10 Spooky Halloween Duets is a fun collection of original compositions by David McKeown for one Flute and one Alto Saxophone.

Each duet is a light-hearted portrait of a different Halloween character. Witches, ghosts, vampires and other favourites appear, with biographical details on each title page. The duets cover many musical styles, from classical to jazz and beyond.

The ten titles are, Derek the Deskbound Demon, Frankie the Frank Frankenstein, Mimi the Multicoloured Mummy, Phyllis the Photobombing Phantom, Polly the Polyrhythmic Poltergeist, Scott the Scatterbrained Skeleton, Vicky the Vegetarian Vampire, Walter the Weary Werewolf, Wendy the Wonky Witch and Zoe the Zen Zombie.

These duets are ideal for players of an Intermediate to Advanced Intermediatestandard and above. While the keys and range are easily accessible for your instrument, there are plenty of accidentals and challenging rhythms. Click the link above to hear short samples of each duet on YouTube played on clarinet.

10 Latin Duets is an exciting collection of original compositions by David McKeown, arranged as duets for one Flute and one Alto Saxophone.

Each piece explores a different style and flavour of Latin music, from the Rumbas, Salsas and Mambos of Cuba, to the Sambas and Bossas of Brazil, and on to the Calypsos and Merengues of the Caribbean. Mexico is represented by the Huapango, Venezuela and Colombia by the Joropo, and Argentina and Uruguay by the Tango.

Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. The YouTube link above shows samples of each of these pieces played on clarinet. You can also find full performances of each of these duets elsewhere on my YouTube channel.

10 Latin Duets for Flute and Alto Saxophone are

perfect for concert performances large and small; each piece lasts between two and a half and three minutes.fully articulated to help develop that Latin style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to the world of Latin American music.54 pages adding up to half an hour of quality music.
The ten titles are, Bossa de Bastião, Calypso d?Isaac, Huapango de Hannah, Joropo de Justina, Mambo de Maya, Merengue de Merlin, Rumba de Ruth, Salsa de Shibby, Samba de Simão and Tango d?Elinora.

There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

L?Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Flute and one Alto Saxophone. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.


This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L?Amour is just what?s needed when love is in the air.

L?Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L?Amour has a performance time of around three minutes.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Tango d?Elinora is an exciting original composition by David McKeown, arranged as a duet for one Flute and one Alto Saxophone.

This duet is written in the style of early twentieth century Tango music. Tango first appeared as in the late nineteenth century in Buenos Aires, Argentina, but it wasn?t long before the dance craze spread to North America and Europe. Performers like Carlos Gardel were the international superstars of their day. More recently the Nuevo Tango of Astor Piazzolla and others has pushed the boundaries and ensured that Tango is still a vibrant art form today.

If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Rhythms should be lightly articulated with the first beat in the bar always strong; the melody should always flow and following the articulation in the score will help convey the style. Tango d?Elinora has a performance time of just under three minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Tango d?Elinora.