. Derrick ...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.975913 Composed by Sam. Scheidt. Arranged by Derrick Th. Lewis. Baroque,Instructional. 20 pages. Derrick Thom. Lewis #6713693. Published by Derrick Thom. Lewis (A0.975913). A sturdy old German folksong variated by one of the three Early German Baroque masters, Scheidt. Remember the names of the other two? All three have the initial 'S'.
$17.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
#
James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
#
Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Fürchte dich nicht (motette) by J.S. Bach (Double Clarinet Choir)
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Ensemble de Clarinettes
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Classique
#
Johann Sebastian Bach
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Richard Byrnes
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Fürchte dich nicht
#
Richard Byrnes
#
SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - SKU: A0.830803 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 61 pages. Ric...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet - SKU: A0.830803 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 61 pages. Richard Byrnes #5799957. Published by Richard Byrnes (A0.830803). The motet, Fürchte dich nicht (Fear not) is structured in two sections. The first offers the chorale. The second section is a fugue in the lower 3 voices juxtaposed by the chorale in part 1.  This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 3 Clarinets, Bass Clarinet, & Choir 2 - 3 Clarinets, Bass Clarinet).  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99
Bach Rocks! for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Classique
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Johann Sebastian Bach
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David Burndrett
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Bach Rocks! for Clarinet Choir
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David Burndrett
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1454869 Composed by Johann Sebastian Bach. Arranged by David Burndret...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1454869 Composed by Johann Sebastian Bach. Arranged by David Burndrett. Baroque,Rock. 11 pages. David Burndrett #1033940. Published by David Burndrett (A0.1454869). This is a fun piece for clarinet choir and it is about grade two standard upwards and based on a theme by Bach!This piece works well as a concert piece or just for fun!
$9.95
Sarabande from Keyboard Suite in D minor HWV 437 (for Clarinet Quartet)
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Ensemble de Clarinettes
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FACILE
#
Classique
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George Frideric Handel
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Robert Newth
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Sarabande from Keyboard Suite
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Robert Newth
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - SKU: A0.845580 Composed by George Frideric Handel. Arranged by Robert Newth. Baroque. 7 pages. Robert Newth #3510...
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Woodwind Ensemble Clarinet - Level 2 - SKU: A0.845580 Composed by George Frideric Handel. Arranged by Robert Newth. Baroque. 7 pages. Robert Newth #3510133. Published by Robert Newth (A0.845580). The Sarabande from Georg Frideric Handel's Keyboard Suite in D minor HWV 437 is one of the most famous pieces of classical music, and this arrangement for clarinet quartet preserves the character of the original piece. The theme and two variations can be repeated or omitted as required. This download includes a full score in Bb and parts for three Bb clarinets and one bass clarinet in Bb, all in treble clef.
$7.20
Arrival of the Queen of Sheba for Clarinet Quintet +
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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Keith Terrett
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Arrival of the Queen of Sheba
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terr...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
Singet dem Herrn ein neues Lied Motet – Part 2 & Alleluia by J.S. Bach (Double Clarinet Choir)
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Ensemble de Clarinettes
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Classique
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Johann Sebastian Bach
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Richard Byrnes
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Singet dem Herrn ein neues Lie
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Richard Byrnes
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet - SKU: A0.830766 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richar...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet - SKU: A0.830766 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 51 pages. Richard Byrnes #5310221. Published by Richard Byrnes (A0.830766). Among Bach’s vocal music, none is performed as much ashis motets. Singet dem Herrn ein neues Lied is the firstof these and displays among his most glorious compositions. This is the second part,including the Alleluia. This is an arrangement by Richard Byrnes for two antiphonal choirs (Choir 1 – 3 Clarinets, Bass Clarinet & Choir 2 - 3 Clarinets, Bass Clarinet). In addition to many works by J.S. Bach, we offer worksby Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina. Â
$29.99
Canon (Pachelbel) (Bb) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813417 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813417 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6259463. Published by Regis Bookshar (A0.813417). Canon (Pachelbel) (Bb) (Clarinet Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Quintet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other two Clarinets. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
Canon in D (Pachelbel) (D) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813463 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.813463 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6264781. Published by Regis Bookshar (A0.813463). Canon in D (Pachelbel) (D) (Clarinet Quintet) - Advanced/Intermediate - . This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Clarinet Quintet. Three Clarinets play the melody in canon while the ostinato accompaniment is played by the other two Clarinets. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of D Major, as is the original version, but another version is also available, if you prefer, written in the key of Bb Major, to make it a little easier for some younger performers. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
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