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1 Piano, 4 mains
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Ligne De Mélodie, (Paroles) et Accords
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65
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1
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1
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VENTS
Saxophone (partie séparée)
162
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108
Clarinette et Piano
104
Flûte traversière et Piano
103
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96
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76
Clarinette
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73
Saxophone Alto et Piano
63
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52
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51
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42
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31
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29
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26
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25
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20
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19
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19
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17
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9
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Clarinette Basse
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Hautbois, Clarinette (duo)
4
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Flûte à bec Alto
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Clarinette et Alto
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2
Flûte, Alto (duo)
2
5 Flûtes à bec
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Hautbois, Flûte
2
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Flûte, Hautbois, Clarinette (trio)
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2 Cors Anglais Et Pianoforte
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Piccolo, Piano
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Flûte, Clarinette, Piano (trio)
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Hautbois, violon (duo)
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2 Clarinettes, Basson
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Hautbois et alto (duo)
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2 Flûte à bec (duo)
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113
Trombone (partie séparée)
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Trompette, Piano
86
Trompette (partie séparée)
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79
Quatuor de Cuivres
77
Cor et Piano
72
Trompette
71
Cor
57
Trombone et Piano
57
Trombone
48
Tuba
40
Tuba et Piano
39
Cor (partie séparée)
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Tuba (partie séparée)
20
2 Trompettes (duo)
18
2 Trombones (duo)
14
2 Cors (duo)
12
Trompette, Trombone (duo)
12
Quatuor de cuivres: 4 trombones
11
Cor Anglais
11
Cor anglais, Piano
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Tuba et Orgue
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2 Tubas (duo)
7
2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 4 cors
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Euphonium, Piano (duo)
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Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
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2
Cor, Tuba (duo)
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Trombone, Cor (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
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Ensemble de Trompettes
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Cor et Harpe
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Trompette, Harpe
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Trompette, Euphonium (duo)
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2 Cors Anglais Et Pianoforte
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Ensemble de Cors
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Trombone basse
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4 Tubas
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3 Trombones (trio)
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Trompette et Guitare
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Cor et Orgue
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3 Trompettes (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
122
Violon
110
Violoncelle, Piano
95
Alto, Piano
78
Alto seul
58
Violoncelle (partie séparée)
57
Contre Basse
55
Violon, Violoncelle (duo)
54
Violoncelle
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
Contrebasse, Piano (duo)
34
Contrebasse (partie séparée)
33
Violon, Alto (duo)
29
2 Violoncelles (duo)
23
Trio à Cordes: violon, alto, violoncelle
23
2 Violons (duo)
21
Harpe
19
Violon (partie séparée)
17
2 Altos (duo)
17
Alto (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
10
2 Contrebasses (duo)
7
Trio à Cordes: 3 violoncelles
6
Harpe, Flûte (duo)
5
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Alto, Violoncelle (duo)
3
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
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4 Contrebasses
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Trio à cordes: 3 violins
1
Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
267
Ensemble Jazz
195
Orchestre à Cordes
108
Orchestre
102
Ensemble de cuivres
52
Jazz combo
35
Batterie (partie séparée)
30
Cloches
30
Fanfare
20
Orchestre de chambre
18
Batterie
17
Marimba
12
Ensemble de Percussions
11
Percussion (partie séparée)
8
Xylophone
6
Xylophone, Piano
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Vibraphone
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AUTRES
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Clarinette, Harpe (duo)
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Bach-Gounod: Ave Maria for Clarinet & Harp
Clarinette, Harpe (duo)
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.44 €
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Clarinette, Harpe (duo)
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Bach: Air on a G String for Clarinet & Harp
Clarinette, Harpe (duo)
B-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277130…
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B-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277130 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Wedding. 8 pages. Jmsgu3 #868820. Published by jmsgu3 (A0.1277130). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
30.44 €
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Clarinette, Harpe (duo)
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Clarinet & Harp
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jmsgu3
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SheetMusicPlus
Joseph Dearest, Joseph Mine, Duet for Bb Clarinet & Harp
Clarinette, Harpe (duo)
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download S…
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1160899 Composed by Traditional German Carol. Arranged by Serena O'Meara. Children,Christmas,Holiday,Sacred,Traditional. Score and parts. 12 pages. O'Meara Music #761212. Published by O'Meara Music (A0.1160899). The hymn tune, “Resonet in Laudibus†(Let Our Praises Resound), is from 14th Century. The first appearance of this song is in a play in 16th Century Leipzig, Germany. Additionally, it is known as “Song of the Cribâ€. The melody of the Verse without the Refrain, is known as “Christ Was Born on Christmas Dayâ€. Brahms used this melody in an Art Song for Alto & Viola.  Arranged with 3 Verses, this gently rocking lullaby features melody on Harp for the first and third verses.
$10.00
9.24 €
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Clarinette, Harpe (duo)
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Traditional German Carol
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Serena O'Meara
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Viola
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Joseph Dearest, Joseph Mine, Duet for Bb Clarinet & Harp
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O'Meara Music
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SheetMusicPlus
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