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PIANO & CLAVIERS
Piano, Voix
79
Orgue
22
Accompagnement Piano
21
Piano seul
18
Piano Trio: piano, violon, violoncelle
10
Orgue, Trompette (duo)
9
Piano, Voix et Guitare
8
Orgue, Piano (duo)
8
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Facile
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4
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2
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2
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1
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Guitare
13
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4
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3
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2
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1
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1
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VOIX
Chorale SATB
4321
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1407
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784
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703
Chorale SSAA
488
Chorale Unison
301
Chorale
72
Voix duo, Piano
14
Chorale SSAB a cappella
12
Chorale SSATB
12
Chorale SSAATTBB
10
Voix duo
8
Chorale SSATTB
5
Chorale SSAB, Piano
4
Soli, choeur mixte et accompagnement
2
Voix Soprano, Orchestre
1
Chorale SATBB
1
Chorale SSAATB
1
Voix Soprano, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
100
Saxophone (partie séparée)
71
Flûte, Hautbois, Clarinette, Basson
69
Clarinette et Piano
59
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59
Flûte traversière et Piano
52
Quatuor de Clarinettes: 4 clarinettes
42
Flûte et Guitare
35
Saxophone Alto et Piano
30
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25
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22
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22
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21
3 Saxophones (trio)
17
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14
Saxophone Soprano et Piano
14
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12
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12
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12
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11
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10
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9
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9
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9
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9
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8
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8
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7
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6
3 Clarinettes (trio)
6
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5
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5
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5
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4
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3
Saxophone Alto
3
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3
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3
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3
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3
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3
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2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
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2
4 Hautbois
2
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2
Flûte, Violon, Violoncelle et Piano
2
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1
Saxophone et Orgue
1
Clarinette Basse, Piano
1
Ensemble de Hautbois
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
2 Saxophones, Piano
1
Clarinette, Harpe (duo)
1
Flûte et Quatuor à Cordes
1
Flûte à bec Tenor
1
Hautbois, Quatuor à cordes
1
Hautbois, Harpe
1
Clarinette, Violoncelle (duo)
1
Ensemble à vent
1
3 Hautbois
1
Saxophone Baryton, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
151
Trompette (partie séparée)
87
Trombone (partie séparée)
84
Quatuor de Cuivres : 2 trompettes, trombone, tuba
60
Quatuor de cuivres: 4 trombones
56
Trompette, Piano
33
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Quatuor de Cuivres
25
Ensemble de Trombones
24
Trombone et Piano
20
Cor et Piano
20
2 Euphoniums et 2 Tubas
16
Quatuor de cuivres: 4 cors
15
Trompette, Trombone (duo)
10
Cor anglais, Piano
9
Cor (partie séparée)
7
Tuba et Piano
7
Ensemble de Cors
6
3 Trombones (trio)
6
2 Trombones (duo)
6
Trompette
6
Quatuor de cuivres: 4 trompettes
5
4 Tubas
5
2 Trompettes (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trompette, Cor (duo)
3
Trio de Cuivres
3
2 Cors (duo)
3
Trombone
3
Tuba et Orgue
2
Euphonium, Tuba (duo)
2
3 Trompettes (trio)
2
3 Cors (trio)
2
3 Tubas (trio)
2
Ensemble de Trompettes
1
Trompette, Orchestre
1
2 Tubas (duo)
1
Cor anglais et Harpe (duo)
1
4 Euphoniums
1
Trombone, Orgue
1
Trombone basse
1
Tuba (partie séparée)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
175
Violon et Piano
55
Contrebasse (partie séparée)
53
Violoncelle, Piano
49
Alto, Piano
49
Violon (partie séparée)
24
Trio à Cordes: violon, alto, violoncelle
19
4 Violoncelles
14
Violoncelle
12
Violon, Violoncelle (duo)
12
Harpe
9
2 Violoncelles (duo)
7
Violoncelle (partie séparée)
7
2 Violons (duo)
7
Violon, Alto (duo)
6
Violon
6
Alto seul
6
2 Altos (duo)
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à cordes: 3 violins
5
Violon, Orgue
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
4
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Violon, Violoncelle
3
Trio à cordes
3
Alto, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Alto (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Basse continue
1
Harpe (partie séparée)
1
Contre Basse
1
Ensemble d'Altos
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
196
Orchestre d'harmonie
196
Ensemble de cuivres
111
Orchestre à Cordes
102
Orchestre de chambre
97
Batterie
73
Cloches
44
Percussion (partie séparée)
36
Jazz combo
24
Ensemble Jazz
14
Fanfare
6
Ensemble de Percussions
4
Instrumentation Flexible
2
Vibraphone
1
Big band
1
Marimba
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
42
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Ensemble de Clarinettes
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Your Favourite Easter Hymns for Clarinet Choir
Ensemble de Clarinettes
Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Int…
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Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications
YourFavourite Easter Hymns for Clarinet Choir<br> <br> Arranged by ColinKirkpatrick<br> <br> Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb’s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Würtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love’s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabæus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).<br> <br> <br> <br> Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There’s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.
$25.99
24 €
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Ensemble de Clarinettes
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Various
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Your Favourite Easter Hymns for Clarinet Choir
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Colin Kirkpatrick Publications
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SheetMusicPlus
Monteverdi - The Fifth Book of Madrigals (1605) - 19. Questi vaghi
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.767258 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.767258 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. 62 pages. Lyons Music Services #3121649. Published by Lyons Music Services (A0.767258). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. The final song from book 5 shows quite an advance on the previously (relatively) simple writing. Here we have a full SATB ensemble plus a quite detailed continuo. Questi vaghi (These wandering little birds) also has a more complex structure, being, by itself a scena, split into sections by ritornelli which he calls Sinfonias. At this stage, they are by no means substantial enough to be considered preludes or interludes, but merely dances between the sections of the song. Because of this added complexity, I have had to arrange the piece for a 9-part brass choir. There is some overlap and crossover between the continuo and choral parts to accommodate the different groupings needed for each section. The ritornello sections need to be played more lightly and in a skipping style to add contrast between the 'vocal sections'.
$8.99
8.3 €
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Ensemble de Clarinettes
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fifth Book of Madrigals
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Lyons Music Services
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.28 €
#
Ensemble de Clarinettes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.28 €
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Ensemble de Clarinettes
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Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
Jupiter from The Planets
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.835314 Composed by …
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Woodwind Ensemble Clarinet - Level 5 - Digital Download SKU: A0.835314 Composed by Gustav Holst. Arranged by Rotem Weinberg. 20th Century. 35 pages. Rotem Weinberg #6674033. Published by Rotem Weinberg (A0.835314). Jupiter, the beloved movement from Holst's The Planets, is arranged here for the advanced clarinet quintet. The arrangement includes the whole movement, not abridged or shortened, and is challenging for all parts!. The outer sections are energetic, lively and rhythmic, while the middle section is a beautiful, lyrical, 'choral like' melody with lush harmonies. Great as a concert opener or as a brilliant finale! .
$32.00
29.55 €
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Ensemble de Clarinettes
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Gustav Holst
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Rotem Weinberg
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Jupiter from The Planets
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Rotem Weinberg
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SheetMusicPlus
Mercy
Ensemble de Clarinettes
Clar ensemble - Intermediate - Digital Download SKU: F2.FM457 Composed by Juan Mari…
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Clar ensemble - Intermediate - Digital Download SKU: F2.FM457 Composed by Juan Maria Solare. Clarinet Ensemble. Score and parts. 8 pages. Forton Music - Digital #FM457. Published by Forton Music - Digital (F2.FM457). ISBN 9790570483563.For 3 Bb Clarinets and 1 Bass Clarinet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
9.19 €
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Ensemble de Clarinettes
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Clarinet Quartet
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.956798 Composed by …
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Woodwind Ensemble Clarinet - Level 1 - Digital Download SKU: A0.956798 Composed by Johann Sebastian Bach. Arranged by Woods Only. Baroque,Christian,Easter,Instructional,World. 10 pages. Woods Only, Arrangements #6401111. Published by Woods Only, Arrangements (A0.956798). This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 Herz und Mund und Tat und Leben or Heart and mouth and deed and life from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.23 €
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Ensemble de Clarinettes
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Johann Sebastian Bach
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Woods Only
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Bach Jesu, joy of man's desiring for Clarinet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Klarifications for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital D…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
21.2 €
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Ensemble de Clarinettes
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John Gibson
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Klarifications for Clarinet Choir
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JB Linear
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SheetMusicPlus
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95
46.13 €
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Ensemble de Clarinettes
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J
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James M
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
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jmsgu3
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SheetMusicPlus
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