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45
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29
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Piano Trio: piano, violon, violoncelle
13
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2 Guitares (duo)
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VOIX
Chorale SATB
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126
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52
Chorale Unison
32
Voix Tenor, Piano
19
Voix duo, Piano
15
Voix seule
12
Voix duo
8
Soli, choeur mixte et accompagnement
5
Chorale
3
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
1
Chorale SATBB
1
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466
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189
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
155
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128
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110
Flûte traversière
104
Flûte traversière et Piano
91
Clarinette
86
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80
Flute (partie séparée)
73
Flûte, Hautbois, Clarinette, Basson
69
Quatuor de Clarinettes: 4 clarinettes
65
Saxophone
62
Hautbois, Piano (duo)
59
Clarinette et Piano
56
Saxophone Alto
51
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42
Quatuor de Flûtes : 4 flûtes
35
Saxophone Tenor et Piano
35
Ensemble de Clarinettes
35
Quintette de Flûte : 5 flûtes
28
2 Saxophones (duo)
21
Ensemble de Flûtes
20
Saxophone Tenor
20
Hautbois
20
2 Flûtes traversières (duo)
19
Ensemble de saxophones
18
Saxophone Soprano et Piano
15
2 Clarinettes (duo)
15
Saxophone Soprano
14
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
14
3 Saxophones (trio)
13
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Trio de Flûtes: 3 flûtes
10
Harmonica
7
Flûte à Bec
7
Cor anglais, Piano
7
Clarinette Basse, Piano
6
Flûte à bec Alto
6
2 Hautbois (duo)
6
2 Flûtes traversières, Piano
5
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5
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2 Saxophones, Piano
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Piccolo
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Hautbois, Guitare (duo)
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Trompette (partie séparée)
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212
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149
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Cor (partie séparée)
98
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
Trombone
66
Tuba (partie séparée)
63
Cor
49
Trompette, Piano
41
Cor et Piano
39
Trombone et Piano
35
Ensemble de Trombones
33
Quatuor de cuivres: 4 trombones
26
Tuba et Piano
25
Tuba
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Quatuor de Cuivres
16
2 Trompettes (duo)
13
Euphonium, Piano (duo)
9
2 Trombones (duo)
8
Cor anglais, Piano
7
Euphonium
6
Quatuor de cuivres: 4 cors
4
Cor Anglais
3
Ensemble de Trompettes
3
Trompette, Trombone (duo)
3
Bass Clef Instruments
3
4 Tubas
2
Trombone et orchestre
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
3 Trombones (trio)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
1
Cor et Orgue
1
2 Trombones, Piano
1
Trombone, Orgue
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Trombone basse et Piano
1
Instruments en Fa
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Instruments en Sib
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Tuba ou Euphonium ou Saxhorn
1
2 Trompettes, Clavier (piano ou orgue)
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Tuba et Orgue
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violoncelle (partie séparée)
177
Violon
139
Violon et Piano
127
Violon (partie séparée)
101
Violoncelle, Piano
68
Contrebasse (partie séparée)
67
Alto, Piano
65
Alto (partie séparée)
60
Alto seul
56
Trio à Cordes: violon, alto, violoncelle
53
Violoncelle
42
Violon, Violoncelle (duo)
39
Harpe
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
2 Violons (duo)
26
Contre Basse
23
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
15
Contrebasse, Piano (duo)
15
4 Violoncelles
8
2 Altos (duo)
8
Violon, Alto (duo)
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble d'Altos
4
2 Harpes (duo)
4
Ensemble de Violons
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Voix
3
Alto, Violoncelle (duo)
3
4 Contrebasses
3
2 Violons, Piano
2
Trio à Cordes: 2 violons, alto
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
2 Altos, Piano
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Violoncelle, Orchestre
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
487
Orchestre
149
Percussion (partie séparée)
147
Orchestre à Cordes
117
Batterie (partie séparée)
70
Orchestre de chambre
67
Ensemble de cuivres
63
Batterie
40
Cloches
40
Ensemble Jazz
33
Fanfare
25
Timbales (partie séparée)
20
Ensemble de Percussions
18
Jazz combo
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Marimba
3
Ensemble d'École
2
Xylophone
2
Vibraphone
2
Vibraphone (partie séparée)
1
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AUTRES
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Anaïs
Clarinette Basse, Piano
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard …
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.83 €
#
Clarinette Basse, Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.83 €
#
Clarinette Basse, Piano
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Two Arias from "Eugene Onegin" for Bass Clarinet and Piano
Clarinette Basse, Piano
B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.812174 Com…
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B-Flat Clarinet,Bass Clarinet,Piano - Level 1 - Digital Download SKU: A0.812174 Composed by Pyotr Tchaikovsky. Arranged by Erin Miesner. 19th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and part. 10 pages. Erin Miesner #5734131. Published by Erin Miesner (A0.812174). These two arias from the opera, Eugene Onegin, by Pyotr Tchaikovsky are a delightful option for your high school competition solo, or the perfect complement to your next recital program. Taken from Acts 2 and 3, this piece features an aria sung by Triquet, a French tutor to Tatyana and an aria sung by Prince Gremin, Tatyana’s husband and rival of the titular character for her affections. Solo and Ensemble tried and tested (top marks!)Includes Score (5 pgs.) and Bass Clarinet in B-Flat Part (with optional Clarinet in B-Flat part on Prince Gremin’s Aria)For more information and other arrangements, visit www.ehmpublishing.com.
$11.95
10.93 €
#
Clarinette Basse, Piano
#
Pyotr Tchaikovsky
#
Erin Miesner
#
Two Arias from "Eugene Onegin" for Bass Clarinet and Piano
#
Erin Miesner
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard …
(+)
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.83 €
#
Clarinette Basse, Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549432 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494207. Published by jmsgu3 (A0.549432). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
30.15 €
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Clarinette Basse, Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
'Point Forms'
Clarinette Basse, Piano
Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after…
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Basset clarinet in A or clarinet in A and piano - difficult - Digital Download (after Kandinsky). Composed by Kenneth Hesketh. This edition: score and parts. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19145. Published by Schott Music - Digital
'Point forms' was suggested by a group of five diagrams found in Wassily Kandinsky's book Point and Line and Plane. Many explanations of the geometric shapes, including Kandinsky's use of the words 'stippled', 'sprayed' and 'compact' suggested musical ways to amass textures. line development and manipulation, for example by the interleaving of one idea temporarily intertwined with a previous one, allow the form to determine its own organic development. In writing for the specific quality of the basset clarinet, which extends the pitch range of the normal A clarinet, the structure of the piece allows various timbres and extended effects to come to prominence as mood and momentum change. Static or forward-moving, playful, aggressive or wailing, the musical narrative seeks through abstract paths to communicate an 'inner beauty' as well as 'inner necessity'. Processes in the work are often varied as they are repeated, in a single line or between the two performers, echoing Kandinsky's proposition that 'forces coming from without, which transform the point into a line, can be very diverse indeed. 'Point forms' was commissioned by the Rushworth Trust, and is dedicated with affection to Mark Simpson. Ken Hesketh (2010).
$25.99
23.78 €
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Clarinette Basse, Piano
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'Point Forms'
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Schott Music - Digital
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SheetMusicPlus
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