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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Contemporary New age
Non classifié
348
Piano & claviers
Piano seul
1 296
Piano Facile
401
Piano, Voix
275
Instruments en Do
86
Orgue
66
Piano, Voix et Guitare
63
1 Piano, 4 mains
17
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accompagnement Piano
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
58
Ligne De Mélodie, (Paroles) et Accords
35
Guitare
18
2 Guitares (duo)
7
Ukulele
5
Basse electrique
2
Mandoline
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Paroles et Accords
1
+ 6 instrumentations
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Voix
Chorale SATB
249
Chorale 2 parties
222
Voix duo, Piano
141
Chorale 3 parties
114
Chorale Unison
81
Chorale TTBB
29
Voix duo
13
Chorale SSAA
11
Voix seule
4
Voix Baryton, Piano
4
Voix basse, Piano
2
Voix moyenne, Piano
1
Voix Tenor
1
Voix haute
1
Chorale
1
Voix Alto, Piano
1
+ 11 instrumentations
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Vents
2 Saxophones (duo)
84
Clarinette et Piano
78
Flûte traversière et Piano
57
Quatuor de Saxophones: 4 saxophones
54
Flûte, Hautbois, Clarinette, Basson
51
2 Flûte à bec (duo)
42
2 Clarinettes (duo)
40
Saxophone, Clarinette (duo)
36
2 Flûtes traversières (duo)
32
Hautbois, Piano (duo)
26
Saxophone Alto et Piano
25
Clarinette, Violon (duo)
25
Clarinette, Trompette (duo)
24
Saxophone Tenor et Piano
21
Clarinette
21
Saxophone Soprano et Piano
18
Flûte traversière
16
Saxophone Alto
16
Flûte, Clarinette (duo)
15
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
13
Hautbois, Flûte
13
Flûte, Alto (duo)
13
Flûte, Violon
13
Flûte, Saxophone (duo)
12
Clarinette et Alto
12
Hautbois, Basson (duo)
11
Cor anglais, Piano
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Tenor
9
Flûte, Trompette (duo)
9
Clarinette, Trombone (duo)
9
Quintette de Saxophone: 5 saxophones
9
Hautbois (partie séparée)
8
Flûte et Guitare
8
Saxophone Baryton, Piano
7
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
3 Clarinettes (trio)
3
Hautbois
3
Flûte, Violoncelle
3
Cor Anglais
3
Saxophone (partie séparée)
3
Saxophone Soprano
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone Baryton
2
Ensemble de Flûtes
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Harpe (duo)
1
Ensemble de saxophones
1
Ensemble de Clarinettes
1
Cor anglais, Guitare (duo)
1
Saxophone et Guitare
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette Basse, Piano
1
Flûte, Harpe et Violoncelle
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
3 Saxophones (trio)
1
+ 59 instrumentations
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Cuivres
2 Trombones (duo)
29
2 Trompettes (duo)
28
Trombone et Piano
28
Trompette, Piano
27
Trompette, Saxophone (duo)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Cor et Piano
22
Trompette
20
Trombone
18
Trompette, Trombone (duo)
13
Cor
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
2 Euphoniums (duo)
10
Cor anglais, Piano
10
Quatuor de Cuivres
9
Tuba
7
Tuba et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Cor (duo)
3
2 Cors (duo)
3
Cor Anglais
3
Trompette (partie séparée)
2
Euphonium, Piano (duo)
2
2 Tubas (duo)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais, Guitare (duo)
1
Trombone, Orgue
1
+ 26 instrumentations
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Cordes
Harpe
136
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violoncelle, Piano
60
Alto, Piano
59
Violon et Piano
56
Violon
36
2 Violoncelles (duo)
20
2 Harpes (duo)
19
Violon, Violoncelle (duo)
18
Violoncelle
18
2 Violons (duo)
17
2 Altos (duo)
14
Alto seul
14
Violon, Alto (duo)
14
Violon, Guitare (duo)
12
Contrebasse, Piano (duo)
9
Contre Basse
8
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Violoncelles
2
Alto, Guitare (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
1
2 Contrebasses (duo)
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
+ 32 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre à Cordes
19
Ensemble de cuivres
16
Orchestre
15
Cloches
9
Ensemble Jazz
9
Fanfare
6
Ensemble de Percussions
5
Orchestre de chambre
3
Vibraphone
2
Batterie
2
Jazz combo
1
+ 7 instrumentations
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--INSTRUMENTS--
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
#
Bach-Gounod
#
James M
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Piano, S0
#
Bach-Gounod: Ave Maria for Bas
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
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