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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Berg
Non classifié
1 623
Piano & claviers
Piano seul
1 964
Piano, Voix et Guitare
803
Piano, Voix
648
Piano Facile
433
Orgue
127
Instruments en Do
77
1 Piano, 4 mains
63
Piano (partie séparée)
35
Piano grosses notes
24
Accompagnement Piano
20
Accordéon
11
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
8
2 Pianos, 4 mains
7
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Ligne De Mélodie, Piano
5
Orgue, Trompette (duo)
3
Ensemble de Pianos
3
Clavier
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon, Voix
2
2 Pianos, 8 mains
2
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
201
Ligne De Mélodie, (Paroles) et Accords
169
Guitare
115
Dulcimer
115
Ukulele
111
Guitare (partie séparée)
70
Paroles et Accords
26
Basse electrique
24
2 Guitares (duo)
13
4 Guitares (Quatuor)
10
Piano, Guitare (duo)
9
Mandoline
7
Ensemble de guitares
7
3 Guitares (trio)
6
Banjo
5
Basse électrique (partie séparée)
3
Ukulele Baryton
2
Orchestre à Plectres
1
Partitions De Groupes
1
Guitare, Flûte, Clarinette
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
780
Chorale 3 parties
340
Chorale TTBB
186
Chorale 2 parties
133
Chorale SSAA
112
Chorale
89
Pack Instrumental pour Chorale
65
Voix basse, Piano
48
Voix haute
48
Voix seule
42
Chorale Unison
38
Voix Moyenne
34
Voix duo, Piano
14
Voix Soprano, Piano
11
Chorale SSATTB
11
Voix Alto, Piano
9
Chorale SSAATTBB
8
Voix duo
7
Voix Baryton, Piano
7
Voix moyenne, Piano
6
Voix, Guitare
4
Voix Tenor, Piano
4
Chorale SSATB
4
Soli, choeur mixte et accompagnement
3
Chorale SSAB a cappella
3
Chorale SATBB
1
Voix Tenor
1
Chorale, Orchestre
1
Chorale SSAB, Piano
1
+ 24 instrumentations
Retracter
Vents
Saxophone (partie séparée)
283
Clarinette
131
Flûte traversière
130
Saxophone
122
Flûte traversière et Piano
92
Saxophone Alto
76
Clarinette et Piano
73
Quatuor de Saxophones: 4 saxophones
70
Saxophone Tenor
70
2 Clarinettes (duo)
56
Clarinette (partie séparée)
49
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Quatuor de Clarinettes: 4 clarinettes
44
Hautbois, Piano (duo)
43
Flûte, Hautbois, Clarinette, Basson
35
Flute (partie séparée)
34
Saxophone Alto et Piano
34
Hautbois (partie séparée)
31
Saxophone Tenor et Piano
27
Saxophone Soprano et Piano
23
2 Saxophones (duo)
23
Quintette de Clarinettes: 5 clarinettes
22
2 Flûtes traversières (duo)
20
Ensemble de Clarinettes
17
3 Saxophones (trio)
16
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Flûte et Guitare
13
Clarinette Basse, Piano
12
Ensemble de Flûtes
12
Ensemble de saxophones
12
Quatuor de Flûtes : 4 flûtes
12
Quintette de Saxophone: 5 saxophones
12
Flûte, Violon
10
Flûte, Clarinette (duo)
10
Instruments en Mib
8
Trio de Flûtes: 3 flûtes
8
Clarinette, Basson (duo)
7
Flûte à bec Alto, Piano
6
Piccolo, Piano
6
3 Flûtes à bec (trio)
5
Flûte à bec Soprano
5
Flûte à Bec
5
Clarinette, Guitare (duo)
5
Hautbois
5
Clarinette, Harpe (duo)
4
Flûte, Violon et Violoncelle
4
Clarinette, Violon (duo)
4
2 Hautbois (duo)
4
Hautbois, Basson (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Flûte
3
Piccolo
3
Clarinette, Violoncelle (duo)
3
Saxophone Baryton
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Basson
2
Saxophone, Clarinette (duo)
2
Flûte, Trombone (duo)
2
Quatuor de Flûtes à bec
2
Clarinette, Trompette (duo)
2
Hautbois, Violoncelle
2
2 Flûte à bec (duo)
2
Flûte à bec Alto
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Violon
2
2 Saxophones, Piano
2
Clarinette Basse
2
Flûte à Bec, Piano
2
Flûte, Hautbois (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
2
Flûte, Clarinette, Piano (trio)
2
Cor anglais et Harpe (duo)
1
2 Clarinettes, Basson
1
2 Flûtes traversières, Piano
1
Saxophone et violoncelle
1
Saxophone Soprano
1
Flûte, Violon, Guitare
1
Flûte, Alto (duo)
1
Saxophone, Basson (duo)
1
Hautbois, Guitare (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Ocarina
1
Clarinette, Trombone (duo)
1
Cor Anglais
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Flûte irlandaise
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, trombone (duo)
1
2 Clarinettes, Piano
1
4 Hautbois
1
Clarinette et Alto
1
Flûte à bec Alto, Basse continue
1
3 Hautbois
1
+ 97 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
229
Trompette (partie séparée)
188
Trompette
119
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
98
Trombone
96
Cor
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
38
Cor (partie séparée)
36
Tuba (partie séparée)
29
Cor et Piano
27
Trompette, Piano
25
Trombone et Piano
24
Euphonium, Piano (duo)
21
Tuba
16
Cor anglais, Piano
14
Quatuor de Cuivres
13
Euphonium
13
2 Trompettes (duo)
12
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trombones (duo)
8
Instruments en Sib
8
Quatuor de cuivres: 4 cors
6
Tuba et Piano
6
Trompette, Trombone (duo)
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
4
Trio de Cuivres
3
Bass Clef Instruments
3
Ensemble de Trompettes
3
3 Trombones (trio)
3
Tuba ou Euphonium ou Saxhorn
3
2 Cors (duo)
3
Ensemble de Trombones
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Cor et Orgue
1
Trombone, Alto (duo)
1
Tuba et Orgue
1
Cor Anglais
1
Trombone, Violon (duo)
1
4 Tubas
1
2 Tubas (duo)
1
Trompette, Tuba (duo)
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Cor et Basson (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
292
Violon
132
Violon et Piano
120
Violoncelle
106
Violoncelle, Piano
97
Contrebasse (partie séparée)
74
Alto seul
68
Violon (partie séparée)
62
Alto, Piano
58
Violon, Violoncelle (duo)
54
Trio à Cordes: violon, alto, violoncelle
39
2 Violons (duo)
30
Harpe
26
Alto (partie séparée)
23
2 Violoncelles (duo)
20
Violoncelle (partie séparée)
20
Trio à Cordes: 2 violons, violoncelle
17
Violoncelle , Guitare (duo)
13
Violon, Guitare (duo)
12
Violon, Alto (duo)
9
4 Violoncelles
9
2 Altos (duo)
8
Harpe, Flûte (duo)
7
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à cordes: 3 violins
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 2 violons, alto
5
Piano Trio: Violon, Alto, Piano
5
Contrebasse, Piano (duo)
5
2 Violons, Piano
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Harpe, Violon (duo)
4
Violoncelle, Contrebasse (duo)
3
Trio à cordes
3
Alto, Guitare (duo)
3
Harpe, Violoncelle (duo)
2
Violon, Orgue
2
Ensemble de Violoncelles
2
Violoncelle, Orgue
1
Trio à cordes: 3 altos
1
Violoncelle, Orchestre
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Contrebasses (duo)
1
Violon, Basse continue
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Violon, Basson (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
320
Orchestre d'harmonie
309
Orchestre
180
Fanfare
139
Orchestre à Cordes
108
Ensemble de cuivres
96
Batterie
75
Batterie (partie séparée)
51
Percussion (partie séparée)
30
Cloches
24
Jazz combo
17
Vibraphone, Piano
15
Orchestre de chambre
14
Caisse Claire
10
Percussion
10
Ensemble de Percussions
6
Timbales (partie séparée)
5
Mariachi
4
Timbales
4
Marimba
3
Instrumentation Flexible
1
Xylophone, Piano
1
Big band
1
Quintette à Vent
1
Xylophone
1
Cajon
1
+ 21 instrumentations
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ACCORDEON
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DULCIMER
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Berg
Clarinette Basse, Piano
Partitions à imprimer
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1
Eine Gamse im Weinberg
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Clarinette Basse, Piano
#
Miloslav R
#
Jirka Kadlec
#
Eine Gamse im Weinberg
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Bass Clarinet & Piano - Grade 5 - SKU: R0.45634 Un Chamois dans le Vignoble / A Chamois In The Vineyard. Composed by Miloslav R. Prochazka. Arran...
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Bass Clarinet & Piano - Grade 5 - SKU: R0.45634 Un Chamois dans le Vignoble / A Chamois In The Vineyard. Composed by Miloslav R. Prochazka. Arranged by Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 10 pages. Duration 3'42. Editions Marc Reift - Digital #45634. Published by Editions Marc Reift - Digital (R0.45634).
$16.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Clarinet & Piano
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Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549562 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508013. Published by jmsgu3 (A0.549562). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain Ki
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Stan...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549585 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511273. Published by jmsgu3 (A0.549585). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer G
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacre...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549541 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506173. Published by jmsgu3 (A0.549541). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
How Great Thou Art - "O store Gud." - Easy Bass Clarinet and Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Musique Sacrée
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Carl Gustav Boberg /Stuart K H
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Daniel H Rosa
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How Great Thou Art - "O s
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Daniel H Rosa
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SheetMusicPlus
B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1155906 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise...
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B-Flat Bass Clarinet,Piano - Level 1 - SKU: A0.1155906 Composed by Carl Gustav Boberg /Stuart K Hine. Arranged by Daniel H Rosa. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 2 pages. Daniel H Rosa #756216. Published by Daniel H Rosa (A0.1155906). Easy Begginer solo.
$2.99
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Bass Clarinet,Piano - Level 2 - SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
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Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
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Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
St. Petersburg Sleigh Ride
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Clarinette Basse, Piano
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Richard Eilenberg
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Gunter Noris and Jirka Kadlec
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St. Petersburg Sleigh Ride
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3 - SKU: R0.39132 Composed by Richard Eilenberg. Arranged by Gunter Noris and Jirka Kadlec. Bass Clarinet & Piano. Score a...
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Bass Clarinet & Piano - Grade 3 - SKU: R0.39132 Composed by Richard Eilenberg. Arranged by Gunter Noris and Jirka Kadlec. Bass Clarinet & Piano. Score and parts. 8 pages. Duration 3'18. Editions Marc Reift - Digital #39132. Published by Editions Marc Reift - Digital (R0.39132).
$5.95
Themes From Kingdom Come: Deliverance
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Clarinette Basse, Piano
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Jan Valta
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Themes From Kingdom Come: Deli
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 3-4 - SKU: R0.55004 I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing F...
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Bass Clarinet & Piano - Grade 3-4 - SKU: R0.55004 I. Skalitz 1403 / II. Talmberg & Lady Stephanie / III. Sigismund's Army At The Gates / IV. Losing Father's Sword & Parents Theme / V. Fist Fight / VI. Rattay / VII. Good Luck Son / VIII. Millers Theme / IX. Town Square / X. The River Sassau Theme.... Composed by Jan Valta. Bass Clarinet & Piano. Score and parts. 60 pages. Duration 37'17. Editions Marc Reift - Digital #55004. Published by Editions Marc Reift - Digital (R0.55004).
$22.95
Konzert Op. 42
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Clarinette Basse, Piano
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Eino Tamberg
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Konzert Op. 42
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Editions Marc Reift - Digital
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SheetMusicPlus
Bass Clarinet & Piano - Grade 5 - SKU: R0.45562 Composed by Eino Tamberg. Bass Clarinet & Piano. Score and parts. 35 pages. Duration 15'20. Editions Mar...
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Bass Clarinet & Piano - Grade 5 - SKU: R0.45562 Composed by Eino Tamberg. Bass Clarinet & Piano. Score and parts. 35 pages. Duration 15'20. Editions Marc Reift - Digital #45562. Published by Editions Marc Reift - Digital (R0.45562).
$27.95
Mussorgsky: Pictures at an Exhibition for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE/AVANCÉ
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic ...
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Bass Clarinet,Piano - Level 4 - SKU: A0.549934 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Easter,Instructional,Romantic Period,Standards. Score and part. 90 pages. Jmsgu3 #4303885. Published by jmsgu3 (A0.549934). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
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