Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Boar\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Sheetmusicplus
Non classifié
8 086
Piano & claviers
Piano seul
6 587
Piano grosses notes
3 954
Piano Facile
3 537
Orgue
1 757
Piano, Voix et Guitare
1 694
Piano, Voix
777
Instruments en Do
343
1 Piano, 4 mains
214
Clavier
161
Piano (partie séparée)
125
2 Pianos, 4 mains
96
Orgue, Piano (duo)
60
Accordéon
41
Clavecin
38
1 Piano, 6 mains
17
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
13
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon, Piano
4
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
Accordéon et Orchestre
2
2 Accordéons
1
Fake Book
1
Ensemble d'Accordéons
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 22 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 327
Guitare notes et tablatures
632
Guitare
171
Piano, Guitare (duo)
120
Basse electrique
42
Guitare Tab, Voix, Basse, Batterie
40
Ukulele
40
2 Guitares (duo)
20
Dulcimer
16
Paroles et Accords
15
Mandoline
13
4 Guitares (Quatuor)
6
Banjo
5
Guitare (partie séparée)
4
Ukulele Baryton
2
3 Guitares (trio)
2
Ensemble de guitares
1
2 Mandolines (duo)
1
2 Dulcimers (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 031
Pack Instrumental pour Chorale
787
Chorale 3 parties
275
Chorale Unison
213
Chorale 2 parties
207
Chorale TTBB
128
Voix Soprano, Piano
58
Chorale SSAA
43
Voix haute
32
Voix duo, Piano
24
Voix seule
16
Voix duo
15
Voix Mezzo-Soprano, Piano
10
Voix basse, Piano
10
Voix Tenor, Piano
8
Chorale
6
Soli, choeur mixte et accompagnement
5
Chorale SSATB
5
Voix Alto, Piano
5
Voix Tenor
4
Voix moyenne, Piano
4
Chorale SSAB, Piano
2
Voix, Guitare
2
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
+ 21 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
332
Clarinette et Piano
316
Flûte traversière et Piano
296
Saxophone Tenor et Piano
242
Flûte traversière
193
Saxophone Alto et Piano
188
Clarinette
108
Saxophone Tenor
107
Quatuor de Saxophones: 4 saxophones
93
Saxophone Alto
92
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
73
Flûte, Hautbois, Clarinette, Basson
72
Cor anglais, Piano
61
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone (partie séparée)
53
2 Saxophones (duo)
52
Hautbois (partie séparée)
46
Saxophone Soprano et Piano
37
2 Clarinettes (duo)
33
2 Flûtes traversières (duo)
32
Quintette de Saxophone: 5 saxophones
27
Saxophone
26
3 Clarinettes (trio)
26
Saxophone Baryton, Piano
23
Quatuor de Flûtes : 4 flûtes
22
Flûte et Guitare
20
Saxophone Soprano
18
Ensemble de Clarinettes
17
2 Flûte à bec (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Quatuor de Flûtes à bec
9
Flûte, Clarinette (duo)
8
Flûte, Clarinette et Basson
7
Clarinette (partie séparée)
7
Clarinette Basse, Piano
7
Trio de Flûtes: 3 flûtes
7
Quintette de Flûte : 5 flûtes
7
3 Saxophones (trio)
6
Flûte, Hautbois, Clarinette (trio)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
6
Flûte à Bec
5
Flûte, Alto (duo)
5
Clarinette, Basson (duo)
5
Flûte à bec Alto
5
3 Flûtes à bec (trio)
5
Hautbois, Basson (duo)
5
Cor anglais, Guitare (duo)
5
Flûte à bec Soprano, Piano
4
2 Hautbois (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Violon, Piano
4
Saxophone et Guitare
4
Saxophone et Harpe
4
Ensemble de Flûtes
4
Flûte, Violoncelle
4
Hautbois
3
Flûte, Basson et Piano
3
Flute (partie séparée)
3
Cor Anglais
3
Ensemble de saxophones
3
Clarinette, Violon (duo)
2
Flûte à bec Soprano
2
Clarinette, Trompette (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Basson et Piano
2
2 Flûtes traversières, Piano
2
Harmonica
2
Ensemble De Flûte à bec
2
Saxophone, Clarinette (duo)
2
Flûte à bec Tenor
2
2 Saxophones, Piano
2
Hautbois, Harpe
2
2 Clarinettes, Piano
2
Clarinette, Harpe (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette Basse
2
Piccolo
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Clarinette et Alto
1
Hautbois, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Flûte irlandaise
1
Piccolo, Piano
1
Hautbois, Flûte
1
2 Hautbois, Piano
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle (duo)
1
Flûte traversière, Basse continue
1
Flûte, Hautbois (duo)
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
3 Hautbois
1
Flûte à bec Alto, Piano
1
Ensemble à vent
1
+ 93 instrumentations
Retracter
Cuivres
Trombone et Piano
204
Trompette
157
2 Trompettes, Clavier (piano ou orgue)
133
Trompette, Piano
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
87
Trombone
85
Cor anglais, Piano
61
Cor et Piano
38
Trompette (partie séparée)
34
Tuba et Piano
25
Euphonium, Piano (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
10
Cor
9
2 Trombones (duo)
9
Trombone (partie séparée)
8
Tuba
8
Ensemble de Trombones
7
Euphonium
7
2 Cors (duo)
7
Ensemble de Trompettes
7
Cor (partie séparée)
5
Cor anglais, Guitare (duo)
5
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
4
Trompette, Trombone (duo)
3
Cor Anglais
3
Tuba (partie séparée)
3
Quatuor de Cuivres
3
Trombone basse
3
Trompette, Saxophone (duo)
3
Trompette, Violoncelle et Piano
2
Trompette, Harpe
2
2 Tubas (duo)
2
Tuba et Orgue
2
Cor et Harpe
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
2
Tuba ou Euphonium ou Saxhorn
1
Trio de Cuivres
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Cor et Orgue
1
Ensemble de Cors
1
Ensemble de Tubas
1
Instruments en Sib
1
Cor anglais et Harpe (duo)
1
Trompette, violon (duo)
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
342
Violon et Piano
308
Violoncelle, Piano
291
Violon
238
Alto, Piano
222
Violoncelle
138
Trio à Cordes: violon, alto, violoncelle
100
Violon, Violoncelle (duo)
78
Trio à Cordes: 2 violons, violoncelle
42
Harpe et Piano
41
Alto seul
40
Harpe
32
Contre Basse
28
2 Violons (duo)
27
Violon, Alto (duo)
26
2 Violoncelles (duo)
22
Alto (partie séparée)
17
Contrebasse, Piano (duo)
17
2 Harpes (duo)
14
Trio à cordes: 3 violins
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 3 violoncelles
9
Violon, Guitare (duo)
9
Violon (partie séparée)
7
4 Violoncelles
7
Contrebasse (partie séparée)
7
2 Altos (duo)
7
Ensemble de Violons
6
Ensemble d'Altos
6
Quatuor à cordes: 4 violons
6
Trio à cordes: 3 altos
6
Harpe, Flûte (duo)
6
Violoncelle (partie séparée)
5
Violoncelle, Orgue
3
Harpe, Violon, Violoncelle
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Violoncelle (duo)
2
Harpe, Trombone (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
Harpe, Violon (duo)
2
2 Violoncelles, Piano
1
Autoharp
1
Violoncelle, Basse continue
1
Harpe, Voix
1
2 Altos, Piano
1
3 Harpes
1
Flûte, Contrebasse (duo)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
929
Ensemble Jazz
484
Fanfare
298
Orchestre
293
Cloches
257
Jazz combo
159
Orchestre à Cordes
156
Ensemble de Percussions
114
Orchestre de chambre
89
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
61
Ensemble de cuivres
60
Caisse Claire
51
Timbales
41
Batterie
21
Percussion
19
Percussion (partie séparée)
8
Big band
7
Instrumentation Flexible
7
Marimba
7
Ensemble d'École
5
Vibraphone
5
Xylophone ou Marimba ou Vibraphone
5
Batterie (partie séparée)
4
Xylophone, Piano
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
7
Librairie Musicale
0
Matériel de Musique
32
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Boar\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
<
1
I Write The Songs
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Barry Manilow
#
James M
#
I Write The Songs
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and pa...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score a...
(+)
Bass Clarinet,Piano - Level 2 - SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding....
(+)
Bass Clarinet,Piano - Level 2 - SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Anecdotes for Bass Clarinet Vol. 1
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Jazz
#
Bruce Boardman
#
Anecdotes for Bass Clarinet Vo
#
Forton Music - Digital
#
SheetMusicPlus
Composed by Bruce Boardman. 4 jazz influenced bass clarinet solos. Score and Part. 19 pages. Forton Music - Digital #FM755. Published by Forton Music ...
(+)
Composed by Bruce Boardman. 4 jazz influenced bass clarinet solos. Score and Part. 19 pages. Forton Music - Digital #FM755. Published by Forton Music - Digital
$10.95
Don't Let The Sun Go Down On Me
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Rock
#
Elton John
#
James M
#
Piano. Duration: 5'27
#
Don't Let The Sun Go Down On M
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.547801 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and ...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.547801 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053397. Published by jmsgu3 (A0.547801). Elton John: Don't Let The Sun Go Down On Me arranged for Bass Clarinet & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
#
Clarinette Basse, Piano
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
(+)
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
<
1
Boar\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
