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Ian Green
Non classifié
203
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384
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343
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128
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32
1 Piano, 4 mains
17
Instruments en Do
12
Piano Facile
11
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6
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2
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1
Clavecin
1
Accompagnement Piano
1
Accordéon
1
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Guitare
21
Basse electrique
16
Ligne De Mélodie, (Paroles) et Accords
6
Piano, Guitare (duo)
2
Ukulele
2
2 Mandolines (duo)
2
Guitare notes et tablatures
1
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1
2 Guitares (duo)
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45
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20
Voix seule
15
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7
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7
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7
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6
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25
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16
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15
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14
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12
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10
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8
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6
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5
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5
Saxophone Baryton, Piano
4
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4
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4
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3
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3
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3
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2
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2
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2
Saxophone Alto
2
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2
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2
Clarinette Basse, Piano
2
2 Clarinettes (duo)
2
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1
Ensemble à vent
1
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1
Saxophone, Clarinette (duo)
1
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1
2 Hautbois (duo)
1
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1
2 Saxophones, Piano
1
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1
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1
Ensemble de saxophones
1
Clarinette, trompette et piano
1
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1
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1
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1
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12
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10
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9
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9
Trompette
6
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5
Cor anglais, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Trompettes (duo)
3
Cor
2
Trombone
2
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2
Quatuor de Cuivres
2
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1
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19
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17
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15
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13
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10
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7
Alto seul
6
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5
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5
2 Violoncelles (duo)
4
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3
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2
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2
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1
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Trio à Cordes: 2 violons, violoncelle
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Violon, Alto (duo)
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Violon, Violoncelle (duo)
1
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9
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Vous avez sélectionné:
Ian Green
intermédiaire
Clarinette Basse, Piano
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
A Sky Full Of Stars
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Rock
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Coldplay
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James M
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A Sky Full Of Stars
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M....
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Bass Clarinet,Piano - Level 3 - SKU: A0.547979 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 16 pages. Jmsgu3 #3121619. Published by jmsgu3 (A0.547979). Score: 9 pages, solo part: 2 pages, piano part: 5 pages. Duration: 4:35A Sky Full of Stars is a song recorded by British alternative rock band Coldplay, it was released on 2 May 2014 as the third single from their sixth studio album, Ghost Stories (2014). The band co-wrote and co-produced the song with Avicii, and received production assistance from Paul Epworth, Daniel Green, and Rik Simpson. It was recorded at The Bakery and The Beehive in North London, England.
$47.95
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