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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Opera
Non classifié
399
Piano & claviers
Piano, Voix
727
Piano seul
190
Piano Facile
141
Piano, Voix et Guitare
46
1 Piano, 4 mains
39
Instruments en Do
32
Accompagnement Piano
11
Orgue
10
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
1
Clavecin
1
+ 8 instrumentations
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Guitares
Guitare notes et tablatures
38
Ligne De Mélodie, (Paroles) et Accords
13
Guitare
11
Ukulele
8
2 Guitares (duo)
5
Basse electrique
3
Mandoline
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
+ 6 instrumentations
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Voix
Chorale SATB
43
Chorale 2 parties
34
Chorale 3 parties
33
Chorale Unison
21
Chorale TTBB
13
Voix duo, Piano
11
Chorale SSAA
9
Voix moyenne, Piano
3
Voix duo
2
Voix haute
2
Voix seule
2
Voix Tenor, Piano
2
Voix Tenor
1
+ 8 instrumentations
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Vents
Quatuor de Saxophones: 4 saxophones
69
Flûte traversière et Piano
64
Hautbois, Piano (duo)
59
Harmonica
46
Clarinette et Piano
44
2 Saxophones (duo)
42
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte, Hautbois, Clarinette, Basson
36
2 Flûtes traversières (duo)
34
Quintette de Saxophone: 5 saxophones
34
Saxophone Alto et Piano
34
Quatuor de Clarinettes: 4 clarinettes
27
Flûte traversière
26
Clarinette
25
Saxophone Alto
23
Saxophone Soprano et Piano
23
Saxophone Tenor et Piano
19
3 Saxophones (trio)
18
Hautbois (partie séparée)
15
Quatuor de Flûtes : 4 flûtes
14
2 Flûte à bec (duo)
13
Cor anglais, Piano
13
2 Clarinettes (duo)
13
3 Clarinettes (trio)
11
Saxophone Tenor
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
2 Hautbois (duo)
8
Ensemble de Clarinettes
7
Flûte à bec Soprano
7
Saxophone Baryton, Piano
7
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Flûtes à bec (trio)
6
Flûte, Clarinette (duo)
6
Clarinette, Basson (duo)
6
Flûte, Clarinette et Basson
6
Hautbois
5
Hautbois, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Baryton
4
Ensemble de Flûtes
4
Ensemble de saxophones
4
Flûte à bec Alto
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte et Guitare
3
Flûte à Bec
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
5 Flûtes à bec
3
Quatuor de Flûtes à bec
3
3 Hautbois
2
Cor Anglais
2
Clarinette Basse
2
Flûte à bec Tenor
2
Saxophone (partie séparée)
2
Flûte, Basson et Piano
2
Clarinette Basse, Piano
2
Saxophone et Orgue
2
Hautbois, Flûte
2
2 Flûtes à bec, Guitare
1
Flute (partie séparée)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte et Trio à cordes
1
Clarinette, Violoncelle, Piano (trio)
1
+ 67 instrumentations
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Trompette, Piano
42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette
28
Trombone et Piano
26
Cor et Piano
26
Trombone
19
Cor
16
Tuba
15
Quatuor de Cuivres
13
Tuba et Piano
13
Cor anglais, Piano
13
Quatuor de cuivres: 4 cors
13
2 Trompettes (duo)
10
2 Trombones (duo)
9
Euphonium, Piano (duo)
9
Trio de Cuivres
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
7
Trompette, Trombone (duo)
7
3 Trombones (trio)
5
Quatuor de cuivres: 4 trombones
4
4 Tubas
3
Ensemble de Cors
3
3 Trompettes (trio)
3
Cor Anglais
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
3 Cors (trio)
2
Trompette, Cor (duo)
2
Trompette, Tuba (duo)
2
Euphonium
2
3 Tubas (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette (partie séparée)
1
2 Euphoniums et 2 Tubas
1
+ 33 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
118
Violon et Piano
73
Alto, Piano
42
Violoncelle, Piano
35
Violoncelle
31
Violon
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Harpe
21
Alto seul
20
2 Violons (duo)
19
2 Violoncelles (duo)
19
2 Altos (duo)
16
Trio à Cordes: violon, alto, violoncelle
16
Violon, Alto (duo)
13
Violon, Violoncelle (duo)
12
Trio à Cordes: 2 violons, violoncelle
11
Contre Basse
10
Alto, Violoncelle (duo)
8
Contrebasse, Piano (duo)
7
Trio à cordes: 3 altos
6
Quatuor à cordes : 4 altos
5
Violoncelle, Contrebasse (duo)
5
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
4
2 Contrebasses (duo)
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Quatuor à cordes: 4 violons
4
4 Violoncelles
4
Alto (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
3 Contrebasses
2
2 Violons et Basse continue
1
Violoncelle, Orgue
1
Violoncelle , Guitare (duo)
1
2 Harpes (duo)
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
51
Orchestre à Cordes
47
Orchestre de chambre
9
Ensemble de cuivres
8
Orchestre
8
Marimba
4
Ensemble de Percussions
4
Xylophone, Piano
4
Xylophone
2
Fanfare
1
Cloches
1
Ensemble Jazz
1
Batterie
1
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Clarinette Basse, Piano
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
O Mio Babbino Caro - G.Puccini - Bb Bass Clarinet and Piano
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Clarinette Basse, Piano
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FACILE
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.1050878 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score...
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Bass Clarinet,Piano - Level 2 - SKU: A0.1050878 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 10 pages. Raymond Fenech #655215. Published by Raymond Fenech (A0.1050878). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
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