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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Strings
Non classifié
1 339
Piano & claviers
Piano, Voix et Guitare
157
Piano seul
87
Piano, Voix
44
Orgue
26
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
8
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Facile
2
Fake Book
1
Clavier
1
1 Piano, 4 mains
1
+ 10 instrumentations
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Ukulele
221
Guitare
51
Guitare notes et tablatures
43
Basse electrique
14
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3
2 Dulcimers (duo)
3
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3
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3
4 Guitares (Quatuor)
2
Paroles et Accords
2
Banjo
2
3 Guitares (trio)
1
Dulcimer
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
Mandoline
1
+ 11 instrumentations
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Voix
Chorale SATB
116
Chorale 3 parties
33
Chorale TTBB
16
Soli, choeur mixte et accompagnement
12
Chorale SSAA
9
Chorale Unison
8
Chorale 2 parties
7
Voix duo
6
Chorale SSATB
3
Voix Soprano, Piano
2
Voix haute
2
Chorale
1
Voix duo, Piano
1
Voix basse, Piano
1
+ 9 instrumentations
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Vents
Flûte traversière et Piano
32
Clarinette
24
Saxophone Alto
21
Hautbois, Piano (duo)
19
Saxophone Tenor
18
Flûte traversière
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Soprano et Piano
14
Hautbois (partie séparée)
14
Saxophone Alto et Piano
14
Clarinette et Piano
14
Quatuor de Saxophones: 4 saxophones
12
Quatuor de Clarinettes: 4 clarinettes
10
Quatuor de Flûtes : 4 flûtes
10
Saxophone Tenor et Piano
9
Saxophone Baryton, Piano
9
Flûte et Guitare
8
Flûte, Hautbois, Clarinette (trio)
7
Flûte, Hautbois, Clarinette, Basson
7
Flûte et Trio à cordes
7
Cor anglais, Piano
6
3 Clarinettes (trio)
6
Quintette de Clarinettes: 5 clarinettes
5
2 Clarinettes (duo)
5
2 Saxophones (duo)
5
Flûte, Violon et Violoncelle
5
Flûte, Hautbois, Basson
4
2 Flûtes traversières (duo)
4
Clarinette Basse, Piano
4
3 Saxophones (trio)
3
Flûte à Bec
3
Clarinette, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Ensemble de saxophones
3
Flûte, Clarinette et Basson
3
Ensemble de Flûtes
3
Hautbois, Harpe
2
Flute, harpe et violon
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Ensemble de Clarinettes
2
Hautbois, Basson (duo)
2
Flûte, Violoncelle, Piano (trio)
2
2 Clarinettes, Basson
2
Cor anglais, Guitare (duo)
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Flûte à bec Soprano
2
Quatuor de Flûtes à bec
2
2 Hautbois (duo)
2
Saxophone et Guitare
1
Flûte, Violon
1
Piccolo, Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte à Bec, Piano
1
Flûte traversière, Orchestre
1
Flûte à bec Alto
1
Clarinette, Orgue
1
Saxophone (partie séparée)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 53 instrumentations
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Cuivres
Trompette
21
Trombone
15
Cor et Piano
13
Trombone et Piano
13
Cor
12
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Euphonium, Piano (duo)
8
Trompette, Piano
8
Cor anglais, Piano
6
Ensemble de Cors
3
2 Cors (duo)
3
Ensemble de Trompettes
2
2 Euphoniums (duo)
2
2 Trombones (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone (duo)
2
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Trompette, Harpe
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
672
Harpe
431
Trio à Cordes: violon, alto, violoncelle
163
Violon, Violoncelle (duo)
80
Trio à Cordes: 2 violons, violoncelle
65
Violon
61
2 Harpes (duo)
53
Violon et Piano
42
2 Violons (duo)
40
Violoncelle
38
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Alto, Piano
26
Violoncelle, Piano
19
Violon, Alto (duo)
18
Alto seul
15
Violon (partie séparée)
14
2 Violoncelles (duo)
12
Violon, Guitare (duo)
12
Trio à cordes: 3 violins
10
Harpe, Violon (duo)
9
2 Altos (duo)
9
Alto (partie séparée)
9
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
6
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Voix
3
Harpe, Flûte (duo)
3
Violoncelle , Guitare (duo)
2
Contrebasse (partie séparée)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
Harpe, Orchestre
1
Trio à cordes
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
415
Orchestre
324
Orchestre de chambre
210
Ensemble Jazz
95
Orchestre d'harmonie
61
Jazz combo
21
Cloches
8
Ensemble de Percussions
7
Ensemble de cuivres
4
Piano et Orchestre
3
Batterie
3
Fanfare
1
Timbales (partie séparée)
1
Ensemble d'École
1
Marimba
1
Percussion (partie séparée)
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Clarinette Basse, Piano
Partitions à imprimer
4 partitions trouvées
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1
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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