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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Instructional
Non classifié
2 724
Piano & claviers
Piano seul
3 689
Piano, Voix
254
Orgue
223
Piano Facile
188
Instruments en Do
126
1 Piano, 4 mains
112
Piano, Voix et Guitare
60
2 Pianos, 4 mains
56
Accompagnement Piano
56
Piano Quatuor: piano, violon, alto, violoncelle
17
Accordéon
15
Piano Trio: piano, violon, violoncelle
15
Clavecin
11
Orgue, Piano (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavier
2
2 Pianos, 8 mains
2
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 303
Guitare
273
Basse electrique
44
2 Guitares (duo)
42
Ukulele
39
Ligne De Mélodie, (Paroles) et Accords
20
Ensemble de guitares
9
3 Guitares (trio)
8
Dulcimer
5
Banjo
5
4 Guitares (Quatuor)
4
Mandoline
3
Piano, Guitare (duo)
3
Paroles et Accords
2
Guitare (partie séparée)
2
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale
129
Chorale SATB
124
Chorale 3 parties
61
Chorale 2 parties
54
Voix haute
24
Chorale Unison
23
Chorale TTBB
16
Chorale SSAA
10
Voix Soprano, Piano
9
Voix duo, Piano
9
Voix seule
8
Voix moyenne, Piano
7
Voix Alto, Piano
7
Voix duo
2
Voix Tenor
1
Voix Tenor, Piano
1
Voix Soprano
1
Voix Baryton, Piano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
330
Quatuor de Saxophones: 4 saxophones
328
Clarinette et Piano
277
Hautbois, Piano (duo)
254
2 Saxophones (duo)
244
Quatuor de Clarinettes: 4 clarinettes
238
Saxophone Alto et Piano
234
Quatuor de Flûtes : 4 flûtes
186
2 Clarinettes (duo)
177
2 Flûtes traversières (duo)
153
Flûte traversière
153
Saxophone Tenor et Piano
150
Saxophone Soprano et Piano
133
Clarinette
127
Flûte, Hautbois, Clarinette, Basson
115
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
114
Saxophone Alto
88
3 Clarinettes (trio)
85
3 Saxophones (trio)
79
Saxophone Tenor
78
Cor anglais, Piano
69
2 Hautbois (duo)
56
Flûte, Clarinette (duo)
56
Saxophone (partie séparée)
55
Quintette de Saxophone: 5 saxophones
55
Ensemble de saxophones
49
Hautbois, Basson (duo)
46
Trio de Flûtes: 3 flûtes
44
Hautbois (partie séparée)
42
Saxophone Baryton, Piano
37
Clarinette, Basson (duo)
33
Ensemble de Clarinettes
32
Clarinette, Violon (duo)
27
Hautbois, Clarinette (duo)
27
Flûte, Violoncelle
26
Ensemble de Flûtes
26
Ensemble De Flûte à bec
26
Clarinette, Violoncelle (duo)
23
Flûte, Hautbois, Clarinette (trio)
23
Hautbois, Clarinette, Basson (trio d'anches)
22
Flûte, Hautbois, Basson
21
Flûte, Violon
19
Clarinette Basse, Piano
19
Clarinette et Alto
17
Flûte, Clarinette et Basson
16
Flûte et Guitare
15
Saxophone, Clarinette (duo)
15
2 Flûte à bec (duo)
14
Hautbois
14
2 Clarinettes, Piano
13
Quintette de Flûte : 5 flûtes
12
Flûte, Alto (duo)
12
Cor Anglais
12
Saxophone Soprano
11
Quintette de Clarinette: Clarinette, Quatuor à Cordes
10
Flûte, Saxophone (duo)
9
Flûte à bec Soprano
9
3 Hautbois
9
4 Hautbois
8
Clarinette, Trompette (duo)
8
Quatuor de Flûtes à bec
8
Flûte, Hautbois (duo)
7
Flûte, Clarinette, Violon (trio)
7
2 Saxophones, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Hautbois, Flûte
6
Flûte, Violon et Violoncelle
5
2 Cors Anglais Et Pianoforte
5
Flûte, Trompette (duo)
5
5 Flûtes à bec
5
2 Flûtes traversières, Piano
5
Harmonica, Piano
5
3 Flûtes à bec (trio)
4
Saxophone Baryton
4
Saxophone et Piano
4
Piccolo
4
Flûte à Bec
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone
4
Clarinette, Trombone (duo)
3
Clarinette (partie séparée)
3
Flûte, Violon, Piano
3
Hautbois, violon (duo)
3
Flûte à bec Alto
3
Harmonica
3
Flute (partie séparée)
3
2 Clarinettes, Basson
2
Flûte traversière, Orchestre
2
Flûte, Basson et Piano
1
Flute, Cor (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
2 Hautbois et Basson
1
Flute, harpe et violon
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Flûte à Bec, Piano
1
Instruments en Mib
1
Clarinette Basse
1
2 Hautbois, Piano
1
Hautbois, Violoncelle
1
Flûte à bec Tenor
1
Clarinette, Basson, Piano (trio)
1
Cornemuse
1
Flûte traversière, Basse continue
1
Piccolo, Piano
1
+ 102 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
231
Trompette, Piano
166
Cor et Piano
141
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
122
Trompette
118
Trombone et Piano
91
Trombone
75
Cor anglais, Piano
69
2 Trompettes (duo)
65
Quatuor de Cuivres
54
Ensemble de Trompettes
53
2 Cors (duo)
46
2 Trombones (duo)
46
Cor
46
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Euphonium, Piano (duo)
35
Trompette, Trombone (duo)
20
Tuba et Piano
20
2 Tubas (duo)
19
Tuba
16
Cor Anglais
12
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 cors
8
Ensemble de Trombones
8
3 Trompettes (trio)
8
Trompette (partie séparée)
7
Quatuor de cuivres: 4 trombones
7
Euphonium
7
3 Trombones (trio)
6
Quatuor de cuivres: 4 trompettes
6
2 Cors Anglais Et Pianoforte
5
2 Euphoniums (duo)
5
Trombone (partie séparée)
5
Cor, Violoncelle (duo)
4
Bass Clef Instruments
3
Ensemble de Cors
3
Instruments en Sib
3
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
Trombone, violoncelle (duo)
2
Cor (partie séparée)
2
Trombone basse
2
4 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Clarinette, Cor (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Violoncelle (duo)
1
Cor et Orgue
1
Trombone, Cor (duo)
1
2 Cors, Piano
1
Tuba (partie séparée)
1
3 Cors (trio)
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
653
Violon et Piano
427
Violoncelle, Piano
237
Alto, Piano
233
Violon
202
Trio à Cordes: violon, alto, violoncelle
165
2 Violons (duo)
159
Violon, Violoncelle (duo)
114
Violon, Alto (duo)
107
Alto seul
95
Violoncelle
93
2 Violoncelles (duo)
84
2 Altos (duo)
84
Trio à Cordes: 2 violons, violoncelle
77
Harpe
71
Contre Basse
55
Trio à cordes: 3 violins
37
Alto (partie séparée)
27
Contrebasse, Piano (duo)
26
Trio à cordes: 3 altos
22
2 Contrebasses (duo)
22
Trio à Cordes: 2 violons, alto
21
Trio à Cordes: 3 violoncelles
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Alto, Violoncelle (duo)
18
Violon, Basson (duo)
17
4 Violoncelles
16
Violoncelle, Contrebasse (duo)
10
Quatuor à cordes: 4 violons
9
Violon, Guitare (duo)
8
2 Harpes (duo)
6
2 Violons, Piano
6
Ensemble de Violons
5
Ensemble d'Altos
5
Violon (partie séparée)
4
Quatuor à cordes : 4 altos
4
Alto, Guitare (duo)
3
Alto et Basson
3
Violoncelle , Guitare (duo)
2
Harpe et Piano
2
Violon, Orgue
2
Alto, Orgue
2
2 Violoncelles, Piano
2
Contrebasse (partie séparée)
2
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Flûte, Contrebasse (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 600
Orchestre à Cordes
1 465
Fanfare
818
Ensemble Jazz
554
Orchestre
344
Percussion
108
Orchestre de chambre
83
Batterie
67
Cloches
51
Ensemble de cuivres
50
Ensemble de Percussions
43
Jazz combo
34
Batterie-Fanfare
18
Xylophone
8
Caisse Claire
8
Marimba
8
Quintette à Vent
6
Vibraphone
6
Xylophone, Piano
4
Piano et Orchestre
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie (partie séparée)
2
Percussion (partie séparée)
1
2 Xylophones
1
+ 19 instrumentations
Retracter
Autres
Formation musicale - Solfège
4
Théorie de la musique
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Clarinette Basse, Piano
Partitions à imprimer
19 partitions trouvées
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1
Dance of the Little Swans for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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P
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Diego Marani
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Dance of the Little Swans for
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Diego Marani
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.1403641 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic...
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B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.1403641 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Diego Marani #986820. Published by Diego Marani (A0.1403641). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.This arrangement for Bb bass clarinet with piano accompaniment faithfully reflects the original and is suitable for repertoire, classroom and recital.
$6.99
Telemann: Sonata in C Minor for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James M
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Telemann: Sonata in C Minor fo
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550752 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550752 Composed by Georg Philipp Telemann. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 39 pages. Jmsgu3 #4802191. Published by jmsgu3 (A0.550752). Sonata in five movements. Duration: 11:47, Score: 22 pages. 209 measures. 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. Allegro
$32.95
Fauré: Andante Op. 75 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Andante Op. 75 f
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551747 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,S...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551747 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5710047. Published by jmsgu3 (A0.551747). Gabriel Fauré Andante Op. 75. A Johannès WOLFFDuration ca. 5:00, Score: 13 pages.Andante molto moderatoUn poco più animato.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Guthrie: Chaconne for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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James M
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Piano
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Guthrie: Chaconne for Bass Cla
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549319 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jmsg...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549319 Composed by James M. Guthrie. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Jmsgu3 #3485845. Published by jmsgu3 (A0.549319). Chaconne for Bass Clarinet & Piano. Duration: 5:36, score: 5 pages, solo part: 2 pages.Very meditative and introspective piece for church or recital.
$24.95
Fauré: Sicilienne for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James M
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Fauré: Sicilienne for B
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549066 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549066 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. 20th Century,Instructional,Standards. Score and part. 15 pages. Jmsgu3 #3450067. Published by jmsgu3 (A0.549066). Gabriel Fauré: Sicilienne Op. 78. Duration: ca. 3:30 Score: 11 pg. 86 ms. meter: 6/8 pages: Parts: 2 pg. Very nice recital encore piece. Very moody with a light touch of impressionism and poignant mode mixture. This piece will add a surprising element to your concert and demonstrate the depth of your musical sensitivity.
$32.95
Arabesque - Burgmuller Op.100, No.2 - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Burgmuller, Johann
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Arabesque - Burgmuller Op.100,
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722075 Composed by Burgmuller, Johann. Arranged by Anne L Christopherson GRSM ARCM. Concert,In...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722075 Composed by Burgmuller, Johann. Arranged by Anne L Christopherson GRSM ARCM. Concert,Instructional. Score and individual part. 3 pages. Music-Scores.com #5748889. Published by Music-Scores.com (A0.722075). Arabesque, a lively study which requires crisp timing and neat fingers.For Bass Clarinet and Piano.Duration: under a minute.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Telemann: Four Sonatas for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Stand...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551669 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330389. Published by jmsgu3 (A0.551669). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Polonaise - F. Schubert - For Bass Clarinet and Piano - Intermediate
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Raymond Fenech
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Polonaise - F. Schubert - For
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Raymond Fenech
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.760755 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,W...
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B-Flat Bass Clarinet,Piano - Level 3 - SKU: A0.760755 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score and part. 13 pages. Raymond Fenech #5887341. Published by Raymond Fenech (A0.760755). Franz Schubert composed a set of six Polonaise (D.824 Op.61 No 1) in 1826 for Piano Four Hands. This lovely Polonaise was arranged for Solo Piano. The Level is Intermediate/Advanced Intermediate and the duration is approximately 3.28 minutes. It could be played in any type of recital/concert.
$3.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Beethoven: 12 Variations Op. 66 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: 12 Variations Op. 6
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551975 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instruct...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551975 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instructional,Love,Standards. Score and part. 49 pages. Jmsgu3 #6026631. Published by jmsgu3 (A0.551975). Variations on Ein Mädchen oder Weibschen from Mozart's The Magic Flute
$21.95
The Elephant
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Matthew Nunes
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The Elephant
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Matthew Nunes Music
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructiona...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1265061 Composed by Camille Saint-Saens. Arranged by Matthew Nunes. 19th Century,Children,Classical,Instructional. Score and part. 6 pages. Matthew Nunes Music #857902. Published by Matthew Nunes Music (A0.1265061). Http://www.matthewnunesmusic.com/arrangements.htmlThe Elephant is the fifth movement in Camille Saint-Saens 1886 suite The Carnival of the Animals and originally features the double bass. A quirky and imaginative piece, the Carnival features the representations of lions and swans, assortments of fowl, aquatic wonders, and even fossils. The Elephant is based on two themes, the Scherzo from A Midsummer Night’s Dream by Felix Mendelssohn and Dance of the Sylphs from The Damnation of Faust by Hector Berlioz. There are plenty of jokes in the Carnival, and no doubt audiences at the time chuckled when hearing familiar themes in a much lower presentation.
$1.99
Fauré: Nocturne Op. 104 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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James Guthrie, ASCAP
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Fauré: Nocturne Op. 104
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551610 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551610 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #5324325. Published by jmsgu3 (A0.551610). Gabriel Fauré: Nocturne, Op. 104, Duration 3:34 Score: 8 pages.Molto moderato.
$32.95
BACH: Sonata BWV 1035 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1035 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551831 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standa...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551831 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 35 pages. Jmsgu3 #5747085. Published by jmsgu3 (A0.551831). J. S. BACH: Sonata BWV 1035Duration: ca. 13:00, Score: 21 PagesI. Adagio ma non tantoII. AllegroIII. SicilianoIV. Allegro assaiOriginally scored for transverse flute & cembaloArrangement and figured bass realization by James M. Guthrie.
$26.95
Telemann: Sonata in G Major for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Georg Philipp Telemann
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James M
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Telemann: Sonata in G Major fo
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jmsgu3
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SheetMusicPlus
Composed by Georg Philipp Telemann (1681-1767). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Rec...
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Composed by Georg Philipp Telemann (1681-1767). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts. 43 pages. Published by jmsgu3
$32.95
O ma charmante, épargnez moi - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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Gottshalk, Louis Moreau
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Anne Christopherson ARCM GRSM
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O ma charmante, épargnez moi
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Music-Scores.com
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.722103 Composed by Gottshalk, Louis Moreau. Arranged by Anne Christopherson ARCM GRSM. Concert,Holiday,Love,Wedding. ...
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Small Ensemble - Level 3 - SKU: A0.722103 Composed by Gottshalk, Louis Moreau. Arranged by Anne Christopherson ARCM GRSM. Concert,Holiday,Love,Wedding. Score and parts. 6 pages. Music-Scores.com #5790383. Published by Music-Scores.com (A0.722103). Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Bass Clarinet and Piano.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
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