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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
CITHARE
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COR ANGLAIS
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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A Minima
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265
Piano & claviers
Piano seul
192
Piano Facile
75
Instruments en Do
41
Orgue
37
Piano, Voix et Guitare
27
Piano, Voix
8
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
1
Accordéon
1
Piano (partie séparée)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
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Guitare
7
Guitare notes et tablatures
4
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
4 Guitares (Quatuor)
2
2 Guitares (duo)
2
Ukulele
2
Guitare (partie séparée)
2
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60
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39
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10
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8
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7
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5
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1
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1
Chorale SSATTB
1
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Vents
Quatuor de Saxophones: 4 saxophones
13
Hautbois (partie séparée)
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte traversière
7
Flûte traversière et Piano
7
2 Saxophones (duo)
6
Saxophone (partie séparée)
5
Saxophone Alto
5
Clarinette
5
3 Saxophones (trio)
4
Quintette de Saxophone: 5 saxophones
4
Hautbois, Piano (duo)
4
Saxophone Alto et Piano
4
2 Flûte à bec (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Soprano et Piano
3
Clarinette (partie séparée)
3
Clarinette et Piano
3
2 Flûtes traversières (duo)
3
Saxophone Tenor et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
3 Clarinettes (trio)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
Flute (partie séparée)
2
Flûte, Clarinette (duo)
2
Flûte à Bec
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette Basse, Piano
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Saxophone Tenor
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Flûtes à bec
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette, Piano (trio)
1
+ 38 instrumentations
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Cuivres
Trombone (partie séparée)
8
Tuba
7
Trompette (partie séparée)
6
Trombone
5
Cor
4
Trompette
4
Cor et Piano
4
Trombone et Piano
3
Cor (partie séparée)
3
Euphonium
2
Trompette, Piano
2
Cor anglais, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium, Piano (duo)
1
Tuba et Piano
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Cors
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Cor (duo)
1
Quatuor de Cuivres
1
4 Tubas
1
Ensemble de Trombones
1
2 Trombones (duo)
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon
15
Violon, Violoncelle (duo)
12
Violon et Piano
11
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8
4 Violoncelles
8
Harpe
8
Violoncelle
5
Violon, Alto (duo)
5
2 Violons (duo)
5
Violoncelle, Piano
5
Violon (partie séparée)
4
Alto (partie séparée)
4
Alto, Piano
4
2 Violoncelles (duo)
3
Contre Basse
3
Contrebasse, Piano (duo)
3
Alto seul
2
Alto, Violoncelle (duo)
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Quatuor à cordes : 4 altos
1
Harpe et Piano
1
+ 25 instrumentations
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Orchestre d'harmonie
72
Cloches
30
Orchestre à Cordes
21
Orchestre
18
Orchestre de chambre
13
Ensemble Jazz
9
Ensemble de cuivres
5
Fanfare
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Jazz combo
1
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Autres
Formation musicale - Solfège
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Clarinette Basse, Piano
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
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