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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Romantic
Non classifié
11 266
Piano & claviers
Piano, Voix
25 254
Piano seul
12 337
Piano Facile
4 029
Orgue
733
Piano, Voix et Guitare
499
1 Piano, 4 mains
427
Piano Trio: piano, violon, violoncelle
324
Instruments en Do
275
2 Pianos, 4 mains
193
Accompagnement Piano
149
Piano Quatuor: piano, violon, alto, violoncelle
140
Piano Quintette: piano, 2 violons, alto, violoncelle
126
Piano Quatuor: piano, 2 violons, violoncelle
66
Orgue, Trompette (duo)
49
Accordéon
49
Piano grosses notes
26
Instrument seul et Orgue
23
1 Piano, 6 mains
21
Clavier
13
Orgue, Piano (duo)
9
Ensemble d'Accordéons
6
2 Pianos, 8 mains
6
Ligne De Mélodie, Piano
3
Clavecin
3
Piano (partie séparée)
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Accordéon, Voix
1
2 Accordéons
1
Orgue et Orchestre
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 164
Guitare
1 163
2 Guitares (duo)
311
Ukulele
174
Ligne De Mélodie, (Paroles) et Accords
97
4 Guitares (Quatuor)
69
Basse electrique
58
Piano, Guitare (duo)
48
3 Guitares (trio)
47
Guitare, Violon, Violoncelle (trio)
15
Ukulele Baryton
13
Ensemble de guitares
11
Mandoline
11
Paroles et Accords
8
Banjo
6
Dulcimer
5
Mandoline, Guitare (duo)
5
Guitare Pedal Steel
4
Guitare, Flûte, Clarinette
3
Guitare (partie séparée)
2
3 Dulcimers (trio)
2
Ensemble de Ukulélés
1
2 Ukuleles
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
1 217
Voix seule
359
Chorale 3 parties
319
Chorale 2 parties
168
Chorale TTBB
141
Chorale SSAA
115
Voix duo, Piano
93
Voix Soprano, Piano
82
Voix duo
54
Chorale Unison
46
Voix basse, Piano
43
Voix Tenor, Piano
42
Voix Baryton, Piano
31
Chorale
30
Voix haute
28
Voix moyenne, Piano
18
Voix Alto, Piano
17
Voix, Guitare
10
Voix Tenor
7
Voix Soprano
7
Voix basse
5
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Chorale SSAATTBB
2
Chorale SSAB a cappella
2
Soli, choeur mixte et accompagnement
1
Voix Baryton
1
Chorale SAATB A Cappella
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
2 264
Clarinette et Piano
1 384
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 153
Quatuor de Saxophones: 4 saxophones
1 148
Hautbois, Piano (duo)
994
Saxophone Alto et Piano
878
Quatuor de Clarinettes: 4 clarinettes
877
Flûte, Hautbois, Clarinette, Basson
679
2 Saxophones (duo)
637
Clarinette
623
Flûte traversière
569
2 Flûtes traversières (duo)
530
Saxophone Tenor et Piano
511
Quatuor de Flûtes : 4 flûtes
506
2 Clarinettes (duo)
466
Saxophone Soprano et Piano
453
Flûte et Guitare
361
Ensemble de Clarinettes
338
Quintette de Saxophone: 5 saxophones
311
Saxophone Alto
307
Ensemble de saxophones
287
Flûte, Clarinette (duo)
251
3 Saxophones (trio)
241
Hautbois (partie séparée)
221
Cor anglais, Piano
208
Quintette de Clarinettes: 5 clarinettes
206
3 Clarinettes (trio)
204
Saxophone (partie séparée)
187
2 Flûte à bec (duo)
184
Saxophone Baryton, Piano
180
Ensemble de Flûtes
174
Saxophone Tenor
161
2 Hautbois (duo)
160
Trio de Flûtes: 3 flûtes
158
Clarinette, Guitare (duo)
122
Quatuor de Flûtes à bec
113
Hautbois, Basson (duo)
112
Clarinette, Basson (duo)
105
Hautbois, Clarinette (duo)
105
Clarinette Basse, Piano
100
Flûte, Violon
99
Clarinette, Violon (duo)
91
Hautbois
90
Flûte, Clarinette et Basson
89
Saxophone
88
Clarinette (partie séparée)
80
Flûte, Violoncelle
80
Flûte à bec Soprano
70
Quintette de Flûte : 5 flûtes
67
Flûte, Hautbois (duo)
65
Flûte, Violon, Piano
64
Saxophone Soprano
64
Hautbois, Clarinette, Basson (trio d'anches)
63
Flûte, Hautbois, Clarinette (trio)
57
Clarinette, Violoncelle (duo)
56
Flûte à Bec
54
Flûte à bec Alto
53
Flûte, Hautbois, Basson
49
Flûte, Trompette (duo)
45
Flûte, Violoncelle, Piano (trio)
45
Hautbois, violon (duo)
45
Saxophone, Clarinette (duo)
43
Flute (partie séparée)
43
5 Flûtes à bec
42
3 Flûtes à bec (trio)
41
Saxophone Baryton
40
Hautbois, Violoncelle
38
Cor Anglais
37
Saxophone et Piano
37
Flûte, Clarinette, Piano (trio)
35
Clarinette et Alto
34
Flûte, Basson et Piano
32
2 Flûtes traversières, Piano
32
2 Clarinettes, Piano
32
Hautbois, Flûte
31
Flûte, Hautbois, Piano (trio)
28
2 Saxophones, Piano
27
3 Hautbois
25
Flûte à Bec, Piano
25
Piccolo
25
Flûte, Alto (duo)
25
Clarinette, Violoncelle, Piano (trio)
24
Clarinette, Trombone (duo)
24
Saxophone, Violon (duo)
23
Flûte, Trombone (duo)
23
Hautbois, Trompette (duo)
22
Flûte à bec Tenor
21
Flûte, Violon et Violoncelle
19
Clarinette, Basson, Piano (trio)
19
Hautbois, Guitare (duo)
18
Flûte à bec, Guitare (duo)
17
Flûte et Trio à cordes
16
Saxophone, Basson (duo)
15
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
14
Instruments en Mib
14
Cor anglais, Guitare (duo)
13
Flûte, Violon, Guitare
13
Saxophone et Orgue
13
Flûte à bec Soprano, Piano
13
Piccolo, Piano
12
Ensemble De Flûte à bec
12
Flûte et Quatuor à Cordes
12
Hautbois, Violin, Alto et Violoncelle (Quatuor)
11
Flûte, Saxophone (duo)
11
Flûte, Clarinette, Cor, Basson (Quartet)
11
Clarinette, Harpe (duo)
11
Saxophone et Guitare
10
Hautbois et alto (duo)
10
Clarinette Basse
9
Clarinette, Alto et Piano (trio)
9
Flûte traversière, Orgue (duo)
9
Flûte, Alto et Piano
8
Clarinette, Trompette (duo)
8
Hautbois, trombone (duo)
7
Harmonica, Piano
7
Flûte, trombone et piano
7
4 Hautbois
7
Saxophone et violoncelle
7
2 Clarinettes, Basson
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
6
Flute, harpe et violon
6
Flûte à bec Alto, Piano
6
Flûte, Violon, Violoncelle et Piano
6
Harmonica
6
Ocarina
6
Hautbois, Harpe
5
Clarinette, trompette et piano
5
Clarinette, Orgue
4
Flûte, Violoncelle, Guitare
4
Ensemble à vent
4
Ensemble de Hautbois
4
2 Flûtes à bec, Piano
4
Clarinette, Quatuor à cordes et Piano
3
Saxophone et Harpe
3
Flûte, alto et harpe
3
Clarinette, Orchestre
3
2 Cors Anglais Et Pianoforte
3
Hautbois, Violon, Piano
3
Flûte, Guitare, Piano
2
Hautbois, Orgue
2
2 Hautbois, Piano
2
Flûte traversière, Orchestre
2
2 Hautbois et Cor anglais
2
Hautbois, Basson et Piano
2
Flûte, Tuba (duo)
2
Flûte, Alto et Violoncelle
2
2 Flûtes traversières, Guitare
1
2 Flûtes à bec, Guitare
1
Flûte, Hautbois, Violon
1
Flûte de Pan
1
Flûte, Clarinette, Violon (trio)
1
Cor anglais et Harpe (duo)
1
Flûte irlandaise
1
+ 148 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
927
Trompette, Piano
717
Trombone et Piano
704
Trompette
565
Cor et Piano
557
Trombone
482
Quatuor de Cuivres : 2 trompettes, trombone, tuba
463
Cor
376
Tuba et Piano
296
2 Trompettes (duo)
238
Tuba
217
Quatuor de Cuivres: 2 trompettes, Cor, trombone
214
Quatuor de cuivres: 4 cors
213
Euphonium, Piano (duo)
209
Cor anglais, Piano
208
2 Trombones (duo)
191
Quatuor de cuivres: 4 trombones
190
Quatuor de Cuivres
165
Trompette, Trombone (duo)
156
2 Cors (duo)
147
Ensemble de Trombones
112
Trompette (partie séparée)
76
Trio de Cuivres
61
Ensemble de Cors
61
Trompette, Cor (duo)
58
Trompette, Saxophone (duo)
53
3 Trombones (trio)
40
Quatuor de cuivres: 4 trompettes
40
Cor Anglais
37
2 Tubas (duo)
35
Euphonium
35
4 Tubas
35
Trombone, Cor (duo)
35
Trombone (partie séparée)
33
Trombone, violoncelle (duo)
31
3 Trompettes (trio)
31
Trompette, violon (duo)
28
Trompette, Basson (duo)
28
Trombone basse
25
Ensemble de Trompettes
24
Tuba et Orgue
24
Trombone basse et Piano
23
Bass Clef Instruments
21
Cor, Tuba (duo)
20
Trompette, Tuba (duo)
20
Cor, Violoncelle (duo)
20
3 Cors (trio)
18
Trompette, Violoncelle (duo)
17
Trombone, Violon (duo)
17
Trombone, Tuba (duo)
16
2 Euphoniums et 2 Tubas
16
Instruments en Sib
15
Cor et Basson (duo)
14
Trombone, Orgue
14
Cor anglais, Guitare (duo)
13
3 Tubas (trio)
11
2 Trompettes, Clavier (piano ou orgue)
11
Trompette, Trombone, Piano
8
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Euphonium, Tuba (duo)
8
Cor (partie séparée)
7
Trompette et Guitare
7
Trombone, Alto (duo)
7
Trompette, Violoncelle et Piano
7
3 Euphoniums
5
Cor et Orgue
4
Cor et Harpe
3
2 Cors Anglais Et Pianoforte
3
Trombone et orchestre
3
2 Euphoniums (duo)
3
Cor, Orchestre
2
Trompette, Orchestre
2
2 Cors, Piano
2
Trompette, Harpe
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba (partie séparée)
2
2 Trombones, Piano
2
Ensemble de Tubas
2
Cornet et orchestre
1
Trompette, Euphonium (duo)
1
Instruments en Fa
1
Cor, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
+ 78 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 548
Violon et Piano
2 836
Violoncelle, Piano
1 953
Alto, Piano
1 219
Violon
942
Violoncelle
586
Violon, Violoncelle (duo)
553
2 Violons (duo)
514
Trio à Cordes: violon, alto, violoncelle
433
Harpe
399
Alto seul
367
2 Violoncelles (duo)
350
Violon, Alto (duo)
293
Contrebasse, Piano (duo)
274
2 Altos (duo)
247
4 Violoncelles
229
Contre Basse
214
Quintette à cordes: 2 violons, alto, violoncelle, basse
210
Violon, Guitare (duo)
191
Violoncelle , Guitare (duo)
174
Alto, Violoncelle (duo)
169
Trio à Cordes: 2 violons, violoncelle
162
Quatuor à cordes: 4 violons
123
Trio à cordes: 3 violins
107
Alto (partie séparée)
107
Trio à Cordes: 3 violoncelles
103
Alto, Guitare (duo)
93
Quatuor à cordes : 4 altos
90
Violon (partie séparée)
78
Piano Trio: Violon, Alto, Piano
60
2 Contrebasses (duo)
60
2 Violons, Piano
58
Trio à cordes: 3 altos
48
Violon, Basson (duo)
47
2 Harpes (duo)
45
Harpe, Violon (duo)
44
Trio à Cordes: 2 violons, alto
43
Alto et Basson
41
Harpe, Flûte (duo)
38
Trio à cordes
38
Violoncelle, Contrebasse (duo)
31
Violoncelle (partie séparée)
28
2 Violoncelles, Piano
22
4 Contrebasses
18
Quintette à cordes: 2 violons, 2 altos, violoncelle
17
2 Altos, Piano
15
Violon, Orgue
15
Violoncelle, Orchestre
13
3 Contrebasses
11
Ensemble de Violoncelles
11
Harpe, Violoncelle (duo)
10
Violon, Clarinette, Piano (trio)
10
Violoncelle, Orgue
8
Flûte, Contrebasse (duo)
8
Contrebasse (partie séparée)
7
Ensemble de Violons
7
Alto, Orgue
7
Harpe et Piano
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble d'Altos
4
Harpe, Trombone (duo)
4
Alto et orchestre
4
Harpe, Voix
3
Harpe, Violon, Violoncelle
3
Violon, Violoncelle, Clarinette
2
Harpe, Orchestre
2
Alto et Harpe
2
Violon, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Harpe, Quatuor à cordes
1
+ 65 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 581
Orchestre
1 318
Orchestre d'harmonie
1 123
Orchestre de chambre
571
Ensemble de cuivres
449
Cloches
78
Ensemble Jazz
76
Ensemble de Percussions
46
Quintette à Vent
35
Marimba
34
Fanfare
33
Xylophone, Piano
30
Vibraphone (partie séparée)
24
Xylophone
21
Orchestre, Violon
19
Quatuor à Vent : 4 instruments à vents
15
Batterie
15
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Piano et Orchestre
11
Instrumentation Flexible
10
Jazz combo
10
Vibraphone
7
Percussion (partie séparée)
6
2 Xylophones
5
Quintette de Cuivres: autres combinaisons
4
Marimba, Piano (duo)
3
Ensemble d'École
2
Timbales (partie séparée)
2
Batterie (partie séparée)
2
Vibraphone et Marimba
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
136
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
Romantic
Clarinette Basse, Piano
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Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Roadside Inn - Schumann- Bass Clarinet-Piano
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Clarinette Basse, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Bass
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Sco...
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B-Flat Bass Clarinet,Piano - Level 2 - SKU: A0.844508 Composed by Robert Schumann. Arranged by Phil Beaman. Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489041. Published by Phil Beaman (A0.844508). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Feast of Love - Bass Clarinet/Piano
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Clarinette Basse, Piano
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FACILE
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Robert Franz
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Phil Beaman
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Feast of Love - Bass Clarinet/
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844548 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517805. Published by Phil Beaman (A0.844548). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.
$4.99
Passing By
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Clarinette Basse, Piano
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Classique
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Edward Purcell
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Kenneth D
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Passing By
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KFS Publishing
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SheetMusicPlus
Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Romantic Period, European, Recital. Score, Solo Part. 5 pages. Published by KFS Publishing (S0.288...
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Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Romantic Period, European, Recital. Score, Solo Part. 5 pages. Published by KFS Publishing (S0.288723). - Score,Solo Part - Romantic Period,European,Recital - KFS Publishing
$10.00
Can't Help Falling In Love
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Clarinette Basse, Piano
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FACILE
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Elvis Presley
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Harry Walker
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Can't Help Falling In Love
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.1468046 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Harry Walker. Con...
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Bass Clarinet,Piano - Level 2 - SKU: A0.1468046 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Harry Walker. Contest,Festival,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 8 pages. SCORE EDITIONS #1046356. Published by SCORE EDITIONS (A0.1468046). Can't Help Falling in Love is one of Elvis Presley's most beloved and enduring songs. Featured in his 1961 film Blue Hawaii, the song was composed by George David Weiss, Hugo Peretti, and Luigi Creatore. It has since become a timeless classic, covered by numerous artists across various genres. The song's gentle, romantic melody and heartfelt lyrics have made it a popular choice for weddings and romantic occasions. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
I Love You Truly-Bass clarinet/piano
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Clarinette Basse, Piano
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FACILE
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Phil Beaman
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I Love You Truly-Bass clarinet
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Phil Beaman
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #...
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Bass Clarinet,Piano - Level 2 - SKU: A0.844629 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413093. Published by Phil Beaman (A0.844629). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Sta...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
The Brass Clarinet-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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The Brass Clarinet-bass clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman ...
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B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Beethoven: Adagio from the Moonlight Sonata for Bass Clarinet & Harp
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Adagio from the Moo
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.552224 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 13 pages. Jmsgu3 #6274037. Published by jmsgu3 (A0.552224). The Adagio from Beethoven's Moonlight Sonata is highly significant in classical music. The first movement, Adagio sostenuto, is particularly renowned for its mysterious and gentle arpeggios, creating a unique and captivating atmosphere. It is often described as having a mesmerizing and heartbroken mood and is considered one of the most iconic and poetic pieces in the classical music repertoire. The movement is in C-sharp minor and is characterized by its slow, expressive, and emotional nature, lasting approximately 6 minutes. Beethoven's innovative approach to the structure and style of the Moonlight Sonata, as well as the emotional depth of the Adagio, have contributed to its enduring significance in the world of classical music.The nickname Moonlight Sonata traces back to the 1830s when German Romantic poet Ludwig Rellstab likened the first movement of Beethoven's Piano Sonata No. 14 in C-sharp Minor, Op. 27, No. 2 to a boat floating in the moonlight on Switzerland’s Lake Lucerne. Beethoven called it Sonata quasi una fantasia, meaning sonata in the manner of a fantasy. The piece was completed in 1801 and published the following year. The nickname Moonlight Sonata has endured due to the mysterious, gently arpeggiated, and seemingly improvised nature of the first movement, which creates a unique and captivating atmosphere.
$24.95
Beau Soir (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romant...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077002. Published by SCORE EDITIONS (A0.1501045). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473395 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050834. Published by Rodrigo Faleiros (A0.1473395). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473394 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050833. Published by Rodrigo Faleiros (A0.1473394). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473528 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050873. Published by Rodrigo Faleiros (A0.1473528). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473529 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050874. Published by Rodrigo Faleiros (A0.1473529). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
#
Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473975 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050964. Published by Rodrigo Faleiros (A0.1473975). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473584 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050919. Published by Rodrigo Faleiros (A0.1473584). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
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DÉBUTANT
#
Georges Bizet
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Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473585 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050920. Published by Rodrigo Faleiros (A0.1473585). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1473976 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050966. Published by Rodrigo Faleiros (A0.1473976). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474029 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050997. Published by Rodrigo Faleiros (A0.1474029). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
#
Clarinette Basse, Piano
#
DÉBUTANT
#
Georges Bizet
#
Rodrigo Faleiros
#
Toreador March
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Rodrigo Faleiros
#
SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Peri...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1474028 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050996. Published by Rodrigo Faleiros (A0.1474028). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo bass clarinet with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to G Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
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