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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Any Time
Non classifié
4 464
Piano & claviers
Piano seul
23 661
Accordéon
2 253
Piano, Voix
1 345
Piano, Voix et Guitare
626
Piano Facile
564
Instruments en Do
240
Orgue
177
Accompagnement Piano
109
1 Piano, 4 mains
101
Piano Trio: piano, violon, violoncelle
42
Piano Quatuor: piano, 2 violons, violoncelle
31
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
16
Orgue, Trompette (duo)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Piano (partie séparée)
5
Ligne De Mélodie, Piano
5
1 Piano, 6 mains
4
Clavecin
3
Piano grosses notes
2
Orgue, Piano (duo)
1
2 Accordéons
1
+ 17 instrumentations
Retracter
Guitares
Guitare
4 401
Basse electrique
3 366
Guitare notes et tablatures
1 122
Ukulele
188
Ligne De Mélodie, (Paroles) et Accords
67
Paroles et Accords
17
2 Guitares (duo)
16
Piano, Guitare (duo)
12
Mandoline
11
Banjo
11
Guitare (partie séparée)
10
4 Guitares (Quatuor)
9
3 Guitares (trio)
5
Mandoline, Guitare (duo)
4
Dulcimer
4
Guitare, Violon, Violoncelle (trio)
3
Ensemble de guitares
2
Dobro
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Voix seule
5 741
Chorale SATB
1 616
Chorale 2 parties
1 550
Voix duo, Piano
737
Chorale 3 parties
705
Chorale Unison
526
Voix duo
247
Chorale TTBB
164
Chorale SSAA
89
Voix Soprano, Piano
42
Voix Alto, Piano
39
Voix Tenor, Piano
38
Voix Baryton, Piano
36
Voix haute
13
Voix moyenne, Piano
10
Voix basse, Piano
6
Voix basse
4
Chorale
4
Chorale SSAATTBB
4
Voix Mezzo-Soprano, Piano
3
Voix Soprano
2
Chorale SSATB
2
Voix, Guitare
1
Chorale SATBB
1
Voix Tenor
1
Chorale SATTBB A Cappella
1
+ 21 instrumentations
Retracter
Vents
Saxophone
16 626
Flûte traversière
7 628
Clarinette
7 111
Saxophone Alto
1 353
Saxophone Tenor
1 309
Flûte à Bec
1 189
2 Saxophones (duo)
890
Hautbois
726
Saxophone Soprano
588
Saxophone, Clarinette (duo)
399
2 Clarinettes (duo)
369
Quatuor de Saxophones: 4 saxophones
358
2 Flûtes traversières (duo)
334
Flûte traversière et Piano
329
Flûte, Hautbois, Clarinette, Basson
311
Clarinette et Piano
297
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
288
Clarinette, Violon (duo)
271
Quintette de Saxophone: 5 saxophones
257
Saxophone Soprano et Piano
257
Saxophone Tenor et Piano
253
Clarinette, Trompette (duo)
233
Saxophone Alto et Piano
231
Flûte, Clarinette (duo)
211
Hautbois, Piano (duo)
195
2 Hautbois (duo)
164
Hautbois, Basson (duo)
149
Hautbois, Clarinette (duo)
145
Flûte, Violon
141
Clarinette et Alto
135
Flûte, Saxophone (duo)
134
Hautbois, Flûte
130
Quatuor de Clarinettes: 4 clarinettes
127
Flûte, Alto (duo)
113
Flûte, Trompette (duo)
110
Ensemble de saxophones
94
Ensemble de Clarinettes
89
Saxophone Baryton, Piano
79
Saxophone (partie séparée)
76
2 Flûte à bec (duo)
61
Hautbois (partie séparée)
61
3 Saxophones (trio)
56
Cor anglais, Piano
47
Ensemble de Flûtes
47
Quatuor de Flûtes : 4 flûtes
47
Quintette de Clarinettes: 5 clarinettes
47
Quintette de Flûte : 5 flûtes
43
3 Clarinettes (trio)
39
Trio de Flûtes: 3 flûtes
36
Clarinette Basse, Piano
29
Flûte à bec Soprano
25
Hautbois, Clarinette, Basson (trio d'anches)
22
Saxophone Baryton
22
Flûte, Violon, Piano
21
Flûte et Guitare
20
Flûte, Hautbois, Clarinette (trio)
17
Flûte, Clarinette et Basson
14
Flûte, Hautbois (duo)
13
Flûte, Violoncelle
12
Quatuor de Flûtes à bec
12
Flute (partie séparée)
11
Clarinette, Violoncelle (duo)
11
Cor Anglais
11
Saxophone et Orgue
11
Clarinette, Trombone (duo)
10
Clarinette (partie séparée)
10
5 Flûtes à bec
10
Hautbois, Violoncelle
9
Hautbois, violon (duo)
9
Clarinette, Basson (duo)
8
Ensemble De Flûte à bec
8
Clarinette, Guitare (duo)
7
3 Flûtes à bec (trio)
6
Flûte à bec Soprano, Piano
6
Flûte à bec Alto
5
Flûte à bec Tenor
5
Flûte, Violoncelle, Piano (trio)
4
2 Saxophones, Piano
4
Flûte, Hautbois, Basson
4
Piccolo, Piano
4
Flûte, Trombone (duo)
3
Hautbois et alto (duo)
3
Flûte, Violon, Violoncelle et Piano
3
Flûte, Hautbois, Piano (trio)
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette, Violon (trio)
2
2 Flûtes traversières, Piano
2
Cor anglais, Guitare (duo)
2
Flute, Cor (duo)
2
Flûte traversière, Orgue (duo)
2
2 Clarinettes, Piano
2
Clarinette, Orgue
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violon et Violoncelle
2
Flûte irlandaise
2
Flûte à Bec, Piano
1
3 Hautbois
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble à vent
1
Saxophone et Piano
1
Hautbois, trombone (duo)
1
Clarinette, Harpe (duo)
1
Ocarina
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Trio à cordes
1
Saxophone et Guitare
1
Clarinette, Contrebasse (duo)
1
Hautbois, Guitare (duo)
1
Harmonica
1
Clarinette Basse
1
Hautbois, Violon, Piano
1
Ensemble de Hautbois
1
+ 109 instrumentations
Retracter
Cuivres
Trompette
6 260
Trombone
5 803
Cor
528
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
407
Euphonium
385
Tuba
349
Trompette, Saxophone (duo)
277
Trombone et Piano
270
Trompette, Piano
252
Quatuor de Cuivres : 2 trompettes, trombone, tuba
197
2 Trompettes (duo)
186
2 Trombones (duo)
186
Cor et Piano
176
Trompette, Trombone (duo)
161
Quatuor de Cuivres: 2 trompettes, Cor, trombone
151
Ensemble de Trompettes
97
Tuba et Piano
61
Euphonium, Piano (duo)
54
Cor anglais, Piano
47
Quatuor de Cuivres
45
Ensemble de Trombones
40
Trompette, Cor (duo)
40
Trombone (partie séparée)
32
Trompette (partie séparée)
31
2 Cors (duo)
27
Quatuor de cuivres: 4 trombones
15
Quatuor de cuivres: 4 cors
14
2 Euphoniums (duo)
12
3 Trompettes (trio)
12
Cor Anglais
11
Tuba (partie séparée)
11
Ensemble de Cors
11
Cor (partie séparée)
10
2 Tubas (duo)
9
Trombone, Orgue
7
2 Euphoniums et 2 Tubas
6
3 Trombones (trio)
6
Quatuor de cuivres: 4 trompettes
5
Tuba et Orgue
5
4 Tubas
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
2 Trombones, Piano
3
Trio de Cuivres
3
Cor et Orgue
3
Trompette, Trombone, Piano
2
Cor anglais, Guitare (duo)
2
Instruments en Sib
2
Trombone, Cor (duo)
2
Cor et Basson (duo)
2
Cor, Violoncelle (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors Anglais Et Pianoforte
2
Cor anglais et Harpe (duo)
1
Trompette, Tuba (duo)
1
Trombone basse
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
Trompette, Basson (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
+ 58 instrumentations
Retracter
Cordes
Violon
4 425
Violoncelle
2 868
Alto seul
2 337
Quatuor à cordes: 2 violons, alto, violoncelle
757
Violon et Piano
358
Violoncelle, Piano
312
Alto, Piano
284
Contre Basse
257
Violon, Violoncelle (duo)
243
2 Violons (duo)
206
Violon, Alto (duo)
183
2 Altos (duo)
175
2 Violoncelles (duo)
168
Harpe
140
Trio à Cordes: violon, alto, violoncelle
112
Quintette à cordes: 2 violons, alto, violoncelle, basse
80
Trio à Cordes: 2 violons, violoncelle
67
Piano Trio: Violon, Alto, Piano
58
Contrebasse, Piano (duo)
48
Violon (partie séparée)
37
Alto (partie séparée)
26
Ensemble de Violons
21
Ensemble d'Altos
19
Contrebasse (partie séparée)
19
Trio à cordes: 3 violins
18
2 Violons, Piano
15
2 Harpes (duo)
11
Trio à Cordes: 3 violoncelles
11
Violoncelle, Orgue
11
2 Contrebasses (duo)
7
4 Violoncelles
6
Alto, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
5
Violon, Guitare (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
5
Harpe, Voix
5
Violoncelle (partie séparée)
5
Violoncelle , Guitare (duo)
5
Harpe, Flûte (duo)
4
Alto, Orgue
4
Alto, Guitare (duo)
3
Alto et Basson
3
Quatuor à cordes: 4 violons
3
Harpe, Violon, Violoncelle
3
Violon, Orgue
2
Trio à cordes: 3 altos
2
4 Contrebasses
2
Violon, Basson (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Contrebasse (duo)
2
Ensemble de Violoncelles
2
Flûte, Contrebasse (duo)
2
4 Harpes
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Alto et Harpe
1
3 Harpes
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Batterie
5 852
Orchestre
1 323
Orchestre d'harmonie
787
Orchestre à Cordes
289
Ensemble de cuivres
183
Cloches
161
Percussion
143
Ensemble Jazz
138
Fanfare
98
Orchestre de chambre
71
Jazz combo
35
Ensemble de Percussions
20
Percussion (partie séparée)
12
Batterie (partie séparée)
8
Marimba
6
Vibraphone
5
Ensemble d'École
4
Caisse Claire
3
Xylophone, Piano
3
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
Piano et Orchestre
1
2 Marimbas
1
Marimba, Piano (duo)
1
+ 20 instrumentations
Retracter
Autres
Formation musicale - Solfège
39
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
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COR ANGLAIS
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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SAXOPHONE
SYNTHE
TROMBONE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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Any Time
Clarinette Basse, Piano
Partitions à imprimer
29 partitions trouvées
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1
26
It's Been A Long, Long Time
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Contemporain
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #...
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Bass Clarinet,Piano - Level 3 - SKU: A0.592528 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366325. Published by David McKeown (A0.592528). It’s Been a Long Long Time is arranged as a solo for one Bass Clarinet with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Old Time Religion, Gospel Song for Bass Clarinet and Piano
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Clarinette Basse, Piano
#
FACILE
#
Musique Sacrée
#
Traditional
#
David McKeown
#
Old Time Religion, Gospel Song
#
David McKeown
#
SheetMusicPlus
Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593110 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble Bass Clarinet,Piano - Level 2 - SKU: A0.593110 Composed by Traditional. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416373. Published by David McKeown (A0.593110). Old Time Religion is a beautiful gospel song arranged here for Solo Bass Clarinet and Piano.Old Time Religion was first published in 1873 but probably dates from many years earlier, with possible roots in English folk song
$2.49
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Handel: Largo from Xerxes for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Maple Leaf Rag, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1112353 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #714427. Published by David McKeown (A0.1112353). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Bass Clarinet and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
The Elite Syncopations for Solo Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 p...
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Bass Clarinet,Piano - Level 4 - SKU: A0.1090775 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694905. Published by David McKeown (A0.1090775). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Bass Clarinet with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
The Easy Winners, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Ragtime
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Scott Joplin
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David McKeown
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The Easy Winners, for Bass Cla
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages....
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Bass Clarinet,Piano - Level 4 - SKU: A0.1106196 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709310. Published by David McKeown (A0.1106196). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Bass Clarinet with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
The Entertainer, by Scott Joplin, for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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David McKeown
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The Entertainer, by Scott Jopl
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David McKeown
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages....
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Bass Clarinet,Piano - Level 3 - SKU: A0.1113161 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715119. Published by David McKeown (A0.1113161). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Bass Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Jingle Bells for Solo Bass Clarinet
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Noël
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James Pierpont
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Lawrence H
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Jingle Bells for Solo Bass Cla
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Lawrence H Underwood
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.967643 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,R...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.967643 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and individual part. 9 pages. Lawrence H Underwood #6189167. Published by Lawrence H Underwood (A0.967643). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
Simulacrum [Transposed for Bb Bass Clarinet]
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan C
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Simulacrum [Transposed for Bb
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Nathan C. Curtis Music
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SheetMusicPlus
Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. ...
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Instrumental Duet B-Flat Bass Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.1008608 Composed by Nathan C. Curtis. Contemporary. Score and parts. 23 pages. Nathan C. Curtis Music #6189907. Published by Nathan C. Curtis Music (A0.1008608). Simulacrum is another entry in Nathan Curtis's Pentatonic Studies Series, this time arranged for Bass instrument and Piano. Any instrument with a range of C2 - Ab4 (octave displacement is acceptable!) will qualify as a Bass instrument in this case. It has been performed in several configurations so far, including cello, bass clarinet, and double bass being used as the bass instrument. Performed at the 2018 SCI Region III Conference.
$2.49
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
The Brass Clarinet-bass clarinet/piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Phil Beaman
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The Brass Clarinet-bass clarin
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Phil Beaman
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman ...
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B-Flat Bass Clarinet,Piano - Level 4 - SKU: A0.844892 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and part. 10 pages. Phil Beaman #5986457. Published by Phil Beaman (A0.844892). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Maple Leaf Rag - Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Maple Leaf Rag - Bass Clarinet
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Music-Scores.com
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722324 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.722324 Composed by Scott Joplin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Love,Ragtime,Wedding. Score and individual part. 7 pages. Music-Scores.com #6364113. Published by Music-Scores.com (A0.722324). Maple Leaf Rag, arranged for Bass Clarinet and Piano. This was an early ragtime piece that was arranged and played by many dance bands over the years. It could have been named after a club called the Maple Leaf Club in the city of Sedalia, Missouri, where Joplin later lived.This is a version for Bass Clarinet and Piano.Duration: just over 3 minutes, with repeats.Arranged by Anne L. Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Vivaldi: Sonata No. 4 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Sco...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550479 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641523. Published by jmsgu3 (A0.550479). Sonata da Chiesa No. 4 in Bb Major for Bass Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and ...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550427 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. Score and part. 18 pages. Jmsgu3 #4632981. Published by jmsgu3 (A0.550427). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Piano score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 1 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Bass
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and par...
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Bass Clarinet,Piano - Level 3 - SKU: A0.550404 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 33 pages. Jmsgu3 #4628821. Published by jmsgu3 (A0.550404). Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
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