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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Rob Ames
Non classifié
303
Piano & claviers
Piano, Voix
241
Piano seul
194
Piano Facile
88
Piano, Voix et Guitare
86
Instruments en Do
35
Orgue
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
2
Piano (partie séparée)
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
27
Basse electrique
21
Ligne De Mélodie, (Paroles) et Accords
15
Guitare
9
Paroles et Accords
6
Ukulele
5
Guitare (partie séparée)
1
Piano, Guitare (duo)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
111
Chorale TTBB
39
Chorale 3 parties
30
Chorale SSAA
13
Chorale 2 parties
6
Voix seule
5
Chorale Unison
5
Voix duo
1
Paroles Seulement
1
Voix Tenor
1
Voix haute
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
60
Clarinette et Piano
43
Saxophone Tenor et Piano
37
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
31
Saxophone Baryton, Piano
30
Quatuor de Saxophones: 4 saxophones
29
Saxophone Soprano et Piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone (partie séparée)
19
Clarinette Basse, Piano
18
Clarinette
18
Cor anglais, Piano
16
Quatuor de Clarinettes: 4 clarinettes
15
Flûte traversière
13
Saxophone Alto
13
Clarinette (partie séparée)
11
Saxophone Tenor
10
Flûte, Hautbois, Clarinette, Basson
9
Ensemble de Flûtes
9
Quatuor de Flûtes : 4 flûtes
8
3 Saxophones (trio)
6
2 Saxophones (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
4
2 Flûtes traversières (duo)
4
Flute (partie séparée)
4
Hautbois (partie séparée)
3
Saxophone, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Quintette de Saxophone: 5 saxophones
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette Basse
2
Flûte et Guitare
2
Hautbois
2
2 Clarinettes (duo)
1
Clarinette, Harpe (duo)
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano
1
Flûte, Clarinette (duo)
1
Piccolo, Piano
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Flûte
1
Clarinette et Alto
1
Flûte, Violon
1
Flûte, Clarinette et Basson
1
Quintette de Flûte : 5 flûtes
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
+ 47 instrumentations
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Cuivres
Trombone et Piano
34
Cor et Piano
30
Trompette, Piano
24
Euphonium, Piano (duo)
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trompette
18
Cor anglais, Piano
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette (partie séparée)
13
Trombone (partie séparée)
12
Tuba et Piano
12
Trombone
8
Tuba (partie séparée)
5
Trompette, Trombone (duo)
3
Cor (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de cuivres: 4 trombones
3
Trio de Cuivres
2
Trombone basse et Piano
2
Trompette, Saxophone (duo)
2
Instruments en Sib
2
2 Trompettes (duo)
2
Ensemble de Tubas
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
4 Tubas
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
2 Trombones (duo)
1
Trombone et orchestre
1
Quatuor de Cuivres
1
Cor anglais et Harpe (duo)
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
48
Alto, Piano
37
Violoncelle, Piano
31
Violon (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
27
Violon
20
Violon, Violoncelle (duo)
17
Violoncelle
10
Contrebasse, Piano (duo)
9
Alto seul
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
Alto (partie séparée)
6
Violoncelle (partie séparée)
5
2 Violoncelles (duo)
4
Violon, Alto (duo)
3
2 Violons (duo)
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
1
Contre Basse
1
4 Contrebasses
1
4 Violoncelles
1
+ 22 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
122
Orchestre
40
Fanfare
32
Orchestre à Cordes
23
Batterie
14
Ensemble de cuivres
14
Percussion (partie séparée)
13
Ensemble Jazz
12
Percussion
5
Jazz combo
3
Timbales (partie séparée)
2
Orchestre de chambre
2
Cloches
2
Timbales
2
Batterie (partie séparée)
1
Ensemble de Percussions
1
+ 11 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Rob Ames
Clarinette, Harpe (duo)
Partitions à imprimer
1 partition trouvée
Bach-Gounod: Ave Maria for Clarinet & Harp
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Clarinette, Harpe (duo)
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INTERMÉDIAIRE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Cla
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jmsgu3
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
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Rob Ames
