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Ensemble de Clarinettes
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.85 €
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Ensemble de Clarinettes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Do You Hear What I Hear
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736285 By Carrie Un…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736285 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Phyllis Avidan Louke. Christmas,Holiday,Pop. 23 pages. Louke Publishing #3884835. Published by Louke Publishing (A0.736285). For Clarinet Choir Do You Hear What I Hear? Program Notes Do You Hear What I Hear? is a song written in October 1962, with lyrics by Noël Regney and music by Gloria Shayne Baker. Regney had been invited by a record producer to write a Christmas song, but he was hesitant due to the commercialism of the Christmas holiday. Regney and Baker, married at the time, wrote it as a plea for peace during the Cuban Missile Crisis. It has become a Christmas classic, selling tens of millions of copies and has being covered by hundreds of artists. The song was originally recorded by the Harry Simeone Chorale, the group that had also popularized The Little Drummer Boy. This clarinet choir arrangement is scored for 5 Clarinets and Bass Clarinet. Optional Alto Clarinet part included for Clarinet 5. Performance Time: 3:30 minutes ChristmasHoliday ConcertChurch Service Peace Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at http://www.phyllislouke.com/compositions/digital-downloads-smp-publications/  Â
$14.00
12.93 €
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Ensemble de Clarinettes
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Carrie Underwood
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Phyllis Avidan Louke
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Do You Hear What I Hear
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Louke Publishing
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SheetMusicPlus
"The Hunky Punks" for Clarinet Choir.
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 47 pages. Grant Horsley #1009768. Published by Grant Horsley (A0.1428951). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for E flat Clarinet, 4 B flat Clarinets, Alto, Bass and Contrabass Clarinet. This piece is in concert G minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
13.39 €
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Ensemble de Clarinettes
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Grant Horsley
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"The Hunky Punks" for Clarinet Choir.
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Grant Horsley
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SheetMusicPlus
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
Ensemble de Clarinettes
Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Cen…
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Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. Digital Download PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99
2.76 €
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Ensemble de Clarinettes
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Tito Abeleda
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Tears from My Eyes: Mourning in the Rain
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Visionary Quest Records
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SheetMusicPlus
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