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FORMATION MUSI…
GUITARE
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HARMONICA
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MARIMBA
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SYNTHETISEUR
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Non classifié
4864
PIANO & CLAVIERS
Piano, Voix
25163
Piano seul
11970
Piano Facile
3983
Piano, Voix et Guitare
474
1 Piano, 4 mains
407
Piano Trio: piano, violon, violoncelle
292
2 Pianos, 4 mains
191
Accompagnement Piano
149
Piano Quatuor: piano, violon, alto, violoncelle
140
Piano Quintette: piano, 2 violons, alto, violoncelle
125
Piano Quatuor: piano, 2 violons, violoncelle
66
Instruments en Do
59
Orgue
45
Piano grosses notes
26
1 Piano, 6 mains
22
Orgue, Piano (duo)
9
Clavier
7
2 Pianos, 8 mains
6
Clavecin
2
Orgue, Trompette (duo)
2
Piano (partie séparée)
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Ligne De Mélodie, Piano
1
Accordéon
1
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Guitare
90
Guitare notes et tablatures
63
Piano, Guitare (duo)
47
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33
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31
Ukulele
11
Basse electrique
11
4 Guitares (Quatuor)
9
3 Guitares (trio)
2
Guitare Pedal Steel
1
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328
Chorale 3 parties
146
Chorale 2 parties
99
Voix seule
96
Voix duo, Piano
90
Voix Soprano, Piano
81
Voix basse, Piano
39
Chorale TTBB
33
Voix duo
32
Chorale SSAA
31
Voix Tenor, Piano
30
Chorale Unison
25
Voix haute
19
Voix moyenne, Piano
13
Chorale
12
Voix Baryton, Piano
8
Voix Alto, Piano
7
Voix Tenor
5
Voix Soprano
4
Voix basse
2
Voix Mezzo-Soprano, Piano
2
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VENTS
Flûte traversière et Piano
2174
Clarinette et Piano
1074
Hautbois, Piano (duo)
941
Saxophone Alto et Piano
820
Saxophone Tenor et Piano
478
Saxophone Soprano et Piano
418
Clarinette
367
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
263
Cor anglais, Piano
196
Quatuor de Saxophones: 4 saxophones
164
Saxophone Baryton, Piano
160
Flûte, Hautbois, Clarinette, Basson
141
2 Flûtes traversières (duo)
137
2 Saxophones (duo)
135
Quatuor de Clarinettes: 4 clarinettes
111
2 Clarinettes (duo)
92
Quintette de Saxophone: 5 saxophones
87
Clarinette Basse, Piano
84
Flûte traversière
65
Quatuor de Flûtes : 4 flûtes
57
Flûte, Clarinette (duo)
56
Flûte, Violon, Piano
48
Flûte, Violoncelle, Piano (trio)
45
Saxophone Alto
43
Flûte et Guitare
40
3 Saxophones (trio)
39
Saxophone et Piano
37
2 Hautbois (duo)
36
Flûte, Clarinette, Piano (trio)
35
Clarinette, Guitare (duo)
33
Flûte, Basson et Piano
32
2 Flûtes traversières, Piano
32
2 Clarinettes, Piano
31
Ensemble de Clarinettes
30
2 Saxophones, Piano
27
3 Clarinettes (trio)
27
Quatuor de Flûtes à bec
26
Saxophone (partie séparée)
26
Clarinette, Violon (duo)
24
Flûte à Bec, Piano
24
2 Flûte à bec (duo)
23
Flûte à bec Soprano
22
Trio de Flûtes: 3 flûtes
21
Clarinette, Violoncelle, Piano (trio)
20
Flûte à bec Alto
20
Flûte, Violon
19
Clarinette, Basson, Piano (trio)
19
5 Flûtes à bec
18
Hautbois, Clarinette (duo)
17
Ensemble de saxophones
17
Hautbois (partie séparée)
17
Piccolo
16
Flûte, Hautbois (duo)
15
Ensemble de Flûtes
15
Clarinette, Basson (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
Saxophone Tenor
13
Flûte à bec Soprano, Piano
13
Hautbois, Guitare (duo)
12
Hautbois
12
Piccolo, Piano
12
Flûte, Hautbois, Clarinette (trio)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Saxophone, Clarinette (duo)
11
Hautbois, violon (duo)
11
Flûte, Clarinette et Basson
10
Flûte, Hautbois, Piano (trio)
10
Saxophone, Violon (duo)
9
Clarinette, Alto et Piano (trio)
9
Hautbois, Basson (duo)
9
Flûte, Violoncelle
9
Flûte, Hautbois, Basson
8
3 Flûtes à bec (trio)
8
Flûte à Bec
8
Flûte, trombone et piano
7
Flûte à bec Tenor
7
Harmonica, Piano
7
Flûte, Violon, Violoncelle et Piano
6
Flûte, Alto et Piano
6
Flûte, Trombone (duo)
6
Flûte à bec Alto, Piano
6
Saxophone
6
Saxophone et Orgue
6
Clarinette, Violoncelle (duo)
5
2 Flûtes à bec, Piano
4
Hautbois, Flûte
4
Saxophone Baryton
4
Clarinette, trompette et piano
4
Saxophone Soprano
4
Hautbois, Violon, Piano
3
Clarinette, Harpe (duo)
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Hautbois, Violoncelle
3
Cor anglais, Guitare (duo)
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Basson et Piano
2
Clarinette et Alto
2
Flûte traversière, Orgue (duo)
2
Ensemble De Flûte à bec
2
2 Clarinettes, Basson
2
Clarinette, Orgue
2
2 Hautbois, Piano
2
Flûte, Guitare, Piano
2
2 Cors Anglais Et Pianoforte
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Harpe
1
Flûte irlandaise
1
Cor Anglais
1
Clarinette Basse
1
Flute (partie séparée)
1
Clarinette, Trombone (duo)
1
Flûte, Saxophone (duo)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Orgue
1
3 Hautbois
1
Harmonica
1
Ensemble de Hautbois
1
Flûte de Pan
1
Saxophone et Guitare
1
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CUIVRES
Trombone et Piano
651
Trompette, Piano
635
Cor et Piano
508
Tuba et Piano
260
Euphonium, Piano (duo)
204
Cor anglais, Piano
196
Trompette
157
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
135
Quatuor de Cuivres : 2 trompettes, trombone, tuba
68
2 Trompettes (duo)
58
2 Trombones (duo)
49
Quatuor de Cuivres
39
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Tuba
35
2 Cors (duo)
32
Trombone
31
Trompette, Trombone (duo)
30
Cor
30
Tuba et Orgue
24
Trombone basse et Piano
17
Quatuor de cuivres: 4 trombones
14
Trompette, Cor (duo)
13
2 Trompettes, Clavier (piano ou orgue)
12
Trompette, violon (duo)
10
Trompette, Saxophone (duo)
9
Quatuor de cuivres: 4 cors
9
Trompette, Trombone, Piano
8
2 Tubas (duo)
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Violoncelle et Piano
5
Trio de Cuivres
5
4 Tubas
5
Ensemble de Trombones
5
Trombone, Cor (duo)
4
Ensemble de Cors
4
3 Trombones (trio)
3
Cor anglais, Guitare (duo)
3
Euphonium, Tuba (duo)
3
Ensemble de Trompettes
3
Euphonium
3
2 Trombones, Piano
2
3 Cors (trio)
2
Cor, Violoncelle (duo)
2
2 Cors, Piano
2
2 Cors Anglais Et Pianoforte
2
3 Tubas (trio)
2
Trombone, Orgue
2
Cor Anglais
1
Trompette, Basson (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums (duo)
1
Cor, Tuba (duo)
1
Cor, Violoncelle et Piano
1
Cor et Harpe
1
Trompette (partie séparée)
1
Instrumentations suivantes
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CORDES
Violon et Piano
2735
Violoncelle, Piano
1851
Alto, Piano
1141
Quatuor à cordes: 2 violons, alto, violoncelle
458
Contrebasse, Piano (duo)
234
Violon
121
2 Violons (duo)
103
Quintette à cordes: 2 violons, alto, violoncelle, basse
81
2 Violoncelles (duo)
73
Harpe
67
2 Altos (duo)
61
Piano Trio: Violon, Alto, Piano
59
2 Violons, Piano
57
Alto seul
48
Violoncelle (partie séparée)
47
Violon, Violoncelle (duo)
45
Trio à Cordes: violon, alto, violoncelle
44
Violoncelle
34
Contre Basse
31
Violon, Alto (duo)
29
Alto, Violoncelle (duo)
28
Violon, Guitare (duo)
24
2 Violoncelles, Piano
22
4 Violoncelles
21
Violoncelle , Guitare (duo)
18
Trio à Cordes: 2 violons, violoncelle
16
2 Altos, Piano
15
Quatuor à cordes : 4 altos
11
Violon, Clarinette, Piano (trio)
10
Quatuor à cordes: 4 violons
10
Alto (partie séparée)
10
Alto et Basson
9
Alto, Guitare (duo)
9
Harpe, Violon (duo)
9
2 Contrebasses (duo)
8
Trio à Cordes: 3 violoncelles
8
4 Contrebasses
7
Violon (partie séparée)
7
Trio à cordes: 3 altos
7
Trio à Cordes: 2 violons, alto
7
Trio à cordes: 3 violins
7
Harpe et Piano
6
Harpe, Flûte (duo)
4
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Violoncelle, Orgue
3
Alto, Orgue
2
Ensemble de Violoncelles
2
2 Harpes (duo)
1
Flûte, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Violon, Orgue
1
Alto et Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
351
Orchestre à Cordes
284
Orchestre de chambre
166
Orchestre d'harmonie
90
Ensemble de cuivres
44
Ensemble Jazz
44
Vibraphone (partie séparée)
23
Xylophone, Piano
19
Cloches
15
Piano et Orchestre
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
4
Xylophone
4
Marimba, Piano (duo)
3
Ensemble de Percussions
3
Jazz combo
2
Quintette de Cuivres: autres combinaisons
2
Quintette à Vent
1
Ensemble d'École
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
45
Vous avez sélectionné:
PIANO Romantic
Clarinette Basse, Piano
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich …
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Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
30.47 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.47 €
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Clarinette Basse, Piano
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Feast of Love - Bass Clarinet/Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
4.61 €
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Clarinette Basse, Piano
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/Piano
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Phil Beaman
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.45 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.07 €
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Clarinette Basse, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
I Love You Truly-Bass clarinet/piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Be…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
5.54 €
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Clarinette Basse, Piano
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Phil Beaman
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I Love You Truly-Bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.47 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Brass Clarinet-bass clarinet/piano
Clarinette Basse, Piano
B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by …
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B-Flat Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
6.46 €
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Clarinette Basse, Piano
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Phil Beaman
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The Brass Clarinet-bass clarinet/piano
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Phil Beaman
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.7 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Gade - Allegro Molto- 2nd movement from Piano Trio - Bb Clarinet, Bass Clarinet and Piano.
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 5 - Digital Download SKU: A0.7…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 5 - Digital Download SKU: A0.722197 Composed by Gade, Nils. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Love,Romantic Period,Wedding. Score and parts. 22 pages. Music-Scores.com #6014769. Published by Music-Scores.com (A0.722197). 2nd Movement of the Piano Trio Op.42,: Allegro Molto Vivace is fast flowing and a delight to play. Transcribed for Clarinet, Bass Clarinet and Piano. G major.Duration about 4 minutes, 30 seconds.Arranged by Anne Christopherson GRSM ARCM at www.music-scores.com
$4.95
4.58 €
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Clarinette Basse, Piano
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Gade, Nils
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Anne Christopherson GRSM ARCM
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Gade - Allegro Molto- 2nd movement from Piano Trio - Bb Clarinet, Bass Clarinet and Piano.
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Music-Scores.com
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SheetMusicPlus
Gade - Andantino - 3rd Movement from Piano Trio - Bb Clarinet, Bass Clarinet and Piano.
Clarinette Basse, Piano
Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - Digital Download SKU: A0.7…
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Small Ensemble Bass Clarinet,Piano Accompaniment - Level 4 - Digital Download SKU: A0.722247 Composed by Gade, Nils. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Love,Romantic Period,Wedding. Score and parts. 10 pages. Music-Scores.com #6118825. Published by Music-Scores.com (A0.722247). 3rd Movement of the Piano Trio Op.42: this Andantino is a lyrical 9/8 feel. Transcribed for Clarinet, Bass Clarinet and Piano. G minor.Duration under 2 minutes.Transcribed by A.L.Christopherson GRSM ARCM at www.music-scores.com
$4.95
4.58 €
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Clarinette Basse, Piano
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Gade, Nils
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Gade - Andantino - 3rd Movement from Piano Trio - Bb Clarinet, Bass Clarinet and Piano.
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Music-Scores.com
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.92 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Clair de Lune (Debussy) for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1469399 Composed by Claude…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1469399 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047419. Published by SCORE EDITIONS (A0.1469399). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
5.54 €
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Clarinette Basse, Piano
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Pavane Pour Une Infante Défunte (Maurice Ravel) for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1454242 Composed by Mauric…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1454242 Composed by Maurice Ravel. Arranged by Harry Walker. 19th Century,20th Century,Classical,Romantic Period. Score and part. 9 pages. SCORE EDITIONS #1033373. Published by SCORE EDITIONS (A0.1454242). La Pavane pour une infante défunte est à l'origine une pièce pour piano de Maurice Ravel composée en 1899 et dédiée à la princesse de Polignac. La création de la version pianistique eut lieu à Paris le 5 avril 1902 par le pianiste Ricardo Viñes. Son exécution dure environ six minutes. La Pavane a été orchestrée par Ravel en 1910. L'œuvre porte la référence M.19 dans le catalogue des œuvres du compositeur établi par le musicologue Marcel Marnat. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
5.54 €
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Clarinette Basse, Piano
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Maurice Ravel
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Harry Walker
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Pavane Pour Une Infante Défunte
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SCORE EDITIONS
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SheetMusicPlus
Prelude in B Minor (Bass Clarinet and Piano)
Clarinette Basse, Piano
B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.10924…
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B-Flat Bass Clarinet,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1092446 By Emily Gray. By Frederic Chopin. Arranged by Emily Gray. Romantic Period. Score and individual part. 4 pages. Emily Gray #696538. Published by Emily Gray (A0.1092446). Chopin's Prelude in B Minor was originally written for piano, with a melody that fits well on the bass clarinet. This version is for extended-range bass clarinet and piano, but an alternative part has been included for bass clarinets that only go to a low E-flat. This piece would be a good piece for a bass clarinetist to practice breathing, phrasing, more advanced key signatures, and playing in the different registers of the instrument. This edition includes score, bass clarinet part, and alternative bass clarinet part.
$10.00
9.25 €
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Clarinette Basse, Piano
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Emily Gray
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Emily Gray
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Prelude in B Minor
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Emily Gray
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.47 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549107 Composed by Camille…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549107 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452239. Published by jmsgu3 (A0.549107). BASS CLARINET & PIANO Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing.
$38.95
36.02 €
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Clarinette Basse, Piano
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
MARMOTTE by Beethoven - transcription for Clarinet and Piano
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1086058 Co…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.1086058 Composed by Ludwig van Beethoven. Arranged by Ivan Marini. Children,Classical,Instructional,Romantic Period,Standards. Score and part. 4 pages. Www.dalsegno.eu #690252. Published by www.dalsegno.eu (A0.1086058). Transcription of this famous Beethoven's Lied (op. 52 n. 7) for solo and Piano.Ideal for every young player: for classes, concerts recitals...Complete set of piano and two solo parts (both over the break and in the mid-range), with free backing track on YouTube.Duration ca. 1'', 3 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$1.99
1.84 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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Ivan Marini
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MARMOTTE by Beethoven - transcription for Clarinet and Piano
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www.dalsegno.eu
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SheetMusicPlus
Bohm: Calm as the Night for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549410 Composed by Carl Bo…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549410 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493691. Published by jmsgu3 (A0.549410). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.92 €
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Clarinette Basse, Piano
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Carl Bohm
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James M
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Bohm: Calm as the Night for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Franck: Panis Angelicus for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549176 Composed by Césa…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549176 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. Score and part. 11 pages. Jmsgu3 #3456281. Published by jmsgu3 (A0.549176). César Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. Duration: 3:25, Score: 61 ms, 7 pg. solo part - 1 pg. piano part 3 pg. Poco lento. A popular Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version is suitable for Lent, Easter, or any Christian eucharistic service. It is also a great choice for a recital encore because of the potential for musical expressivity. This music emphasizes sensitive phrasing, dynamics, tone color, and rubato.
$32.95
30.47 €
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Clarinette Basse, Piano
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César Franck
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James M
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Franck: Panis Angelicus for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Arabian Dance from Nutcracker Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549759 Composed by Peter I…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549759 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533261. Published by jmsgu3 (A0.549759). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
30.47 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance from Nutcracker Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.549253 Composed by Nikolay…
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Bass Clarinet,Piano - Level 5 - Digital Download SKU: A0.549253 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473683. Published by jmsgu3 (A0.549253). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15. Amaze your listeners with this short but stunning recital encore!
$32.95
30.47 €
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Clarinette Basse, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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