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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Any Song
Non classifié
1 799
Piano & claviers
Piano seul
1 280
Piano, Voix
725
Piano, Voix et Guitare
167
Piano Facile
159
Instruments en Do
82
Orgue
39
Accordéon
38
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
7
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 4 mains
1
+ 11 instrumentations
Retracter
Guitares
Guitare
153
Basse electrique
137
Ligne De Mélodie, (Paroles) et Accords
95
Guitare notes et tablatures
66
Piano, Guitare (duo)
62
Ukulele
15
Dulcimer
8
Mandoline
6
4 Guitares (Quatuor)
5
Ukulele Baryton
4
Banjo
4
Paroles et Accords
2
Ensemble de guitares
1
2 Dulcimers (duo)
1
2 Guitares (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
574
Chorale 3 parties
204
Chorale TTBB
133
Chorale SSAA
104
Chorale 2 parties
45
Chorale Unison
20
Voix Soprano, Piano
18
Voix duo
16
Voix duo, Piano
16
Voix seule
15
Voix haute
15
Voix moyenne, Piano
15
Voix Alto, Piano
13
Voix basse, Piano
7
Chorale
5
Voix Soprano
3
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix Tenor
1
+ 17 instrumentations
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Vents
2 Saxophones (duo)
307
Saxophone
278
Flûte traversière
192
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
190
Clarinette
172
Quintette de Saxophone: 5 saxophones
165
Saxophone, Clarinette (duo)
142
Saxophone Alto et Piano
131
Flûte traversière et Piano
119
Quatuor de Saxophones: 4 saxophones
117
2 Flûtes traversières (duo)
106
2 Clarinettes (duo)
106
Clarinette et Piano
98
Hautbois, Piano (duo)
94
Clarinette, Violon (duo)
94
Flûte, Hautbois, Clarinette, Basson
90
Clarinette, Trompette (duo)
84
Quatuor de Clarinettes: 4 clarinettes
79
Saxophone Tenor
76
Saxophone Tenor et Piano
70
Ensemble de saxophones
60
Flûte, Clarinette (duo)
59
2 Hautbois (duo)
59
Saxophone Soprano et Piano
57
Saxophone Alto
54
Hautbois, Clarinette (duo)
53
Quintette de Clarinettes: 5 clarinettes
53
Hautbois, Basson (duo)
51
Saxophone Baryton, Piano
50
Clarinette et Alto
49
Saxophone (partie séparée)
45
Flûte, Violon
45
Hautbois, Flûte
45
Flûte, Saxophone (duo)
45
Ensemble de Clarinettes
39
Quatuor de Flûtes : 4 flûtes
38
Flûte, Trompette (duo)
38
Hautbois (partie séparée)
33
Flûte, Violon, Piano
32
Quintette de Flûte : 5 flûtes
30
Flûte, Alto (duo)
29
Ensemble de Flûtes
27
3 Saxophones (trio)
25
Cor anglais, Piano
20
Cor Anglais
16
Saxophone Soprano
12
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette (trio)
9
Hautbois
8
Clarinette Basse, Piano
8
Flûte à bec Soprano
7
2 Flûte à bec (duo)
6
Flûte à Bec
6
Trio de Flûtes: 3 flûtes
6
Flûte, Clarinette et Basson
6
Harmonica
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Saxophone et Harpe
5
5 Flûtes à bec
5
Flûte et Guitare
5
Ensemble De Flûte à bec
5
Ocarina
4
2 Saxophones, Piano
3
Clarinette, Harpe (duo)
3
Quatuor de Flûtes à bec
3
Saxophone Baryton
3
Flûte à bec Alto
2
Clarinette, Basson (duo)
2
Hautbois, Harpe
2
Flûte, Basson et Piano
2
Piccolo, Piano
2
Saxophone et Guitare
2
Flute, harpe et violon
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Piano (trio)
1
2 Flûtes traversières, Harpe
1
Flûte, Violon et Violoncelle
1
Flûte, Violoncelle
1
Clarinette (partie séparée)
1
Piccolo
1
Flute (partie séparée)
1
Clarinette, Basson, Piano (trio)
1
2 Flûtes traversières, Piano
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle (duo)
1
Saxophone et Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Basson
1
Flûte de Pan
1
Clarinette, Violoncelle, Piano (trio)
1
+ 86 instrumentations
Retracter
Cuivres
Trompette
167
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
166
Trombone
158
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Trompette, Saxophone (duo)
99
Trombone et Piano
81
Trompette, Piano
74
Cor et Piano
65
2 Trombones (duo)
60
2 Trompettes (duo)
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
Trompette, Trombone (duo)
47
Tuba et Piano
32
Cor
28
Tuba
20
Cor anglais, Piano
20
2 Cors (duo)
17
Ensemble de Trombones
16
Ensemble de Trompettes
16
Cor Anglais
16
Quatuor de Cuivres
16
Euphonium, Piano (duo)
12
Trompette (partie séparée)
8
Quatuor de cuivres: 4 cors
7
Ensemble de Cors
5
Quatuor de cuivres: 4 trombones
5
2 Euphoniums et 2 Tubas
4
Trompette, Harpe
3
Euphonium
2
3 Trompettes (trio)
2
2 Tubas (duo)
2
Cor et Harpe
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Euphonium (duo)
1
Trio de Cuivres
1
4 Tubas
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Cornet et orchestre
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
411
Violon et Piano
142
Violon
133
Violon, Violoncelle (duo)
123
Violoncelle
111
Violoncelle, Piano
104
Alto, Piano
98
Harpe
95
Trio à Cordes: 2 violons, violoncelle
78
2 Violons (duo)
74
Alto seul
72
2 Violoncelles (duo)
66
Violon, Alto (duo)
64
2 Altos (duo)
63
Trio à Cordes: violon, alto, violoncelle
60
Quintette à cordes: 2 violons, alto, violoncelle, basse
38
Contrebasse, Piano (duo)
29
Contre Basse
23
Harpe, Voix
15
2 Harpes (duo)
14
Ensemble de Violons
11
Alto (partie séparée)
10
Ensemble d'Altos
9
Trio à Cordes: 3 violoncelles
9
Violon, Guitare (duo)
6
Alto, Violoncelle (duo)
5
Violoncelle , Guitare (duo)
4
Violoncelle, Orgue
3
Trio à cordes: 3 violins
3
Alto et Harpe
3
Harpe, Violon (duo)
3
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Harpe et Piano
2
Trio à Cordes: 2 violons, alto
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Harpe, Trombone (duo)
1
2 Violons, Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
108
Orchestre à Cordes
94
Ensemble de cuivres
86
Cloches
82
Batterie
76
Orchestre
68
Ensemble Jazz
51
Orchestre de chambre
38
Fanfare
23
Jazz combo
17
Vibraphone
3
Ensemble de Percussions
3
Xylophone, Piano
2
Quintette à Vent
1
Instrumentation Flexible
1
+ 10 instrumentations
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Autres
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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Clarinette Basse, Piano
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1
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
#
Edvard Grieg
#
James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Ange Flégier: Méditation for bass clarinet and piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Paul Wehage
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Ange Flégier: Mé
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.534534 Composed by Ange Flégier. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 14 pages. Musik Fabrik Music Publishing #3627025. Published by Musik Fabrik Music Publishing (A0.534534). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. This work is dedicated to the composer's friend Jules Massenet and is obviously influenced by the famous Meditation from Thaïs.
$10.35
He Leadeth Me for Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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William B
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Lawrence H
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He Leadeth Me for Bass Clarine
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968544 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jaz...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.968544 Composed by William B. Bradbury. Arranged by Lawrence H. Underwood. Blues,Christian,Jazz,Sacred. Score and individual part. 9 pages. Lawrence H Underwood #6571095. Published by Lawrence H Underwood (A0.968544). Arranged by veteran performer and music educator, Lawrence Underwood, as the fourteenth installment in his 2021 Hymn Song Collection series, this brand-new setting of He Leadeth Me gives this traditional melody the boogie-woogie treatment! Suitable for use as special music in church or as a recital piece. . .or anywhere you want to have a little musical fun. . .this arrangement is sure to be a hit!
$5.99
Don't Let The Sun Go Down On Me
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.547801 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.547801 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053397. Published by jmsgu3 (A0.547801). Elton John: Don't Let The Sun Go Down On Me arranged for Bass Clarinet & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
It's Been A Long, Long Time
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #...
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Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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