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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mozart
Non classifié
3 522
Piano & claviers
Piano seul
2 500
Piano, Voix
1 069
Piano Facile
571
1 Piano, 4 mains
148
Piano, Voix et Guitare
83
Orgue
71
Piano Trio: piano, violon, violoncelle
43
Accordéon
42
2 Pianos, 4 mains
40
Accompagnement Piano
36
Instruments en Do
35
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Quintette: piano, 2 violons, alto, violoncelle
18
Piano Quatuor: piano, 2 violons, violoncelle
15
Instrument seul et Orgue
11
Orgue, Trompette (duo)
6
Piano grosses notes
4
2 Pianos, 8 mains
3
Piano (partie séparée)
3
Clavecin
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Ligne De Mélodie, Piano
1
Accordéon, Corde(s)
1
Clavier
1
Fake Book
1
Accordéon, Voix
1
+ 22 instrumentations
Retracter
Guitares
Guitare
163
Guitare notes et tablatures
104
2 Guitares (duo)
56
Ukulele
39
Ligne De Mélodie, (Paroles) et Accords
26
Mandoline
16
4 Guitares (Quatuor)
15
3 Guitares (trio)
10
Basse electrique
8
Piano, Guitare (duo)
5
Guitare, Flûte, Clarinette
2
Guitare (partie séparée)
2
Banjo
2
2 Ukuleles
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Ensemble de Ukulélés
1
Dulcimer
1
Paroles et Accords
1
Mandoline, Piano (duo)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
239
Voix seule
168
Chorale 3 parties
112
Chorale 2 parties
82
Voix Soprano, Piano
49
Voix Moyenne
39
Chorale
38
Chorale Unison
27
Voix duo, Piano
25
Chorale TTBB
22
Voix Baryton, Piano
19
Voix Tenor, Piano
18
Voix Mezzo-Soprano, Piano
17
Voix basse, Piano
16
Voix duo
12
Chorale SSAA
12
Pack Instrumental pour Chorale
11
Voix moyenne, Piano
7
Chorale, Orchestre
7
Voix Soprano
4
Voix haute
4
Voix, Guitare
2
Soli, choeur mixte et accompagnement
2
Voix basse
2
Voix Soprano, Orchestre
1
Paroles Seulement
1
Voix haute, Piano
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
Voix duo, Orgue
1
Voix Tenor
1
+ 26 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
340
Flûte traversière et Piano
300
Clarinette
250
Quatuor de Saxophones: 4 saxophones
249
2 Saxophones (duo)
245
Flûte traversière
238
2 Flûtes traversières (duo)
205
2 Clarinettes (duo)
198
Quatuor de Clarinettes: 4 clarinettes
189
Clarinette et Piano
183
Flûte, Hautbois, Clarinette, Basson
180
Quatuor de Flûtes : 4 flûtes
132
Hautbois, Piano (duo)
129
Saxophone Alto et Piano
122
Quintette de Clarinettes: 5 clarinettes
104
Quintette de Saxophone: 5 saxophones
94
Ensemble de Clarinettes
89
Saxophone Tenor et Piano
78
Flûte, Clarinette (duo)
78
Saxophone Alto
68
Saxophone (partie séparée)
68
Saxophone Soprano et Piano
67
Clarinette (partie séparée)
67
3 Clarinettes (trio)
65
2 Hautbois (duo)
64
Ensemble de saxophones
60
Quintette de Flûte : 5 flûtes
58
Saxophone
52
Hautbois
52
Hautbois (partie séparée)
51
Saxophone Tenor
50
Hautbois, Clarinette (duo)
50
Hautbois, Basson (duo)
50
Ensemble de Flûtes
44
Quatuor de Flûtes à bec
36
Flûte et Guitare
32
Trio de Flûtes: 3 flûtes
31
3 Saxophones (trio)
30
Flûte, Clarinette et Basson
29
Saxophone Baryton, Piano
27
Flûte à Bec
25
Flûte, Violon
24
Flûte, Violoncelle
24
Clarinette, Violon (duo)
24
Flute (partie séparée)
24
Clarinette, Basson (duo)
23
Flûte, Hautbois (duo)
21
Clarinette, Violoncelle (duo)
20
Hautbois, violon (duo)
19
2 Flûte à bec (duo)
19
Clarinette Basse, Piano
18
Saxophone, Clarinette (duo)
18
Flûte, Trompette (duo)
17
Cor anglais, Piano
17
Flûte à bec Soprano
16
Piccolo, Piano
15
Flûte, Hautbois, Clarinette (trio)
15
Hautbois, Violoncelle
15
Instruments en Mib
15
Ensemble De Flûte à bec
14
Harmonica
13
Flûte, Hautbois, Basson
13
Hautbois, Trompette (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone, Violon (duo)
11
Flûte, Trombone (duo)
10
Flûte à bec Alto
10
Flûte, Violoncelle, Piano (trio)
10
Flûte, Violon, Piano
9
Flûte, Alto (duo)
9
2 Saxophones, Piano
8
Clarinette, Guitare (duo)
7
Flûte à bec Soprano, Piano
7
Flûte à Bec, Piano
7
Flûte et Trio à cordes
7
Clarinette, Trombone (duo)
7
3 Flûtes à bec (trio)
7
5 Flûtes à bec
7
Flûte, Saxophone (duo)
6
Saxophone et Orgue
6
Hautbois, Flûte
6
Flûte traversière, Orchestre
6
Clarinette et Alto
6
Hautbois et alto (duo)
5
Hautbois, trombone (duo)
4
3 Hautbois
4
Saxophone Soprano
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Violon et Violoncelle
4
Ensemble à vent
3
4 Hautbois
3
Flûte à bec Tenor
3
Saxophone Baryton
3
Flûte, Violon, Violoncelle et Piano
3
Flûte à bec Alto, Piano
3
Saxophone, Basson (duo)
3
2 Clarinettes, Basson
3
Saxophone et violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte à bec, Guitare (duo)
2
2 Clarinettes, Piano
2
Flûte, Tuba (duo)
2
Ocarina
2
Flûte, Clarinette, Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois et Basson
1
Flûte, Hautbois, Violon
1
Piccolo
1
Flûte traversière, Basse continue
1
2 Flûtes, Basse continue
1
Clarinette, Tuba
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flute, harpe et violon
1
Clarinette, Orchestre
1
Clarinette, Contrebasse (duo)
1
Clarinette, Trompette (duo)
1
Saxophone et Harpe
1
Saxophone et Piano
1
Flûte, Alto et Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette Basse
1
Flûte, Violon, Guitare
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
+ 120 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
224
Trompette
145
Trombone et Piano
126
Cor
122
Trompette, Piano
107
Cor et Piano
96
Trombone
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
2 Trompettes (duo)
88
2 Trombones (duo)
86
Trombone (partie séparée)
59
Trompette, Trombone (duo)
53
Trompette (partie séparée)
46
Tuba et Piano
45
Ensemble de Trombones
45
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
2 Cors (duo)
43
Cor (partie séparée)
43
Tuba
40
Quatuor de cuivres: 4 trombones
39
Euphonium, Piano (duo)
36
Quatuor de Cuivres
36
Quatuor de cuivres: 4 cors
34
Euphonium
22
4 Tubas
20
Tuba (partie séparée)
20
Trompette, Cor (duo)
19
Cor anglais, Piano
17
Trombone, Tuba (duo)
16
Trompette, Saxophone (duo)
16
Trombone, violoncelle (duo)
14
Instruments en Sib
14
2 Euphoniums et 2 Tubas
14
Ensemble de Cors
13
Trio de Cuivres
12
Trompette, violon (duo)
12
2 Tubas (duo)
12
Cor, Violoncelle (duo)
9
Ensemble de Trompettes
9
Trombone basse et Piano
8
Quatuor de cuivres: 4 trompettes
8
Trompette, Basson (duo)
7
Cornet A Pistons
6
3 Cors (trio)
6
3 Trombones (trio)
6
2 Trompettes, Clavier (piano ou orgue)
5
Trombone, Violon (duo)
5
2 Euphoniums (duo)
5
Cor, Orchestre
4
Trombone, Cor (duo)
4
Trompette, Tuba (duo)
4
Bass Clef Instruments
4
Trompette, Violoncelle (duo)
4
Euphonium, Tuba (duo)
3
Ensemble de Tubas
3
3 Trompettes (trio)
3
Trombone, Orgue
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trombone, Alto (duo)
2
Cor et Orgue
2
Cor et Basson (duo)
2
Trompette, Orchestre
1
Cor et Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trombones, Piano
1
Trompette et Guitare
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
4 Euphoniums
1
+ 65 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
711
Violon et Piano
410
Violon
370
Violon (partie séparée)
226
Violoncelle, Piano
223
Alto seul
194
2 Violons (duo)
167
Violoncelle
162
Violon, Violoncelle (duo)
160
Alto, Piano
157
Trio à Cordes: violon, alto, violoncelle
128
2 Violoncelles (duo)
124
Violon, Alto (duo)
113
2 Altos (duo)
97
Violoncelle (partie séparée)
74
Trio à Cordes: 2 violons, violoncelle
58
Alto, Violoncelle (duo)
52
Alto (partie séparée)
45
Contrebasse (partie séparée)
44
Harpe
37
Contrebasse, Piano (duo)
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Trio à cordes
33
Contre Basse
33
4 Violoncelles
28
Trio à Cordes: 2 violons, alto
24
Trio à cordes: 3 violins
24
Violoncelle, Contrebasse (duo)
22
Quatuor à cordes: 4 violons
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
Piano Trio: Violon, Alto, Piano
15
Trio à Cordes: 3 violoncelles
13
2 Harpes (duo)
13
Violon, Guitare (duo)
12
Violoncelle , Guitare (duo)
12
Violon, Basson (duo)
12
Harpe, Flûte (duo)
11
2 Violons, Piano
9
2 Contrebasses (duo)
8
Alto et Basson
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
7
Alto, Guitare (duo)
7
Trio à cordes: 3 altos
5
4 Contrebasses
5
Quatuor à cordes : 4 altos
5
2 Violoncelles, Piano
4
2 Altos, Piano
4
Violon, Clarinette, Piano (trio)
3
3 Contrebasses
3
Flûte, Contrebasse (duo)
3
Violoncelle, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Ensemble d'Altos
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Violon, Tuba (duo)
1
Ensemble de Violons
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
582
Orchestre
334
Orchestre d'harmonie
284
Orchestre de chambre
124
Ensemble de cuivres
78
Piano et Orchestre
24
Cloches
19
Ensemble Jazz
16
Percussion (partie séparée)
14
Timbales (partie séparée)
13
Percussion
10
Quatuor à Vent : 4 instruments à vents
8
Quintette à Vent
8
Instrumentation Flexible
7
Orchestre, Violon
6
Vibraphone (partie séparée)
4
Fanfare
3
Ensemble de Percussions
3
Jazz combo
3
2 Xylophones
2
Batterie (partie séparée)
2
Quintette de Cuivres: autres combinaisons
1
Timbales
1
Xylophone, Piano
1
Vibraphone
1
Ensemble d'École
1
Batterie
1
Xylophone
1
+ 23 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Mozart
Clarinette Basse, Piano
Partitions à imprimer
18 partitions trouvées
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1
Mozart: Eine kleine Nachtmusik for Bass Clarinet & piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Eine kleine Nachtmusik
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549001 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Stand...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549001 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Standards,Wedding. Score and part. 65 pages. Jmsgu3 #3447063. Published by jmsgu3 (A0.549001). Eine kleine Nachtmusik (A Little Night Music, or A Little Serenade) Serenade No. 13, k. 525 (1787) in 4 mvt.
$24.95
Lacrimosa - Mozart (for Bass Clarinet and Piano/Organ)
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Musique Sacrée
#
Wolfgang Amadeus Mozart
#
Lacrimosa - Mozart
#
SCORE EDITIONS
#
SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIONS #773825....
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Harry Walker. Easter, Religious, Sacred. Score and part. 6 pages. SCORE EDITIONS #773825. Published by SCORE EDITIONS
$5.99
Ave Verum Corpus - Bass Clarinet and Piano - Intermediate level
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Raymond Fenech
#
Ave Verum Corpus - Bass Clarin
#
Raymond Fenech
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.760704 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Co...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.760704 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. Score and individual part. 10 pages. Raymond Fenech #5800633. Published by Raymond Fenech (A0.760704). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$3.99
Concerto No. 2
#
Clarinette Basse, Piano
#
Classique
#
Wolfgang Amadeus Mozart
#
Ifor James
#
Concerto No. 2
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Bass Clarinet & Piano - Grade 4+ - SKU: R0.50777 K417. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score ...
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Bass Clarinet & Piano - Grade 4+ - SKU: R0.50777 K417. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 24 pages. Duration 12'44. Editions Marc Reift - Digital #50777. Published by Editions Marc Reift - Digital (R0.50777).
$18.95
Konzert Rondo
#
Clarinette Basse, Piano
#
Classique
#
Wolfgang Amadeus Mozart
#
Ifor James
#
Konzert Rondo
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Bass Clarinet & Piano - Grade 4+ - SKU: R0.50728 K317. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score ...
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Bass Clarinet & Piano - Grade 4+ - SKU: R0.50728 K317. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 11 pages. Duration 3'48. Editions Marc Reift - Digital #50728. Published by Editions Marc Reift - Digital (R0.50728).
$18.95
Concerto No. 4
#
Clarinette Basse, Piano
#
Classique
#
Wolfgang Amadeus Mozart
#
Ifor James
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Concerto No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 4+ - SKU: R0.50816 K495. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score ...
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Bass Clarinet & Piano - Grade 4+ - SKU: R0.50816 K495. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 29 pages. Duration 14'22. Editions Marc Reift - Digital #50816. Published by Editions Marc Reift - Digital (R0.50816).
$18.95
Concerto No. 1
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Clarinette Basse, Piano
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Classique
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Wolfgang Amadeus Mozart
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Ifor James
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Concerto No. 1
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 4+ - SKU: R0.50756 K412. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score ...
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Bass Clarinet & Piano - Grade 4+ - SKU: R0.50756 K412. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 20 pages. Duration 8'43. Editions Marc Reift - Digital #50756. Published by Editions Marc Reift - Digital (R0.50756).
$18.95
Rondo Alla Turca
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Clarinette Basse, Piano
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Jirka Kadlec
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Rondo Alla Turca
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.33058 Inspired by Mozart. Composed by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 10 pages. D...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.33058 Inspired by Mozart. Composed by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 10 pages. Duration 3'02. Editions Marc Reift - Digital #33058. Published by Editions Marc Reift - Digital (R0.33058).
$6.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
#
Schubert: Ave Maria for Bass C
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Sullivan: The Lost Chord for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
#
Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Beethoven: 12 Variations Op. 66 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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James M
#
Beethoven: 12 Variations Op. 6
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.551975 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instruct...
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Bass Clarinet,Piano - Level 3 - SKU: A0.551975 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instructional,Love,Standards. Score and part. 49 pages. Jmsgu3 #6026631. Published by jmsgu3 (A0.551975). Variations on Ein Mädchen oder Weibschen from Mozart's The Magic Flute
$21.95
The Brass Clarinet-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Phil Beaman
#
The Brass Clarinet-bass clarin
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Phil Beaman
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman ...
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B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Concerto No. 3
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
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Ifor James
#
Concerto No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
K447. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 27 pages. Duration 14'...
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K447. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Ifor James. Bass Clarinet & Piano. Score and parts. 27 pages. Duration 14'23. Editions Marc Reift - Digital #50796. Published by Editions Marc Reift - Digital
$17.95
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