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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
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ORCHESTRE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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Non classifié
2860
PIANO & CLAVIERS
Piano seul
999
Piano, Voix et Guitare
669
Piano, Voix
520
Piano Facile
306
Orgue
80
Instruments en Do
58
Piano Trio: piano, violon, violoncelle
45
2 Pianos, 4 mains
31
Accompagnement Piano
27
1 Piano, 4 mains
26
Piano grosses notes
20
Piano Quatuor: piano, violon, alto, violoncelle
10
Accordéon
10
Clavier
6
Piano (partie séparée)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Trompette (duo)
3
Clavecin
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
137
Guitare
127
Guitare notes et tablatures
107
Paroles et Accords
80
Ukulele
40
Guitare (partie séparée)
32
Basse electrique
14
Banjo
14
2 Guitares (duo)
11
Dulcimer
9
4 Guitares (Quatuor)
8
Mandoline
7
Ensemble de guitares
6
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
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Chorale 3 parties
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Chorale 2 parties
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Chorale TTBB
407
Chorale
291
Chorale SSAA
181
Chorale Unison
166
Voix Soprano, Piano
22
Voix duo, Piano
15
Chorale SSATTB
9
Voix duo
9
Chorale SSAATTBB
9
Voix moyenne, Piano
7
Voix Alto, Piano
7
Voix haute
7
Voix seule
6
Voix Tenor, Piano
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
2
Voix Tenor
2
Voix basse, Piano
2
Chorale SSAATB
1
Chorale SAATB A Cappella
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Chorale SATTBB A Cappella
1
Voix Baryton, Piano
1
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VENTS
Flûte traversière et Piano
132
Flûte, Hautbois, Clarinette, Basson
107
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Hautbois, Piano (duo)
98
Clarinette et Piano
95
Quatuor de Saxophones: 4 saxophones
93
2 Flûtes traversières (duo)
74
Ensemble de saxophones
68
Clarinette
67
Saxophone Alto et Piano
62
Quintette de Saxophone: 5 saxophones
62
Flûte traversière
61
Saxophone Alto
55
Ensemble de Clarinettes
52
Saxophone Tenor et Piano
51
Quatuor de Clarinettes: 4 clarinettes
50
2 Saxophones (duo)
48
Saxophone (partie séparée)
46
Saxophone Soprano et Piano
46
Ensemble de Flûtes
44
Saxophone Baryton, Piano
33
Flûte à bec Alto
28
Quatuor de Flûtes : 4 flûtes
26
2 Clarinettes (duo)
25
Hautbois
25
Saxophone Tenor
25
Hautbois (partie séparée)
23
3 Saxophones (trio)
22
Flûte à bec Soprano
16
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Clarinette Basse, Piano
13
2 Hautbois (duo)
12
Quintette de Flûte : 5 flûtes
12
Quintette de Clarinettes: 5 clarinettes
11
Flûte, Clarinette (duo)
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte et Guitare
10
Saxophone Soprano
9
Quatuor de Flûtes à bec
9
Flûte, Hautbois, Clarinette (trio)
8
Harmonica
8
Saxophone Baryton
8
Saxophone, Clarinette (duo)
8
2 Flûte à bec (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Violon, Piano
6
Clarinette, Violon (duo)
5
Flûte irlandaise
5
Hautbois, Clarinette (duo)
5
5 Flûtes à bec
5
Clarinette, Guitare (duo)
5
Flûte à bec Alto, Piano
5
Hautbois, Flûte
5
Cor Anglais
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Flûte, Saxophone (duo)
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Flute (partie séparée)
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Clarinette et Alto
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Clarinette, Trompette (duo)
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Flûte à bec Tenor
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Saxophone
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Flûte, Trompette (duo)
3
Flûte à Bec
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Clarinette, Harpe (duo)
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Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
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Flûte, Violon
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Flûte, Hautbois (duo)
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Instruments en Mib
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Cor anglais, Guitare (duo)
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Piccolo, Piano
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Saxophone et Harpe
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Flute, harpe et violon
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Flûte, Basson et Piano
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Flûte, Alto et Piano
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Clarinette, Violoncelle, Piano (trio)
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Hautbois et Orchestre
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Saxophone et Orgue
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Flûte, Violoncelle
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Clarinette, Basson, Piano (trio)
1
Flûte de Pan
1
4 Hautbois
1
3 Hautbois
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3 Flûtes à bec (trio)
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Clarinette, Alto et Piano (trio)
1
Saxophone et Guitare
1
Flûte à bec, Guitare (duo)
1
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Hautbois, Violon, Piano
1
Hautbois, Basson et Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trompette
78
Trombone et Piano
68
Cor et Piano
64
Trompette, Piano
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Ensemble de Trompettes
45
Trombone (partie séparée)
39
Cor
37
Trompette (partie séparée)
34
Trombone
33
Tuba et Piano
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Ensemble de Trombones
28
Quatuor de Cuivres
25
Tuba
23
2 Trombones (duo)
17
Euphonium, Piano (duo)
17
Trompette, Trombone (duo)
15
Cor anglais, Piano
14
2 Trompettes (duo)
11
2 Cors (duo)
9
Quatuor de cuivres: 4 trombones
8
2 Tubas (duo)
6
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
5
Trompette, Saxophone (duo)
5
Cor Anglais
5
Tuba et Orgue
4
Trompette, Cor (duo)
4
Euphonium
4
Cor (partie séparée)
4
Instruments en Sib
3
Ensemble de Cors
3
Tuba (partie séparée)
3
4 Tubas
3
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trio de Cuivres
2
2 Euphoniums (duo)
2
Cor anglais, Guitare (duo)
2
Trombone basse et Piano
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Trombone, Cor (duo)
1
Cor, Violoncelle (duo)
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Trombone basse
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Trompette, Harpe
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Euphonium, Tuba (duo)
1
Trombone, Orgue
1
3 Euphoniums
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Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
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3 Trombones (trio)
1
Bass Clef Instruments
1
Cor et Harpe
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Cor et Orgue
1
2 Cors, Piano
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
389
Violon et Piano
181
Violon
177
Violon, Violoncelle (duo)
171
Trio à Cordes: violon, alto, violoncelle
154
Violoncelle, Piano
110
Alto, Piano
90
Violoncelle
84
Harpe
63
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
2 Violons (duo)
36
Alto seul
34
2 Violoncelles (duo)
30
Contrebasse, Piano (duo)
26
Trio à Cordes: 2 violons, violoncelle
26
Violon, Alto (duo)
25
Contre Basse
24
Contrebasse (partie séparée)
20
2 Altos (duo)
20
Violon (partie séparée)
15
Alto (partie séparée)
13
Violon, Guitare (duo)
12
4 Violoncelles
9
Ensemble de Violons
8
Harpe, Flûte (duo)
7
Ensemble d'Altos
7
Violoncelle, Contrebasse (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Violon, Orgue
2
Harpe, Violon (duo)
2
Alto, Guitare (duo)
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Harpe, Violoncelle (duo)
1
Alto et orchestre
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
769
Orchestre à Cordes
219
Orchestre
160
Cloches
143
Orchestre de chambre
89
Ensemble de cuivres
83
Ensemble Jazz
68
Jazz combo
24
Percussion (partie séparée)
20
Marimba
18
Ensemble de Percussions
14
Batterie
9
Batterie (partie séparée)
7
Fanfare
7
Percussion
5
Timbales (partie séparée)
4
Vibraphone
2
2 Xylophones
2
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
Piano et Orchestre
1
Caisse Claire
1
3 Marimbas
1
Xylophone, Piano
1
Instrumentation Flexible
1
Voix Mezzo-Soprano, Orchestre
1
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AUTRES
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1
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.31 €
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Clarinette Basse, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.72 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.72 €
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Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.72 €
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Clarinette Basse, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tico Tico (tico Tico No Fuba) for Bb and Bb Bass Clarinet and Piano
Clarinette Basse, Piano
Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sister…
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Clarinet, Woodwind Duet - Advanced Intermediate - Digital Download By The Andrews Sisters. Arranged by Keith Terrett. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Arranged for Bb Clarinet, Bb Bass Clarinet and Piano, "Tico-Tico no fubá" ("sparrow in the cornmeal", or, literally, "rufous-collared sparrow in the cornmeal") is a Brazilian choro song written by Zequinha de Abreu in 1917. A great duet for your next performance, sure to be a big hit with your audience! Its original title was "Tico-Tico no farelo" ("sparrow in the bran"), but since Brazilian guitarist Américo Jacomino "Canhoto" (1889?1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Eros Volusia and her dancers dance to "Tico-Tico" in 1942 Rio Rita. Ethel Smith performed "Tico-Tico" onscreen in Bathing Beauty (1944). Carmen Miranda performed "Tico-Tico" onscreen in Copacabana (1947); It was also featured in the "Aquarela do Brasil" segment of the Walt Disney film Saludos Amigos (1942) and in Woody Allen's Radio Days (1987). In Quebec the song has been used for several decades in commercials for Sico paint. In season three of Mama's Family episode "An Ill Wind," an intoxicated Iola briefly sings the song's chorus before passing out onto a bed. This song can be heard on various episodes of the Belgian Kabouter Wesley cartoon. In season one of Narcos: Mexico, episode 3 ("El Padrino?), the orchestral version of the song is played by a band during a reception. A biographical movie about Zequinha de Abreu with the same title, Tico-Tico no Fubá was produced in 1952 by the Brazilian film studio Companhia Cinematográfica Vera Cruz, starring Anselmo Duarte as Abreu. The title phrase also features in the lyrics to the song "O Pato" made famous by João Gilberto. Choro (Portuguese pronunciation: [and#712;and#643;oand#638;u], "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
$12.99
11.72 €
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Clarinette Basse, Piano
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The Andrews Sisters
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Keith Terrett
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Tico Tico
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Music for all Occasions
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.72 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.99 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.5 €
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Clarinette Basse, Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz S…
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Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
27.01 €
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Clarinette Basse, Piano
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter I…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549627 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3515369. Published by jmsgu3 (A0.549627). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Â
$32.95
29.72 €
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nutcracker Suite for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Can't Help Falling In Love
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.845288 By Elvis Presley. B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.845288 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681667. Published by Phil Beaman (A0.845288). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
5.4 €
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Clarinette Basse, Piano
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich …
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Bass Clarinet & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Technique Training, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: 2:30, score: 8 pages, solo part: 2 pages, piano part: 5 pages. A well-known favorite masterpiece suitable for a recital or school program.<br> <br> Pyotr Ilyich Tchaikovsky<br> Tchaikovsky is probably the most popular of thegreat composers in America. His music certainly appeals to musicians. Likewise,it appeals even to folks who don’t normally listen to serious music. This isprobably because of his most noteworthy melodies. Above all, he writes withgreat emotion. This certainly makes a most noteworthy if not an unforgettableimpact.<br> <br> Education<br> First of all, He attended classes at the RussianMusical Society. Even more, He also attended the St. PetersburgConservatory. There he studied music theory with Nikolai Zaremba. He alsoconsequently studied composition with Anton Rubenstein. It seems likeRubenstein came under criticism from a group of Russian composers known as “theFive.”<br> <br> The Five<br> The Five certainly rejected Western musicalinfluences. They rather sought to use elements from Russian music. Theyfurthermore wanted to use more exotic musical materials.<br> <br> Western Techniques<br> More than other Russian composers, Tchaikovskystudied modern Western music. He certainly develops his music like the Europeanmasters. So, rather than repeating a motive, he moves to a new key. He thenintroduces a different theme in the new key. Hence, he maintained hisindependence from “the Five.” Even more, he became the first Russian composerof international stature.<br> <br> Influences<br> Tchaikovsky was probably influenced in his balletscoring by Léo Delibes. Richard Wagner influenced his symphonic writing.Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite,and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies.The greatest of the six symphonies may be No. 6, the “Pathétique.”<br> <br> Swan Lake Op. 20<br> Tchaikovsky composed Swan Lake in 1875-76. To beginwith, most noteworthy the ballet failed to attract a positive reception. Overtime, however, the ballet became probably one of the most popular of all ofTchaikovsky’s works. The ballet was certainly first performed by the BolshoiBallet in Moscow.<br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
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Clarinette Basse, Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Scene 10 from Swan Lake for Bass Clarinet & Piano
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SheetMusicPlus
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