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Piano Trio: piano, violon, violoncelle
34
Instruments en Do
23
Accordéon
22
Clavecin
22
Accompagnement Piano
20
Orgue, Trompette (duo)
9
Piano Quatuor: piano, violon, alto, violoncelle
9
Orgue, Piano (duo)
8
2 Accordéons
7
2 Pianos, 8 mains
7
Piano (partie séparée)
6
1 Piano, 6 mains
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Clavier
3
Ensemble d'Accordéons
3
Orgue, Voix
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2
Accordéon, Piano
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Piano Quatuor: piano, 2 violons, violoncelle
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Accordéon et Orchestre
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210
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20
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17
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15
4 Guitares (Quatuor)
15
Guitare (partie séparée)
12
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8
Ukulele Baryton
8
Piano, Guitare (duo)
5
Dobro
3
Orchestre à Plectres
3
Ligne De Mélodie, (Paroles) et Accords
3
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3
2 Ukuleles
2
Mandoline, Piano (duo)
2
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1
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1
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1
Guitare Pedal Steel
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39
Voix Soprano, Piano
32
Chorale 2 parties
24
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20
Voix moyenne, Piano
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17
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13
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12
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152
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130
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123
Flûte traversière
117
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114
2 Clarinettes (duo)
100
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86
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Saxophone
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2 Flûtes traversières, Piano
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Piccolo
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101
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99
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79
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71
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67
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49
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27
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4 Violoncelles
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Contre Basse
22
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22
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18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Ensemble d'Altos
14
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Contrebasse (partie séparée)
14
Ensemble de Violons
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11
Quatuor à cordes: 4 violons
11
Violon, Basse continue
11
Violoncelle, Contrebasse (duo)
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9
Ensemble de Violoncelles
9
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9
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9
2 Harpes (duo)
8
Piano Trio: Violon, Alto, Piano
8
Violon, Orgue
7
Trio à cordes: 3 altos
7
Quatuor à cordes : 4 altos
7
2 Contrebasses (duo)
6
Violoncelle, Orgue
6
Trio à Cordes: 2 violons, alto
5
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5
Alto et orchestre
4
3 Harpes
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Guitare (duo)
3
Alto et Basson
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
5 Harpes
2
Autoharp
2
Violoncelle, Basse continue
2
2 Violons, Piano
2
2 Violons et Basse continue
1
4 Contrebasses
1
Trio à cordes
1
Violon, Basson (duo)
1
4 Harpes
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Harpe, Violon, Violoncelle
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Violon, Clarinette, Piano (trio)
1
2 Violoncelles, Piano
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34
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31
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Fanfare
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13
Big band
11
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8
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6
Piano et Orchestre
5
Caisse Claire
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Percussion
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Xylophone, Piano
2
Vibraphone
2
Quatuor à Vent : 4 instruments à vents
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Xylophone ou Marimba ou Vibraphone
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3 Percussions
2
2 Marimbas
1
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Voix et Orchestre
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Conga
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Quintette à Vent
1
2 Xylophones
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Bodhran
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Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
12.11 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.59 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
River Lullaby
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1087637 Composed by Stephe…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.1087637 Composed by Stephen Schwartz. Arranged by Lawrence H Underwood. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and part. 10 pages. Lawrence H Underwood #691847. Published by Lawrence H Underwood (A0.1087637). This beautiful arrangement of “River Lullaby†from THE PRINCE OF EGYPT is perfect for recital, church, or festival performances. Great for intermediate or advanced performers, this piece is sure to be an audience – and soloist – favorite. This eminently playable arrangement from veteran performer and music educator Lawrence Underwood and is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment).
$5.99
5.58 €
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Clarinette Basse, Piano
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Stephen Schwartz
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Lawrence H Underwood
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River Lullaby
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Lawrence H Underwood
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SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Clarinette Basse, Piano
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Bass Clarinet and Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090775 Composed by Scott …
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.72 €
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Clarinette Basse, Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Bass Clarinet and Piano
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David McKeown
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SheetMusicPlus
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